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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Quatuor à cordes : 4 altos
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2
Quintette à cordes : 2 violons, alto et 2 violoncelles
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15
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6
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Fanfare
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AUTRES
Vous avez sélectionné:
Keep Keepin' On
Partitions à imprimer
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Keep Keepin' On - Downloadable Accompaniment MP3
Digital Download SKU: LX.99-4717H Composed by Bryan Sharpe. Educational, Concert, G…
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Digital Download SKU: LX.99-4717H Composed by Bryan Sharpe. Educational, Concert, General. Accompaniment MP3. Heritage Music Press - Digital #e99/4717H. Published by Heritage Music Press - Digital (LX.99-4717H).
$19.95
18.17 €
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Bryan Sharpe
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Keep Keepin' On - Downloadable Accompaniment MP3
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Heritage Music Press - Digital
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SheetMusicPlus
Keeping Faith
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.486763 Composed by Joh…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.486763 Composed by John Benoit. Arranged by John Benoit. Blues,Jazz,Spiritual. Score and parts. 14 pages. John Benoit Music #104902. Published by John Benoit Music (A0.486763). This is an original composition by John Benoit featuring a slow 12-8 Gospel fell and elaborate counterpoint to keep all parts interesting. The fourth part is conceived for a bass trombone, but playable on a tenor with F attachment. Instrumentation: 4 trombones. Duration: c. 4:00â€. Grade 4. Search “johnbenoitmusic†for additional listings.
$15.99
14.56 €
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John Benoit
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John Benoit
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Keeping Faith
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John Benoit Music
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SheetMusicPlus
Come on Down to Bethlehem
Rhythm instruments - Digital Download SKU: H1.C5544RDP Composed by Joel Raney. Hope…
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Rhythm instruments - Digital Download SKU: H1.C5544RDP Composed by Joel Raney. Hope's Recent Best Sellers Series. Spirituals & Gospel, Christmas. Rhythm Parts. 13 pages. Hope Publishing - Digital #C5544RDP. Published by Hope Publishing - Digital (H1.C5544RDP). John Parker. Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16 - Luke 2:17 - Luke 2:18.Gospel original From the first beat of the first measure, this John Parker and Joel Raney gospel original is sure to set your toes a-tappin'. You know the story of the shepherds in the field, keeping watch over their flocks by night, but you've never heard it conveyed in such a dynamic fashion. Choirs will love singing these jazzy harmonies, and congregations will be thrilled by this exuberant celebration of the birth of the Savior. The Rhythm packet contains parts for: B-3 Organ/Synth, Electric Guitar, Electric Bass, and Drums.
$34.95
31.82 €
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Joel Raney
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Come on Down to Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
Ding Dong Merrily on High for String Duo
Small Ensemble - Level 4 - Digital Download SKU: A0.806421 Composed by Traditional.…
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Small Ensemble - Level 4 - Digital Download SKU: A0.806421 Composed by Traditional. Arranged by Myanna Harvey. 20th Century,Christian,Christmas. Score and parts. 10 pages. C Harvey Publications #3397411. Published by C Harvey Publications (A0.806421). Myanna Harvey's exhilarating arrangement of this traditional carol for violin and cello duo will have your toes tapping. Sprightly melodies are intertwined with rhythmic accompaniment. The violin and cello parts exchange melodies, keeping both parts interesting. Playable by late-intermediate through professional-level violinists and cellists, this is appropriate for church services and Christmas concerts everywhere!
$7.95
7.24 €
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Traditional
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Myanna Harvey
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Ding Dong Merrily on High for String Duo
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C Harvey Publications
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SheetMusicPlus
Gwahoddiad
Bass Guitar,Drums,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1455021 …
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Bass Guitar,Drums,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1455021 By Rechoir. By Ieuan Gwyllt and Lewis Hartsough. Arranged by Nathan Jones. Broadway,Christian,Multicultural,Musical/Show,Pop,Traditional,World. 4 pages. Nathan Jones Music #1034093. Published by Nathan Jones Music (A0.1455021). These parts for Drum Kit and Bass Guitar accompany the pop choir version of Gwahoddiad, available here.-- -- --Originally in a predictable 3/4, this version (mostly in 4/4) keeps you guessing, with many key and time signature changes, giving the piece more of a Musical Theatre ensemble number flare.Including a brand new set of 'Amens' at the end, maintaining the impressive finish to the original, but inkeeping with the new style.Originally performered by Rechoir on Saint David's Day in 2020 and published as a lockdown video on YouTube for Saint David's Day 2021.
$12.70
11.56 €
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Rechoir
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Nathan Jones
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Gwahoddiad
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Nathan Jones Music
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SheetMusicPlus
Keeping The Light On
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1371025 By Joy Oladokun. B…
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1371025 By Joy Oladokun. By Ian Fitchuk, Mike Elizondo, Olubukola Oladokun, and Olukukola Oladokun. Arranged by Ash. Contemporary,Pop,Singer/Songwriter. 18 pages. Music by Ash #955349. Published by Music by Ash (A0.1371025). General Details4 voice parts with piano (no further divisi)Well-suited for small ensembles (8-12 voices), large choruses (100+), or in betweenDuration: approx. 4:00Vocal RangesSoprano: C4-F5Alto: Bb3-D5Tenor: A3-A4Bass: F3-F4Looking for alterations for your ensemble? Contact ash@musicbyash.com.www.MusicByAsh.com.
$2.00
1.82 €
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Joy Oladokun
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Ash
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Keeping The Light On
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Music by Ash
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SheetMusicPlus
Keeping My Eyes on You
Two-part mixed chorus - Digital Download SKU: C7.CGA732 Composed by Stan Pethel. Ch…
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Two-part mixed chorus - Digital Download SKU: C7.CGA732 Composed by Stan Pethel. Christmas. Mixed Voices. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA732. Published by Chorister's Guild - Digital (C7.CGA732). UPC: 749193003770.All voices begin in unison, and once the melody is well-established, later divide into two parts. The thought provoking Russian text translated by Geoffrey Dearmer will provide a good opportunity for discussion. Composer: Schram, Ruth Elaine Text Author: Dearmer, Geoffrey.
$1.85
1.68 €
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Stan Pethel
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Keeping My Eyes on You
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Chorister's Guild - Digital
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SheetMusicPlus
Superwoman MP3 Accompaniment track
Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Debor…
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Bass Guitar,Drum Set,Keyboard - Level 3 - Digital Download SKU: A0.1404285 By Deborah Johnson. By Deborah Johnson. Broadway,Comedy,Contemporary,Jazz,Musical/Show,Singer/Songwriter. Accompaniment. Duration 128. Deborah Johnson #987388. Published by Deborah Johnson (A0.1404285). Deborah Johnson's Superwoman is a vibrant tribute to the incredible strength of women worldwide. This is the MP3 accompaniment track without the lead vocal--it includes the backgrounds. This upbeat and energetic song celebrates the everyday feats of ordinary yet extraordinary women. Drawing from her own experiences, Deborah navigates the complexities of managing a household, navigating career changes, raising three children, maintaining a marriage, and all the challenges life throws her way. Through Superwoman, Deborah captures the resilience and determination required to juggle multiple roles and responsibilities, resonating with listeners who understand the struggle of holding everything together. Purchase the single MP3 here: https://amzn.to/3PvNCHK The piano/vocal sheet music with vocal lead sheet is also available for download Note from Deborah: Are you embracing your inner superheroine? I get it—navigating life's hurdles while donning our invisible capes can feel like a whirlwind circus act. To claim the title of Superwoman, you've got to juggle the whole shebang: home life, career acrobatics, kid wrangling, spouse wrangling (or partner wrangling, let's keep it inclusive), and just the general chaos of existence. It's the kind of balancing act that'd make a Cirque du Soleil performer jealous! Speaking from the trenches myself, I've done my fair share of plate-spinning: managing a household, enduring the rollercoaster ride of a career (complete with loop-de-loops), wrangling three sons who seem to have synchronized their mischief, keeping a marriage afloat through the stormy seas and dealing with the curveballs life tosses our way. And let's not forget society's laundry list of expectations: staying fit, maintaining a Pinterest-worthy home, being the rock for our loved ones... and that's not even touching on the culinary escapades! And let's raise a toast to the single moms out there, pulling off the ultimate juggling act—balancing multiple jobs, raising the next generation of superheroes, and keeping the household shipshape. They're the Superwomen on turbocharged overdrive! It's no wonder that the song Superwoman resonates with us—it's our anthem, our battle cry, and our reminder that we're all superheroes in our own right! Written, arranged and performed by Deborah Johnson. DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded dozens of albums, written 3 original musicals and has appeared on many stages around the country and world. She also appeared with the headliner piano/vocal duo Double Grande. Her internationally released bookshave garnered great reviews (on Amazon & Barnes & Noble) Deborah’s songs have also been up for multiple Grammy Awards. Music and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Backgrounds by Deborah and David Johnson. Additional production, guitars and bass by Michael Ferenci. Recorded at Ferenci Studios, Silverlake, CA. https://DJWorksMusic.com For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/YUOvivxjlsw?si=AGohZrZl1ErdkQTD
$8.99
8.19 €
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Deborah Johnson
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Barnes &
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Superwoman MP3 Accompaniment track
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Deborah Johnson
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SheetMusicPlus
Brightest and Best
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966751
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Sacred. Score and parts. 9 pages. Dillon Ekle #3068529. Published by Dillon Ekle (A0.966751). Brightest and Best is an original piece based on the hymn tune STAR IN THE EAST (from The Southern Harmony), most commonly used with the text Brightest and Best of the Sons of the Morning. As such, the arrangement is well suited to use in the Christmas and Epiphany seasons. However, the tune's general appeal make it a great addition to worship in any season, as well as use in concert or recital settings.In addition to the main hymn melody, this piece is woven through with original counter melodies and rich harmonies. Through much of the piece, flowing, running 8th notes and rhythmic bass lines maintain motion beneath the soaring melody. The second verse slows down with a quarter note motif reminiscent of change-ringing bells, keeping an open and ethereal sound with building anticipation before the interlude melodies return in full force for the conclusion.Most of these features and ideas appear in both the secondo and primo parts in this 1-piano, 4-hands piece. Both parts are of similar difficulty, and because the melodies are found anywhere from the middle voices to the top voices, care is needed to keep the ensemble balanced at all times for a musical performance.A preview performance can be found here: https://www.youtube.com/watch?v=DnIo4rnHizUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.54 €
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STAR IN THE EAST
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Dillon Ekle
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Brightest and Best
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Dillon Ekle
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SheetMusicPlus
Fernando
Small Ensemble - Level 2 - Digital Download SKU: A0.956163 By ABBA. By Benny Anders…
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Small Ensemble - Level 2 - Digital Download SKU: A0.956163 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Emily Marshall. Contemporary. Score and parts. 6 pages. Emily Marshall #6022127. Published by Emily Marshall (A0.956163). Fernando (from Mamma Mia Here We Go Again!)Arranged for Saxophone Trio (Alto 1, Alto 2 and Tenor)Included in the purchase is the score and dull set of individual parts.From the hit jukebox musical film featuring Lily James, Amanda Seyfried, Meryl Streep and Cher. Originally sung (and composed by) Swedish pop group ABBA. This arrangement is a fun piece and would make for a great encore piece at the end of a concert and there are some time signature changes, keeping the players on their toes! Approx 4 mins.To keep up to date with my latest arrangements like my facebook page: https://www.facebook.com/EMMusicServices/
$12.99
11.83 €
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ABBA
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Emily Marshall
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Fernando
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Emily Marshall
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SheetMusicPlus
My Music Practice Journal
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Oboe,Piano,Tr…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Marimba,Oboe,Piano,Trumpet,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981989 Composed by Victoria Voronyansky. Instructional. Score and parts. 40 pages. Volidera Musica #6447573. Published by Volidera Musica (A0.981989). Dear Students, Parents, and Teachers!The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner. This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99
9.1 €
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filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals
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Victoria Voronyansky
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My Music Practice Journal
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Volidera Musica
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SheetMusicPlus
Practice Journal for Beginning Music Students
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Pian…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Piano,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981990 Composed by Victoria Voronyansky. Children,Instructional. Score and parts. 40 pages. Volidera Musica #6451579. Published by Volidera Musica (A0.981990). The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Included is also a progress chart for individual songs.Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner.This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99
9.1 €
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filling out a
weekly planner
and a
daily practice journal
, student is encouraged to plan, reflect, identify problems, and set goals
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Victoria Voronyansky
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Practice Journal for Beginning Music Students
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Volidera Musica
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.11 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.11 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.11 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Save Your Tears
Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download
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Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.917924 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Ahmad Balshe, Jason Matthew Quenneville, Jason Quenneville, Martin Karl Sandberg, Martin Max, Max Martin, Oscar Holter, and Oscar Thomas Holter. Arranged by Zulhilmy Zulkifli. Pop,R & B. Score and parts. 10 pages. ZZ Music Solutions #6424849. Published by ZZ Music Solutions (A0.917924). Save Your Tears is a song by Canadian singer, Abel Tesfaye, better known with his stage name, The Weeknd. The song was released in his fourth album, After Hours (2020), and released as the final single on August 19, 2020. The Weeknd wrote this song with Ahmad Balshe, Jason Quenneville, Oscar Holter, and Max Martin. This transcription is based on the 11th track of the album and arranged to be played on a 4-string bass with standard tuning. The track credited three songwriters, Tesfaye, Holter, and Martin as the bass performer/programmer in the album. During my research, I found few live performances of this song on YouTube, performed by Ledaris Jones on his 4-string Fender Jazz bass with a pick. This song is in the key of C major and about 3’35 long. The tempo is at 118 bpm. The song features the reminiscent of 80’s pop music, and the basslines supported the style keeping the root note on every quaver/8th note alongside the repetitive disco drum pattern. This score is perfect for a beginner who would like to learn to play with a pick. This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
$4.99
4.54 €
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The Weeknd
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Zulhilmy Zulkifli
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3)TAB-only (2 pages)
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Save Your Tears
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ZZ Music Solutions
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SheetMusicPlus
Hymn Fanfares, Volume II
Brass, Organ, Timpani SKU: HL.237009 Hymn Flourishes for Organ, Brass and Percus…
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Brass, Organ, Timpani SKU: HL.237009 Hymn Flourishes for Organ, Brass and Percussion. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. Hymns, Sacred. Softcover with CD. 34 pages. Fred Bock Music Company #BGK1061. Published by Fred Bock Music Company (HL.237009). UPC: 888680696696. 9.25x12 inches.This second volume of Hymn Fanfares for brass, organ and percussion continues the festive mood presented in the first volume. In keeping with other collections in the Fanfares series, each piece in it can stand alone in concert or in a service, or serve as the introduction to the congregational hymn. This collection includes: Fanfare on Azmon • Fanfare on Ein Feste Burg • Fanfare on Lyons • Fanfare on Madrid • Fanfare on Melita. Brass instrumentation is for two trumpets and two trombones (opt. fr. horn subs for trombone 1). The book includes a CD with instrumental parts so organists can practice or perform on their own.
$39.99
36.41 €
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Mark Shepperd
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Hymn Fanfares, Volume II
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Fred Bock Music Company
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SheetMusicPlus
Peggy (4 Duos)
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785005 Com…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785005 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 7 pages. Dorothy van Joolen Barth #25741. Published by Dorothy van Joolen Barth (A0.785005). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Peggy contains four traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, Pretty Peggy Reel is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$4.50
4.1 €
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Irish Traditional
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Dorothy van Joolen Barth
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Peggy
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Dorothy van Joolen Barth
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SheetMusicPlus
Treasured Tresses (6 Duos)
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.784990 Com…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.784990 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Wedding,World. Score and parts. 11 pages. Dorothy van Joolen Barth #6215. Published by Dorothy van Joolen Barth (A0.784990). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Treasured Tresses contains six traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody, available separately as a download for those who would prefer to have the complete book. As an audio sample, The Red Haired Girl is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, I often devise new decorations, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. Violinists can add authenticity by applying Irish bowing techniques, which includes various slurring patterns. Such bowings have been kept to a minimum in this collection for recorder and violin, but the techniques are well worth exploring and developing. These pieces are delightful to perform for Celtic festivals, St. Patrick's Day celebrations, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment.
$7.99
7.28 €
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Irish Traditional
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Dorothy van Joolen Barth
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Treasured Tresses
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Dorothy van Joolen Barth
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SheetMusicPlus
Bridget (3 Duos)
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785004 Com…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785004 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 5 pages. Dorothy van Joolen Barth #25731. Published by Dorothy van Joolen Barth (A0.785004). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Bridget contains three traditional tunes selected from O’Neill’s Music of Ireland and arranged as duos by Dorothy van Joolen Barth. These three tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, Bridget McRory is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$3.50
3.19 €
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Irish Traditional
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Dorothy van Joolen Barth
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Bridget
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Dorothy van Joolen Barth
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SheetMusicPlus
Kathleen (3 Duos)
Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785007 Com…
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Instrumental Duet Instrumental Duet - Level 3 - Digital Download SKU: A0.785007 Composed by Irish Traditional. Arranged by Dorothy van Joolen Barth. Folk,Holiday,Multicultural,Standards,Wedding,World. Score and parts. 7 pages. Dorothy van Joolen Barth #25747. Published by Dorothy van Joolen Barth (A0.785007). Irish music cast its spell early on in the many years I have performed as part of a duo of violin and recorder, so it was inevitable that I would be drawn to create new arrangements for this intimate combination of instruments. Kathleen contains four traditional tunes selected from O’Neill’s Music of Ireland and arranged as three duos (two of the tunes combine as a medley) by Dorothy van Joolen Barth. These tunes are part of a larger anthology titled Maidens of Melody Volume Two, available separately as a download for those who would prefer to have the complete book. As an audio sample, the medley Sweet Kathleen Machree/Kathleen O'Moore is provided here. These arrangements can be played on recorder and violin (which is how we play them), flute and violin, or two violins. If the upper part is played on recorder, the recorder player may switch between soprano, alto, and tenor recorders in accordance with the range and mood of each piece. We generally prefer the soprano recorder on the faster reels, jigs, and hornpipes and the tenor recorder (or sometimes the alto recorder) on the more lyrical pieces. In performing this music, we often devise new ornaments, in keeping with Celtic tradition where no two performances of a piece are ever identical. You will likewise add your own meaning to this evocative music. These pieces are delightful perform for Celtic festivals, St. Patrick's Day celebration, weddings, birthdays, and other theme events. May this music provide both player and listener with much enjoyment. Manuscript revised August 2015.
$4.50
4.1 €
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Irish Traditional
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Dorothy van Joolen Barth
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Kathleen
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Dorothy van Joolen Barth
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SheetMusicPlus
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