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Vous avez sélectionné:
Mark Hanson
Partitions à imprimer
15 partitions trouvées
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1
Lo, How a Rose E'er Blooming
Voice,Choir,SATB,Voice Ensemble,Voice Quartet,
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Renaissance
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Michael Praetorius
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Mark Hanson
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Lo, How a Rose E'er Blooming
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Mark H. Hanson - Hansong Music
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SheetMusicPlus
Composed by Michael Praetorius (1571-1621). Arranged by Mark Hanson. Renaissance, Christian, Sacred, Christmas, Lent. Individual Part. 6 pages. Published by Mar...
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Composed by Michael Praetorius (1571-1621). Arranged by Mark Hanson. Renaissance, Christian, Sacred, Christmas, Lent. Individual Part. 6 pages. Published by Mark H. Hanson - Hansong Music (S0.105527). - Individual Part - Renaissance,Christian,Sacred,Christmas,Lent - Mark H. Hanson - Hansong Music
$1.99
Renaissance Motets Arranged for Strings - Byrd, set 1
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Renaissance
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William Byrd
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719751 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 61 pages. Curtis Hanson #4...
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String Ensemble - Level 3 - SKU: A0.719751 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 61 pages. Curtis Hanson #4839433. Published by Curtis Hanson (A0.719751). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Palestrina, set 3
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Renaissance
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Giovanni Pierluigi da Palestri
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 89 pag...
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String Ensemble - Level 3 - SKU: A0.719750 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 89 pages. Curtis Hanson #4839431. Published by Curtis Hanson (A0.719750). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for.For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Palestrina, set 2
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Contemporain
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Giovanni Pierluigi da Palestri
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719749 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Contemporary. Score and parts. 78 pa...
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String Ensemble - Level 3 - SKU: A0.719749 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Contemporary. Score and parts. 78 pages. Curtis Hanson #4839425. Published by Curtis Hanson (A0.719749). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Byrd, set 3
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Renaissance
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William Byrd
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719753 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 70 pages. Curtis Hanson #4...
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String Ensemble - Level 3 - SKU: A0.719753 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 70 pages. Curtis Hanson #4839439. Published by Curtis Hanson (A0.719753). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Palestrina, set 1
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Renaissance
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Giovanni Pierluigi da Palestri
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 83 pag...
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String Ensemble - Level 3 - SKU: A0.719747 Composed by Giovanni Pierluigi da Palestrina. Arranged by Curtis Hanson. Renaissance. Score and parts. 83 pages. Curtis Hanson #4839423. Published by Curtis Hanson (A0.719747). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Victoria, Di Lasso
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Renaissance
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Tomas Luis de Victoria / Orlan
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and part...
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String Ensemble - Level 3 - SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
Renaissance Motets Arranged for Strings - Byrd, set 2
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Renaissance
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William Byrd
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Curtis Hanson
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Renaissance Motets Arranged fo
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719752 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 62 pages. Curtis Hanson #4...
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String Ensemble - Level 3 - SKU: A0.719752 Composed by William Byrd. Arranged by Curtis Hanson. Renaissance. Score and parts. 62 pages. Curtis Hanson #4839435. Published by Curtis Hanson (A0.719752). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection are set for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first several pieces in the collection.
$29.99
16th Century Motets and Anthems Arranged for Strings
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Renaissance
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Many
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Curtis Hanson
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16th Century Motets and Anthem
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. ...
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String Ensemble - Level 3 - SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first piece in the collection.
$24.99
Early Renaissance Motets Arranged for Strings
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Renaissance
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Many
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Curtis Hanson
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Early Renaissance Motets Arran
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis Hanson #4839401. ...
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String Ensemble - Level 3 - SKU: A0.719744 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 47 pages. Curtis Hanson #4839401. Published by Curtis Hanson (A0.719744). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. The pieces in this collection, arranged for a variety of string ensembles, instruments most closely able to mimic the inflections of the human voice, are of the multi-part motets only. Any plainchant intonations have been omitted. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first and last piece in the collection.
$24.99
Renaissance Madrigals Arranged for Strings, set 2
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. ...
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String Ensemble - Level 3 - SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
Renaissance Madrigals Arranged for Strings, set 3
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Renaissance
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. ...
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String Ensemble - Level 3 - SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
$29.99
Lips Of An Angel
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Contemporain
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Jack Ingram
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Diane M
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Lips Of An Angel
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Diane M. McGahee
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SheetMusicPlus
Small Ensemble - SKU: A0.769137 By Jack Ingram. By Austin Winkler, Brian Howes, Lloyd Garvey, Mark King, Michael Rodden, and Ross Hanson. Arranged by Di...
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Small Ensemble - SKU: A0.769137 By Jack Ingram. By Austin Winkler, Brian Howes, Lloyd Garvey, Mark King, Michael Rodden, and Ross Hanson. Arranged by Diane M. McGahee. Contemporary. Score and parts. 6 pages. Diane M. McGahee #5720277. Published by Diane M. McGahee (A0.769137).
$4.99
Eve’s Diary
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David Leisner
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Eve’s Diary
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published ...
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Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1538). When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.
$10.95
François-Auguste Gevaert | A Joyful Christmas Song | for Flute Quintet
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François-Auguste Gevaert
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Andrew Lamb
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François-Auguste Gevaer
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Andrew Lamb
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SheetMusicPlus
Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1511601 By François-Auguste Gevaert. By François-Auguste Gevaert. Arranged b...
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Flute Quintet,Woodwind Ensemble Alto Flute,Bass Flute - Level 4 - SKU: A0.1511601 By François-Auguste Gevaert. By François-Auguste Gevaert. Arranged by Andrew Lamb. Christmas. 27 pages. Andrew Lamb #1086752. Published by Andrew Lamb (A0.1511601). A Joyful Christmas Song | Chanson Joyeuse de Noël by François-Auguste Gevaert Dive into the festive spirit with this delightful Flute Quintet adaptation of the classic carol A Joyful Christmas Song | Chanson Joyeuse de Noël by the renowned Belgian composer François-Auguste Gevaert (1828–1908). Gevaert, a celebrated musicologist and composer, was instrumental in shaping European music education and left an indelible mark on the musical landscape of his time.This arrangement, perfect for a Christmas concert, church service, or recital, offers flexibility in instrumentation to suit your ensemble's needs. Scored for:Part 1: FlutePart 2: FlutePart 3: FlutePart 4: Alto FlutePart 5: Bass FluteLevel of Difficulty: MediumWhether you're performing in a grand cathedral or a cozy recital hall, this enchanting piece will bring a touch of seasonal magic to your audience. Embrace the joy of the holiday season with the timeless beauty of Gevaert's composition. Please like and subscribe for more videos and music arrangements.
$10.00
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