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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Man D Romantic
Non classifié
1 001
Piano & claviers
Piano, Voix
5 636
Piano seul
787
Piano Facile
193
Piano, Voix et Guitare
123
Orgue
42
Instruments en Do
40
Piano Trio: piano, violon, violoncelle
24
1 Piano, 4 mains
17
Accompagnement Piano
17
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Ensemble d'Accordéons
6
Orgue, Trompette (duo)
6
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 4 mains
4
Accordéon
4
Clavier
3
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
108
Guitare
69
2 Guitares (duo)
33
Ukulele
14
Ligne De Mélodie, (Paroles) et Accords
14
4 Guitares (Quatuor)
6
Basse electrique
5
3 Guitares (trio)
5
Piano, Guitare (duo)
3
Dulcimer
3
Mandoline, Guitare (duo)
2
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
97
Voix seule
63
Chorale 3 parties
22
Chorale 2 parties
19
Voix basse, Piano
11
Voix Soprano, Piano
11
Chorale SSAA
10
Voix Baryton, Piano
9
Voix duo
8
Chorale TTBB
8
Voix duo, Piano
6
Voix haute
4
Voix Tenor, Piano
2
Voix Alto, Piano
2
Voix basse
1
Voix, Guitare
1
+ 11 instrumentations
Retracter
Vents
Flûte traversière et Piano
212
Clarinette et Piano
152
Hautbois, Piano (duo)
96
Saxophone Alto et Piano
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Quatuor de Saxophones: 4 saxophones
64
Hautbois, Clarinette, Basson (trio d'anches)
60
Saxophone Soprano et Piano
57
Clarinette
47
Saxophone Tenor et Piano
47
Quatuor de Clarinettes: 4 clarinettes
46
Flûte et Guitare
41
2 Flûtes traversières (duo)
38
Flûte, Hautbois, Clarinette, Basson
33
2 Clarinettes (duo)
31
Saxophone Baryton, Piano
28
Flûte traversière
27
Cor anglais, Piano
25
Ensemble de Clarinettes
23
Quatuor de Flûtes : 4 flûtes
22
2 Saxophones (duo)
22
Clarinette Basse, Piano
21
3 Saxophones (trio)
20
Ensemble de saxophones
19
Quintette de Saxophone: 5 saxophones
18
Saxophone Alto
18
3 Clarinettes (trio)
17
Flûte, Clarinette (duo)
17
Clarinette, Guitare (duo)
14
2 Hautbois (duo)
13
Clarinette, Violon (duo)
12
Hautbois (partie séparée)
12
Saxophone Tenor
12
Quintette de Clarinettes: 5 clarinettes
10
Trio de Flûtes: 3 flûtes
9
Flûte, Violon
9
Hautbois, Basson (duo)
8
Ensemble de Flûtes
8
Clarinette, Basson (duo)
8
Hautbois, Clarinette (duo)
7
Saxophone, Violon (duo)
7
Flûte, Violon, Piano
7
2 Flûtes traversières, Piano
7
3 Hautbois
7
Flûte, Hautbois (duo)
7
Hautbois, violon (duo)
6
Flûte, Violoncelle, Piano (trio)
6
Piccolo
6
Saxophone (partie séparée)
6
Hautbois, Violoncelle
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Clarinette et Basson
5
Flûte, Violoncelle
5
Flûte, Hautbois, Piano (trio)
5
Hautbois
4
Piccolo, Piano
4
Clarinette, Trombone (duo)
4
2 Clarinettes, Piano
4
Flûte à bec Alto
4
Saxophone
4
Flûte, Trombone (duo)
3
Harmonica
3
Saxophone Soprano
3
Hautbois, Trompette (duo)
3
Flûte à bec, Guitare (duo)
3
Saxophone, Clarinette (duo)
3
Flûte à bec Soprano
3
Quintette de Flûte : 5 flûtes
3
2 Saxophones, Piano
3
Flûte, Hautbois, Basson
3
Ocarina
3
Clarinette, Violoncelle (duo)
3
Flûte, Alto (duo)
2
Hautbois et alto (duo)
2
Flûte et Quatuor à Cordes
2
Flûte, Basson et Piano
2
Quatuor de Flûtes à bec
2
2 Flûte à bec (duo)
2
Saxophone Baryton
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Tuba (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, trombone et piano
2
Flute, harpe et violon
2
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon, Guitare
1
Hautbois, Flûte
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec
1
4 Hautbois
1
Flûte, Alto et Piano
1
Cor Anglais
1
Saxophone et violoncelle
1
Clarinette et Alto
1
Hautbois, trombone (duo)
1
Clarinette, trompette et piano
1
2 Flûtes à bec, Piano
1
5 Flûtes à bec
1
Saxophone, Basson (duo)
1
Clarinette Basse
1
+ 97 instrumentations
Retracter
Cuivres
Trompette, Piano
78
Trombone et Piano
67
Cor et Piano
61
Trompette
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Tuba et Piano
35
Euphonium, Piano (duo)
28
Trombone
27
Cor anglais, Piano
25
Cor
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
13
Tuba
12
2 Trombones (duo)
11
Trompette, Saxophone (duo)
11
2 Trompettes (duo)
11
Quatuor de cuivres: 4 cors
9
Quatuor de Cuivres
8
2 Cors (duo)
7
Trompette, Trombone (duo)
6
Ensemble de Trombones
5
Trombone, violoncelle (duo)
5
Trompette, violon (duo)
5
Quatuor de cuivres: 4 trombones
5
Trompette, Basson (duo)
4
Trio de Cuivres
4
3 Trompettes (trio)
3
Trombone basse et Piano
3
Ensemble de Cors
3
Trompette, Violoncelle et Piano
2
Trompette, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Trombone, Piano
2
Trompette, Cor (duo)
2
Trombone, Violon (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Violoncelle (duo)
2
4 Tubas
1
Instruments en Sib
1
Cor, Tuba (duo)
1
3 Tubas (trio)
1
Bass Clef Instruments
1
Cor, Violoncelle et Piano
1
2 Tubas (duo)
1
Cor Anglais
1
Trombone, Cor (duo)
1
3 Trombones (trio)
1
Trompette (partie séparée)
1
Tuba et Orgue
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
Trombone, Orgue
1
2 Euphoniums (duo)
1
Cor et Basson (duo)
1
Trombone, Alto (duo)
1
Trombone, Tuba (duo)
1
3 Cors (trio)
1
+ 52 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
310
Violon et Piano
248
Violoncelle, Piano
167
Alto, Piano
144
Violon
72
Violoncelle
47
Violon, Violoncelle (duo)
39
2 Violons (duo)
37
Harpe
35
Trio à Cordes: violon, alto, violoncelle
33
Violon, Guitare (duo)
29
Alto seul
26
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Contrebasse, Piano (duo)
23
2 Violoncelles (duo)
23
Violon, Alto (duo)
21
Violoncelle , Guitare (duo)
16
Alto, Guitare (duo)
14
4 Violoncelles
12
Contre Basse
11
2 Altos (duo)
11
Alto, Violoncelle (duo)
11
Trio à Cordes: 2 violons, violoncelle
10
Trio à Cordes: 3 violoncelles
9
Violon (partie séparée)
7
2 Violons, Piano
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Quatuor à cordes: 4 violons
5
Trio à cordes: 3 violins
5
2 Altos, Piano
4
Violon, Basson (duo)
4
Alto (partie séparée)
4
Violon, Clarinette, Piano (trio)
4
Piano Trio: Violon, Alto, Piano
4
2 Violoncelles, Piano
4
Quatuor à cordes : 4 altos
3
Violoncelle (partie séparée)
3
Trio à cordes: 3 altos
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Alto et Basson
2
2 Contrebasses (duo)
2
Harpe, Violon (duo)
2
Violoncelle, Orchestre
1
Contrebasse (partie séparée)
1
Trio à cordes
1
Ensemble de Violons
1
3 Contrebasses
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 071
Orchestre à Cordes
150
Orchestre
144
Orchestre de chambre
51
Ensemble de cuivres
25
Ensemble Jazz
7
Cloches
4
Vibraphone (partie séparée)
2
Ensemble d'École
2
Marimba
2
Xylophone
1
Ensemble de Percussions
1
Quatuor à Vent : 4 instruments à vents
1
Quintette à Vent
1
Jazz combo
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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CORNET
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Romanian Dance (Bartok) - Brass Band
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Bela Bartok
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Rob Bushnell
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Romanian Dance
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.752355 Composed by Bela Bartok. Arranged by Rob Bushnell. 20th Century,Contemporary,Folk,Multicultural,Romantic Period,World. Brass Band. 71 pages. RBMusic #4580667. Published by RBMusic (A0.752355). Béla Viktor János Bartók is considered to be one of Hungary’s greatest composers (along with Franz Liszt), and is regarded as one of the most important writers of the 20th century. His music tends to reflect two trends that helped to change the sound of music in the 20th century: the breakdown of diatonic harmony; and a renewed interest in using nationalism as a source for musical inspiration. For this latter trend, Bartók turned to Hungarian folk music and become a key figure in influencing the modern use of indigenous music and techniques. In 1904, whilst at a resort in Hungary, Bartók overheard his nanny, Lidi Dósa, singing Transylvanian folk songs, which sparked a lifelong devotion to folk music. Further influenced by Strauss, Bartók started to write music based on folk songs, including his Romanian Folk Dances (Op. 8a, Sz. 43, BB 56) for piano in 1910, made up of two folk songs. The first of these dances was later orchestrated by the composer for orchestra and named Romanian Dance (Sz. 47, BB 61) and it is this piece that is available here. This arrangement is for the UK-style brass band. A recording of the original orchestral piece can be found on YouTube: https://www.youtube.com/watch?v=PuQSdNjFdrY. Other searchable terms: Bela Bartok, Román Tánc, Roman Tanc, Magyar peasant melodies
$57.50
The Tales of Hoffmann (Les Contes d'Hoffmann) - Barcarolle
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Classique
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Jacques Offenbach
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Bulent Yazici
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The Tales of Hoffmann
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Bulent Yazici
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SheetMusicPlus
Guitar,Mandolin - Level 2 - SKU: A0.1301702 Composed by Jacques Offenbach. Arranged by Bulent Yazici. 19th Century,Classical,Romantic Period. 12 pages. ...
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Guitar,Mandolin - Level 2 - SKU: A0.1301702 Composed by Jacques Offenbach. Arranged by Bulent Yazici. 19th Century,Classical,Romantic Period. 12 pages. Bulent Yazici #891314. Published by Bulent Yazici (A0.1301702).
$4.99
Canon in D (Trio for Flute, Guitar and Piano)
Flute, Guitar, Piano
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Classique
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Johann Pachelbel
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classi...
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Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Christmas, Wedding. Score, Set of Parts. 18 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).
$11.99
Der kleine Sandmann bin ich/Abends will ich schlafen gehn - Hänsel und Gretel (D Major)
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Opera
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Classique
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Engelbert Humperdinck
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Jonathan Prentice
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Der kleine Sandmann bin ich/Ab
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Jonathan Prentice
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SheetMusicPlus
Small Ensemble Piano - Level 3 - SKU: A0.884738 Composed by Engelbert Humperdinck. Arranged by Jonathan Prentice. Opera,Romantic Period. Score and parts...
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Small Ensemble Piano - Level 3 - SKU: A0.884738 Composed by Engelbert Humperdinck. Arranged by Jonathan Prentice. Opera,Romantic Period. Score and parts. 6 pages. Jonathan Prentice #5794939. Published by Jonathan Prentice (A0.884738). The beautiful Sandman aria from Humperdinck's fantasy opera, Hansel and Gretel is followed by the famous duet for soprano and mezzo. The young siblings, Hansel and Gretel, become lost in the forest when collecting strawberries and are visited by the Sandman who sprinkles sleep dust in their eyes. Unable to stay awake they sing their evening prayer before gently falling off to sleep. (Here in the original key of D major).
$1.99
Salut d'Amour (Edward Elgar)arr. for flute (or violin)and classical guitar
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Classique
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Edward Elgar
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John Pinno
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Salut d'Amour
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John Pinno
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SheetMusicPlus
Small Ensemble Flute,Guitar,Violin - Level 5 - SKU: A0.775438 Composed by Edward Elgar. Arranged by John Pinno. Concert,Holiday,Romantic Period,Wedding....
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Small Ensemble Flute,Guitar,Violin - Level 5 - SKU: A0.775438 Composed by Edward Elgar. Arranged by John Pinno. Concert,Holiday,Romantic Period,Wedding. Score and parts. 11 pages. John Pinno #3115907. Published by John Pinno (A0.775438). An arrangement for flute and classical guitar of one of the English composer Edward Elgar's best-known works, Salut d'Amour. He wrote the piece for Caroline Alice Roberts, with whom Elgar was romantically involved, and presented the piece to Miss Roberts as an engagement present in 1888. My arrangement is for flute and guitar, however the melody instrument could easily be a violin. This is arranged in the key of E major, and the guitar part is pitched in D major, but the guitarist must use a capo at the second fret to bring that part up to E. My wife and i have performed this arrangement in a number of recitals and it works quite well. For any comments or questions email John Pinno at jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745
$10.00
Vissi D'arte (Tosca) - G. Puccini - flauta, clarinete en Bb, guitarra y voz
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Giacomo Puccini
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Guillermo J
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Vissi D'arte
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guillermo josé romano
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SheetMusicPlus
Clarinet,Flute,Guitar,High Voice - Level 5 - SKU: A0.1369404 Composed by Giacomo Puccini. Arranged by Guillermo J. Romano. 19th Century,Chamber,Opera,Ro...
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Clarinet,Flute,Guitar,High Voice - Level 5 - SKU: A0.1369404 Composed by Giacomo Puccini. Arranged by Guillermo J. Romano. 19th Century,Chamber,Opera,Romantic Period. 10 pages. Guillermo josé romano #953761. Published by guillermo josé romano (A0.1369404). Adaptación del aria Vissi D'Arte para flauta, clarinete en Bb, guitarra y voz.
$9.99
EASIER SCHOOL ORCHESTRA SERIES 1 Barcarolle (Les Contes d'Hoffmann) Offenbach
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Classique
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Jacques Offenbach
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John Beale
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EASIER SCHOOL ORCHESTRA SERIES
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John Beale
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SheetMusicPlus
Large Ensemble Bass Guitar,Clarinet,Double Bass,Flute,Horn,Piano,Recorder,Timpani,Trombone,Trumpet,Violin - Level 2 - SKU: A0.984861 Composed by Jacques...
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Large Ensemble Bass Guitar,Clarinet,Double Bass,Flute,Horn,Piano,Recorder,Timpani,Trombone,Trumpet,Violin - Level 2 - SKU: A0.984861 Composed by Jacques Offenbach. Arranged by John Beale. Romantic Period. Score and parts. 35 pages. John Beale #4775671. Published by John Beale (A0.984861). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. In this piece I had to persuade the pupils with a very repetitive part they were just as important as the others for the sake of the whole.
$15.00
Grieg: Morning Mood from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549521 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 17 pages. Jmsgu3 #3504479. Published by jmsgu3 (A0.549521). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Very effective on the Oboe d'Amore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Â
$32.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
O Mio Babbino Caro (Pavarotti) - Lead sheet (key of D)
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Giacomo Pucinni
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Stephen Bulat
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O Mio Babbino Caro
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858962 Composed by Giacomo Pucinni. Arranged by Stephen Bulat. Holiday,Love,Opera,Romantic Period,Wedding. Score and parts. 3 pages. Stephen Bulat Publishing #6266751. Published by Stephen Bulat Publishing (A0.858962). Giacomo Pucinni's lyrical masterpiece, O Mio Babbino Caro, from the opera Gianni Schicchi This classic, romantic Italian song famously performed by Luciano Pavarotti has also been covered by many vocal and instrumental groups which include Sarah Brightman, Charlotte Church, Grover Washington Jr., Joshua Bell and Maria Callas.A classical songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the gigging musician's classical, pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book or the Classic Love Songs - A Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249Classic Love Songs - A Valentine's Day Fake Book (Bb Instruments): https://www.sheetmusicplus.com/21964694 - Item Number: S0.975257Classic Love Songs - A Valentine's Day Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21964697 - Item Number: S0.975263Classic Love Songs - A Valentine's Day Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21964701 - Item Number: S0.975271SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com
$2.99
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roma...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Hall of the Mountain King from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549583 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3511247. Published by jmsgu3 (A0.549583). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Rom...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3508063. Published by jmsgu3 (A0.549565). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Grieg: Peer Gynt Suite Complete for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complet
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructio...
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - SKU: A0.551506 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 62 pages. Jmsgu3 #5306343. Published by jmsgu3 (A0.551506). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
Salut d'Amour for string sextet
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Classique
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Edward Elgar
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Samantha J Bramley
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Play Strings!
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Salut d'Amour for string sexte
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Samantha Bramley
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SheetMusicPlus
String Ensemble - SKU: A0.800222 Composed by Edward Elgar. Arranged by Samantha J Bramley. 20th Century,Romantic Period. Score and parts. 12 pages. Sama...
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String Ensemble - SKU: A0.800222 Composed by Edward Elgar. Arranged by Samantha J Bramley. 20th Century,Romantic Period. Score and parts. 12 pages. Samantha Bramley #6445695. Published by Samantha Bramley (A0.800222). This arrangement of the ever-popular Salut d'Amour is for string sextet - 2 violins, 2 violas, 2 'celli. The melodic interest is shared between the upper strings. An easily readable arrangement for players of intermediate standard and a great inclusion into any concert programme.A score and set of parts in included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.comKeep Calm & Play Strings!
$8.99
Traumerai (Schumann) - Lead sheet (key of D)
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Robert Schumann
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Stephen Bulat
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Traumerai
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858742 Composed by Robert Schumann. Arranged by Stephen Bulat. Concert,Contemporary,Romantic Period,Sacred,Wedding. Score and parts. 2 pages. Stephen Bulat Publishing #6075205. Published by Stephen Bulat Publishing (A0.858742). Lead sheet (melody & chords) of the classical masterpiece, Träumerai, composed by Robert Schuman.A classical songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on only one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (e.g. violin, flute)Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book or the Classic Love Songs Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com
$2.99
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Obo
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
D Minor Etude for Clarinet, Flute (or Oboe or Violin), and Cello (or Bassoon)
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Classique
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Carl Baermann
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Ray Kamada
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D Minor Etude for Clarinet, Fl
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The Lone Arranger
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Violin - Level 3 - SKU: A0.757329 Composed by Carl Baermann. Arranged by Ray Kamada. Baroque. Score and...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Violin - Level 3 - SKU: A0.757329 Composed by Carl Baermann. Arranged by Ray Kamada. Baroque. Score and parts. 8 pages. The Lone Arranger #3141313. Published by The Lone Arranger (A0.757329). Largely polyphonic, i.e., three melody lines interwoven to create a trio. The clarinet line comes from a study by 19th century clarinetist Carl Baermann (1810 - 1885) as rendered in David Hite's Melodious and Progressive Studies for Clarinet. So, the main melody will be familiar to many clarinetists, as well as their students. Can be performed as either a woodwind or mixed wind/strings trio. Baermann lived and wrote during the classical and romantic eras, yet the piece is distinctly baroque in character. The accompanying mp3 employs my atypical yet preferred sound blend: clarinet, flute, and cello.
$5.99
Bizet: Jeux D'Enfants (Children's Games) IV. Duo - symphonic wind
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Classique
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553927 Composed by Georges Bizet. Arranged by Ray Thompson. Holiday,Inst...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553927 Composed by Georges Bizet. Arranged by Ray Thompson. Holiday,Instructional,Romantic Period. Score and parts. 16 pages. RayThompsonMusic #6196941. Published by RayThompsonMusic (A0.553927). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) (this one)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 11 (no. 4 in the petite suite) Arranged double wind quintet and bass,
$7.95
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
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Classique
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Georges Bizet
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Ray Thompson
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#
Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Christmas,Romantic Period. Score and parts. 19 pages. RayThompsonMusic #6083141. Published by RayThompsonMusic (A0.553908). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.[ The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of no 6 (no 1 in the petite suite).It is arranged for double wind quintet and bass.
$14.95
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