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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Living In America
Non classifié
38
Piano & claviers
Piano seul
14
Piano, Voix et Guitare
9
Piano, Voix
8
Orgue
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 4 mains
1
Instruments en Do
1
Piano Facile
1
+ 4 instrumentations
Retracter
Guitares
Paroles et Accords
2
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
1
Voix
Chorale SATB
11
Voix duo
3
Chorale 2 parties
3
Chorale 3 parties
2
Chorale Unison
1
Voix haute
1
Chorale
1
Voix Tenor
1
+ 3 instrumentations
Retracter
Vents
Saxophone Tenor
14
Saxophone Alto
14
Saxophone Tenor et Piano
3
Saxophone Soprano et Piano
3
Flûte traversière
2
Quatuor de Saxophones: 4 saxophones
1
Flûte et Guitare
1
Quatuor de Clarinettes: 4 clarinettes
1
Ensemble de Flûtes
1
Saxophone Baryton, Piano
1
Saxophone Alto et Piano
1
Clarinette et Piano
1
Flûte traversière et Piano
1
Harmonica
1
Flûte, Hautbois, Clarinette, Basson
1
+ 10 instrumentations
Retracter
Cuivres
Trombone et Piano
3
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Cor et Piano
1
Tuba et Orgue
1
Euphonium, Piano (duo)
1
+ 1 instrumentations
Retracter
Cordes
Violon, Guitare (duo)
3
Violoncelle, Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
1
2 Harpes (duo)
1
Orchestre & Percussions
Batterie
14
Orchestre à Cordes
9
Orchestre d'harmonie
5
Orchestre
3
Ensemble Jazz
3
Orchestre de chambre
2
Ensemble de cuivres
1
+ 2 instrumentations
Retracter
Autres
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CLARINETTE
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
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Crtitères actifs :
Living In America
Partitions à imprimer
38 partitions trouvées
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1
26
Living In America
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Soul/R&B
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James Brown
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Austin Ralphson
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Living In America
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Austin Ralphson
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SheetMusicPlus
Small Ensemble Alto Saxophone,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.563402 By James Brown. By Charlie Midnight and Dan Hartma...
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Small Ensemble Alto Saxophone,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 5 - SKU: A0.563402 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Austin Ralphson. R & B. Score and parts. 28 pages. Austin Ralphson #3686293. Published by Austin Ralphson (A0.563402). Horn parts and synthesizer arranged as per the original for this classic disco / funk track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef. The trumpet and alto sax solos are fully notated, or can be improvised.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$14.99
Living In America
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James Brown
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Jim Farley - www
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Living In America
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1130817 By James Brown. By Char...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.1130817 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Jim Farley - www.arrangementsone.com. Funk,Hip-Hop,R & B,Rock. Score and parts. 56 pages. Jim Farley arrangementsone.com #731087. Published by Jim Farley arrangementsone.com (A0.1130817). Included: Directors score, Piano/Vocal, Guitar (chords only), Bass, Drums, Alto & Tenor Sax (identical), Trumpets I & II, Trombone. ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s,and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptionsthat are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
$50.00
Living In America
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Soul/R&B
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James Brown
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Chris Walden
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Living In America
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Chris Walden
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.708362 By James Brown. By Charlie Midnight and Dan Har...
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Small Ensemble Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.708362 By James Brown. By Charlie Midnight and Dan Hartman. Arranged by Chris Walden. R & B. Score and parts. 24 pages. Chris Walden #6029621. Published by Chris Walden (A0.708362). For male vocal in the key of C, 116 BPM, Duration: 4'30Instrumentation: trumpet, tenor sax, trombone, guitar, piano, bass, drums.
$12.99
Another Day In America
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Gospel Spirituel
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Musique Sacrée
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.621283 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare....
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.621283 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535311. Published by Exultet Music (A0.621283). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for Bb-Trumpet and French Horn with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Another Day In America
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Gospel Spirituel
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Musique Sacrée
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
Piano Quintet,String Ensemble - Level 2 - SKU: A0.621288 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and pa...
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Piano Quintet,String Ensemble - Level 2 - SKU: A0.621288 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 24 pages. Exultet Music #3535497. Published by Exultet Music (A0.621288). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as for a String Quartet (Violin (2), Viola, Cello) with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$12.99
Another Day In America
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Gospel Spirituel
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Musique Sacrée
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.621280 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesar...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.621280 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535297. Published by Exultet Music (A0.621280). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for Flute and Bb-Clarinet with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Another Day In America
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Gospel Spirituel
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Musique Sacrée
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Steven Curtis Chapman
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Stephen DeCesare
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Another Day In America
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.621281 Composed by Steven Curtis Chapman. Arranged by Stephen DeCe...
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.621281 Composed by Steven Curtis Chapman. Arranged by Stephen DeCesare. Christian,Gospel. Score and parts. 16 pages. Exultet Music #3535299. Published by Exultet Music (A0.621281). This Country-Western American song by Steven Curtis Chapman about living in America was originally recorded by The Homeland Quartet. Scored as a duet for C-Instruments with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Modern Dinosaur
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Martin J
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Modern Dinosaur
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Martin J. Van Klompenberg
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - SKU: A0.1286891 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 100 pages. Martin J. Van Klompenberg #877893. Published by Martin J. Van Klompenberg (A0.1286891). To be classified as a living fossil (or as I like to call it, a Modern Dinosaur), aspecies must have a clear ancestor in the fossil record that highly resembles ourmodern species. Often these species have few living relatives. (For example, theaardvark is currently the only living member of its genus.) People tend to think ofbirds and reptiles when they think of living fossils, but animals from any group canbe classified as such. In this piece, I have sought to explore these differences.Among these uniquely diverse group of animals are the African Lungfish, with itsability to breathe through special lungs, living in hardened clay burrows during thedry season, awaiting the coming rains; the Shoe-Billed Stork, the largest bird offlight with its icy stare and prehistoric appearance, with an aggressively unusualcall; the Alligator, unchanged for millennia, living side by side with it Kingfisherneighbors, not always peacefully; and the Aardvark, the great nocturnal excavatorof Africa.I have long been fascinated by fossils. The urge to learn as much as I could aboutprehistoric animals has never left me, like it does to most around the age of 10.Paired with my love of zoos, being interested in living fossils only makes sense.A portion of all proceeds from Modern Dinosaur will go to the Henry Doorly Zooand Aquarium in Omaha, Nebraska. This facility manages the Species SurvivalProgram (SSP) for Aardvarks for the Association of Zoos and Aquariums, theprimary accreditation organization for North America animal collections.
$50.00
Jingle Bells for Baritone Horn & Piano
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Noël
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James Pierpont
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James M
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Jingle Bells for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552826 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408519. Published by jmsgu3 (A0.552826). Jingle Bells arranged for baritone horn (treble clef) and piano. Easy! Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Hoodoos 1, for alto flute and bassoon
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Contemporain
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using the unconventional combi
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Scott Miller
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Hoodoos 1, for alto flute and
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Scott A Miller
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SheetMusicPlus
Instrumental Duet Alto Flute,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1026263 Composed by Scott Miller. 20th Century,Concert,Contemporary. Score an...
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Instrumental Duet Alto Flute,Bassoon,Instrumental Duet - Level 5 - SKU: A0.1026263 Composed by Scott Miller. 20th Century,Concert,Contemporary. Score and parts. 5 pages. Scott A Miller #6116331. Published by Scott A Miller (A0.1026263). Hoodoos 1, for Alto Flute and Bassoon Facing Tunnel Mountain Across the Bow River Instrumentation: Alto Flute, BassoonDuration: 4 minutes 45 secondsHoodoos 1 draws on the experience of walking in the morning along the Hoodoos Trail near Tunnel Mountain Campground in Banff National Park, and seeing the Bow River valley brighten as the sun climbs past the peaks of the mountains to the east. By using the unconventional combination of alto flute and bassoon, Hoodoos 1 seeks to create impressions of the color, space, and magnitude of the vista, while it expands the chamber music repertoire for those instruments.This work is a suitable chamber work for advanced players. It features some extended techniques including pitch bending, sliding, and quarter-tones in both instrumental parts, and a percussive effect in the bassoon part. Hoodoos 1 received an Honorable Mention in the 2020 International Duo Symposium Composition Contest. Composed by Scott Miller, 2019 Recorded 2019 by Charmaine Bacon, alto flute and Scott Miller, bassoonScott Miller is an American composer living in Winnipeg, Manitoba.For more music by the composer, please follow 2XReeds on YouTube and Instagram.
$12.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
String Reflections 2-Digital Download
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String Reflections 2-Digital D
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Hope Publishing - Digital
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SheetMusicPlus
SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich....
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SKU: H1.9124DP Instrumental parts. 72 pages. Hope Publishing - Digital #9124DP. Published by Hope Publishing - Digital (H1.9124DP). Joshua Evanovich.Nine traditional hymns Preludes, postludes, Communion meditations, special music selections and recital pieces are all possible uses for this collection. Soaring, majestic lines weave gracefully throughout the violin parts, offering a variety of texture and range while remaining accessible to many skill levels. The piano accompaniment is creative and intricate, yet not too difficult, offering support for the violin and also sharing in the musicality. Suggestions for violin phrasing and bowing are provded but may be altered at the performer's discretion.
Song List
: Come, Ye Thankful People Come Day by Day Fairest Lord Jesus Fantasia on an Early American Tune For The Beauty Of The Earth I Sing the Mighty Power of God Let All Things Now Living On Christmas Day In The Morning Tell Me The Story Of Jesus The First Noel What Wondrous Love Is This
$26.95
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Frederick Frahm: Indian Earth for two violins, cello and organ
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Frederick Frahm
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Frederick Frahm: Indian Earth
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Organ,Violin - Level 5 - SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. ...
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Small Ensemble Cello,Organ,Violin - Level 5 - SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.
$19.95
Seven Songs from A Little Music for the Morning Woodwind Quintet Flute, Clarinet, 2 Horns, Bassoon
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Christian contemporain
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Musique Sacrée
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James Nathaniel Holland
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Seven Songs from A Little Musi
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James Nathaniel Holland
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn - Level 3 - SKU: A0.730272 Composed by James Nathaniel Holland. Contemporary,Sacred. 96 pages. James Nathaniel Holland #1919...
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Bassoon,Clarinet,Flute,Horn - Level 3 - SKU: A0.730272 Composed by James Nathaniel Holland. Contemporary,Sacred. 96 pages. James Nathaniel Holland #1919721. Published by James Nathaniel Holland (A0.730272). Arranged for Flute, Clarinet A/Bb, Horn 1, Horn 2, and Bassoon. Full Score (Transposed) and Individual Parts included. Duration: 24' 05 Seven songs taken from the fourteen song collection A Little Music for the Morning by living American composer James Nathaniel Holland. Play as a set or individually for concerts or general worship services. These light musical pieces range from happy to sad to humorous. Titles include the beautiful Song No. 2, For Roy, Toad Escapes, and Romanze. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. YouTube Channel: https://www.youtube.com/user/composerjnholland.
$15.95
The Lost Lady Found
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Arr
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Ray Thompson
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The Lost Lady Found
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray T...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.
$17.99
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
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Living In America