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Lost Youth
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Vous avez sélectionné:
Lost Youth
Partitions à imprimer
7 partitions trouvées
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1
End of an Era
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Br...
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String Ensemble - Level 2 - SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #85...
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Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
To Cassandra for spoken voice and bassoon
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David Warin Solomons
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To Cassandra for spoken voice
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary. Score and part...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 2 pages. David Warin Solomons #431373. Published by David Warin Solomons (A0.576771). Setting of my father's translation of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken by my father S N Solomons The bassoon part is based on the song To Cassandra for alto and guitar, which is also available on this site [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty. [Ronsard's original poem] Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté.
$8.00
A Cassandre for spoken voice and bassoon
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David Warin Solomons
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A Cassandre for spoken voice a
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages....
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Instrumental Duet Bassoon,Instrumental Duet,Voice - SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages. David Warin Solomons #429021. Published by David Warin Solomons (A0.576770). Setting of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken in modern French by my father S N Solomons who also created an English version as shown below The bassoon part is based on the song To Cassandra for alto and guitar, using my father's translation, which is also available on this site Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté. [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty.].
$8.00
Going Home
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Pop musique
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marty harwell
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Going Home
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SONGLIGHT PRODUCTIONS
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943171 Composed by marty harwell. Pop. Score and parts. 3 pages. SONGLIGHT PRODUCTI...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.943171 Composed by marty harwell. Pop. Score and parts. 3 pages. SONGLIGHT PRODUCTIONS #4602639. Published by SONGLIGHT PRODUCTIONS (A0.943171). ... poignant reflections on time and youth long lost ...
$2.99
An Acre of Grass, poem by William B Yeats
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Contemporain
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Mary Ann Joyce
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An Acre of Grass, poem by Will
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Mary Ann Joyce-Walter
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SheetMusicPlus
Small Ensemble Cello,Piano,Voice - Level 5 - SKU: A0.989221 Composed by Mary Ann Joyce. 20th Century,Contemporary. Score and parts. 11 pages. Mary Ann J...
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Small Ensemble Cello,Piano,Voice - Level 5 - SKU: A0.989221 Composed by Mary Ann Joyce. 20th Century,Contemporary. Score and parts. 11 pages. Mary Ann Joyce-Walter #6203629. Published by Mary Ann Joyce-Walter (A0.989221). An Acre of Grass, written during Yeats' later years while he ponders his youth, yet he concludes that even though he ishas lost much as he ages, he has an old man's eagle mind. This five-minute work is scored for bass-baritone (also mezzo-soprano), piano, and cello. It is often performed by Yeats' The Second Coming, a work that is eerily prescient of the turmoil of the early decade(s) of the 21st Century. .
$4.99
Dance Suite
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Matyas Seiber
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Wolfgang Lichter
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Dance Suite
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Schott Music - Digital
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SheetMusicPlus
2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb orchestra - easy to intermediate - SKU: S9.Q6683 7 Modern D...
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2 Flöten, Klarinette (Oboe), Trompete (B), Altsaxophon, Fagott, Vl 1, Vl 2, Va, Vc, Kb orchestra - easy to intermediate - SKU: S9.Q6683 7 Modern Dances. Composed by Matyas Seiber. Arranged by Wolfgang Lichter. This edition: score. Concertino. Downloadable, Score. Duration 20 minutes. Schott Music - Digital #Q6683. Published by Schott Music - Digital (S9.Q6683). After completing his studies with Zoltan Kodaly, the Hungarian composer Máthiás Seiber (1905-1960) first worked as a musician in a dance orchestra on an ocean liner which gave him the opportunity to listen to jazz music in New York. From 1928 he taught the first jazz class worldwide at Dr. Koch's Conservatoire in Frankfurt. In the winter term of 1928/29, 19 students had registered with whom he gave a public concert on 3 March 1929 which was broadcast by Radio Frankfurt. After the Nazis had seized power, the jazz class was dissolved, Seiber lost his job and emigrated to London. In 1932 he wrote his piano cycle 'Leichte Tänze' (Easy Dances), one of the early examples of the adoption of jazz forms and styles in so-called serious music. The present arrangement for orchestra is easily playable and is aimed at youth and amateur orchestras. Instrumentation: 2 flutes, clarinet, oboe (ad lib.), alto saxophone, trumpet, bassoon and strings. Movements: Cake Walk - Novelty Foxtrot - Gipsy Tango - Waltz - Walzer - Blues - Charleston.
$21.99
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Lost Youth
