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Vous avez sélectionné:
Keep It Simple 5
Partitions à imprimer
9 partitions trouvées
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The Lord Bless You and Keep You
Choral (SATB) SKU: HL.8739817 SATB chorus. Composed by Peter Lutkin. Arrange…
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Choral (SATB) SKU: HL.8739817 SATB chorus. Composed by Peter Lutkin. Arranged by Allan Robert Petker. Bulletin Insert. Fred Bock Publications. General Worship, Sacred. Octavo. 4 pages. Fred Bock Music Company #BG2453. Published by Fred Bock Music Company (HL.8739817). UPC: 073999398175. 5.5x8.5 inches.The Lutkin benediction may be the best-known and best-loved service or concert closer in the world. It is now available as a bulletin insert. The Hallelujah Chorus was the first entry into the congregational insert series and has been a phenomenal favorite. A simple keyboard introduction begins the piece and the rest is exactly as Lutkin composed it. As a bonus, the back page features the beautiful “Amen†from Petker's “May You Be Lifted Up.â€.
$0.75
0.68 €
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Peter Lutkin
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Allan Robert Petker
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The Lord Bless You and Keep You
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Fred Bock Music Company
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SheetMusicPlus
O Canada
Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1217531 Composed by A. R…
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Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1217531 Composed by A. Routhier/C Lavallee. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Traditional. Octavo. 6 pages. Bill ORANGE Lyons #814082. Published by Bill ORANGE Lyons (A0.1217531). So, why would an American arrange O Canada? Well, for one, it's one of best anthems around. Truth be told, I used to direct a choir I founded (called the Orange Korale) and we were doing the Star-Spangled Banner for various MLB teams and knew eventually we'd need to sing the Canadian Anthem and finally had that chance for the Toronto team while playing here in the states and they loved it, and I think you will too.Wanting to keep it simple, I did not incorporate any French verse(s) so I hope you'll simply enjoy this simple but beautiful piece. Although it states written for SAATB, there is one place where the alto splits but only for a few notes. It is an easy arrangement but one that should be pleasing to all who hear it. This is a very easy chart to perform. Just tell them it was arranged by someone in one of the 'southern' provinces. I won't tell if you don't. :-).
$2.02
1.84 €
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A
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Bill ORANGE Lyons
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O Canada
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Bill ORANGE Lyons
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.51 €
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Away in a Manger - strings quintet and piano with parts
Small Ensemble Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801…
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Small Ensemble Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801518 Composed by James R Murray. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 8 pages. Connie Boss #6070529. Published by Connie Boss (A0.801518). This simple song has 5 part harmony in a string quartet and piano. It makes a very lovely combination. Lyrics are included to keep your place as well as individual parts for the instruments. You can also purchase this in SATB form, etc. cdboss@cvalley.net
$5.50
5.02 €
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James R Murray
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Connie Boss
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Away in a Manger - strings quintet and piano with parts
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Connie Boss
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SheetMusicPlus
Fugue No. 22 In B Flat Minor, Bwv 867
Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.5460…
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Interactive Download SKU: A0.546077 Composed by Johann Sebastian Bach. Arranged by Nathan Wollmann. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 155. Nathan Wollmann #7jW1lNU2qFmYeJg9K7pQhT. Published by Nathan Wollmann (A0.546077). Key: Bb minor.This fugue is very chorale-like. It is a five voice fugue and so this arrangement is one voice per instrument. Fugues with less voices are often arranged for quintet because keyboard instruments don't have the limitations like breathing and the difficulty of large jumps. The rhythmic simplicity of this fugue though lends itself better to one fugue-voice, one instrument arrangement. Breathing and range may still be a challenge. I believe that Bach voiced fugues and put them in certain keys for good reason, and thus those elements haven't been altered. But there is a lot of voice-crossing in this fugue and I favored comfortable range over maintaining fugue-voice to keep the individual parts as simple as possible.
$4.00
3.65 €
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Johann Sebastian Bach
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Nathan Wollmann
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Fugue No. 22 In B Flat Minor, Bwv 867
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Nathan Wollmann
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SheetMusicPlus
Sonrise
3, 4, 5 octave handbells - Level 2 SKU: JF.MFBBGH1019 Composed by Julie Turner. Pub…
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3, 4, 5 octave handbells - Level 2 SKU: JF.MFBBGH1019 Composed by Julie Turner. Published by Fred Bock Music Company (JF.MFBBGH1019). This simple yet elegant original from talented composer Julie Turner is equally at home in a worship service, at a festival or, when played under the alternate title Sunrise, in a school or secular concert. There is plenty to keep ringers challenged, from frequently changing meters to special techniques to accidentals. Composed in C Major, it is 60 measures in length.
$3.75
3.42 €
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Julie Turner
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Sonrise
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Fred Bock Music Company
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SheetMusicPlus
March of the Enchanted Toys
Percussion Ensemble Sleigh Bells,Woodblock,Xylophone - Level 1 - Digital Download SKU: …
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Percussion Ensemble Sleigh Bells,Woodblock,Xylophone - Level 1 - Digital Download SKU: A0.1323033 Composed by Brian L. Monroe. Children,Christmas,Holiday,Instructional. 28 pages. BLM Music Publications (https://brianmonroemusic.com) #911304. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1323033). About the PieceT'was the day after Christmas and magic was in the air.The toys had been played with and were thrown about without care.  but with a bell's magic jingle, they suddenly came alive,and moved to gather three, four, then five.  They began to march in an enchanted paradeKeeping good time like a well-trained brigade.They continued their hike around the tree with prideso festive and happy just to be free and alive.But the magic was waining with the jingle of bellsand the toys disbanded and said their farewells,Their magic had run out, at least for this yearIt would be 365 days before the March of the Enchanted Toys would again reappear. March of the Enchanted Toys is a work for beginning-level percussionists.  A simple melody and rhythmic patterns make it easier to teach and learn.  In addition, the score and parts are all written with alpha notes, making it easier for young students to read the notes that are not usually in their range.     Instrumentation:  For 6-12 Percussionists 4 Bells Sets (written for beginning percussion kits),  Xylophone,  Triangle,  Ratchet,  Vibraslap,  Wood Block,  Bass Drum,  Sleighbells,  Temple Blocks (5)If you wish to play this with reduced instrumentation, Use the instruments in this order: 4 Bells  Xylophone  Sleighbells  Ratchet/Vibraslap (played by 1 player) Temple Blocks Triangle Wood Blocks.
$15.00
13.69 €
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Brian L
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March of the Enchanted Toys
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BLM Music Publications
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.13 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
The Nutcracker Suite 4. Trepak
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996114 Composed by Peter Ily…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.996114 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 25 pages. Erik Cole #4792951. Published by Erik Cole (A0.996114). This very famous movement is quite a technical one! Since I already made a simpler student version, though, I went all-out, especially in the first oboe part. It's tough, but not much tougher than the flute part from the original. Keeping the accelerando at the end from getting too out of hand can significantly help with the difficulty level.
$15.00
13.69 €
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Peter Ilyich Tchaikovsky
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Erik Cole
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The Nutcracker Suite 4. Trepak
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Erik Cole
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SheetMusicPlus
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