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Vous avez sélectionné:
Lips Are Movin' - Tuba
Partitions à imprimer
6 partitions trouvées
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Lips Are Movin - Quint-Toms
By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal …
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By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.308782). - Marching Band - Pop - Hal Leonard - Digital Sheet Music
$5.99
5.52 €
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Meghan Trainor
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Tom Wallace
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Lips Are Movin - Quint-Toms
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Lips Are Movin - Aux. Perc. 1
By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal …
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By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.308785). - Marching Band - Pop - Hal Leonard - Digital Sheet Music
$5.99
5.52 €
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Meghan Trainor
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Tom Wallace
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Lips Are Movin - Aux. Perc. 1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Lips Are Movin - Aux. Perc. 2
By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal …
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By Meghan Trainor. Arranged by Tom Wallace. Pop. Marching Band. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.308786). - Marching Band - Pop - Hal Leonard - Digital Sheet Music
$5.99
5.52 €
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Meghan Trainor
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Tom Wallace
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Lips Are Movin - Aux. Perc. 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.84 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.84 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Feed The Birds (tuppence A Bag)
B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1285300
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B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1285300 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 12 pages. Derek Hasted #876416. Published by Derek Hasted (A0.1285300). FEED THE BIRDS (from Mary Poppins) - Bb CLARINET and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody features in the film “Mary Poppinsâ€, where its beauty, simplicity and elegance really make this humble piece shine out.My arrangement for Bb clarinet and guitar includes all the verses and the instrumental break, wrapped up in an accessible arrangement that feels comfortable for both players. The guitar part is intermediate, the clarinet part is very slightly easier, and uses the low register to produce a gentle sound.I have included some fingering for the guitar part so that it’s clear which positions are used, and there are skeleton dynamics that reflect the different textures in the accompaniment. Please feel free to add more to make the performance yours.I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Richard M
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Derek Hasted
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Feed The Birds
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Derek Hasted
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SheetMusicPlus
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