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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lost Boy
Non classifié
20
Piano & claviers
Piano seul
36
Piano, Voix et Guitare
19
Piano Facile
16
Piano, Voix
14
Piano grosses notes
4
Orgue
4
Instruments en Do
2
Accompagnement Piano
1
Ligne De Mélodie, Piano
1
+ 4 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
6
Guitare notes et tablatures
4
Guitare
1
Basse electrique
1
Paroles et Accords
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
11
Chorale TTBB
7
Chorale 2 parties
4
Voix Soprano
3
Pack Instrumental pour Chorale
3
Chorale 3 parties
3
Chorale Unison
3
Voix duo
3
Voix basse
1
Voix Alto, Piano
1
Voix haute
1
Voix duo, Piano
1
Chorale
1
Chorale SSAA
1
+ 9 instrumentations
Retracter
Vents
Flûte traversière et Piano
3
Flûte, Clarinette (duo)
2
Instruments en Mib
2
Clarinette
2
Saxophone Alto
1
Saxophone (partie séparée)
1
Saxophone Tenor
1
Flûte traversière
1
+ 3 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Instruments en Sib
2
Bass Clef Instruments
2
Instruments en Fa
2
Trompette
1
Cor et Piano
1
+ 1 instrumentations
Retracter
Cordes
Violoncelle
3
2 Violons (duo)
3
Violon
3
Trio à Cordes: 2 violons, violoncelle
2
Violon et Piano
2
Alto, Piano
2
Harpe
2
Alto seul
1
Contrebasse (partie séparée)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
2
Orchestre à Cordes
1
Orchestre de chambre
1
Batterie (partie séparée)
1
Orchestre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Lost Boy
Partitions à imprimer
20 partitions trouvées
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1
Lost Boy
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Pop musique
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Ruth B
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Megan Easton
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Lost Boy
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Megan Easton
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SheetMusicPlus
Choral Alto Voice,Soprano voice,Tenor Voice - Level 1 - Interactive Download SKU: A0.485927 By Ruth B. By Ruth Berhe. Arranged by Megan Easton. This edit...
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Choral Alto Voice,Soprano voice,Tenor Voice - Level 1 - Interactive Download SKU: A0.485927 By Ruth B. By Ruth Berhe. Arranged by Megan Easton. This edition: Interactive Download. Pop. Octavo. Duration 179. Megan Easton #1laUTTZrPY8i090IgVxyDO. Published by Megan Easton (A0.485927). Key: G major.4-part (SSAA) + solo and harmony a cappella arrangement of Lost Boy, originally performed by Ruth B.
$3.99
Lost Boy
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Contemporain
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Ruth B
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Lori Cummings
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Lost Boy
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Lori Cummings
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SheetMusicPlus
Large Ensemble Clarinet Solo - Level 2 - SKU: A0.762906 By Ruth B. By Ruth Berhe. Arranged by Lori Cummings. Contemporary. Individual part. 2 pages. Lor...
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Large Ensemble Clarinet Solo - Level 2 - SKU: A0.762906 By Ruth B. By Ruth Berhe. Arranged by Lori Cummings. Contemporary. Individual part. 2 pages. Lori Cummings #4293963. Published by Lori Cummings (A0.762906). This arrangement of Lost Boy is perfect for beginner clarinet, alto saxophone or violin students since the notes are all contained to one octave. For the clarinet student, it is all played in the low register. For the violin student, it is all played on the G and D strings. Students will be able to play the simple rhythms of this favourite, popular song with great confidence and pride. .
$5.25
Lost Boy
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Pop musique
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Ruth B
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Christopher Alexander
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Lost Boy
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Christopher Alexander
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SheetMusicPlus
Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839906 By Ruth B. By Ruth Berhe. Arranged by Christopher Ale...
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Bass Guitar,Drum Set,Piano,Synthesizer,Tenor Saxophone,Trombone,Trumpet - Level 3 - SKU: A0.839906 By Ruth B. By Ruth Berhe. Arranged by Christopher Alexander. Pop. 54 pages. Christopher Alexander #6069861. Published by Christopher Alexander (A0.839906). This song by Ruth B tugs at the heartstrings of every child and parent who finds happiness in their imagination away from a cruel and unforgiving world. Arranged into a nocturnal key center and incorporating Claude Debussy's Clair de Lune into the opening solo section, this song will become a new-age lullaby for your singers and audiences alike.Octavo also available: https://www.sheetmusicplus.com/title/lost-boy-octavo-digital-sheet-music/21868860
$25.00
The Little Boy Lost
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Classique
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David Babin
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The Little Boy Lost
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice - SKU: HX.1323386 Composed by David Babin (Babx) and William Blake. This edition: scorch. Classical. 7 pages. Hal Leonard - Di...
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Choral Choir,Choral,Voice - SKU: HX.1323386 Composed by David Babin (Babx) and William Blake. This edition: scorch. Classical. 7 pages. Hal Leonard - Digital #TheLittleBoyLost. Published by Hal Leonard - Digital (HX.1323386).
$4.99
The Minstrel Boy - Oboe (Flute) and Bassoon Duet
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Traditional
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Catriona Melville-Mason
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The Minstrel Boy - Oboe
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C Melville-Mason
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SheetMusicPlus
Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956629 Composed by Traditional. Arranged by Catriona Melville-Mason. Concert,...
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Instrumental Duet Bassoon,Flute,Instrumental Duet,Oboe - Level 3 - SKU: A0.956629 Composed by Traditional. Arranged by Catriona Melville-Mason. Concert,Contemporary,Standards. Score and parts. 5 pages. C Melville-Mason #6487633. Published by C Melville-Mason (A0.956629). This melody is described as traditional, as it is essentially an old Irish air. The lyrics of The Minstrel Boy were set to the tune by Thomas Moore (1779 – 1852), apparently in memory of friends who lost their lives in the Irish Rebellion of 1798. The tune is frequently performed in remembrance contexts, particularly those involving persons of Irish ancestry. In the UK, it is played annually at the National Service of Remembrance at the Cenotaph in London. The Minstrel Boy also featured during the procession to Westminster Abbey at the funeral of Her Majesty Queen Elizabeth the Queen Mother in April 2002, reflecting her long association with the men of the Irish Regiment. In the USA, police and fire departments historically included a high proportion of Irish-Americans, so it became traditional for The Minstrel Boy to be performed at the funerals of service members killed in the line of duty.This arrangement of The Minstrel Boy is designed for double reed duo of oboe and bassoon but the upper part could also be played by flute.
$4.50
Boogie Woogie Bugle Boy
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Contemporain
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Bette Midler
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Peet du Toit
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Costello
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Boogie Woogie Bugle Boy
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Peet du Toit
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SheetMusicPlus
Small Ensemble Alto Saxophone,Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802617 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Pe...
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Small Ensemble Alto Saxophone,Drums,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802617 By Bette Midler. By Don Raye and Hughie Prince. Arranged by Peet du Toit. Contemporary. Score and parts. 44 pages. Peet du Toit #6016933. Published by Peet du Toit (A0.802617). Boogie Woogie Bugle Boy is a song which became a major hit for The Andrews Sisters and an iconic World War II tune that first appeared in the Abbott & Costello comedy film, Buck Privates. It reached number six on the U.S. pop singles chart in early 1941. The song is ranked No. 6 on Songs of the Century. Bette Midler's 1972 recording of the song also reached the top ten on the U.S. Billboard Hot 100.Boogie Woogie Bugle Boy was nominated for the Academy Award for Best Original Song but lost out to The Last Time I Saw Paris.The song is closely based on an earlier Raye-Prince hit, Beat Me Daddy, Eight to the Bar, which is about a virtuoso boogie-woogie piano player.This arrangement is for a slightly smaller ensemble, consisting of an alto sax, 4 trumpets, a french horn, 3 trombones, a tuba and percussion.
$24.00
My Boy Jack (Downloadable)
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David Ashley White
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My Boy Jack
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.1.3429-E Composed by David Ashley White. 10 pages. Duration 3 minutes, 30 seconds. ...
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SATB soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.1.3429-E Composed by David Ashley White. 10 pages. Duration 3 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3429-E. Published by Galaxy Music Corporation - Digital (MQ.1.3429-E). English.The great English author, Rudyard Kipling (1865–1936), wrote the poem My Boy Jack during the early years of World War I. The poem quickly came to be identified as Kipling’s lament over the death of his son John, who was killed during the Battle of Loos in France in 1915. However, it is just as likely that the poem is a tribute to all who were lost during The Great War, and to those who mourned them. In this setting, the composer casts the forlorn questioner not as one person--a grieving parent--but rather as a mixed solo quartet, representing everyone. The harmonic language in the poem’s first three stanzas is intended to portray the sorrow and angst that Kipling’s words so effectively convey. In the last stanza, however, the tone of the poem suddenly changes, becoming more positive and resolute: Then hold your head up all the more, this tide, and every tide… To reflect this shift, the setting uses a quasi-English folksong style, one that is more lyrical and direct. Duration: 3:30.
$2.65
Lost Boy
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Ruth B
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Brian Streckfus
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Lost Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B...
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Guitar - Level 2 - SKU: A0.1135655 By Ruth B. By Ruth Berhe. Arranged by Brian Streckfus. Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. Brian Streckfus #735713. Published by Brian Streckfus (A0.1135655). This is a shortened version of the song to fit nicely on two pages (I needed a shorter version for the circumstances I'm under). The melody and lyrics are like the original as far as I can tell, but I did make changes to the harmony. Usually these changes to the harmony are to enhance the word painting, or to have it be more idiomatic to guitar. A version like this is ideal for someone who wants to play a very fancy version of the song on solo guitar, though adding vocals in should still be fairly easy. I personally sing a lot better if I can play the melody first on guitar because then I know exactly what I'm doing. Versions like these can really be as simple or as complex as you want, if you want something simple, just play the chord diagrams and sing!1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Chord Charts 4. Less stereotypical chords 5. Fingerings and letter names added to aid in sight-reading 6. Voice leading considerations 7. Making the music idiomatic for guitarTips:1. Notes with the stem direction going down are background harmonies that should be played quietly. This hidden meaning tends to only happen with polyphonic instruments such as piano and guitar. You'll eventually notice this anyways because there is no lyric underneath the note.1. Slurs are notated to the make the music easier and better sounding for guitar not vocals, though of course it often mimicks slurs similiar to a vocalist.2. Fmaj7(#11) is not in the original and is a key change since it includes an F and not an F#.3. Sometimes it can look like the melody does not contain a key change, but then when you anaylze the letter names of the chords, you will find that there is indeed key changes in the chords. The Beatles is a good example of a band that does this often.4. E minor and G major chords technically only need 2 or 3 notes. This is one simple but effective strategy to have less cliche chords.5. The F(#5)(#11) chord in the second to last measure could probably be just an F major chord.6. The E natural in measure 42 could be an Eb if the harmony is too avant-garde for you. Made sense to me because of word painting and I wanted a keyless and dreamy feeling for the end. 7. G/B chords are arguably nicer than a full G chord, though of course the decision is ultimately up to. It is better because the chord is imperfect, it causes the audience to not clap too soon. I also only strum the chord up to where the vocal melody is happening, that way the main melody is always in the spot light, and I find songs are easier to sing this way.
$1.99
Lost Boy (arr. Mark Brymer)
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Pop musique
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Ruth B
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Mark A
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Lost Boy
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.378464 By Ruth B. By Ruth Berhe. Arranged by Mark A. Brymer. Pop. Choral. Duration 242. Published by Hal Leonard - Digita...
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(Accompaniment Only) - SKU: HX.378464 By Ruth B. By Ruth Berhe. Arranged by Mark A. Brymer. Pop. Choral. Duration 242. Published by Hal Leonard - Digital (HX.378464).
$24.99
Lost Boy (arr. Mark Brymer)
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Pop musique
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Ruth B
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Mark A
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Lost Boy
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.378463 By Ruth B. By Ruth Berhe. Arranged by Mark A. Brymer. Pop. Choral. Duration 242. Published by Hal Leonard - Digital ...
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(Full Performance) - SKU: HX.378463 By Ruth B. By Ruth Berhe. Arranged by Mark A. Brymer. Pop. Choral. Duration 242. Published by Hal Leonard - Digital (HX.378463).
$1.99
Lost Boy
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Contemporain
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Ruth B
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Diane M
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Lost Boy
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - SKU: A0.769142 By Ruth B. By Ruth Berhe. Arranged by Diane M. McGahee. Contemporary. Score and parts. 8 pages. Diane M. McGahee #572029...
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Small Ensemble - SKU: A0.769142 By Ruth B. By Ruth Berhe. Arranged by Diane M. McGahee. Contemporary. Score and parts. 8 pages. Diane M. McGahee #5720297. Published by Diane M. McGahee (A0.769142).
$4.99
Lost Boy
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Pop musique
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Ruth B
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Lee Stovall
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Lost Boy
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Lee Stovall
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SheetMusicPlus
Choral Voice - Level 3 - Interactive Download SKU: A0.480265 By Ruth B. By Ruth Berhe. Arranged by Lee Stovall. This edition: Interactive Download. Pop. ...
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Choral Voice - Level 3 - Interactive Download SKU: A0.480265 By Ruth B. By Ruth Berhe. Arranged by Lee Stovall. This edition: Interactive Download. Pop. Octavo. Duration 225. Lee Stovall #xOLRrXJJpqY8UDFc2Ls1b. Published by Lee Stovall (A0.480265). Key: G major.
$4.00
Straight On Till Morning
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Contemporain
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Steven Galante
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Straight On Till Morning
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Steven Galante
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SheetMusicPlus
Small Ensemble Flute,Piano - Level 5 - SKU: A0.915908 Composed by Steven Galante. 20th Century,Contemporary. Score and parts. 38 pages. Steven Galante #...
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Small Ensemble Flute,Piano - Level 5 - SKU: A0.915908 Composed by Steven Galante. 20th Century,Contemporary. Score and parts. 38 pages. Steven Galante #540005. Published by Steven Galante (A0.915908). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition. For 3 flutes and piano. About 10 minutes long. Completed in 2014. Member of ASCAP. Neverland - before Peter and the Lost Boys - when the fairies ruled.
$9.99
Action Hero
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Adrian Hallam
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Action Hero
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Adrian Hallam
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SheetMusicPlus
Small Ensemble Horn,Piano - Level 2 - SKU: A0.854374 Composed by Adrian Hallam. Contemporary,Standards. Score and parts. 20 pages. Adrian Hallam #603610...
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Small Ensemble Horn,Piano - Level 2 - SKU: A0.854374 Composed by Adrian Hallam. Contemporary,Standards. Score and parts. 20 pages. Adrian Hallam #6036109. Published by Adrian Hallam (A0.854374). In a dark dystopian future when all hope seems lost comes an Action Hero - Power Girl/Boy!A ray of light standing against the darkness!The power to win comes from the power within!Facing an evil Super Villain - the Dad Jokestar!The Dad Jokestar is spreading the groaner virus,trying to cause a pun-demic!Will Power Girl/Boy Save The Day?Stay tuned for this action packed adventure!1. Power Girl/Boy2. Super Villain3. Save The DayAction Hero is 3rd Grade standard.(AMEB Australia / Trinity UK).DURATION 5:10
$15.00
Lament: Theme and Variations on Two Sorrow Songs for 2 Pianos
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Boyd E
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Lament: Theme and Variations o
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Boyd Eugene Gibson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.965296 Composed by Boyd E. Gibson. Contemporary,Spiritual. Score and parts. 25 pages. Boyd...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.965296 Composed by Boyd E. Gibson. Contemporary,Spiritual. Score and parts. 25 pages. Boyd Eugene Gibson #4758761. Published by Boyd Eugene Gibson (A0.965296). This work takes two African American Spirituals, I've Been Buked, and Sometimes I Feel Like a Motherless Child and weaves them together into a theme and variation which evokes the great cry of the soul whose burden is of the age-old promise of eternal freedom. This work was originally composed for solo piano but has been re-worked for two pianos with very satisfying results. Themes that were lost in the solo piano version can be heard clearly in this version.
$10.95
Believe in Yourself Piano Vocal Performance
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself Piano Voca
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publi...
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Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publishing #4633703. Published by Boothe Publishing (A0.1069969). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself Guitar Vocal Performance
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Voc
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Publ...
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Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 1 "Poets a
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
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