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Mark Stone
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Impressions of Yellowstone
Piano and Double Reeds - Digital Download SKU: IZ.CMW211 Composed by Daniel Baldwin…
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Piano and Double Reeds - Digital Download SKU: IZ.CMW211 Composed by Daniel Baldwin. Score and Parts. 86 pages. Imagine Music - Digital #CMW211. Published by Imagine Music - Digital (IZ.CMW211). 9 x 12 inches.My wife and I love to travel together. We are always looking for places to go together, as well as excuses to include each other in our own individual travels. One of my personal favorite travel opportunities is the International Double Reed Society conference. It is an opportunity to catch up with friends, make new friends and contacts, and make beautiful music. A number of years ago, I started the All Star Double Reed Band that has now premiered over a dozen new pieces for large double reed ensemble, and has recorded an album of those works. As a combined labor of love, I wrote Impressions of Yellowstone for my wife, a concert pianist, to perform with this group.The first movement, “Little Grand Canyon opens with a chorale in the piano illustrating the simple majesty of the great and wondrous park that my wife and I visit annually with her parents. From there, the music exemplifies my impression of this wondrous landscape; beautiful, powerful. A deep valley with a waterfall on one end, it is one of the more beautiful sites to see in Yellowstone.The second movement, Grand Prismatic, is a musical impression of the different perspectives of this very famous Yellowstone landmark. From the overlook, you see a stunning pond with steam emanating from it and surrounded by color. However, if you are to go down and stand next to the hotspot, your perspective changes greatly. Sulfur smells, danger from the soft crust (with boiling sulfuric liquid just below the surface), and a hot, steamy fog of mist permeate the area.In the finale, Old Faithful, tone painting is brought out in full force as the opening piano solo material brings about the image of the geyser bubbling and building below the surface. Then, at the point of explosion, you hear the water falling and the delight of all of the dozens of onlookers who visit this most famous site at Yellowstone every day.The original version, for double reeds, is dedicated the All Star Double Reed Band and my wife, Tammy Miller, who recorded it on the Co-Op Press label.The version for piano and string orchestra is dedicated to Tammy and the National Composers Orchestra who recorded it on the Baldwin Records label.
$60.00
54.85 €
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Daniel Baldwin
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beautiful, powerful
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Impressions of Yellowstone
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Imagine Music - Digital
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SheetMusicPlus
The Christmas Jam!
Bass Clef Instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314088…
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Bass Clef Instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314088 By Mark Stone. By Traditional Christmas Carols. Arranged by Mark Stone. Christmas,Jazz,Traditional. Individual part. 19 pages. Mark Stone #902821. Published by Mark Stone (A0.1314088). THE CHRISTMAS JAM has been produced to encourage you to PRACTICE, to GROW IN CONFIDENCE as a PERFORMANCE MUSICIAN and have a lot of FUN. A hook for the student to perform and practise, be creative and develop their musicianship skills. A very useful resource for the teacher amongst the many many other fantastic resources that are available.I am very grateful to my good friend CAMERON PEARCE - trumpet and flugelhorn - for playing the DEMO tracks and giving me a great deal of support and encouragement.
$15.00
13.71 €
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Mark Stone
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Mark Stone
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The Christmas Jam!
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Mark Stone
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SheetMusicPlus
The Christmas Jam!
C Instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314087 Compose…
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C Instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314087 Composed by Traditional Christmas Carols. Arranged by Mark Stone. Christmas,Jazz,Traditional. Individual part. 31 pages. Mark Stone #902820. Published by Mark Stone (A0.1314087). THE CHRISTMAS JAM has been produced to encourage you to PRACTICE, to GROW IN CONFIDENCE as a PERFORMANCE MUSICIAN and have a lot of FUN. A hook for the student to perform and practise, be creative and develop their musicianship skills. A very useful resource for the teacher amongst the many many other fantastic resources that are available.I am very grateful to my good friend CAMERON PEARCE - trumpet and flugelhorn - for playing the DEMO tracks and giving me a great deal of support and encouragement.
$15.00
13.71 €
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Traditional Christmas Carols
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Mark Stone
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The Christmas Jam!
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Mark Stone
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SheetMusicPlus
The Christmas Jam!
B-Flat instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314082 Co…
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B-Flat instrument,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314082 Composed by Traditional Christmas Carols. Arranged by Mark Stone. Christmas,Jazz. Individual part. 19 pages. Mark Stone #902815. Published by Mark Stone (A0.1314082). THE CHRISTMAS JAM has been produced to encourage you to PRACTICE, to GROW IN CONFIDENCE as a PERFORMANCE MUSICIAN and have a lot of FUN. A hook for the student to perform and practise, be creative and develop their musicianship skills. A very useful resource for the teacher amongst the many many other fantastic resources that are available.I am very grateful to my good friend CAMERON PEARCE - trumpet and flugelhorn - for playing the DEMO tracks and giving me a great deal of support and encouragement.
$15.00
13.71 €
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Traditional Christmas Carols
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Mark Stone
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The Christmas Jam!
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Mark Stone
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SheetMusicPlus
It's A Sin
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1487167 By Pet Shop Boys. By Chris Lowe and Neil Tennant. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. Brass Band. 56 pages. John Ivor Holland #1064138. Published by John Ivor Holland (A0.1487167). It's A Sin is taken from Pet Shop Boys' second studio album, 'Actually', released in June 1987 as the lead single. It became their second number-one in the UK, spending three weeks at the top. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, reaching number nine on the US Billboard Hot 100. In the song, Tennant describes some impressions he took from his time at a Catholic high school in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Directed by Derek Jarman, the It's A Sin video marked the director's first of several collaborations with the band; it extended the lyrical themes of the song by showing Tennant under arrest by an inquisition with Lowe as his jailer and Ron Moody ('Fagin' in the musical, 'Oliver!') in the role of his judge, interspersed with brief clips of personifications of the seven deadly sins. This arrangement for brass band opens with the fanfare used in the orchestral Overture to the Pet Shop Boys' 'Performance' tour, segueing into the song and featuring, in the middle, a half-time feel, riffing off Tennant's own suggestion that It's A Sin, at its heart, is a heavy metal record. Your players and audience are sure to love this stone-cold pop classic and have fun with the 'thunder' sound effects to ramp up the dramatic effect!
$49.99
45.7 €
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Pet Shop Boys
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John Ivor Holland
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It's A Sin
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John Ivor Holland
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SheetMusicPlus
Intarsia
Clarinet, alto saxophone & viola - Digital Download SKU: IZ.CMS189 Composed by Dani…
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Clarinet, alto saxophone & viola - Digital Download SKU: IZ.CMS189 Composed by Daniel Baldwin. Score and Parts. 24 pages. Imagine Music - Digital #CMS189. Published by Imagine Music - Digital (IZ.CMS189). 9 x 12 in inches.The word 'intarsia' is derived from the Latin word interserere which means to insert. The technique of intarsia inlays sections of wood (at times with contrasting ivory or bone, or mother-of-pearl) within the solid stone matrix of floors and walls or of table tops and other furniture; by contrast marquetry assembles a pattern out of veneers glued upon the carcass. It is also a knitting technique used to create patterns with multiple colors.This beautiful snapshot weaves its melodic lines in and out of the this interesting, but surprisingly effect texture. This piece marked the beginning of a tradition in my family. To mark their senior years, I compose a piece for each of my children. This piece is open to whatever they wish and thus,my oldest (to whom this piece is lovingly dedicated), decided she wanted to play a piece with a couple of her friends.
$20.00
18.28 €
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Daniel Baldwin
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Intarsia
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Imagine Music - Digital
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SheetMusicPlus
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.4 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Gospel Resurrection
Choir Sacred bass, drums, B-3 organ, dir. score - Digital Download SKU: JX.00-24272…
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Choir Sacred bass, drums, B-3 organ, dir. score - Digital Download SKU: JX.00-24272 The Angel Rolled the Stone Away / Hallelujah to the Risen Lamb. Arranged by Stan Pethel. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Sacred Choral Series. Easter; Gospel; Sacred; Spring. Part(s); Score. 20 pages. Jubilate Music Group - Digital #00-24272. Published by Jubilate Music Group - Digital (JX.00-24272). English. Psalm 118, Matthew 28:1-8, Mark 16:1-8, Luke 24:1-7, John 20:1-18, Revelation 19:6.This exciting blend of two traditional songs, Hallelujah to the Risen Lamb and a spiritual titled The Angel Rolled the Stone Away, radiates Easter joy in this triumphant gospel setting by celebrated composer Stan Pethel. Opening with a slow, expressive solo (opt. unison voices), it segues into a bright, up tempo two-beat gospel style that fairly shouts the good news: Hallelujah to the Risen Lamb! Add the optional rhythm accompaniment with Hammond organ sound for extra fun! InstruPax includes parts for bass, drums, B-3 organ, director score.
$20.00
18.28 €
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Stan Pethel
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Choral Octavo
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Gospel Resurrection
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Jubilate Music Group - Digital
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SheetMusicPlus
Mystic Fragments for Baroque Violin and Archlute
Instrumental Duet,Lute,Violin - Level 5 - Digital Download SKU: A0.1486239 Composed…
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Instrumental Duet,Lute,Violin - Level 5 - Digital Download SKU: A0.1486239 Composed by Mark Rimple. Chamber,Classical,Contemporary. 15 pages. Mark Rimple (Nuova Corda Music) #1063297. Published by Mark Rimple (Nuova Corda Music) (A0.1486239). Mystic Fragments (also performed under the title Mystic Sentences) was composed for violinist Rebecca Harris and lutenist Richard Stone and recorded on their CD A String Mysterious. There is also a version for chamber ensemble made for counter(induction in 2019.The lute part was written for 14-course archlute in G, but can be peformed adequately on 10-course lute or even harpsichord, with some modification.
$14.99
13.7 €
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Mark Rimple
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Mystic Fragments for Baroque Violin and Archlute
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Mark Rimple
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SheetMusicPlus
Don't Look Back In Anger
Small Ensemble - Level 2 - Digital Download SKU: A0.809415 By Oasis. By Noel Gallag…
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Small Ensemble - Level 2 - Digital Download SKU: A0.809415 By Oasis. By Noel Gallagher. Arranged by Academia Unimusica. Rock. Score and parts. 3 pages. Unimusic Academy (Academia Unimusica) #6252141. Published by Unimusic Academy (Academia Unimusica) (A0.809415). Don't Look Back in Anger is a song by the English rock band Oasis. It was written by the band's guitarist and main songwriter Noel Gallagher. The song was produced by Gallagher and Owen Morris. Released on 19 February 1996 as the fourth single from their second studio album, (What's the Story) Morning Glory? (1995), it became Oasis's second single to reach No. 1 on the UK Singles Chart, where it also went platinum.[1] It was the first Oasis single with lead vocals by Noel, who had previously only sung lead on B-sides, instead of his brother Liam. Noel would later sing lead vocals on six more singles. The song is in the key of C, but pitched slightly sharp of the standard concert tuning of A 440 at 451. It is one of the band's signature songs, and was played at almost every single live show from its release to the dissolution of the band in 2009. In 2012, it was ranked No. 1 on a list of the 50 Most Explosive Choruses by NME,[2] and the same year it was voted the fourth-most-popular No. 1 single of the last 60 years in the UK by the public in conjunction with the Official Charts Company's 60th anniversary.[3] In 2015, Rolling Stone readers voted it the second-greatest Britpop song after Common People by Pulp.[4] On 29 May 2017, Absolute Radio 90s broadcast a programme counting down the top 50 songs written by Noel Gallagher to mark his 50th birthday, with the song being voted No. 1. In August 2020, the song was voted as the greatest song of the '90s by listeners of Absolute Radio 90s as part of celebrations for the station's tenth anniversary.
$8.00
7.31 €
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Oasis
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Academia Unimusica
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Don't Look Back In Anger
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Unimusic Academy
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SheetMusicPlus
Sea Pictures, Op. 37 Score and Parts (A4 Size) (Traditional keys for mezzo-soprano / contralto)
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978431 Composed by Edward…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978431 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 252 pages. Sandstone Music #6057715. Published by Sandstone Music (A0.978431). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this set features the keys which Sea Pictures are traditionally performed in, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere. We also publish this score in his original higher keys for soprano elsewhere on this site.
$99.99
91.42 €
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Score and Parts
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Score and Parts (Letter Size) (Traditional keys for mezzo-soprano / contralto)
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978430 Composed by Edward…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978430 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone Music #6057707. Published by Sandstone Music (A0.978430). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this set features the keys which Sea Pictures are traditionally performed in, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere. We also publish this score in his original higher keys for soprano elsewhere on this site.
$99.99
91.42 €
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Score and Parts
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Piano Vocal Score (Traditional Keys for Mezzo-Soprano / Contralto)
Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital D…
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Small Ensemble High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.978438 Composed by Edward Elgar. Arranged by Sandstone Music. Concert,Romantic Period. Score and parts. 40 pages. Sandstone Music #6059095. Published by Sandstone Music (A0.978438). This newly edited version of Elgar's 'Sea Pictures' matches up this piano vocal score with a new set of orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. This new version is for voice and piano, with the piano part adjusted to more closely resemble the orchestral parts. Whilst Elgar originally wrote Sea Pictures for a soprano soloist, he lowered the key to suit contralto Dame Clara Butt, who gave the premiere. This edition is in the traditionally performed lower keys, suitable for mezzo-soprano or contralto (we also publish this in the original higher keys for soprano on SheetMusicPlus).
$13.99
12.79 €
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Piano Vocal Score
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Conductor Score (Letter Size) (Traditional keys for mezzo-soprano / contralto)
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978440 Composed by Edward…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978440 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6059105. Published by Sandstone Music (A0.978440). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this score features the keys which Sea Pictures are traditionally performed in, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere. We also publish this score in his original higher keys for soprano elsewhere on this site. .
$31.99
29.25 €
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Conductor Score
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Sandstone Music
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SheetMusicPlus
Sea Pictures, Op. 37 Conductor Score (A4 Size) (Traditional keys for mezzo-soprano / contralto)
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978439 Composed by Edward…
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.978439 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6059101. Published by Sandstone Music (A0.978439). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for contraltos and mezzo-sopranos and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this score features the keys which Sea Pictures are traditionally performed in, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere. We also publish this score in his original higher keys for soprano elsewhere on this site.
$31.99
29.25 €
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Conductor Score
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Sandstone Music
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SheetMusicPlus
Exsultate, jubilate, K.165 Piano Vocal Score (Letter Size) feat. Mozart Alleluja
Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download
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Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 4 - Digital Download SKU: A0.978445 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Concert,Sacred. Score and parts. 28 pages. Sandstone Music #6062363. Published by Sandstone Music (A0.978445). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this piano vocal score with a new conductor score and set of orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities. This score is for voice and piano, with the piano part adjusted to more closely resemble the orchestral parts.
$13.99
12.79 €
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Wolfgang Amadeus Mozart
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Sandstone Music
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Exsultate, jubilate, K.165 Piano Vocal Score
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Sandstone Music
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.57 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.71 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.71 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Guinnevere
Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1203228 By Cros…
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Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.1203228 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Contemporary,Pop,Singer/Songwriter. 14 pages. DML #801902. Published by DML (A0.1203228). Guinnevere is a song written by David Crosby in 1968. The song appears on Crosby, Stills & Nash's critically acclaimed debut album. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. This the vocal arrangement, there is also an instrumental trio arrangement. The vocal part is tricky because of the rhythm while the accompanying guitar is challenging not only for the unusual time signatures but also a complex left hand at times requiring long stretches. The song has three verses all of which are sung slightly differently from each other therefore the vocal part has no repeats while the guitar part does. I have given the lyrics here as well as in the song as the meaning is important and not obvious at first glance.
$5.99
5.48 €
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Crosby Stills and Nash
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Simon James
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Guinnevere
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DML
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SheetMusicPlus
Reveille, for instruments in six parts - Score and Parts
Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,C…
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Level 4 - Digital Download SKU: A0.1426124 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 41 pages. Paul Burnell #1006920. Published by Paul Burnell (A0.1426124). Reveille by Paul Burnell.Composed 2002, with minor revisions to the score in 2023.For instruments in six parts, reading treble clef.Optional: percussion (2 low drums, agogo bells, marimba or piano), six voices, drone on EDuration 7:00 approx.Score in CThe instrumental parts may be played with multiple performers on each part 1-6. Octave transpositions are allowed optionally at any point, in addition to those bars marked with ‘opt. 8’. If there are multiple performers on each part then have solo performers from rehearsal letter E to the end. The technique instructions in brackets (pizz., arco, con sord.) are not meant to indicate specific instruments, they are applicable only to those appropriate instruments who may be performing.Optional - Percussion instruments. Two low drums, agogo bells, marimba or piano.Optional - Voices. In the opening section, each voice in turn speaks the name of the subsequent instrumental performer at the beginning of the indicated bar (or any person if there are multiple players within the part). The subsequent rhythms are a guide and can be interpreted freely.The voices may characterise their delivery so that each person is distinguished from the other. For example - angry, loving, curious, frightened, strict, cynical.Optional - Drone on low E. The drone may be played on any instruments, taking breath or rests as necessary. The drone ends in the bar before rehearsal letter E. The drone may be doubled one or two octaves higher and/or an octave lower than written. If multiple instruments are playing the drone, the players may fade in and out of the drone texture ad lib.Any of the following also optional: Voices enter, three with folded bed sheets who unfold and shake them open; others recite list of night birds. Hang sheets to make a screen. Instrumentalists enter. Bird flying silhouettes or bird hand-shapes projected. Intermittent recorded sounds of flapping wings. At end voices fold sheets, exit with instrumentalists, flapping wings sound fades. Other instruments sustain low e from beginning to letter E.Bird names: barn owl, stone curlew, nightjar, long-eared owl, whip-poor-will, Japanese night heron, tawny owl, northern mockingbird, hermit thrush, black crowned night heron, great horned owl, shearwater, woodcock, common nighthawk, chuck-will’s-widow, Jerdon’s courser, corncrake.
$3.99
3.65 €
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Paul Burnell
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Reveille, for instruments in six parts - Score and Parts
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Paul Burnell
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SheetMusicPlus
Renaissance Madrigals Arranged for Strings, set 2
String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719774 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 46 pages. Curtis Hanson #6258399. Published by Curtis Hanson (A0.719774). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example is of the first few pieces in the collection.
$29.99
27.42 €
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged for Strings, set 2
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Curtis Hanson
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SheetMusicPlus
Renaissance Madrigals Arranged for Strings, set 3
String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arran…
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String Ensemble - Level 3 - Digital Download SKU: A0.719775 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 63 pages. Curtis Hanson #6258417. Published by Curtis Hanson (A0.719775). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the secular music of the 16th and early 17th centuries comprise some of the most delightful works of early repertoire. The madrigals in this collection are arranged for string trios, quartets, and quintets. The intent of these arrangements is to enable the instrumental musician an opportunity to experience a genre perhaps less familiar, with its varying degrees of rhythmic complexity and the juxtaposed interplay of duple and triple rhythmic figures. In keeping with the period, no dynamics are indicated, and articulations are kept at a minimum. Traditionally, repeated sections are to be played at a softer dynamic, but nothing is written in stone. For the up-tempo piece, as many are, rhythmic cleanliness and clarity are paramount, particularly in the iconic Fa-la-la sections. Accordingly, although they may be warranted, no slurs are given. Occasional staccatos are suggested for crispness. Vocal breath marks (') above the staff are meant to serve as guides in phrasing only, and tempos are only suggestions. As non-sacred works, they are generally not meant as 'serious' music, but rather as the music of the common people. Bottom line, they are meant to be fun, and the performer is free to interpret as desired. This collection is a companion to the arranger’s series of Renaissance Motets Arranged for Strings. With the purchase of this collection, permission is granted to photocopy parts as needed. The audio example contains one piece from each of the three composers included, John Dowland, Thomas Morley, and Thomas Weelkes, three English giants in this genre.
$29.99
27.42 €
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Many
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Curtis Hanson
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Renaissance Madrigals Arranged for Strings, set 3
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Curtis Hanson
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SheetMusicPlus
Blinding Lights
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.547029 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Mark Harrison. Pop. Brass Band. 29 pages. Mark Harrison #156967. Published by Mark Harrison (A0.547029). Released in 2019, this song gained huge popularity on the app TikTok, with a viral dance craze that swept the globe. It became the fastest song in history to reach the milestone of 2 billion streams on Spotify, and is the Weeknd's most successful single worldwide to date. This arrangement will hopefully be a welcome addition to your repertoire, and I hope you enjoy! - British Style Brass Band - Bass Clef parts available on request.
$49.99
45.7 €
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The Weeknd
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Mark Harrison
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Blinding Lights
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Mark Harrison
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SheetMusicPlus
Taking Your Place
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39174 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39174 Composed by Tom Kitt. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Simply Praise & Worship. Jewish Heritage; Sacred. Part(s). 23 pages. Jubilate Music Group - Digital #00-39174. Published by Jubilate Music Group - Digital (JX.00-39174). English. Words by Abigail Pogrebin.Taking Your Place offers a stirring way to mark the milestone of the bar or bat mitzvah. It's been added to Saturday morning Shabbat services at the historic Central Synagogue in New York -- not only because of it's simple beauty but because it communicates so clearly the significance of a child choosing to join the larger Jewish family. The Hebrew comes from the mishebeirach prayer-- the blessing for the child found in the Shabbat morning liturgy. The Hebrew blessing is one of the mishebeirach prayers for the Torah service found in any traditional siddur.
$40.00
36.57 €
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Tom Kitt
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Choral Octavo
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Taking Your Place
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Jubilate Music Group - Digital
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SheetMusicPlus
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