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Just a Single Voice
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
DEEJAY
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GUITARE LAP ST…
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HARPE
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LIVRES
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Vous avez sélectionné:
Just a Single Voice
Partitions à imprimer
55 partitions trouvées
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51
Just a Single Voice
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Jay Althouse and Sally K
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Just a Single Voice
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0002158 Just a Single Voice - 3-Part Mixed. Composed by Jay Althouse and Sally K. Albrecht. Secular Choral. 9 pages. Alfre...
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Chorus - SKU: AX.00-PO-0002158 Just a Single Voice - 3-Part Mixed. Composed by Jay Althouse and Sally K. Albrecht. Secular Choral. 9 pages. Alfred Music - Digital Sheet Music #00-PO-0002158. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002158). UPC: 038081178981.This outstanding work has a multitude of uses: Music in our Schools Month, music advocacy, graduation, concert opener. But you might sing it simply because it's a beautiful music song that will touch your singers. It opens with two optional solos (It starts with just a single voice, one you barely hear.), and develops into a strong statement for music (When voices come together, the message can be strong.). Perfect for vocal groups of any age, or for combined choral concerts.Recorded Acc. Available.
$2.25
One Voice
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Contemporain
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Barry Manilow
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Lisa Ochoco
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One Voice
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - SKU: A0.559713 By Barry Manilow. By Barry Manilow. Arranged by Lisa O...
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Woodwind Ensemble Contrabassoon,Double Reed Ensemble,English Horn,Oboe - Level 3 - SKU: A0.559713 By Barry Manilow. By Barry Manilow. Arranged by Lisa Ochoco. Contemporary. 17 pages. Lisa L Ochoco #4265477. Published by Lisa L Ochoco (A0.559713). One Voice is one of the most beautiful songs I have ever heard. Starting with just a single melody line, it grows into a full choir piece with expanded chords.
$14.00
Art Songs Set to the Text of Emily Dickinson Poems: I - A Single Human Soul
Piano,Voice,Soprano Voice
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Contemporain
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Justin Rosin
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Art Songs Set to the Text of E
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Justin Rosin
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SheetMusicPlus
Composed by Justin Rosin. 21st Century. Score. 3 pages. Published by Justin Rosin (S0.40393). - Score - 21st Century - Justin Rosin...
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Composed by Justin Rosin. 21st Century. Score. 3 pages. Published by Justin Rosin (S0.40393). - Score - 21st Century - Justin Rosin
$3.99
ATON part 7-Duett von Eje und Pharao - tenor and bass voices, woodwind, harp, cello
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David Warin Solomons
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ATON part 7-Duett von Eje und
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - SKU: A0.576185 Composed by David Warin Solomons. Contemporary,Ope...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - SKU: A0.576185 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4565. Published by David Warin Solomons (A0.576185). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
A Kiss At The End Of The Rainbow
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Film/TV
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Annette O'Toole and Michael Jo
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Derek Hasted
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A Kiss At The End Of The Rainb
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1050289 Composed by Annette O'Toole and Michael John McKean. Arranged by Derek Hast...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 2 - SKU: A0.1050289 Composed by Annette O'Toole and Michael John McKean. Arranged by Derek Hasted. Film/TV. Score and parts. 15 pages. Derek Hasted #654656. Published by Derek Hasted (A0.1050289). A KISS At The End Of The RAINBOW (A Mighty Wind) - VOICE + GUITAR (Score + tab)For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This poignant song is from the film “A Mighty Windâ€. If you haven’t seen it, it’s your duty as a musician to see it right now!Set originally for voice, two guitars, bass and autoharp, my arrangement for voice and guitar captures key parts of the countermelody and includes the instrumental break of the original in a very accessible arrangement.The original was performed on guitar with a Capo on fret 2, and my arrangement is no different - it makes a guitar part that is easy to play and which uses familiar shapes. The Lead Sheet has the vocals, the lyrics and the guitar chords. I’ve also included a fingerpicking “Notation only†Guitar Part and a “Notation + Tab†Guitar part - the latter is rather large for a music stand! As it stands, the vocal range is A below middle C to B 9 notes above - mezzo or baritone. For a lower voice, just take the capo off the guitar - for a higher voice move it up the neck a little! The vocals can be sung be a single voice or by male and female voices (see the Lead Sheet). I hope you enjoy this gentle and moving piece; I am sure your audiences will too...
$4.99
Just Give Me A Reason
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Pink Featuring Nate Ruess
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Volker Bublitz
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Just Give Me A Reason
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Volker Bublitz
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - SKU: A0.1108778 By Pink Featuring Nate Ruess. By Alecia Moore, Jeff Bhasker, and Nate Ruess. Arranged by Volker Bublit...
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Choral Choir (5-Part) - Level 3 - SKU: A0.1108778 By Pink Featuring Nate Ruess. By Alecia Moore, Jeff Bhasker, and Nate Ruess. Arranged by Volker Bublitz. A Cappella,Contemporary,Pop. Octavo. 9 pages. Volker Bublitz #711428. Published by Volker Bublitz (A0.1108778). This arrangement is made for a cappella choir featuring an addition of body percussion, distinctive in details for pros, yet easy enough to perform for amateurs. It is written to cover the complete length of the original recording. The tone range of Nate Ruess is fairly high for normal tenor singers. If your tenor voices are not capable of singing the highest parts in Verse 2 maybe the Alto voices can support. The shout We'll come clean! in bar 65 is very high too and can be performed by a single soprano if necessary.
$2.99
ATON part 15-Bitte des Eje (Eje's plea) - bassoon and tenor voice
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David Warin Solomons
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ATON part 15-Bitte des Eje
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576193 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 3 pages. David Warin Solomons #4585. Published by David Warin Solomons (A0.576193). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
Erlkönig - Erlking - low or medium voice and 6 guitars
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Classique
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Franz Schubert
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David Warin Solomons
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Erlkönig - Erlking - low
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.575575 Composed by Franz Schubert. Arranged by David Warin Solomons. Romantic Period. S...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.575575 Composed by Franz Schubert. Arranged by David Warin Solomons. Romantic Period. Score and parts. 67 pages. David Warin Solomons #28073. Published by David Warin Solomons (A0.575575). This is one of a set of arrangements for voice and six guitars of Schubert's Erlkönig (also including an English version based on Sir Walter Scott's translation) The guitar parts in these arrangements are intermediate (each guitarist repeats single notes) A more advanced version with just two guitars (with rapidly repeating chords) accompanying the voice is also available. The pdf file includes the score for each language, the vocal part for each language, and the separate guitar parts. The sound sample is an electronic preview (with wind instrument representing the voice).
$17.00
A Great Joy
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Musique Sacrée
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Babbie Mason
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Richard Kingsmore
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Choral Octavo
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A Great Joy
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-32247 Composed by Babbie Mason. Arranged by Richard Kingsmore. This edition: InstruPax. Choral (Sacred);...
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Choir Sacred Instrumental Ensemble - SKU: JX.00-32247 Composed by Babbie Mason. Arranged by Richard Kingsmore. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Sacred. Part(s). 66 pages. Jubilate Music Group - Digital #00-32247. Published by Jubilate Music Group - Digital (JX.00-32247). English.Imagine a thrilling mix of Babbie Mason's memorable Christmas song and the traditional German Christmas carol, How Great Our Joy. A Great Joy is just that. Richard Kingsmore's superb arranging and orchestrating makes A Great Joy one of the most enjoyable and worshipful musical experiences of the season. The energetic 6/8 feel adds power and depth to any Christmas service or program.
$40.00
Just Because I Ain't Been Caught Yet (Doesn't Mean I'm Not a Catch) -- Comedy Cabaret Solo
Piano/Vocal/Chords,Voice,Soprano Voice,Alto Voice
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Amanda Miller Dills
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Just Because I Ain't Been Caug
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Ellamina Music
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SheetMusicPlus
Composed by Amanda Miller Dills. Swing, Comedy. Sheet Music Single. 7 pages. Published by Ellamina Music (S0.236973). - Sheet Music Single - Swing,Comedy - Ella...
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Composed by Amanda Miller Dills. Swing, Comedy. Sheet Music Single. 7 pages. Published by Ellamina Music (S0.236973). - Sheet Music Single - Swing,Comedy - Ellamina Music
$3.99
Lift Me Up
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Rihanna
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Hollywood Charts
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Lift Me Up
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Hollywood Charts
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SheetMusicPlus
Bass Voice,Guitar,Piano - Level 1 - SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Hollyw...
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Bass Voice,Guitar,Piano - Level 1 - SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Hollywood Charts. Film/TV,Pop,R & B. 3 pages. Hollywood Charts #902526. Published by Hollywood Charts (A0.1313808). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for piano, guitar, and bass. This ensures your entire band will be on the same page, literally!Experience the captivating essence of Rihanna's Lift Me Up from the blockbuster Marvel movie, Black Panther: Wakanda Forever, through this rhythm section sheet music transcription. As the lead single from the film's soundtrack album, Lift Me Up marks Rihanna's triumphant return to the music scene, offering an stripped down ballad that resonates with a heartfelt message​.This rhythm section sheet music invites you to delve into the poignant narrative encapsulated within the song's melody and lyrics. The song, co-written by a stellar team including Rihanna, Tems, Ludwig Göransson, and the film's director Ryan Coogler, stands as a beautiful tribute to the late Chadwick Boseman, echoing the enduring legacy and indomitable spirit of the beloved actor​​.Not only is this song an integral part of the Black Panther: Wakanda Forever narrative, but it also shone brightly on the grand stage of the 2023 Oscars, earning Rihanna her first Oscar nomination. This rhythm section arrangement will enable you to recreate the soft glory and lustrous performance that left the audience in awe on that memorable night​​.With this rhythm section sheet music transcription of Lift Me Up, you're not just playing a song; you're partaking in a narrative of hope, resilience, and tribute that transcends the cinematic realm to touch real emotions and honor a real hero. This music piece is not just a collection of notes, but a story waiting to be told, a legacy waiting to be celebrated, and a melodic journey waiting to be embarked upon.
$12.99
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
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David Warin Solomons
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ATON part 9-Duett der Nofretet
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and par...
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Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4571. Published by David Warin Solomons (A0.576187). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
ATON part 16-Zwei Duette - soprano, tenor and bass soloists, flute, classical guitar,
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David Warin Solomons
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ATON part 16-Zwei Duette - sop
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts....
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Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4587. Published by David Warin Solomons (A0.576194). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
ATON part 22 The New has driven out the Old
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David Warin Solomons
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ATON part 22 The New has drive
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576214 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 3 pa...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576214 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 3 pages. David Warin Solomons #9883. Published by David Warin Solomons (A0.576214). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 27 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
ATON part 21-Abschiedsarie der Nofretete (soprano, flute, guitar)
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David Warin Solomons
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ATON part 21-Abschiedsarie der
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,Medium Voice - Level 3 - SKU: A0.576208 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 6 pages. Davi...
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Small Ensemble Flute,Guitar,Medium Voice - Level 3 - SKU: A0.576208 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 6 pages. David Warin Solomons #7579. Published by David Warin Solomons (A0.576208). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 21 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
ATON part 8-Antrittslied der Nofretete - mezzo soprano, flute, classical guitar
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David Warin Solomons
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ATON part 8-Antrittslied der N
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,Medium Voice - Level 3 - SKU: A0.576186 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 5 pages...
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Small Ensemble Flute,Guitar,Medium Voice - Level 3 - SKU: A0.576186 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 5 pages. David Warin Solomons #4569. Published by David Warin Solomons (A0.576186). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
ATON part 18 - Baketaton in the Temple
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David Warin Solomons
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ATON part 18 - Baketaton in th
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,Harp,High Voice - Level 3 - SKU: A0.576200 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 14 pages. ...
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Small Ensemble Flute,Guitar,Harp,High Voice - Level 3 - SKU: A0.576200 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 14 pages. David Warin Solomons #5619. Published by David Warin Solomons (A0.576200). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 18 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Cara e Dolce-Scarlatti-Woodwind Trio 4
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.844886 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969595. Published by Phil Beaman (A0.844886). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed T
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Sc...
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Small Ensemble Bassoon,Clarinet,Violin - Level 4 - SKU: A0.844889 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969615. Published by Phil Beaman (A0.844889). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score ...
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Small Ensemble Bassoon,Oboe,Violin - Level 4 - SKU: A0.844884 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969527. Published by Phil Beaman (A0.844884). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 2
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,S...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Woodwind Trio 3
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Woodwin
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,O...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
Cara e Dolce-Scarlatti-Mixed Chamber Trio
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Alessandro Scarlatti
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Phil Beaman
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Cara e Dolce-Scarlatti-Mixed C
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Phil Beaman
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SheetMusicPlus
Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and...
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Small Ensemble Cello,Flute,Oboe - Level 4 - SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.
$6.99
ATON part 26 Ballett with disorder
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David Warin Solomons
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ATON part 26 Ballett with diso
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.576212 Composed by David Warin Solomons. Contemporary,Opera. Sco...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 4 - SKU: A0.576212 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 17 pages. David Warin Solomons #8049. Published by David Warin Solomons (A0.576212). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write, 27 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015.
$5.00
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