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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mark Fisher
Non classifié
41
Piano & claviers
Piano, Voix et Guitare
8
Piano, Voix
8
Piano seul
4
Piano Facile
2
Piano (partie séparée)
1
Instruments en Do
1
+ 1 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
9
Ukulele
5
Guitare (partie séparée)
1
Paroles et Accords
1
Voix
Pack Instrumental pour Chorale
11
Chorale SATB
8
Chorale 3 parties
5
Chorale 2 parties
3
Chorale TTBB
2
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
+ 2 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette (partie séparée)
1
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte traversière et Piano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette et Piano
1
+ 8 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Ensemble de Trompettes
2
Trompette (partie séparée)
2
Ensemble de Trombones
2
Trompette, Piano
2
Tuba et Piano
1
2 Euphoniums et 2 Tubas
1
Trombone (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
1
Contrebasse (partie séparée)
1
Orchestre & Percussions
Orchestre d'harmonie
6
Orchestre à Cordes
3
Percussion (partie séparée)
1
Ensemble Jazz
1
Batterie (partie séparée)
1
Ensemble de cuivres
1
+ 1 instrumentations
Retracter
Autres
Instruments
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CHANT - CHO…
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CITHARE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Mark Fisher
Partitions à imprimer
41 partitions trouvées
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When You're Smiling by Mark Fisher - Leadsheet
Sheet Music
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Mark Fisher
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When You're Smiling
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Musicnotes
Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Leadsheet;Lyrics/Melody/Chords in Bb Major. Digital sheet music...
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Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Leadsheet;Lyrics/Melody/Chords in Bb Major. Digital sheet music from Musicnotes.
$3.99
When You're Smiling by Mark Fisher - Beginner Notes
Sheet Music
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Mark Fisher
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When You're Smiling
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Musicnotes
Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Piano/Vocal/Chords in C Major. Digital sheet music from Musicno...
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Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Piano/Vocal/Chords in C Major. Digital sheet music from Musicnotes.
$4.99
When You're Smiling by Mark Fisher - Leadsheet
Sheet Music
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Mark Fisher
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When You're Smiling
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Musicnotes
Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Leadsheet;Lyrics/Melody/Chords in Bb Major. Digital sheet music...
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Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Leadsheet;Lyrics/Melody/Chords in Bb Major. Digital sheet music from Musicnotes.
$3.99
When You're Smiling by Mark Fisher - Easy Guitar TAB
Sheet Music
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Mark Fisher
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When You're Smiling
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Musicnotes
Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Guitar TAB;Guitar/Vocal/Chords in C Major. Digital sheet music ...
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Sheet Music for When You're Smiling by Joe Goodwin, Larry Shay and Mark Fisher arranged for Guitar TAB;Guitar/Vocal/Chords in C Major. Digital sheet music from Musicnotes.
$4.99
When You're Smilin'
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Joe Goodwin, Larry Shay, and M
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Kirby Shaw
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When You're Smilin'
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0007233 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Di...
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Chorus - SKU: AX.00-PO-0007233 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0007233. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007233). UPC: 038081581781.
$2.45
When You're Smilin'
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Joe Goodwin, Larry Shay, and M
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Kirby Shaw
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When You're Smilin'
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0007232 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Di...
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Chorus - SKU: AX.00-PO-0007232 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0007232. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007232). UPC: 038081581774.
$2.45
When You're Smilin'
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Joe Goodwin, Larry Shay, and M
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Kirby Shaw
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When You're Smilin'
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0007231 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Di...
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Chorus - SKU: AX.00-PO-0007231 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Kirby Shaw. Choral. Octavo. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0007231. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0007231). UPC: 038081581767.
$2.45
When You're Smiling
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Joe Goodwin, Larry Shay, and M
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Pete Schmutte
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When You're Smiling
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Chorus - SKU: AX.00-PO-0004532 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Pete Schmutte. Choral. 7 pages. Alfred Music - Digital ...
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Chorus - SKU: AX.00-PO-0004532 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Pete Schmutte. Choral. 7 pages. Alfred Music - Digital Sheet Music #00-PO-0004532. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0004532). UPC: 029156089929.
$2.25
When You're Smiling (the Whole World Smiles With You)
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Contemporain
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Joe Goodwin, Larry Shay, and M
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Graham Hall (ghmusicprep
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When You're Smiling
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ghmusicprep.com
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SheetMusicPlus
Small Ensemble Voice - Level 4 - SKU: A0.800854 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Graham Hall (ghmusicprep.com). Contemp...
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Small Ensemble Voice - Level 4 - SKU: A0.800854 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Graham Hall (ghmusicprep.com). Contemporary. Score and parts. 24 pages. Ghmusicprep.com #6511265. Published by ghmusicprep.com (A0.800854). For Sinfonia Viva.
$19.99
When You're Smiling (the Whole World Smiles With You)
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Contemporain
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Joe Goodwin, Larry Shay, and M
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Richard Giszczak
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When You're Smiling
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Singing Winds Music Company
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SheetMusicPlus
Small Ensemble Carillon,Instrumental Solo - Level 3 - SKU: A0.823963 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Richard Giszczak....
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Small Ensemble Carillon,Instrumental Solo - Level 3 - SKU: A0.823963 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Richard Giszczak. Contemporary. Individual part. 3 pages. Singing Winds Music Company #6871091. Published by Singing Winds Music Company (A0.823963). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments.
$4.99
When You're Smiling (the Whole World Smiles With You)
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Contemporain
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Joe Goodwin, Larry Shay, and M
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Samantha Spear
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When You're Smiling
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Sam Spear Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.995480 Composed by Joe Goodwin, Larry Sha...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.995480 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Samantha Spear. Contemporary. Score and parts. 34 pages. Sam Spear Music #5222785. Published by Sam Spear Music (A0.995480). A fresh take on this songbook classic! (parts only)
$19.99
When You're Smiling (The Whole World Smiles With
Small Ensemble
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Jazz
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Dean Martin
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Sam Spear
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When You're Smiling
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Sam Spear Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drum Set,Guitar,Piano and Keyboard,Tenor Saxophone,Trombone,Trumpet - Interactive Download SKU: ...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drum Set,Guitar,Piano and Keyboard,Tenor Saxophone,Trombone,Trumpet - Interactive Download SKU: A0.479266 By Dean Martin. By Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Sam Spear. This edition: Interactive Download. Jazz,Standards. Score and parts. 53 pages. Duration 185. Published by Sam Spear Music (A0.479266). An arrangement of this American Songbook classic that blends together swing and Dixieland styles to make for an entertaining rendition. Instrumentation: Trumpet, Alto Sax, Tenor Sax, Trombone, Bari Sax, Guitar, Piano, Bass, Drum Set.
$32.99
When You're Smiling (the Whole World Smiles With You)
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Contemporain
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Joe Goodwin, Larry Shay, and M
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Samantha Spear
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When You're Smiling
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Sam Spear Music
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.995479 Composed by Joe Goodwin, Larry...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Drums,Guitar,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.995479 Composed by Joe Goodwin, Larry Shay, and Mark Fisher. Arranged by Samantha Spear. Contemporary. Score and parts. 20 pages. Sam Spear Music #5222779. Published by Sam Spear Music (A0.995479). A fresh take on this songbook classic! (score only).
$12.99
You Are So Beautiful
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Rock
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Joe Cocker
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Fishel Pustilnik
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Piano (Jazz/Pop Version)
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You Are So Beautiful
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F & N Enterprise
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SheetMusicPlus
Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632372 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Fishel Pustilnik. Pop,Rock. ...
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Small Ensemble Guitar,Piano,Violin - Level 4 - SKU: A0.632372 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by Fishel Pustilnik. Pop,Rock. Score and parts. 7 pages. F & N Enterprise #2884639. Published by F & N Enterprise (A0.632372). An excellent arrangement of famous Song You Are So Beautiful for Guitar & Piano (Jazz/Pop Version). The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
The Midsummer Marriage
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Sir Michael Tippett
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The Midsummer Marriage
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Schott Music - Digital
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SheetMusicPlus
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael T...
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
Love Runs Out
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Pop musique
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Andrew Brown, Brent Kutzle, Ed
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Mark A
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Love Runs Out
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.402528 Composed by Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Mark A. Brymer. ...
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(Full Performance) - SKU: HX.402528 Composed by Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Mark A. Brymer. Pop. Choral. Duration 201. Published by Hal Leonard - Digital (HX.402528).
$1.99
Love Runs Out
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Pop musique
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Andrew Brown, Brent Kutzle, Ed
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Mark A
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Love Runs Out
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Hal Leonard - Digital
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SheetMusicPlus
(Accompaniment Only) - SKU: HX.402529 Composed by Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Mark A. Brymer...
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(Accompaniment Only) - SKU: HX.402529 Composed by Andrew Brown, Brent Kutzle, Eddie Fisher, Ryan Tedder, and Zachary Filkins. Arranged by Mark A. Brymer. Pop. Choral. Duration 201. Published by Hal Leonard - Digital (HX.402529).
$24.99
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
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