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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLONCELLE
XYLOPHONE
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30
Partitions
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25 972
Librairie
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224 012
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80 646
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
25972
PIANO & CLAVIERS
Piano seul
22513
Piano, Voix
10860
Piano, Voix et Guitare
7643
Piano Facile
6073
Orgue
1542
Instruments en Do
1197
Accompagnement Piano
778
1 Piano, 4 mains
622
Piano grosses notes
609
Accordéon
533
Piano Trio: piano, violon, violoncelle
370
Piano (partie séparée)
182
2 Pianos, 4 mains
133
Piano Quatuor: piano, violon, alto, violoncelle
68
Piano Quatuor: piano, 2 violons, violoncelle
51
Piano Quintette: piano, 2 violons, alto, violoncelle
47
Orgue, Trompette (duo)
33
Clavecin
30
Orgue, Piano (duo)
21
Ligne De Mélodie, Piano
21
Clavier
21
2 Pianos, 8 mains
17
Tous Les Instruments
13
1 Piano, 6 mains
12
Accordéon, Voix
11
Ensemble de Pianos
6
Instrument seul et Orgue
5
2 Orgues (duo)
4
Orgue, Voix
3
2 Accordéons
3
Accordéon - Piano, Voix, Guitare
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
2
Concertina
1
Accordéon et Orchestre
1
Accordéon, Corde(s)
1
Instrumentations suivantes
Retracter
GUITARES
Ligne De Mélodie, (Paroles) et Accords
37996
Paroles et Accords
22232
Guitare notes et tablatures
5173
Guitare
4708
Basse electrique
1599
Ukulele
1422
4 Guitares (Quatuor)
560
2 Guitares (duo)
476
Banjo
259
Guitare (partie séparée)
200
3 Guitares (trio)
198
Ensemble de guitares
175
Mandoline
160
Dulcimer
122
Piano, Guitare (duo)
95
Basse électrique (partie séparée)
49
Ensemble de Ukulélés
36
2 Ukuleles
30
Mandoline, Guitare (duo)
29
Ukulele Baryton
28
Mandoline, Piano (duo)
22
Orchestre à Plectres
12
2 Dulcimers (duo)
8
Dobro
8
Guitare, Quatuor à cordes
7
Guitare Pedal Steel
7
Partitions De Groupes
5
2 Guitares et Orchestre
4
Guitare, Violon, Violoncelle (trio)
4
Luth
3
3 Dulcimers (trio)
3
2 Mandolines (duo)
3
Guitare, Orchestre
3
Guitare, Harpe
2
Guitare, Flûte, Clarinette
2
2 Guitares, Clarinette (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
7324
Chorale 3 parties
2435
Chorale TTBB
1439
Chorale 2 parties
1356
Voix seule
1006
Chorale SSAA
839
Chorale Unison
733
Chorale
378
Voix duo, Piano
294
Voix haute
192
Voix duo
168
Voix Soprano, Piano
136
Voix, Guitare
74
Voix basse, Piano
66
Voix moyenne, Piano
65
Voix Tenor, Piano
63
Voix Alto, Piano
39
Chorale SSAATTBB
25
Voix Moyenne
22
Voix Tenor
17
Chorale SSATB
15
Chorale SSATTB
14
Voix Mezzo-Soprano, Piano
13
Chorale SSAB a cappella
13
Soli, choeur mixte et accompagnement
11
Voix d'Enfants
7
Voix Soprano
7
Voix Baryton, Piano
6
Male Voice
6
Chorale SSAB, Piano
6
Voix Soprano, Orchestre
5
Voix basse
4
Chorale SATBB
3
Voix et basse continue
3
Chorale SAATB A Cappella
3
Chorale SSATBB
2
Voix Baryton
2
Chorale SSAATB
2
Chorale, Orgue
1
Chorale SATTBB, Clavier
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière
2861
Clarinette
2476
Saxophone
2256
Saxophone (partie séparée)
2187
Flûte traversière et Piano
1856
2 Saxophones (duo)
1639
Saxophone Alto
1477
2 Flûtes traversières (duo)
1477
Quatuor de Saxophones: 4 saxophones
1417
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1350
Flûte, Hautbois, Clarinette, Basson
1122
Clarinette et Piano
1103
Saxophone Alto et Piano
1101
Hautbois, Piano (duo)
987
Saxophone Tenor et Piano
788
2 Clarinettes (duo)
767
Quintette de Saxophone: 5 saxophones
765
Saxophone Tenor
743
Quatuor de Clarinettes: 4 clarinettes
742
Clarinette (partie séparée)
537
Hautbois (partie séparée)
503
Hautbois
494
Quatuor de Flûtes : 4 flûtes
413
Saxophone Soprano et Piano
405
Flûte, Clarinette (duo)
383
3 Clarinettes (trio)
378
Flûte à Bec
356
2 Hautbois (duo)
287
3 Saxophones (trio)
269
2 Flûte à bec (duo)
260
Saxophone Baryton, Piano
258
Trio de Flûtes: 3 flûtes
252
Flute (partie séparée)
248
Saxophone, Clarinette (duo)
247
Ensemble de saxophones
243
Flûte et Guitare
242
Clarinette, Violon (duo)
231
Quintette de Clarinettes: 5 clarinettes
219
Ensemble de Clarinettes
217
Saxophone Soprano
216
Hautbois, Clarinette (duo)
189
Ensemble de Flûtes
182
Hautbois, Basson (duo)
176
Clarinette, Trompette (duo)
161
Flûte, Violon
157
Instruments en Mib
154
Cor anglais, Piano
140
Harmonica
122
Quintette de Flûte : 5 flûtes
117
Clarinette et Alto
108
2 Saxophones, Piano
105
Flûte, Saxophone (duo)
95
Quatuor de Flûtes à bec
92
Flûte, Alto (duo)
91
Clarinette, Basson (duo)
87
Flûte à bec Soprano
84
Hautbois, Flûte
82
Flûte, Clarinette et Basson
81
Saxophone Baryton
79
Flûte, Trompette (duo)
78
Flûte, Hautbois (duo)
74
Cor Anglais
72
Flûte, Hautbois, Clarinette (trio)
70
Flûte, Violoncelle
65
Clarinette Basse, Piano
64
Hautbois, Clarinette, Basson (trio d'anches)
63
2 Flûtes traversières, Piano
60
Clarinette, Violoncelle (duo)
58
Hautbois, Violoncelle
53
Ocarina
50
Flûte à bec Alto
47
Flûte, Hautbois, Basson
47
Flûte, Clarinette, Piano (trio)
44
Hautbois, violon (duo)
35
Clarinette, Guitare (duo)
34
Flûte, Violon, Piano
32
Piccolo
31
Flûte, Violoncelle, Piano (trio)
31
3 Flûtes à bec (trio)
30
Flûte à bec Alto, Piano
28
Flûte, Violon et Violoncelle
28
Flûte à bec Soprano, Piano
27
5 Flûtes à bec
27
Clarinette, Violoncelle, Piano (trio)
25
Clarinette Basse
24
Flûte à bec Tenor
21
Ensemble De Flûte à bec
21
2 Clarinettes, Piano
21
Hautbois et alto (duo)
20
Saxophone et Guitare
20
Clarinette, Harpe (duo)
20
Hautbois, Guitare (duo)
20
Flûte, Trombone (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
19
Flûte, Basson et Piano
18
Piccolo, Piano
16
Clarinette, Basson, Piano (trio)
15
Clarinette, Trombone (duo)
14
3 Hautbois
13
Flûte, Violon, Violoncelle et Piano
13
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
12
Saxophone et Piano
12
Flûte irlandaise
12
Flûte, Hautbois, Piano (trio)
11
Flûte, Alto et Piano
11
4 Hautbois
10
Flûte, Hautbois, Violon
9
Flûte traversière, Orgue (duo)
8
Hautbois, Clarinette et Piano (Trio)
8
Flûte à Bec, Piano
7
Flûte, Clarinette, Violon (trio)
7
Flute, harpe et violon
7
Flûte, trombone et piano
7
Clarinette, Alto et Piano (trio)
7
Flûte et Trio à cordes
6
Hautbois, Basson et Piano
6
Ensemble à vent
6
Clarinette, Contrebasse (duo)
6
Flûte, Violoncelle, Guitare
5
Harmonica, Piano
5
Hautbois, trombone (duo)
5
2 Cors Anglais Et Pianoforte
5
Flûte, Violon, Guitare
5
Clarinette, Tuba
5
Hautbois, Violoncelle et Piano
5
Flûte, Tuba (duo)
5
Hautbois, Violon, Piano
5
Hautbois, Harpe
4
Clarinette, trompette et piano
4
Saxophone et Orgue
4
Cor anglais et Harpe (duo)
4
Cornemuse
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Saxophone et Harpe
4
Flûte traversière, Basse continue
4
2 Clarinettes, Basson
4
2 Hautbois, Piano
3
Clarinette, Orgue
3
Flûte de Pan
3
Flûte à bec Alto, Basse continue
3
2 Hautbois et Basson
3
2 Flûtes, 2 Clarinettes (Quatuor)
2
Flute, Cor (duo)
2
Flûte, Harpe et Violoncelle
2
Clarinette, Orchestre
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
2 Flûtes traversières, Harpe
1
2 Flûtes à bec, Piano
1
Hautbois et Orchestre
1
Hautbois, Orgue
1
2 Flûtes à bec, Guitare
1
2 Flûtes traversières, Guitare
1
Cor anglais, Guitare (duo)
1
Flûte, alto et harpe
1
Flûte à bec, Harpe
1
Flûte et Quatuor à Cordes
1
2 Hautbois et Cor anglais
1
Flûte à bec, Guitare (duo)
1
Saxophone, Violon (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte, Alto et Violoncelle
1
Flûte traversière, Orchestre
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
2439
Trombone
1895
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1536
Trompette (partie séparée)
1079
Trompette, Piano
1020
Trombone (partie séparée)
993
Cor
916
Trombone et Piano
880
Quatuor de Cuivres : 2 trompettes, trombone, tuba
821
Cor et Piano
625
2 Trompettes (duo)
597
2 Trombones (duo)
561
Trompette, Trombone (duo)
467
Tuba
398
Tuba et Piano
390
Quatuor de Cuivres: 2 trompettes, Cor, trombone
360
Cor (partie séparée)
332
Quatuor de Cuivres
314
2 Cors (duo)
237
Trompette, Saxophone (duo)
207
Tuba (partie séparée)
171
Quatuor de cuivres: 4 trombones
157
Ensemble de Trombones
147
Cor anglais, Piano
140
Instruments en Sib
138
Euphonium, Piano (duo)
133
Bass Clef Instruments
132
Ensemble de Trompettes
114
2 Tubas (duo)
106
Euphonium
96
Quatuor de cuivres: 4 cors
96
Cor Anglais
72
2 Euphoniums et 2 Tubas
68
Trompette, Cor (duo)
64
4 Tubas
53
Trio de Cuivres
41
Euphonium, Tuba (duo)
32
Tuba et Orgue
30
Ensemble de Cors
28
3 Trombones (trio)
27
2 Euphoniums (duo)
26
Cor, Violoncelle (duo)
25
3 Trompettes (trio)
25
Quatuor de cuivres: 4 trompettes
25
Trompette, Tuba (duo)
20
Trombone, Tuba (duo)
18
Trompette, Violoncelle (duo)
18
Trompette, Trombone, Piano
16
Instruments en Fa
15
Ensemble de Tubas
15
Trombone, Orgue
14
Trombone basse
14
Trompette, Basson (duo)
13
Trombone, Cor (duo)
13
2 Trompettes, Clavier (piano ou orgue)
12
Trombone basse et Piano
12
Cor et Basson (duo)
9
Trompette et Guitare
9
Cor, Tuba (duo)
8
Trompette, violon (duo)
7
3 Cors (trio)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Tuba ou Euphonium ou Saxhorn
6
Cor, Orchestre
5
Cornet A Pistons
5
2 Cors Anglais Et Pianoforte
5
Cor et Harpe
5
Cor anglais et Harpe (duo)
4
2 Trombones, Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Trombone, Violon (duo)
4
3 Tubas (trio)
3
3 Euphoniums
3
Clarinette, Cor (duo)
3
Trompette, Euphonium (duo)
2
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Trompette, Violoncelle et Piano
2
Trombone et orchestre
1
Saxhorn basse ou Euphonium ou Tuba et Piano
1
4 Euphoniums
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle et Piano
1
Trompette, Orchestre
1
2 Cors, Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4196
Violon
3117
Violon et Piano
2109
Alto seul
1777
Violoncelle
1610
Violoncelle, Piano
1419
Violon, Violoncelle (duo)
1170
Alto, Piano
1119
2 Violons (duo)
986
Violoncelle (partie séparée)
909
Harpe
899
Trio à Cordes: violon, alto, violoncelle
794
2 Violoncelles (duo)
702
Quintette à cordes: 2 violons, alto, violoncelle, basse
570
Violon, Alto (duo)
477
Violon (partie séparée)
473
2 Altos (duo)
459
Contre Basse
381
Alto (partie séparée)
336
Contrebasse (partie séparée)
316
Contrebasse, Piano (duo)
283
Trio à Cordes: 2 violons, violoncelle
225
Piano Trio: Violon, Alto, Piano
172
Alto, Violoncelle (duo)
154
Violon, Guitare (duo)
140
4 Violoncelles
121
2 Contrebasses (duo)
95
Violoncelle , Guitare (duo)
84
Trio à cordes
80
Trio à cordes: 3 violins
56
Trio à Cordes: 3 violoncelles
52
2 Harpes (duo)
50
Violoncelle, Contrebasse (duo)
49
Violon, Basson (duo)
45
Harpe, Flûte (duo)
43
Quatuor à cordes: 4 violons
42
Harpe, Violon (duo)
37
Quintette à cordes: 2 violons, 2 altos, violoncelle
35
Quatuor à cordes : 4 altos
33
Ensemble de Violons
28
Ensemble d'Altos
27
Trio à Cordes: 2 violons, alto
27
Quintette à cordes : 2 violons, alto et 2 violoncelles
24
2 Violons, Piano
23
Trio à cordes: 3 altos
22
Alto et Basson
22
Harpe, Voix
22
Alto, Guitare (duo)
21
Harpe (partie séparée)
20
Violon, Clarinette, Piano (trio)
18
Violoncelle, Orchestre
14
Harpe, Violoncelle (duo)
13
Ensemble de Violoncelles
10
Flûte, Contrebasse (duo)
9
Harpe et Piano
8
Harpe, Violon, Violoncelle
8
Alto et Harpe
7
2 Altos, Piano
7
Violoncelle, Basse continue
7
2 Violoncelles, Piano
7
Autoharp
6
3 Harpes
6
Violon, Tuba (duo)
6
Violoncelle, Orgue
5
Violon, Violoncelle, Clarinette
5
Violon, Orgue
4
Violon, Contrebasse (duo)
3
Harpe, Quatuor à cordes
3
Violon, Clarinette et Guitare
2
Violon, Basse continue
2
4 Contrebasses
2
4 Harpes
2
Harpe et Orgue
2
Harpe et mandoline
1
Alto, Orgue
1
3 Contrebasses
1
Violon, Trompette et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
5590
Orchestre
2864
Timbales (partie séparée)
1984
Orchestre à Cordes
1657
Ensemble Jazz
1384
Cloches
1082
Batterie
955
Ensemble de cuivres
733
Orchestre de chambre
506
Fanfare
420
Percussion (partie séparée)
406
Jazz combo
284
Batterie (partie séparée)
274
Ensemble de Percussions
218
Instrumentation Flexible
151
Percussion
132
Marimba
91
Xylophone
88
Timbales
65
Vibraphone
65
Piano et Orchestre
38
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
24
Xylophone, Piano
22
Orchestre, Violon
20
Big band
16
Quintette à Vent
12
Caisse Claire
10
2 Xylophones
9
Ensemble d'École
9
Xylophone ou Marimba ou Vibraphone
6
Vibraphone (partie séparée)
5
Quintette de Cuivres: autres combinaisons
5
Marimba, Piano (duo)
5
Quatuor à Vent : 4 instruments à vents
5
Cajon
2
Vibraphone et Marimba
2
Bongos
2
3 Marimbas
2
Bodhran
1
Voix et Orchestre
1
2 Marimbas
1
Voix Mezzo-Soprano, Orchestre
1
Orchestre Symphonique
1
Conga
1
2 Caisses Claires (duo)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
40
Théorie de la musique
27
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.56 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
6.86 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hause…
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Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 C…
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Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Slide Ride
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by …
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Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Slide Ride
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SheetMusicPlus
Ange Flégier: Les Filles d'Arles for baritone and piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.534381 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.534381 Composed by Ange Flégier. Concert,Romantic Period,Standards. 7 pages. Musik Fabrik Music Publishing #3399581. Published by Musik Fabrik Music Publishing (A0.534381). A Provençal song on a French text by Jules Gaillard.
$9.10
8.32 €
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Ange Flégier
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Ange Flégier: Les Filles d'Arles for baritone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) (Wind Instruments)
Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. A…
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Small Ensemble - Level 3 - Digital Download SKU: A0.522160 Composed by Anonymous. Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3915573. Published by Colin Kirkpatrick Publications (A0.522160). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Courantes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
10.97 €
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the time Michael Praetorius published his extensive dance collection entitled Terpsichore
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Anonymous
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Les Courantes - Dances 183 and 188 from Terpsichore
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Colin Kirkpatrick Publications
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SheetMusicPlus
Villanelles italiennes à 1 et 3 voix
Guitar and voice - Intermediate - Digital Download SKU: ZZ.DZ-2074 Composed by Vari…
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Guitar and voice - Intermediate - Digital Download SKU: ZZ.DZ-2074 Composed by Various. Arranged by Marc Bataïni. Vocal score and part. 36 pages. Les Productions d'OZ - Digital #DZ 2074. Published by Les Productions d'OZ - Digital (ZZ.DZ-2074). ISBN 9782896559732.
$11.95
10.93 €
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Various
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Marc Bataïni
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Villanelles italiennes à 1 et 3 voix
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Les Productions d'OZ - Digital
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SheetMusicPlus
Entre dos calles (Buenos Aires Suite)
Guitar Ensemble - Advanced - Digital Download SKU: ZZ.DZ-2452 Composed by Claudio C…
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Guitar Ensemble - Advanced - Digital Download SKU: ZZ.DZ-2452 Composed by Claudio Camisassa. Score. 28 pages. Les Productions d'OZ - Digital #DZ 2452. Published by Les Productions d'OZ - Digital (ZZ.DZ-2452). ISBN 9782897373696.
$16.95
15.5 €
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Claudio Camisassa
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Entre dos calles
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Les Productions d'OZ - Digital
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SheetMusicPlus
An Irish Christmas Blessing
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36989 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36989 Composed by Keith and Kristyn Getty. Arranged by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Advent; Christmas; Sacred. Part(s). 52 pages. Jubilate Music Group - Digital #00-36989. Published by Jubilate Music Group - Digital (JX.00-36989). English.Keith and Kristyn Getty bring us a moving hymn/anthem suitable for use in any Christmas service or during the Advent season. It's simplicity and timelessness are reasons enough to add it to the list of Christmas anthem presented annually. Kristyn's thoughtful, deep original text suites Keith's warm music effortlessly. The orchestration is accessible to average ability players; the optional child soloist makes for a truly special awe-filled Christmas memory. Related Scripture: Luke 2; 2nd Corinthians 4:6; John 1:4.
$60.00
54.87 €
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Keith and Kristyn Getty
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Sheldon Curry
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Choral Octavo
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An Irish Christmas Blessing
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Jubilate Music Group - Digital
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SheetMusicPlus
Dans les Jardins de Fakhr Al-Din
Mandole and piano - Advanced - Digital Download SKU: ZZ.DZ-3900 Composed by Vincent…
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Mandole and piano - Advanced - Digital Download SKU: ZZ.DZ-3900 Composed by Vincent Beer-Demander. Score and part. 24 pages. Les Productions d'OZ - Digital #DZ 3900. Published by Les Productions d'OZ - Digital (ZZ.DZ-3900). ISBN 9782897958176.
$10.95
10.01 €
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Vincent Beer-Demander
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Dans les Jardins de Fakhr Al-Din
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Les Productions d'OZ - Digital
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SheetMusicPlus
Répertoire de pratique collective pour les premières années de guitare
Méthode de groupe - easy - Digital Download SKU: ZZ.DZ-2746 Composed by Laurence…
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Méthode de groupe - easy - Digital Download SKU: ZZ.DZ-2746 Composed by Laurence Maufroy. Method book. 72 pages. Les Productions d'OZ - Digital #DZ 2746. Published by Les Productions d'OZ - Digital (ZZ.DZ-2746). ISBN 9782897376635.
$20.95
19.16 €
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Laurence Maufroy
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Répertoire de pratique collective pour les premières années de guitare
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Les Productions d'OZ - Digital
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SheetMusicPlus
Les 4 saisons
Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-2454 Composed by Benoi…
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Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-2454 Composed by Benoit Albert. Score and parts. 20 pages. Les Productions d'OZ - Digital #DZ 2454. Published by Les Productions d'OZ - Digital (ZZ.DZ-2454). ISBN 9782897373719.
$13.95
12.76 €
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Benoit Albert
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Les 4 saisons
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Les Productions d'OZ - Digital
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SheetMusicPlus
Les deux jumeaux
Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-2727 Composed by Josep…
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Guitar ensemble - Intermediate - Digital Download SKU: ZZ.DZ-2727 Composed by Joseph V. Williams II. Score and parts. 32 pages. Les Productions d'OZ - Digital #DZ 2727. Published by Les Productions d'OZ - Digital (ZZ.DZ-2727). ISBN 9782897376444.
$11.95
10.93 €
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Joseph V
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Les deux jumeaux
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Les Productions d'OZ - Digital
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SheetMusicPlus
The quiet way you move me (wordless lullaby)
Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1262756 By Mega…
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Mezzo-Soprano Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1262756 By Megan Ihnen. By David Warin Solomons. 20th Century,A Cappella,Children,Christmas,Contemporary. 2 pages. David Warin Solomons #855765. Published by David Warin Solomons (A0.1262756). This is a version of my song The quiet way you move me performed as a wordless lullaby by US-American mezzo-soprano Megan Ihnen (for the second series of Wordless Lullabies for the Sleepless). The original song was intended as a lullaby for the Baby Jesus in the play Barabbas.You can stream or purchase Megan's performance on Bandcamp at:  https://meganihnen.bandcamp.com/track/the-quiet-way-you-move-meIf you wish, you can perform it using other syllables or just humming.
$9.00
8.23 €
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Megan Ihnen
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The quiet way you move me
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David Warin Solomons
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SheetMusicPlus
Les heures bleues
Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Compo…
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Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.1009919 Composed by Martin Lachance. Contemporary. Score and parts. 7 pages. Martin Lachance #22647. Published by Martin Lachance (A0.1009919). This composition was commissioned by the Ensemble de Bilitis, a Montreal based music ensemble consisting of a mezzo-soprano, a flute, and a piano. I asked my cousin, the visual artist and poet Patrick Michael Lachance, if he would write a poem for the occasion. His words inspire me, and I had already composed a work on one of his texts (see Sang d’encre). When he wrote the text, Patrick Michaël decided to step into the shoes of one who has lost his great love. The term Les heures bleues (or blue hours) refers to the wee hours of the morning when the sun begins to appear on the horizon. After many sleepless nights waiting for this lost love, despair quietly settles in. The piece is in four sections, each section corresponding to a stanza of the text. Each section begins with two ascending fifths in the piano, symbolizing the dawning of the morning.
$9.99
9.14 €
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Martin Lachance
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Les heures bleues
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Martin Lachance
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SheetMusicPlus
Christmas Music in the British Isles for Classic Guitar
Guitar - Intermediate - Digital Download SKU: M0.30954EB Holiday. Christmas. E-book…
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Guitar - Intermediate - Digital Download SKU: M0.30954EB Holiday. Christmas. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30954EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30954EB). ISBN 9781513459486. 8.75x11.75 inches.This carefully researched anthology presents 42 Christmas carols from England, Ireland, Scotland, and Wales arranged for the intermediate classic guitarist in standard notation. Phrase and dynamic markings plus light fingering are provided. The collection includes popular carols such as Away in a Manger, Once in Royal David’s City and The Holly and the Ivy plus fine lesser-known carols such as Down in Yon Forest, In Those Twelve Days and Ye Sons of Men, With Me Rejoice. All of the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for holiday gigs and concert performance.Â
$12.99
11.88 €
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Christmas Music in the British Isles for Classic Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Homeless and Alone Tonight. Song & Chorus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.624 Composed by W…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.624 Composed by Will L. Thompson. Snow, Storms, Orphans, Homeless persons, Poor persons, Baskets, Distress, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.624). Homeless and Alone Tonight. Song & Chorus. Music by Will L. Thompson. Words by M. Allie Toland. Published 1878 by W.L. Thompson & Co. in East Liverpool, Ohio. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Snow, Storms, Orphans, Homeless persons, Poor persons, Baskets, Distress, Death. First line reads Up the street so dark and dreary, sad and lonely must I roam.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Will L
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Homeless and Alone Tonight. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Little Homeless One, or, No One to Kiss Me Good Night
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.744 Composed by E…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.744 Composed by Eastburn. Poor persons, Building deterioration, Children, Homeless persons, Sadness, Orphans, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.744). The Little Homeless One, or, No One to Kiss Me Good Night. Words by Elmer Ruan Coates. Music by Eastburn. Published 1867 by Jos. E. Winner, 545 Nth 8th St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Poor persons, Building deterioration, Children, Homeless persons, Sadness, Orphans, Religion. First line reads 'Tis morning and people are coming, the rain will soon beat on my head.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Eastburn
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The Little Homeless One, or, No One to Kiss Me Good Night
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Unless
Piano and voice (alto or bass) - Digital Download SKU: LV.19836 Composed by Luigi C…
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Piano and voice (alto or bass) - Digital Download SKU: LV.19836 Composed by Luigi Caracciolo. Poets, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19836). English Songs and Ballads. Unless. Words by Elizabeth Barrett Browning. [Music by] Luigi Caracciolo. Published [n.d.] by G. Schirmer, 35 Union Square in New York. Composition of strophic with piano and voice (alto or bass). instrumentation. Subject headings for this piece include Poets, Courtship & love. First line reads Unless you can think when the song is done No other is soft in the rhythm.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Luigi Caracciolo
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Unless
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Beati IV: Pro eis sine domo (For the stateless) (Downloadable)
Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - Digital Download SKU…
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Soprano solo, SSAA choir, cello, organ, and synthesizer - Medium - Digital Download SKU: MQ.56-0032-E Composed by Howard Goodall. Instrument part. 17 pages. Duration 7 minutes, 25 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0032-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0032-E). Latin. Isaiah 4:6; Psalms 31:7.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SSAA chorus, organ, cello, synthesizer, the music has a light, ethereal feeling. “Beati†can be taken as a sort of “Blessed are they†prefix for the movements which are not direct quotes from the Beatitudes. This movement begins with the soloist singing in English (“Blessed are the stateless; blessed are the homelessâ€). Next the chorus sings Latin settings of Isaiah 4:6 (“And there shall be a tabernacleâ€) and Psalms 31:7 (“Thou art my refugeâ€). The Latin is set in a sort of mantra-like declamatory style, moving through unison into two-part and finally three. All voice return to the opening theme in English originally sung by the soloist. Then the two concepts are overlaid, the solo motif with the declamatory Latin. The choral voices recap the unison-through-three part declamatory section, the soloist briefly returns to the opening theme. Duration 7:25Instrumentalists play from the choral score.
$3.35
3.06 €
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Howard Goodall
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Psalms 31:7
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Beati IV: Pro eis sine domo
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Come, Thou Fount of Every Blessing (treble Bb instrument solo)
B-Flat instrument,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.711917
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B-Flat instrument,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.711917 Composed by Folktune. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and individual part. 6 pages. Sandra dee zylstra #16113. Published by sandra dee zylstra (A0.711917). This hymn text was written by Robert Robinson who was a troubled youth who later became a Christian. Come, thou fount of every blessing; tune my heart to sing thy grace…We should always be aware of the blessings God puts in our lives. Come, Thou Fount Of Every Blessing is arranged as a late intermediate treble Bb instrument solo with piano accompaniment and separate instrument part. (Approximately 2 minutes, 4 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$3.75
3.43 €
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Folktune
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Sandra Zylstra
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Come, Thou Fount of Every Blessing
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sandra dee zylstra
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SheetMusicPlus
Call me Not Back From the "Echoless Shore."
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3799 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3799 Composed by Henry Tucker. Comfort, Children, Death, Sleeping. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3799). Call me Not Back From the Echoless Shore. In Reply to Rock Me to Sleep, Mother. Song, With Chorus And Lullaby, Ad. Lib. Words by Charles Carroll Sawyer. Music by Henry Tucker. Published 1862 by Sawyer & Thompson, 59 Fulton Ave. in Brooklyn, N.Y. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Comfort, Children, Death, Sleeping. First line reads Why is your forehead deep furrowed with care?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Henry Tucker
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Call me Not Back From the "Echoless Shore."
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
How To Play Bebop Jazz Piano Lesson 2 Worksheets
C Instrument - Level 4 - Digital Download SKU: A0.1446378 Composed by P J Anderson.…
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C Instrument - Level 4 - Digital Download SKU: A0.1446378 Composed by P J Anderson. Instructional,Jazz. Lead Sheet / Fake Book. 23 pages. Peter Anderson #1026186. Published by Peter Anderson (A0.1446378). This pdf contains all the scales and exercises from Lesson 2 in my Youtube series How To Play Bebop Jazz Piano. All the scales and exercises are in all 12 Major keys and there are some extra patterns and exercises which are not in the video. I strongly recommend that you watch the video first as I explain and demonstrate how the Bebop Dominant Scale works well in combination with rising arpeggios. Rather than trying to learn them all in all 12 keys straight away I would use them for reference and try to apply them to dominant 7th chords in jazz standards. The more standards that you apply them to the more keys you will cover but it will feel less like an exercise.
$1.99
1.82 €
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P J Anderson
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How To Play Bebop Jazz Piano Lesson 2 Worksheets
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Peter Anderson
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SheetMusicPlus
How To Play Bebop Jazz Piano Lesson 1 Worksheets
C Instrument - Level 4 - Digital Download SKU: A0.1437219 Composed by P J Anderson.…
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C Instrument - Level 4 - Digital Download SKU: A0.1437219 Composed by P J Anderson. Instructional,Jazz. Lead Sheet / Fake Book. 24 pages. Peter Anderson #1017279. Published by Peter Anderson (A0.1437219). This pdf contains all the scales and exercises from Lesson 1 in my Youtube series How To Play Bebop Jazz Piano. All the scales and exercises are in all 12 Major keys and there are some extra patterns and exercises which are not in the video. I strongly recommend that you watch the video first as I explain and demonstrate how the Bebop Dominant Scale works well in improvisation with all the chord notes falling on the downbeats. Rather than trying to learn them all in all 12 keys straight away I would use them for reference and try to apply them to dominant 7th chords in jazz standards. The more standards that you apply them to the more keys you will cover but it will feel less like an exercise.
$1.99
1.82 €
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P J Anderson
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How To Play Bebop Jazz Piano Lesson 1 Worksheets
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Peter Anderson
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SheetMusicPlus
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