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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Made For Love
Sheetmusicplus
Non classifié
485
Piano & claviers
Piano, Voix
349
Piano seul
231
Piano Facile
105
Piano, Voix et Guitare
88
Orgue
38
Instruments en Do
29
1 Piano, 4 mains
23
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
2
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano grosses notes
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
37
Guitare
24
Ukulele
9
Mandoline
4
Ligne De Mélodie, (Paroles) et Accords
3
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Guitare (partie séparée)
2
4 Guitares (Quatuor)
1
Dulcimer
1
Banjo
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
131
Chorale 3 parties
52
Chorale TTBB
33
Chorale SSAA
30
Voix Tenor
27
Voix Alto, Piano
26
Voix Soprano
23
Voix Baryton, Piano
20
Chorale 2 parties
20
Chorale Unison
15
Voix duo, Piano
8
Voix duo
4
Voix Soprano, Piano
3
Voix Tenor, Piano
3
Voix moyenne, Piano
1
Voix seule
1
Voix haute
1
Soli, choeur mixte et accompagnement
1
Paroles Seulement
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
89
Hautbois, Piano (duo)
80
Flûte traversière
70
Clarinette et Piano
67
Saxophone Alto et Piano
58
Clarinette
55
Quatuor de Saxophones: 4 saxophones
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Saxophone Alto
43
Flûte, Hautbois, Clarinette, Basson
41
Saxophone (partie séparée)
39
Hautbois (partie séparée)
37
Quintette de Saxophone: 5 saxophones
33
Saxophone Tenor et Piano
29
Saxophone Soprano et Piano
29
Saxophone Tenor
28
Saxophone Baryton, Piano
25
Hautbois
24
Quatuor de Clarinettes: 4 clarinettes
20
2 Flûtes traversières (duo)
19
Hautbois, Basson (duo)
15
2 Clarinettes (duo)
12
2 Saxophones (duo)
12
Ensemble de saxophones
10
Cor anglais, Piano
9
Flûte à Bec
8
Clarinette Basse, Piano
8
Quatuor de Flûtes : 4 flûtes
8
Quintette de Flûte : 5 flûtes
7
Flûte, Clarinette (duo)
6
Quatuor de Flûtes à bec
5
3 Saxophones (trio)
5
Quintette de Clarinettes: 5 clarinettes
5
Flûte à bec Soprano
4
5 Flûtes à bec
4
Flûte, Violon, Piano
4
2 Hautbois (duo)
4
Flûte à bec Alto
3
3 Clarinettes (trio)
3
Ensemble de Flûtes
3
Ocarina
3
Cor Anglais
3
2 Flûte à bec (duo)
3
Saxophone Soprano
3
Flûte et Guitare
3
Harmonica
3
Flûte, Violon
3
Clarinette, Basson (duo)
2
Hautbois, Clarinette (duo)
2
Flûte, Basson et Piano
2
Clarinette Basse
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
Flûte, Hautbois, Basson
2
Trio de Flûtes: 3 flûtes
2
Ensemble de Clarinettes
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Baryton
2
Saxophone, Clarinette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Alto (duo)
1
Flûte, Hautbois (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, violon (duo)
1
Clarinette et Alto
1
Saxophone
1
Hautbois et alto (duo)
1
Flute (partie séparée)
1
Saxophone et Guitare
1
3 Flûtes à bec (trio)
1
2 Hautbois, Piano
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
2 Clarinettes, Basson
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
2 Saxophones, Piano
1
Flûte à bec Alto, Piano
1
+ 78 instrumentations
Retracter
Cuivres
Trombone et Piano
81
Cor et Piano
68
Tuba
62
Trombone
62
Trompette
59
Cor
49
Trompette, Piano
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Tuba et Piano
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de Cuivres
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
10
Cor anglais, Piano
9
Trombone (partie séparée)
7
Ensemble de Trompettes
7
Trompette (partie séparée)
6
2 Trombones (duo)
5
2 Trompettes (duo)
4
2 Cors (duo)
4
Cor Anglais
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Tuba et Orgue
2
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Trio de Cuivres
1
2 Cors, Piano
1
Quatuor de cuivres: 4 trombones
1
Trompette, Violoncelle (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
168
Violon et Piano
82
Alto, Piano
70
Violoncelle, Piano
68
Violon
66
Violoncelle
58
Contre Basse
49
Contrebasse, Piano (duo)
43
Alto seul
38
Trio à Cordes: violon, alto, violoncelle
26
Trio à Cordes: 2 violons, violoncelle
24
Violon, Violoncelle (duo)
21
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
2 Violons (duo)
14
Harpe
13
Alto (partie séparée)
13
2 Violoncelles (duo)
11
2 Altos (duo)
8
Violon, Alto (duo)
6
Trio à Cordes: 2 violons, alto
4
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
3
2 Contrebasses (duo)
2
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
2
2 Altos, Piano
2
Harpe, Violon (duo)
2
Violon, Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Clarinette, Piano (trio)
2
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Alto, Guitare (duo)
1
Harpe, Voix
1
Violon (partie séparée)
1
Contrebasse (partie séparée)
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
2 Harpes (duo)
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
51
Orchestre à Cordes
41
Orchestre
24
Ensemble Jazz
18
Ensemble de cuivres
17
Orchestre de chambre
15
Cloches
12
Marimba
11
Xylophone
5
Ensemble de Percussions
5
Fanfare
4
Xylophone, Piano
3
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Batterie (partie séparée)
1
Jazz combo
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Pertinence
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Made For Love
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476
Scarborough Fair arr. for flute, clarinet, bassoon and piano
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for flut
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
(+)
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for two violins, cello and piano
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for two
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1...
(+)
Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for violin, cello and piano
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for viol
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Pu...
(+)
Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for oboe
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publica...
(+)
Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
Scarborough Fair arr. for flute, oboe, bassoon and piano
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for flut
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Mult...
(+)
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
Paul Wehage: To You for baritone, tenor saxophone and piano
#
Paul Wehage
#
Paul Wehage: To You for barito
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Break Forth, O Beauteous, Heavenly Light
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heav
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Chri...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
What Was I Made For?
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
B-Flat Bass Saxophone,Instrumental Solo,Piano - Level 3 - SKU: A0.1313267 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged b...
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B-Flat Bass Saxophone,Instrumental Solo,Piano - Level 3 - SKU: A0.1313267 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and individual part. 9 pages. Glauco Fernandes #902053. Published by Glauco Fernandes (A0.1313267). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
What Was I Made For?
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
B-Flat Bass Saxophone,Instrumental Solo - Level 3 - SKU: A0.1313272 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glau...
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B-Flat Bass Saxophone,Instrumental Solo - Level 3 - SKU: A0.1313272 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #902058. Published by Glauco Fernandes (A0.1313272). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$4.99
What Was I Made For?
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Pop musique
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
B-Flat Bass Saxophone,Instrumental Solo,Piano - Level 3 - SKU: A0.1313263 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged b...
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B-Flat Bass Saxophone,Instrumental Solo,Piano - Level 3 - SKU: A0.1313263 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and individual part. 9 pages. Glauco Fernandes #902049. Published by Glauco Fernandes (A0.1313263). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
O Holy Night for Baritone Horn & Piano
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Noël
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Adam
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James M
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Piano
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O Holy Night for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410423. Published by jmsgu3 (A0.552827). O Holy Night arranged for Baritone Horn & Piano. Duration: 4:56 Score: 5 pg, 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
La adelita - for band
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Mexican Folk Song
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Zoran Radanovic
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La adelita - for band
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Zoran Radanovic
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SheetMusicPlus
Bass Guitar,Drum Set,Electric Guitar,Trumpet - Level 3 - SKU: A0.1376083 Composed by Mexican Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,...
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Bass Guitar,Drum Set,Electric Guitar,Trumpet - Level 3 - SKU: A0.1376083 Composed by Mexican Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 18 pages. Zoran Radanovic #960648. Published by Zoran Radanovic (A0.1376083). This very famous mexican folk song arrangement is for band with sets of parts (Bb trumpet, bass guitar, el. guitar. drumset).La Adelita is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of women in the Mexican Revolution. The figure of the adelita gradually became synonymous with the term soldadera, the woman in a military-support (and sometimes fighting) role, who became a vital force in the revolutionary efforts through provisioning, espionage, and other activities in the battles against Mexican federal government forces.[1] However, the song, the portrait, and the role of its subject have been given different, often conflicting, interpretations. It has also been argued that 'La Adelita' expressed the sensitivity and vulnerability of men, emphasizing the stoicism of the rebellious male soldier as he confronts the prospect of death.[2] In another interpretation, the feminist scholar MarÃa Herrara-Sobek argues, Adelita's bravery and revolutionary spirit are lost to the fatalism and insecurities of male soldiers who are focused on passions, love, and desire as they face combat.[2]
$4.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
I Know Virgin Mary (for Brass Trio)
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Noël
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Old French Carol
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Andrew Lamb
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I Know Virgin Mary
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Andrew Lamb
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SheetMusicPlus
Horn,Trumpet - Level 3 - SKU: A0.1294740 Composed by Old French Carol. Arranged by Andrew Lamb. Christmas. 21 pages. Andrew Lamb #885098. Published by A...
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Horn,Trumpet - Level 3 - SKU: A0.1294740 Composed by Old French Carol. Arranged by Andrew Lamb. Christmas. 21 pages. Andrew Lamb #885098. Published by Andrew Lamb (A0.1294740). Introducing I Know, O Virgin Mary Brass Trio Arrangement 🎺🎺📯🌟 Elevate your Christmas performances and services with this stunning brass trio arrangement of the timeless French carol, Je Sais Vierge Marie. 🎄🎶 Musical Magic: Immerse your audience in the enchanting melodies of this old French carol, originally composed for the Christmas season. This arrangement, meticulously crafted for Brass Trio (2 Trumpets and French Horn), preserves the carol's classic charm while adding a touch of brass brilliance.🎺 Instrumental Versatility: The beauty of this arrangement lies in its adaptability. With an alternative Trumpet 2 part designed for French Horn players and an Alternative Part 3 for those on Trombone (Bass Clef) or Euphonium (Treble Clef), this arrangement accommodates various brass talents.🎯 Medium Difficulty: Suitable for intermediate-level musicians, this arrangement strikes the perfect balance between challenge and accessibility. Ideal for ensembles looking to enhance their repertoire.🎅 Christmas Spirit: Capturing the essence of the holiday season, this arrangement is tailor-made for Christmas performances and services. Spread the joy and warmth of Christmas through the harmonious brass sounds of I Know, O Virgin Mary.🌠Make Memories: Create lasting memories with your audience as you deliver a heartfelt rendition of this beloved carol. Whether it's a holiday concert, church service, or festive gathering, this arrangement is sure to leave a lasting impression.🎉 Celebrate Tradition: Pay homage to the rich musical heritage of the French carol tradition while adding your unique flair. This arrangement offers a delightful blend of history and modernity.🎶 Elevate your brass trio's repertoire and infuse the spirit of Christmas into your performances with this arrangement of I Know, O Virgin Mary. 🌟Don't miss the opportunity to enchant your audience with the brass trio rendition they won't forget. Get your sheet music today! 🎵🎺📯.
$6.00
O Mio Babbino Caro - for celesta solo (with chords)
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for celes
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Rodrigo Faleiros
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SheetMusicPlus
Celesta,Instrumental Solo - Level 2 - SKU: A0.1377164 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Rom...
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Celesta,Instrumental Solo - Level 2 - SKU: A0.1377164 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961605. Published by Rodrigo Faleiros (A0.1377164). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo celesta. This beloved aria, known for its tender expression of love and longing, is now reimagined for celesta, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Celesta Showcase: Tailored for a solo celesta, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for celesta offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
O Mio Babbino Caro - for glockenspiel solo (with chords)
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for glock
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Rodrigo Faleiros
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SheetMusicPlus
Bells Solo,Glockenspiel - Level 2 - SKU: A0.1377157 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Roman...
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Bells Solo,Glockenspiel - Level 2 - SKU: A0.1377157 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961589. Published by Rodrigo Faleiros (A0.1377157). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo glockenspiel. This beloved aria, known for its tender expression of love and longing, is now reimagined for glockenspiel, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features:Glockenspiel Showcase: Tailored for a solo glockenspiel, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download.Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for glockenspiel offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
O Mio Babbino Caro - for celesta solo
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for celes
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Rodrigo Faleiros
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SheetMusicPlus
Celesta,Instrumental Solo - Level 2 - SKU: A0.1377115 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Rom...
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Celesta,Instrumental Solo - Level 2 - SKU: A0.1377115 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961723. Published by Rodrigo Faleiros (A0.1377115). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo celesta. This beloved aria, known for its tender expression of love and longing, is now reimagined for celesta, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience. Key Features: Celesta Showcase: Tailored for a solo celesta, allowing for a captivating and expressive performance of the iconic aria. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for celesta offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
O Mio Babbino Caro - for glockenspiel solo
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for glock
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Rodrigo Faleiros
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SheetMusicPlus
Bells Solo,Glockenspiel - Level 2 - SKU: A0.1377530 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Roman...
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Bells Solo,Glockenspiel - Level 2 - SKU: A0.1377530 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961712. Published by Rodrigo Faleiros (A0.1377530). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo glockenspiel. This beloved aria, known for its tender expression of love and longing, is now reimagined for glockenspiel, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience.Key Features: Glockenspiel Showcase: Tailored for a solo glockenspiel, allowing for a captivating and expressive performance of the iconic aria. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for glockenspiel offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
Barbara Allen for piccolo and orchestra (mp3)
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Piccolo - Level 4 - SKU: A0.1470561 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Full Performance....
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Piccolo - Level 4 - SKU: A0.1470561 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. Full Performance. Duration 300. David Warin Solomons #1048224. Published by David Warin Solomons (A0.1470561). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town, where I was born,There was a fair maid dwellin',Made ev'ry youth cry Well-a-day!Her name was Barb'ra Allen.All in the merry month of MayWhen green buds they were swellin',Young Jemmy Grove on his death-bed layFor love of Barb'ra Allen.Then slowly, slowly she came up,And slowly she came nigh him,And all she said when there she cameYoung man, I think you're dying.As she was walking o'er the fieldsShe heard the dead-bell knellin',And ev'ry stroke the dead-bell gaveCried Woe to Barb'ra Allen!When he was dead and laid in graveHer heart was struck with sorrow.O mother, mother, make my bed,For I shall die tomorrow.Farewell, she said, ye virgins all,And shun the fault I fell in;Henceforth take warning by the fallOf cruel Barb'ra Allen..
$5.00
AGAPE (For God So Loved The World) A601G - Single
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Musique Sacrée
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Shag Evans
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Shag Evans
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AGAPE
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Shag Evans
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SheetMusicPlus
Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - SKU: A0.1050351 Composed by Shag Evans. Arranged by Shag Evans. Chr...
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Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - SKU: A0.1050351 Composed by Shag Evans. Arranged by Shag Evans. Christmas,Easter,Holiday,Pop,Praise & Worship. Score and parts. 15 pages. Shag Evans #654670. Published by Shag Evans (A0.1050351). AGAPE (For God So Loved The World) is a modern Christian bible song featuring famous verbatim quotes from Book of John 3:16: For God so loved the world, that he gave his only begotten son, that whosoever believeth in him should not perish, but have everlasting life. This tune makes fun holiday music for Christmas, Easter and Holy Week! Arrangement A601G is a professional sheet music score containing lead & harmony vocal parts, four different keyboard staff parts (piano and synths), guitar, bass, and accurate guitar chord diagrams. All parts are included in this sheet music score (in the video only the vocal part is shown). Key of G means mezzo or low baritone range. Lead vocal note span: E-B low --> high (octave plus a fifth). The melody of this tune spans 1.5 octaves but the low note is only briefly tagged. More keys and other arrangements of this song are coming soon. SUMMARY: Professional Sheet Music. Custom Made For Music Lovers. ADDITIONAL DETAILS: Quality PDF 300dpi resolution: Awesome viewing. Complete music score: Repeats on verse & coda. Full instrument notation: 9 staves, 6 instrument parts, 2 vocal parts. Contains accurate guitar chord diagrams: No approximations or generic substitutes. Separate full lyric sheet included. More keys & more arrangements coming soon! Be sure to watch & listen to the entertaining follow-the-bouncing-ball style Sing-A-Long Soundtrack video (see the YT link below).
$3.99
Liebe (Love) (poem by Schiller) from Brahms' Violin Concerto, for flute quartet
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Johannes Brahms
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Liebe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1511133 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Co...
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Small Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1511133 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Romantic Period. 6 pages. David Warin Solomons #1086377. Published by David Warin Solomons (A0.1511133). Flute quartet arrangementThe pdf contains score and parts.The original words come from 2 verses of Schiller's Seelig durch die Liebe [Through love they are made blessed]. The music is based on the oboe solo at the beginning of the slow movement of Brahms' Violin Concerto, arranged by Duncan Saunderson and adapted by David Warin Solomons.The Schiller poem:Liebe rauscht der Silberbach, Liebe lehrt ihn sanfter wallen, Seele haucht sie in das Ach Klagenreicher Nachtigallen - Liebe Liebe lispelt nur Auf der Laute der NaturWeisheit mit dem Sonnenblick, Große Göttin tritt zurück, Weiche vor der Liebe. Nie Erobrern, Fürsten nie Beugtest du ein Sklavenknie, Beug' es itzt der Liebe. (singing translation by David W Solomons)Silver brook resounds with loveLove then teaches it to softenBreathing soul into the cryof lamenting nightingalesLove, love whispering only theSound of nature. Wisdom with sun that- glances,Wisdom great goddessGo- ye back and yield before loveNever bend your knee to princesNor bow as slave to conquerersBow now to love.
$9.00
Liebe (Love) (poem by Schiller) from Brahms' Violin Concerto, for cor anglais and 3 bassoons
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Johannes Brahms
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Liebe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,English Horn - Level 3 - SKU: A0.1511115 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Con...
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Small Ensemble Bassoon,English Horn - Level 3 - SKU: A0.1511115 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Romantic Period. 6 pages. David Warin Solomons #1086327. Published by David Warin Solomons (A0.1511115). Double reed arrangement of this piece.The pdf contains score and parts.The original words come from 2 verses of Schiller's Seelig durch die Liebe [Through love they are made blessed]. The music is based on the oboe solo at the beginning of the slow movement of Brahms' Violin Concerto, arranged by Duncan Saunderson and adapted by David Warin Solomons.The Schiller poem:Liebe rauscht der Silberbach, Liebe lehrt ihn sanfter wallen, Seele haucht sie in das Ach Klagenreicher Nachtigallen - Liebe Liebe lispelt nur Auf der Laute der NaturWeisheit mit dem Sonnenblick, Große Göttin tritt zurück, Weiche vor der Liebe. Nie Erobrern, Fürsten nie Beugtest du ein Sklavenknie, Beug' es itzt der Liebe. (singing translation by David W Solomons)Silver brook resounds with loveLove then teaches it to softenBreathing soul into the cryof lamenting nightingalesLove, love whispering only theSound of nature. Wisdom with sun that- glances,Wisdom great goddessGo- ye back and yield before loveNever bend your knee to princesNor bow as slave to conquerersBow now to love.
$9.00
Liebe (Love) (poem by Schiller) from Brahms' Violin Concerto, for bassoon quartet
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Johannes Brahms
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Liebe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon - Level 3 - SKU: A0.1511119 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Rom...
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Small Ensemble Bassoon - Level 3 - SKU: A0.1511119 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Romantic Period. 6 pages. David Warin Solomons #1086331. Published by David Warin Solomons (A0.1511119). Bassoon quartet arrangementThe pdf contains score and parts.The original words come from 2 verses of Schiller's Seelig durch die Liebe [Through love they are made blessed]. The music is based on the oboe solo at the beginning of the slow movement of Brahms' Violin Concerto, arranged by Duncan Saunderson and adapted by David Warin Solomons.The Schiller poem:Liebe rauscht der Silberbach, Liebe lehrt ihn sanfter wallen, Seele haucht sie in das Ach Klagenreicher Nachtigallen - Liebe Liebe lispelt nur Auf der Laute der NaturWeisheit mit dem Sonnenblick, Große Göttin tritt zurück, Weiche vor der Liebe. Nie Erobrern, Fürsten nie Beugtest du ein Sklavenknie, Beug' es itzt der Liebe. (singing translation by David W Solomons)Silver brook resounds with loveLove then teaches it to softenBreathing soul into the cryof lamenting nightingalesLove, love whispering only theSound of nature. Wisdom with sun that- glances,Wisdom great goddessGo- ye back and yield before loveNever bend your knee to princesNor bow as slave to conquerersBow now to love.
$9.00
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