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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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22
PIANO & CLAVIERS
Piano seul
38
Orgue
1
Piano Facile
1
Piano, Voix et Guitare
1
GUITARES
VOIX
Chorale SATB
8
Chorale Unison
2
Chorale 2 parties
2
Chorale 3 parties
1
Voix Tenor, Piano
1
VENTS
2 Saxophones (duo)
5
2 Clarinettes (duo)
4
Quatuor de Saxophones: 4 saxophones
3
Clarinette
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
2 Flûtes traversières (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone Alto et Piano
2
Flûte, Alto (duo)
1
2 Saxophones, Piano
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte traversière
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Soprano et Piano
1
Hautbois, Piano (duo)
1
2 Clarinettes, Basson
1
Flûte, Saxophone (duo)
1
Saxophone (partie séparée)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Basson (duo)
1
Flûte et Guitare
1
Flûte, Trompette (duo)
1
Flûte, Violon
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
4
Trompette, Saxophone (duo)
2
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba et Piano
1
2 Trombones (duo)
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Trombone et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon et Piano
3
2 Violons (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Alto (duo)
1
Harpe, Flûte (duo)
1
Violon
1
Violon, Orgue
1
2 Violoncelles (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Alto seul
1
Violon, Violoncelle (duo)
1
4 Violoncelles
1
2 Altos (duo)
1
Violoncelle, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
5
Cloches
4
Orchestre de chambre
3
Ensemble de cuivres
1
Orchestre
1
AUTRES
Vous avez sélectionné:
Lyrical Cat Publishing
Partitions à imprimer
22 partitions trouvées
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1
10 Harmonious and Harmless Pieces for Piano
Composed by Steve Dambrosio. Arranged by Chris Piazza, Jon Burr, and Steve Dambrosio. …
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Composed by Steve Dambrosio. Arranged by Chris Piazza, Jon Burr, and Steve Dambrosio. Contemporary. Score. 33 pages. Lyrical Cat Publishing #6235161. Published by Lyrical Cat Publishing
$12.95
11.87 €
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Steve Dambrosio
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10 Harmonious and Harmless Pieces for Piano
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Lyrical Cat Publishing
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SheetMusicPlus
Let All Mortal Flesh Keep Silence (Downloadable)
Violin, cello, piano - Moderately Difficult - Digital Download SKU: MQ.20-626-E Com…
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Violin, cello, piano - Moderately Difficult - Digital Download SKU: MQ.20-626-E Composed by Duane Funderburk. Advent, Ash Wednesday, Christmas. Instrument part. 9 pages. MorningStar Music Publishers - Digital Sheet Music #20-626-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-626-E). A lyrical and haunting setting of this mysterious tune for violin, cello, and piano. Range, intonation, sensitivity, and a few flourish passages will require very capable string players. The piano part is not difficult. Part of the “Duane Funderburk Sacred Chamber Music Series.â€These piano trios are dedicated to the many musicians I have the honor of working with every week at Lake Avenue Church in Pasadena, California. They motivate me to write music that challenges both the musician and those listening, to worship our God in different ways using chamber music that captures the skill and creativity of the instrumentalists. These musical colleagues have been an inspiration to me personally for many years, and it is to all of them that I dedicate these pieces.
$11.00
10.09 €
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Duane Funderburk
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Let All Mortal Flesh Keep Silence
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Divertimento
Organ, Flute or optional Violin - Difficult - Digital Download SKU: MQ.20-769-E Com…
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Organ, Flute or optional Violin - Difficult - Digital Download SKU: MQ.20-769-E Composed by Charles E. Callahan Jr. St. Louis Cathedral Choral Series. Sacred. Instrument parts. MorningStar Music Publishers - Digital Sheet Music #20-769-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-769-E). Part of the St. Louis Cathedral Series, this is a sprightly showcase for a fine soloist and organist. A lyrical middle section provides contrast. A substantial composition, suitable for concert or recital use. A challenge but with charming results. Instrumental parts included.
$16.00
14.67 €
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Charles E
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Divertimento
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Morning Has Broken
Traditional Gaelic Melody Drawing on the traditional Gaelic melody, BUNESSAN, Arnold Sherm…
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Traditional Gaelic Melody Drawing on the traditional Gaelic melody, BUNESSAN, Arnold Sherman has transcribed this Celtic hymn tune originally arranged for piano by Larry Shackley. With a smattering of delicate grace notes, the character of the piece takes on a charming quality that lilts and sparkles throughout. This is an opportunity for your bell choir to experience a more transparent, lyrical setting of a familiar hymn
Song List: Single
$6.25
5.73 €
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Morning Has Broken
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SheetMusicPlus
Carson Cooman - Sun Songs (2008) for trumpet and violin
Instrumental Duet Instrumental Duet,Trumpet,Violin - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Instrumental Duet,Trumpet,Violin - Level 4 - Digital Download SKU: A0.775969 Composed by Carson Cooman. Contemporary. Score and parts. 9 pages. Musik Fabrik Music Publishing #2034853. Published by Musik Fabrik Music Publishing (A0.775969). Sun Songs (2008) for trumpet and violin was written for and is dedicated to Wesley and Shannon Nance. The opening movement, Toccata, bubbles with energy. The second movement, Canto, is lyrical and meditative. The final movement, March and Hymn, begins as a march, but a hymn-like idea gradually asserts itself, eventually ending the movement in tranquility.
$12.95
11.87 €
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Carson Cooman
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Carson Cooman - Sun Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.592306 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357555. Published by David McKeown (A0.592306). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.592307 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357557. Published by David McKeown (A0.592307). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Oboe and one Violin. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Oboe and Violin
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David McKeown
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SheetMusicPlus
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592317…
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592317 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357577. Published by David McKeown (A0.592317). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Trumpet and one tenor Horn in E Flat. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
18.29 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Too Upset for Words (2003) for clarinet in Bb, guitar, and piano
Instrumental Duet,Piano Clarinet,Guitar,Instrumental Duet,Piano - Level 4 - Digital Downlo…
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Instrumental Duet,Piano Clarinet,Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533589 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3029395. Published by Musik Fabrik Music Publishing (A0.533589). Too Upset for Words (2003) for clarinet in Bb, guitar, and piano was commissioned by and isdedicated to Aris Carastathis and the Lakehead University New Music Ensemble.The work is cast in two very short movements that use the same basic musical material. Thework contrasts lyrical gestures with ones of extreme violence -- all derived from the samemusical sources.The first movement, Rages, continually brings back a loud piano crash. Out of the harmonicsof this sound come the clarinet and guitar's material.The second movement, Reflections, freely explores some of the gestures of the firstmovement. The pitches of the musical ideas become deconstructed -- existing only as pitchentities in a free section. The score is used for all three players, hence, in buying this file, three copies may be printed.
$11.95
10.96 €
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Carson Cooman
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Carson Cooman: Too Upset for Words
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Partita for solo baroque flute or recorder
Small Ensemble Flute,Recorder - Level 4 - Digital Download SKU: A0.533209 Composed …
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Small Ensemble Flute,Recorder - Level 4 - Digital Download SKU: A0.533209 Composed by Carson Cooman. Baroque,Concert,Contemporary,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishing #1986199. Published by Musik Fabrik Music Publishing (A0.533209). Partita (2003) for solo baroque flute was written for and is dedicated to flutist Dolores Zdancewicz, who commissioned a piece specifically to take advantage of the baroque flute's unique sonic properties. This work may also be performed on the recorder. The first movement, Cantus (Song), is a simple lyrical piece exploring continuous transformation of the principal melodic ideas. The second movement, Ludus (Game), is in an ABA form. The movement explores the tone color contrast between different note combinations on the baroque flute -- the property that some notes have a more veiled sound color than other notes. It is a movement of humor and zest. Recorded by Stephen Schultz, baroque flute on Naxos American Classics CD Cooman: Symphonines II and III.
$8.00
7.33 €
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Carson Cooman
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Carson Cooman: Partita for solo baroque flute or recorder
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Where All the Ladders Start (2008) for trumpet (in C) and vibraphone
Instrumental Duet Instrumental Duet,Trumpet,Vibraphone - Level 5 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.533575 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 6 pages. Musik Fabrik Music Publishing #3024989. Published by Musik Fabrik Music Publishing (A0.533575). Where All the Ladders Start (2008) for trumpet and vibraphone was written for and is dedicated toLouis Ranger. The work is an energetic dialogue, in which a darkly lyrical discourse is coloredthrough the interaction of the two instruments. The title is taken from a line of W. B. Yeats.
$11.95
10.96 €
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Carson Cooman
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Carson Cooman: Where All the Ladders Start
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Trio Solaris (2010), for trumpet, tenor saxophone, and piano
Small Ensemble Piano,Saxophone,Trumpet - Digital Download SKU: A0.775950 Composed b…
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Small Ensemble Piano,Saxophone,Trumpet - Digital Download SKU: A0.775950 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 17 pages. Musik Fabrik Music Publishing #2033563. Published by Musik Fabrik Music Publishing (A0.775950). Trio Solaris (2010), for trumpet, tenor saxophone, and piano, was written for and is dedicated to Chris Gekker and Chris Vadala. The two movements are lyrical in spirit. River of Roses drives forward in effusive, passionate dialogue. Wildflower Garden develops out of an extended melody presented at the outset by the saxophone. The set includes score and parts, including parts for trumpet in Bb and Trumpet in C.
$12.95
11.87 €
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Carson Cooman
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Carson Cooman - Trio Solaris
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Too Upset for Words (2003) for alto saxophone, guitar, and piano
Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533590 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3029397. Published by Musik Fabrik Music Publishing (A0.533590). Too Upset for Words (2003) for alto saxophone, guitar, and piano was commissioned by andis dedicated to Aris Carastathis and the Lakehead University New Music Ensemble.The work is cast in two very short movements that use the same basic musical material. Thework contrasts lyrical gestures with ones of extreme violence -- all derived from the samemusical sources.The first movement, Rages, continually brings back a loud piano crash. Out of the harmonicsof this sound come the saxophone and guitar's material.The second movement, Reflections, freely explores some of the gestures of the firstmovement. The pitches of the musical ideas become deconstructed -- existing only as pitchentities in a free section. All players play from the same score, hence in purchasing this file, you have the right to print three copies.
$11.95
10.96 €
#
Carson Cooman
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Carson Cooman: Too Upset for Words
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download …
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
23.79 €
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Di…
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95
30.21 €
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Carson Cooman
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Aria: Caritas abundat in omnia (2002) for English horn and organ
Instrumental Duet English Horn,Instrumental Duet,Organ - Level 3 - Digital Download SKU…
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Instrumental Duet English Horn,Instrumental Duet,Organ - Level 3 - Digital Download SKU: A0.533645 Composed by Carson Cooman. Christian,Contemporary,Sacred. Score and parts. 8 pages. Musik Fabrik Music Publishing #3035201. Published by Musik Fabrik Music Publishing (A0.533645). Aria: Caritas abundat in omnia (2002) for English horn and organ was written for and isdedicated to Toni Marie Marchioni.The work is a subdued and lyrical aria for English horn and organ, suitable for either concert orchurch uses. An opening section of unfolding/introduction leads to a gentle aria over a pulsingaccompaniment which builds to a climax. A warm coda closes the work.The title of the piece is taken from a poem by Hildegard von Bingen (1098-1179), the Medievalabbess, which appears above the score. In English translation, it reads as follows:Loving tenderness abounds for allfrom the darkestto the most eminent one beyond the stars,Exquisitely loving allshe bequeaths the kiss of peaceupon the highest King.-- trans. Norma Gentile (adp. CPC)
$11.95
10.96 €
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Carson Cooman
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Carson Cooman: Aria: Caritas abundat in omnia
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.
$38.95
35.71 €
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Carson Cooman
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Carson Cooman : Quartet for Piano and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.47 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.46 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.971647 Composed by Jef…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape. Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion. A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations. A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$38.00
34.84 €
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Jeffrey Hoover
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A New Tattoo: Scottish Landscape
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Musicart Publications
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SheetMusicPlus
Benedictus (2 Violins and piano)
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.77…
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.773779 Composed by Anthony Giamanco. Contemporary,Sacred,Standards,Wedding. Score and parts. 12 pages. Whole Tone Press #5304487. Published by Whole Tone Press (A0.773779). A beautiful and lyrical work for 2 violins with piano accompaniment, written in memory of a dear friend. This piece is appropriate for both church services (especially on Palm Sunday) and concerts/recitals, as well as wedding ceremonies and funeral services. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, and on YouTube. Contact info:tony@shalomlife.org.
$4.25
3.9 €
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Anthony Giamanco
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Benedictus
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Whole Tone Press
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SheetMusicPlus
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