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Around the Cauldron
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.898935 Composed by Gilad Cohen. Contemporary. Score and parts. 107 pages. Gilad Cohen #4367110. Published by Gilad Cohen (A0.898935). Around the Cauldron was inspired by the three witches from Shakespeare’s play Macbeth. With a nod to multi-movement pieces such as Schumann's Scenes From Childhood and Mussorgsky's Pictures At An Exhibition, Around the Cauldron is comprised of seven short scenes, each of which evokes a mood that resonates with an image of three witches gathered around a cauldron in a dark forest, muttering spells, and adding selected creatures to a bubbling stew. The movements carry individual titles: In Dusk, Pounce, Transmutation, Boiling, Witches Waltz, Newts’ Lament, and Sacrificial. Most of the melodies in the piece were tailored to fit lines from the original Shakespearean text and were also arranged as songs for a production of Macbeth at Ramapo College of New Jersey. Thus, the main theme sets the play’s immortal opening words: Fair is foul and foul is fair / Hover through the fog and filthy air. Honoring the three witches, the piece reflects the number three in its rhythms, which highlight groups of three beats; in its themes, which are constructed of three phrases; and in its instrumentation, which suggests that each instrument represents a different witch. Around the Cauldron was commissioned by Concert Artists Guild with support from the Adele and John Gray Endowment Fund for Lysander Piano Trio, which is fittingly named after another Shakespearean character.
$18.95
17.01 €
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Gilad Cohen
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Around the Cauldron
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Gilad Cohen
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SheetMusicPlus
Gaelic Faram (Jig in Kiev) for 2 Pianos & 2 Percussionists (15 mins)
Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Compose…
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Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 204 pages. Intensely Pleasant Music #3424709. Published by Intensely Pleasant Music (A0.890710). Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists - 15 minutes. SCORE & PARTS Designed as a companion piece for Bartok’s famous Sonata for 2 pianos and percussion, Gaelic Faram (Jig in Kiev) was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) and percussionists Dmytro Ulyanov and Yevhen Ulyanov for the final concert of the Kiev Chamber Music Session Festival 2012. Fully revised 2016. This is a note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The percussion is either designed to be set out in 4 groups that the performers move between, or if enough percussion is available for each percussionist to have their own (eg: tubular bells, xylophone, drum kit), then they can be set out in two groups, as in the pictures below. [In this 2016 revision, Percussionist II also uses one timp.][Also available: Scene from Gaelic Faram (Jig in Kiev) - a new arrangement of a 6-minute scene from the full 15-minute piece, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).]
$19.99
17.95 €
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John Pitts
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Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
A Thousand Years
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.510266 By Christina Pe…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.510266 By Christina Perri. By Christina Perri and David Hodges. Arranged by Alex Phillips-Yates. Contemporary,Pop,Wedding. 19 pages. North Node Music #3561697. Published by North Node Music (A0.510266). This much-loved song lends itself beautifully to the soft, warm texture of a flute choir. This arrangement is re-spelled as a 3/4 time signature, implying a waltz-like feel and making the syncopated rhythms much easier to read. Each part has beautiful legato lines and the melody is spread throughout the parts.Transposed up to F major, this is in a friendly key for flute players of all abilities. Only Flutes 1 & 2 use the top octave, so the other parts are accessible for less experienced players.If additional flautists are available, it is recommended that Flutes 3 & 4 are doubled, as these are the parts with the fewest rests and are often low in register.The full score is also included for reference or for use by a conductor.
$19.99
17.95 €
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Christina Perri
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Alex Phillips-Yates
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A Thousand Years
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North Node Music
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SheetMusicPlus
A Thousand Years
Instrumental Duet,Piano,Voice - Digital Download SKU: A0.793775 By Christina Perri.…
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Instrumental Duet,Piano,Voice - Digital Download SKU: A0.793775 By Christina Perri. By Christina Perri and David Hodges. Arranged by DIXON mus-IC. Pop. 2 pages. Rammy Music #4627617. Published by Rammy Music (A0.793775). This is a lead sheet based on the original Christina Perri version. It is in the original recorded key - Bb Major.The chart includes a notated vocal part with lyrics. The accompaniment line consists of chord symbols with rhythm indication and occasional melodic lines.The part is laid out very clearly and includes form indicators - verse / chorus etc.N.B. The chart is written on 2 pages for convenience. In order to achieve this the staves are slightly smaller than usual.
$4.99
4.48 €
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Christina Perri
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DIXON mus-IC
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A Thousand Years
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Rammy Music
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SheetMusicPlus
Scene from Gaelic Faram (Jig in Kiev) for 2 pianos (Piano 1 part)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890707
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890707 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 15 pages. Intensely Pleasant Music #3424705. Published by Intensely Pleasant Music (A0.890707). Scene from Gaelic Faram (Jig in Kiev) is a 6-minute, note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The full 16-minute piece Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) for the Kiev Chamber Music Session Festival 2012. This new arrangement of a 6-minute scene from it, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).
$4.99
4.48 €
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John Pitts
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Maggie Chen).
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Scene from Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
Anything You Can Do . . . for violin and vibraphone
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU:…
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00
25.14 €
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Robert M
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Anything You Can Do . . . for violin and vibraphone
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Robert M. Greenberg
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SheetMusicPlus
Sharktooth Frenzy
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.10…
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
4.49 €
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
17.95 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
ADAM'S PARADISE LOST for tenor and quartet
Woodwind Ensemble Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.1184728
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Woodwind Ensemble Bassoon,Clarinet,Oboe - Level 4 - Digital Download SKU: A0.1184728 Composed by alan Edgar and John Milton. 20th Century,Chamber. 54 pages. Alan Edgar Ted Moon #784409. Published by Alan Edgar Ted Moon (A0.1184728). Paradise Lost by The English poet John Milton is an epic occupying twelve books, totalling more than ten thousand five hundred lines. It retells the tale of the Fall of Mankind – the moment when Eve was enticed by Satan to eat the forbidden fruit from the Tree of Knowledge and then tempted Adam to do the same, and as a result both were banished from the Garden of Eden. Milton imagines far more detail than the Holy Bible. This song presents the story from Adam’s point of view, so I selected relevant passages in Paradise Lost, where Milton imagines Adam’s thoughts and experiences; and I edited them for scansion, to suit a more modern ear, and to make a logical sequence of events. Adam bemoans the deception of Eve by the Serpent and his own shame.  Then he hears Archangel Michael  pronounce the couple’s sentence of banishment from Eden. Next he laments his having to leave Eden. Michael warns him that there will be consequences for all his descendants, and he is given a vision of those horrid consequences—murder, disease and misery. They leave Eden, and Adam hymns of his renewed worshipful attitude,  of a final acceptance of their new more ordinary life.DURATION:  11 minutes.INSTRUMENTATION:  Tenor(c to top c), with either a reed quartet (Oboes, Clarinet and Bassoon) or string quartet.  Dress optional.
$12.00
10.77 €
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alan Edgar and John Milton
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ADAM'S PARADISE LOST for tenor and quartet
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Alan Edgar Ted Moon
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SheetMusicPlus
Mary Poppins: A Symphonic Fantasy
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.108…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1081259 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by Luis Turina and Noname Musica. 20th Century,Broadway,Children,Film/TV,Musical/Show,Wedding. Score and parts. 23 pages. Nonamé Música #685401. Published by Nonamé Música (A0.1081259). (Spanish below) Based on the suite A Symphonic Fantasy, we did a conversion with three of the most remembered melodies from Mary Poppins. You have an intro with chim-chim-cheree, followed by feed the birds, but they don't fully develop. After that, A Spoon of Sugar, with the birds part made by the first violin and the second and viola enkoying. The next part is, now complete, Chim-Chim-Cheree, with the melody starting in the cello, and then passing by the rest of instruments from lower to higher. When the second plays the melody, the first plays a counter-theme a little bit tricky. And, in the end, now complete, Feed the Birds, with constant dialogs between the violins. Tested and approved arrangement. Bass part is optional. All Nonamé arrangements are prepared to avoid page turns if you print the covers properly. Basándonos en la suite A Symphonic Fantasy, hicimos una conversión con tres de las melodÃas más recordadas de Mary Poppins. Tienes una introducción con chim-chim-cheree, seguida de Pan para los pájaros, pero no se desarrollan por completo. Después, Con un Poco de Azúcar, con la parte de los pájaros hecha por el primer violÃn y el segundo y la viola disfrutando. La siguiente parte es, ya completa, Chim-Chim-Cheree, con la melodÃa comenzando en el violoncello, y luego pasando por el resto de instrumentos de más grave a más agudo. Cuando el segundo toca la melodÃa, el primero tiene un contratema un poco complicado. Y, al final, ya completo, Pan Para los Pájaros, con diálogos constantes entre los violines. ¡Arreglo probado y aprobado! La parte de contrabajo es opcional. Todos los arreglos de Nonamé están preparados para evitar el paso de página si imprimes las portadas correctamente.
$20.99
18.84 €
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Irwin Kostal, Richard M Sherman, and Robert B Sherman
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Luis Turina and Noname Musica
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Mary Poppins: A Symphonic Fantasy
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Nonamé Música
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SheetMusicPlus
Save Your Tears
Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download
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Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.917924 By The Weeknd. By Abel Makkonen Tesfaye, Abel Tesfaye, Ahmad Balshe, Jason Matthew Quenneville, Jason Quenneville, Martin Karl Sandberg, Martin Max, Max Martin, Oscar Holter, and Oscar Thomas Holter. Arranged by Zulhilmy Zulkifli. Pop,R & B. Score and parts. 10 pages. ZZ Music Solutions #6424849. Published by ZZ Music Solutions (A0.917924). Save Your Tears is a song by Canadian singer, Abel Tesfaye, better known with his stage name, The Weeknd. The song was released in his fourth album, After Hours (2020), and released as the final single on August 19, 2020. The Weeknd wrote this song with Ahmad Balshe, Jason Quenneville, Oscar Holter, and Max Martin. This transcription is based on the 11th track of the album and arranged to be played on a 4-string bass with standard tuning. The track credited three songwriters, Tesfaye, Holter, and Martin as the bass performer/programmer in the album. During my research, I found few live performances of this song on YouTube, performed by Ledaris Jones on his 4-string Fender Jazz bass with a pick. This song is in the key of C major and about 3’35 long. The tempo is at 118 bpm. The song features the reminiscent of 80’s pop music, and the basslines supported the style keeping the root note on every quaver/8th note alongside the repetitive disco drum pattern. This score is perfect for a beginner who would like to learn to play with a pick. This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well This transcription includes 3 parts: 1)both notation and TAB (3 pages) 2)notation-only (2 pages); 3)TAB-only (2 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well.
$4.99
4.48 €
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The Weeknd
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Zulhilmy Zulkifli
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3)TAB-only (2 pages)
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Save Your Tears
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ZZ Music Solutions
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SheetMusicPlus
Unto Us (Isaiah 9)
Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1494226 By Sandi Patty. …
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Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1494226 By Sandi Patty. This edition: scorch. E-Z Play Today. Christian,Christmas,Sacred. Score. 4 pages. Hal Leonard - Digital #882570. Published by Hal Leonard - Digital (HX.1494226). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.68 €
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Sandi Patty
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Unto Us
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Hal Leonard - Digital
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SheetMusicPlus
Mastering Hawaiian Slack Key Guitar
Guitar - intermediate - Digital Download SKU: M0.30666MEB Hawaiian. Slack Key. Eboo…
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Guitar - intermediate - Digital Download SKU: M0.30666MEB Hawaiian. Slack Key. Ebook and online audio. 97 pages. Mel Bay Publications - Digital Sheet Music #30666MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30666MEB). ISBN 9781513455839. 8.75x11.75 inches.The Hawaiian word for slack key guitar, kÄ« hÅ‛alu, means to “loosen the key†or retune some of the strings to create a harmonious sound with an open or alternate tuning. Slack key is a fingerpicking style characterized by strong alternating bass lines played with the thumb. While slack key can be played on any guitar, most players prefer a nylon- or steel-stringed acoustic instrument. This book presents 25 intermediate to advanced traditional and original tunes in the Hawaiian slack key style. Melodies are often harmonized in sixths or thirds played with or without double stops. Techniques like syncopated bass lines, hammer-ons, pull-offs, slides, and harmonics are tastefully employed to evoke the images of ocean breezes, swaying palms, hula dancers and white sandy beaches. The author writes, “Unless you grew up playing slack key, it’s hard to get from the material presented in most books and DVDs to a fluid, play-it-your-own-way style.†This book seeks to reveal the insights the author has gleaned from studying and jamming with some of the giants of the slack key style, and help you develop a style all your own. Includes access to online audio tracks of all 25 relaxing but challenging Hawaiian slack key tunes.
$17.99
16.15 €
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Mastering Hawaiian Slack Key Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Don't 'cha Wanna Ride
Small Ensemble Bass Guitar,Drums,Piano Accompaniment - Level 3 - Digital Download SKU: …
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Small Ensemble Bass Guitar,Drums,Piano Accompaniment - Level 3 - Digital Download SKU: A0.897965 By Joss Stone. By Betty Wright, Desmond Child, Eugene Record, Joss Stone, Michael Mangini, Steve Greenberg, and William Sanders. Arranged by Marc Gumberg. Contemporary,Pop,Soul. Score and parts. 4 pages. Marc Gumberg #4280951. Published by Marc Gumberg (A0.897965). This Master Rhythm arrangement is written in an easy to read, easy to play on the gig form & includes flute & horn cues for the keyboard player, or keyboard players to cover. Guitar, Bass, & Drum lines are included where needed as well as chord changes.
$5.99
5.38 €
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Joss Stone
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Marc Gumberg
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includes flute &
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Don't 'cha Wanna Ride
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Marc Gumberg
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SheetMusicPlus
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