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Me, Myself and Music
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) Piano
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James Nathaniel Holland
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Sonnet 29 "When in Disgra
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James Nathaniel Holland
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.730322 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. 12 pages. James Nathaniel Hollan...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.730322 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Love. 12 pages. James Nathaniel Holland #2891389. Published by James Nathaniel Holland (A0.730322). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestral accompaniment available, sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor and orchestra): https://www.youtube.com/watch?v=ry0b9cLOYc4 (The sample attached here includes a synthesizer.)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$4.50
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
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Monica Bergo
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OF LIGHT AND SHADOW
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Moni Bergo
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SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Stabat Mater - string ensemble parts
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Contemporain
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. ...
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Small Ensemble - Level 4 - SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Musical Clock (for Carillon)
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Adam Lenhart
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Musical Clock
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Indivi...
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Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1044120. Published by Adam Lenhart (A0.1465418). For centuries people have associated music with the passing of time. While most of us no longer live within earshot of bells, many will find a catchy and simple melody still wakes us up in the morning, reminds us to go to that meeting we forgot about, or even just helps us to do day-to-day tasks. As an avid alarm-user myself, I find music assisting me with punctuality just as it has for my ancestors. I wanted to create a piece commemorating this bond between music and time, inspired by both traditional carillon melodies, as well as modern day ringtones. My piece Musical Clock contains movements for both beginners and intermediate players. Each movement may be played individually, but any two or more movements should be played sequentially. ~Adam Lenhart, 2024This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
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Panagiotis Theodossiou
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Two Rivers for mezzo-soprano,
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contempo...
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Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3213757. Published by Panagiotis Theodossiou (A0.886683). Two Rivers (from Lethe to Mnemosyne) for mezzo soprano, flute, clarinet, violin, cello and piano (2008)I. Lethe, the Water of Obliviona. The Guardiansb. Night Procession and LamentII. Mnemosyne, the Water of Remembrancea. Invocationb. IncantationThe work is written between September and December 2008 for mezzo soprano Angelica Cathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin. It is based on an excerpt of an ancient greek funerary inscription of 4th century B.C. found at the Trofonius Oracle in Petilia, South Italy.Γης παις ειμί και ουÏανοÏ, αστεÏόεντος. Î‘Ï…Ï„Î¬Ï ÎµÎ¼Î¿Î¯ γÎνος ουÏάνιον, τόδε ίστε και αυτοί. Δίψηι δ’ειμί αÏη και απόλλυμαι, αλλά δότ’ αίψα ψυχÏόν ÏÎ´Ï‰Ï Ï€ÏοÏÏÎον της ΜνημοσÏνης από λίμνης.(I am a child of earth and starry sky. My origin is celestial, and you know it very well. I am burning thurst and I loose myself. But give me soon cool water, springs from Lake Mnemosyne.)The text, which is being set at the 2nd part of the work, is an invocation of the soul descending to Hades to the guardians of lake Mnemosyne, to allow keeping its memory alive to the next life. Privilege, under tradition, of the initiate souls, counter to that of lake Lethe which led them to eternal oblivion.The two parts of the composition are the equivalent to the watery - metaphysical element of the two lakes - rivers running across Hades. The work is dedicated to the memory of composer's father Ioannis Theodossiou (1917 - 2008) and has been performed by Angelica Kathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin at Ph. Nakas Concert Hall, Athens, in 2009.
$25.00
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Staines Morris
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Anonymous
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Gordon Jackson
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Staines Morris
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Gordon Jackson
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SheetMusicPlus
Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical...
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Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 4 pages. Gordon Jackson #6436745. Published by Gordon Jackson (A0.1017678). Staines MorrisThe song, Staines Morris, is very well known by singers of traditional songs. It’s a 17th century song. It’s a 19th century song. Actually, it’s both! The lyrics were certainly published, and probably written, by Robert Cox for his play Actaeon and Diana, published in 1656. The tune was first published in John Playford’s The English Dancing Master in 1651. There is no evidence that, in the 17th century, the lyrics were sung to this melody. That didn’t happen for two hundred years, when William Chappell put the two together for his Popular Music of the Olden Time, vol. 1 (1859). I have added chords to the melody. Whilst humming the tune to myself, I found myself moving into 6/8 time, and that inspired me to compose a galliard based on it, complete with ‘divisions’ (runs of semiquavers or 32nd notes) and counterpoint. The song melody and the galliard can be played separately or as parts of one piece, perhaps with the galliard played between two of the verses. I put the galliard in A minor, to provide a contrast with the D minor song melody, but play them in whatever key takes your fancy. I have also added below the lyrics, as most often sung today.Come ye young men, come alongWith your music, dance and songBring your lasses in your handsFor ’tis that which love commands Then to the Maypole haste away For ’tis now our holidayIt is the choice time of the yearFor the violets now appearNow the rose receives its birthAnd the pretty primrose decks the earthAnd when you well reckoned haveWhat kisses you your sweetheart gaveTake them all again, and moreIt will never make them poorWhen you thus have spent your timeAnd the day be past its primeTo your beds repair at nightAnd dream there of your day’s delight
$4.99
nature / nurture
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Kaitlyn Raitz
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nature / nurture
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Fiddlehouse Publishing
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SheetMusicPlus
Cello - Level 3 - SKU: A0.1416717 By Kaitlyn Raitz. By Kaitlyn Raitz. Classical,Contemporary,Folk,Pop. 20 pages. Fiddlehouse Publishing #998380. Publish...
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Cello - Level 3 - SKU: A0.1416717 By Kaitlyn Raitz. By Kaitlyn Raitz. Classical,Contemporary,Folk,Pop. 20 pages. Fiddlehouse Publishing #998380. Published by Fiddlehouse Publishing (A0.1416717). Nature/Nurture is the popular first single from multi-style cellist Kaitlyn Raitz's debut solo album, Me, Myself, Myself, and I. Its hypnotic groove and catchy melody make it a great choice for creative, accessible programming. Published by Fiddlehouse, the Nashville-based string recording studio and publishing house of Kaitlyn Raitz and Ben Plotnick. www.fiddlehousemusic.com.
$15.99
Welcome to the Classroom: A Piece for Orff Instruments
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Mudiwa Williams
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Welcome to the Classroom: A Pi
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Mudiwa Music
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SheetMusicPlus
Multi-Percussion,Percussion Solo - Level 4 - SKU: A0.1168350 Composed by Mudiwa Williams. Children,Contemporary. Individual part. 9 pages. Mudiwa Music ...
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Multi-Percussion,Percussion Solo - Level 4 - SKU: A0.1168350 Composed by Mudiwa Williams. Children,Contemporary. Individual part. 9 pages. Mudiwa Music #768681. Published by Mudiwa Music (A0.1168350). EMAIL ME FOR PARTS: mudiwamusic@gmail.comAlongside being a composer, my ambitions also focus on music education. I wanted to mix these parts of my identity in a piece, and to challenge myself, make it another percussion piece. My friend, Bianca, commissioned me to write a solo multi-percussion piece, and so I took ideas from my elementary music methods class, and the instruments you would typically see in an elementary music classroom, and here we are. The performer works double, acting as an elementary music teacher (with more Orff practices) and performing a piece that grows in difficulty over time. Come join the classroom, as the audience also acts as classmates in Ms. Borile’s class.
$12.00
ReSolUtIo
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Lucio Franco Amanti
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ReSolUtIo
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Schott Music - Digital
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SheetMusicPlus
2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score...
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2 violins, viola and cello - advanced - SKU: S9.Q49388 Echoes from Beethoven's Harp Quartet. Composed by Lucio Franco Amanti. This edition: score and parts. Beethoven year 2020 - Ludwig van Beethoven. Downloadable, Score and parts. Op. 74. Duration 14 minutes. Schott Music - Digital #Q49388. Published by Schott Music - Digital (S9.Q49388). When Cuarteto Casals approached me with the idea of illuminating Beethoven´s quartets anew, you can imagine the many thoughts and feelings that where going through my mind: what a joy, what a great honor… What an intriguing head-scratcher! How can you possibly shine a new light on something that is already perfect? Weeks, months went by in search of a common ground between the Master and myself until I finally found it in the realization that a word lays “hidden†in the St. John’s hymn that gave musical notes their original name: ‘Re, Sol, Ut, Io’ (D, G, C, B in English music notation) Perfect! “Resolutio†in Latin means both the resolution of a problem and the re-solution: a re-blend of many elements that will eventually coagulate to make something new. There was finally the melodic and a rhythmical canvas for my piece. On this canvas I wrote the story of a funny little contest, played on a sunny Mediterranean square, between street musicians and Cuarteto Casals just minutes before they are about to go on stage to perform Beethoven´s “Harp Quartetâ€. After all the characters, each in his own way, had the chance to tell their story, a gentle rain starts to fall, dissolving (Re-solving) again the music sheet to eventually leave us with just a white piece of paper for somebody else to continue the Work. (Lucio Franco Amanti).
$40.99
Miserere
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Thierry Pecou
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Miserere
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Schott Music - Digital
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SheetMusicPlus
3 sopranos, 2 violins, viola, cello, bass-lute and organ - difficult - SKU: S9.Q22040 For 3 sopranos and baroque instruments. Composed by Thierry...
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3 sopranos, 2 violins, viola, cello, bass-lute and organ - difficult - SKU: S9.Q22040 For 3 sopranos and baroque instruments. Composed by Thierry Pecou. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q22040. Published by Schott Music - Digital (S9.Q22040). Latin.For me, as someone who considers myself far removed from Christian spirituality and closer to the concept of Immanence than to any form of Transcendence, it was obvious to me that I would not compose a Miserere comparable to Alesandro Scarlatti’s Lamentazioni. It was also my wish to theatricalise the subject matter, following pagan rituals which appear to have been retained in the monastic Tenebrae services up to Renaissance times. In the series of sequences in which silence plays a prominent role, a path leads to strange rites in which the listeners are invited to stamp their feet on the ground, creating waves of thundering sound, or accompany the chanting of texts. Three sopranos take on an instrumental role, deploying a broad range of vocal sounds from aspirations to screams. Thierry Pécou.
$55.99
Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1156205 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 43 pages. Socrates Arvanitakis #756519. Published by Socrates Arvanitakis (A0.1156205). This is the seventeenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Folk Songs For Classical Guitar - Volume 17 (Songs 433-459)I Love My LoveI must live all aloneI saw a maidenI will Give my Love an AppleI will give you the keys of Heaven (Cheshire)I wish I was Single AgainI wish I wish 1 (My True Love Once He courted Me 1)I wish I wish 2 (My True Love Once He courted Me 2)I wish I wish 3 (My True Love Once He courted Me 3)I wish I wish 4 (My True Love Once He courted Me 4)I Wonder as I WanderI’ll Build Myself A Gallant ShipI’ll Mount the Air on Swallow’s Wings [The Loyal Lover]I’ll Tell You of a FellowI’m a Man that’s done wrong to my ParentsI’m A’ Doon For Lack of JohnnieI’se the B’y That Builds the BoatI’ve Set My Face For Zion’s KingdomIn a British Man O’ WarIn Bethlehem CityIn Good King Arthur’s Time (King Arthur’s Servants)In My Father’s GardenIn Nightly StillnessIron Horse (THE)Isle of DreamsIt’s of a farmer all in the town.
$25.00
Mauthausen
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Mikis Theodorakis
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Mauthausen
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Schott Music - Digital
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SheetMusicPlus
Mezzo-soprano and orchestra - SKU: S9.Q7344 Cantata for Mezzosoprano and Orchestra. Composed by Mikis Theodorakis. This edition: study score. Mus...
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Mezzo-soprano and orchestra - SKU: S9.Q7344 Cantata for Mezzosoprano and Orchestra. Composed by Mikis Theodorakis. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q7344. Published by Schott Music - Digital (S9.Q7344). Greek.Sung texts are in Greek; English, German and French translations are included. A good friend of mine, the poet lacovos Kambanellis, was a prisoner in Mauthausen during World War II. At the beginning of the sixties, he wrote his memories of this time under the title of Mauthausen. In 1965, he also wrote four poems on the subject and gave me the opportunity to set them to music. I did this with much pleasure, firstly, because I liked the poetry of the texts, and secondly, because I myself was detained in Italian and German prisons during the Nazi occupation, but mainly because this composition gives us the chance to remind the younger generation of history, of events that must never be forgotten. First and foremost, of course, the Mauthausen Cantata is addressed to all those who suffered under Fascism and fought against it. We must keep the Nazi crimes continually in our minds, because that is the only guarantee and the only way to assure that they are not repeated. And we can see every day that the ghost of Fascism is far from being laid. It seldom shows its real face, but Fascist cultures and mentalities exist all over the world. For us, who had to live through this time of horror, the most important task is to protect our children against this peril. (Mikis Theodorakis, 1999).
$33.99
Basic Guitar Lessons for Little Fingers thru Teens/Adults (all 3 phases)
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Connie Boss
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guitar) to play along with
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Basic Guitar Lessons for Littl
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Connie Boss
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SheetMusicPlus
Guitar,Voice - SKU: A0.1067488 Composed by Connie Boss. Children,Christian,Christmas,Instructional. Accompaniment. Duration 8250. Connie Boss #6015033. ...
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Guitar,Voice - SKU: A0.1067488 Composed by Connie Boss. Children,Christian,Christmas,Instructional. Accompaniment. Duration 8250. Connie Boss #6015033. Published by Connie Boss (A0.1067488). This MP3 includes all three phases of my book Basic Guitar Lessons for Little Fingers thru Teens/Adults. It goes right along with the book with vocal instruction from myself. and songs (vocals & guitar) to play along with. There are almost 2 1/2 hours worth of material on this. You can purchase each phase separately or this all in once. The sheet music is also available on here is phases as well as all in one. You can purchase all three phases in book form from Amazon as well. Phase 1 starts with basic one fingered chords, tuning, parts of guitar, fret board, etc as well as songs that go along with chords C, G, G7 and F. Phase 2 adds chords and also shows the 1 fingered chords in their full form. You learn another strumming pattern as well. More songs are included in this phase as well. Phase 3 is for those that have mastered 1 and 2. The chords are harder and you need to be able to switch chords fast. We learn about using a capo, transposing and we touch finger picking as well. This phase also has songs to play along with as well. The songs are either original songs by me or public domain songs I have arranged. We aren't allowed to put any copyright material in these books without permission from the owners of the songs. I have all of this music plus other music on smp for sale with piano accompaniment and optional instruments. Check them out. If you want to play along with the piano, you can find these songs on here you can purchase as well. For any questions, please email cdboss@cvalley.net. Songs included are:
$10.00
Tofu Roadkill
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Roger Aldridge
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Matthew Klein (Uncle Brother)
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Tofu Roadkill
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Roger Aldridge
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SheetMusicPlus
Drum Set,Guitar,Hand Percussion,Voice - SKU: A0.1071282 Composed by Roger Aldridge. Arranged by Matthew Klein (Uncle Brother). Jazz,Latin,Rock. Full Per...
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Drum Set,Guitar,Hand Percussion,Voice - SKU: A0.1071282 Composed by Roger Aldridge. Arranged by Matthew Klein (Uncle Brother). Jazz,Latin,Rock. Full Performance. Duration 138. Roger Aldridge #6112393. Published by Roger Aldridge (A0.1071282). Tofu Roadkill is unique in my collection of originals as being the only song -- with music and lyrics -- that I have written. As the title implies, it is intended to be fun and crazed. The song was written in 1999. I could not bring myself to show it to anyone -- especially to my songwriter friends! So, the lead sheet stayed in my music files until Matthew Klein (AKA, Uncle Brother), a musician friend in Berkeley Springs, WV, took it under his wing for this 2020 project which he arranged, performed, and recorded. Uncle Brother has a wonderful sense of humor. His style is a perfect match for this song. LyricsTofu roadkill is tasty. I like it with gravy. Tofu roadkill, I know it's good for me.First, slice it thinly and bake it ever so gently. Then, you can add wasabi. Tofu...tofu...tofu...tofu roadkill.I love tofu roadkill. It goes with spaghetti. Tofu roadkill, I know it's good for me. Tofu...tofu...tofu...tofu.
$1.99
Flights of Fancy
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Contemporain
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Joe Clark
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Flights of Fancy
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Joe Clark
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Publi...
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Small Ensemble Clarinet,Flute,Viola - Level 4 - SKU: A0.987048 Composed by Joe Clark. Contemporary. Score and parts. 11 pages. Joe Clark #2025787. Published by Joe Clark (A0.987048). Flights of Fancy came about in an unexpected way. At the beginning of my sophomore year of high school, my homeroom teacher Lisa Harris decided to host Talent Fridays in an effort to enliven the tedium and pointlessness of the ten-minute homeroom period. Various students solved Rubik’s Cubes, Moonwalked, and displayed all manner of skills. Three of us, however, were musicians. Emily Church, Cailley Culotta, and I (note the alphabetical closeness of our last names!) played flute, viola, and clarinet respectively. Now, at the time, I was unfamiliar with chamber music as a general concept and so rather than searching for a piece for us to play, I elected to write one myself. As we were rehearsing in the band room one morning before school began, my band director walked in and asked what we were playing, sounding surprised that I had written it myself. Later that year, he encouraged me to submit it to various composition contests. Thus, Flights of Fancy was a winner of the 2010 UMass Lowell CMENC Annual Youth Composition Festival. Light, burbling lines sparkle and weave throughout the piece, allowing the three musicians to engage in a lively dialogue. The piece is suitable for a variety of occasions, from a recital opener to light music at a reception. It is suitable for moderately advanced high school ensembles or any college ensemble.
$15.99
Pack-a-Punch'd Bullfrog
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Mudiwa Williams
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Pack-a-Punch'd Bullfrog
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Mudiwa Music
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SheetMusicPlus
Marimba,Multi-Percussion,Timpani - Level 4 - SKU: A0.1167742 Composed by Mudiwa Williams. Chamber,Contemporary. 13 pages. Mudiwa Music #768107. Publishe...
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Marimba,Multi-Percussion,Timpani - Level 4 - SKU: A0.1167742 Composed by Mudiwa Williams. Chamber,Contemporary. 13 pages. Mudiwa Music #768107. Published by Mudiwa Music (A0.1167742). FOR PARTS EMAIL ME: mudiwamusic@gmail.comThis was my first real attempt at a more challenging percussion ensemble piece. I am very passionate about writing music for all instruments, and the world of percussion is hungry for new repertoire. Writing this piece taught me so much about composing for percussion in a way that makes sense to the performers. I’ve always been intimidated by percussion music, and forcing myself to write a piece I’m proud of for percussion has been a journey worth taking. The name comes from the zombies mode in Call of Duty: Cold War. When you “pack-a-punch†the Bullfrog (making it deal more damage) the name changes to “High Anxiety,†which this piece gives me. The harmonies in the marimba are based on an A fully diminished 7th chord, which is a chord with a lot of tension and no resolution.
$12.00
La Folia in D Minor
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Jose Bravo
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La Folia in D Minor
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Jose Bravo
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SheetMusicPlus
Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published...
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Cello,Cembalo,Violin - Level 4 - SKU: A0.1224544 Composed by Jose Bravo. Baroque,Chamber,Classical,Early Music. 107 pages. Jose Bravo #820650. Published by Jose Bravo (A0.1224544). From the Composer:I committed last year (2022) to review my musical works that have been in digital storage, complete them as necessary, and release them for the world to hear. I finally finished my first work on this list, one that's been on my hard drive in one version or another since 1999 (that's 24 whole years!).Las Follias de España (which despite its name, originally came from Portugal) is a chord progression usually in either D minor or G minor in the form of i-V-i-VII-III-VII-i-V. Composers for the last 500 years have used this chord progression to come up with some fantastic theme and variations, ranging from unaccompanied works, trio sonatas, to even full orchestral implementations. You can spend a looooong time listening to all the beautiful compositions that composers have made over the centuries highlighting this very captivating set of chords.I humbly submit my own version of La Folia in D minor for String Trio and Cembalo (harpsichord). I wrote my first version of this in my senior year of High School as a challenge to myself to write music in a genre I loved. I made updates here and there over the years, but its sat on a hard drive the entire time. It's taken me months to essentially rework it to my satisfaction and has been submitted for copyright. I have uploaded it to YouTube to share with others.BIG SHOUT OUTS to the three composers that inspired me in this work:Corelli: - His version of La Folia is probably the most popular for violinists, especially those that play out of the Suzuki books. I included a modified version of his Folia (Variation 9) in my work (with all other parts being vastly different from his interpretation) as an homage to his work.J.S. Bach - He showed me that music can be as intelligent as it is beautiful. I have two variations inspired by his work. Variation 8 is one that I wrote this year (2023) which I wanted to write for a long time is a variation that showcases the Harpsichord. Bach's keyboard works and unaccompanied violin works inspired me here. Second, Variation 14 I feel has Bach's inspiration all over it. The violin parts are each playing separate distinct melodies in double counterpoint which trade parts on the repeat. The bass line follows a pattern that Bach has employed for the bass on a number of Violin concertos and lastly, the Harpsichord treble part is a mensuration canon based on one of the violin parts, with the keyboard part playing the melody 4x as fast with variations. Lastly on a play of numbers, number 14 was a very special number for Bach, and as a tribute, I've made this the 14th variation in my work. This was also a new variation I added this year (2023) as well.Vivaldi - My first musical love. I feel that I captured a little bit of his musical DNA in all my works and this piece showcases this. Vivaldi's works is what made me fall in love with Baroque music and I am indebted to him for the profound impact his works have had on my life.So here you go. 413 measures. My longest individual work to date. And because I love playing with numbers, I decided to release this to the world on my 41st Year, 3rd month. Enjoy!- Jose Bravo.
$5.00
Basic Guitar Lessons for Little Fingers thru Teens/Adults (all 3 phases)
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Connie Boss
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Basic Guitar Lessons for Littl
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Connie Boss
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.801480 Composed by Connie Boss. Instructional. Score and parts. 64 pages. Connie Bo...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.801480 Composed by Connie Boss. Instructional. Score and parts. 64 pages. Connie Boss #5998869. Published by Connie Boss (A0.801480). This is an instruction guitar book. Basic guitar chords and strumming is what you will learn. In phase 3 we go over finger picking and using the capo as well as transposing chords. It starts with little fingers in phase 1 where they can use 1 finger to play 4 simple chords. There are lots of visual aides included as well as a lot of sheet music they can play along to. Phase 2 shows the full form of those chords and also introduces more simple chords. There is sheet music included in this phase as well. You will also learn another strumming pattern. Phase 3 will introduce more chords, learn how to use a capo, more strumming patterns, finger picking, transposing chords to make it easier to play certain songs and to raise pitch etc. This is the full book. You can also purchase the phases separately on here. However, phase 1 has a lot of songs you will miss out on if you skip this phase plus it has a lot of information that won't be repeated about the guitar, etc. I will be putting an mp3 up for sale that you can also purchase to play along with these songs as just playing chords doesn't sound like the song. Be watching for it to be posted. All of the songs included have either been composed by myself or they are public domain songs that I have arranged. There are songs for children, Christian, Christmas and some of your favorites! Over 30 songs included. I hope you enjoy learning to play guitar. For questions, email me at cdboss@cvalley.net. Songs included are:
$20.00
I'm Looking For Someone
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Rock
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Kevin Longley
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I'm Looking For Someone
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Kevin Longley
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SheetMusicPlus
Small Ensemble Bass Guitar,Cello,Drums,High Voice,Medium Voice - Level 4 - SKU: A0.1019376 Composed by Kevin Longley. Rock. Score and parts. 13 pages. K...
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Small Ensemble Bass Guitar,Cello,Drums,High Voice,Medium Voice - Level 4 - SKU: A0.1019376 Composed by Kevin Longley. Rock. Score and parts. 13 pages. Kevin Longley #6600437. Published by Kevin Longley (A0.1019376). I'm Looking For SomeoneInspiration In 2012 my work load had increased to the point where I had no time for myself. My wife with MS was doing the best she could with the illness; her coping mechanism was to ignore reality. In addition my mother in-law's health had gotten worse which required more of my time, including the maintenance of her home. Add a full time job, a new dog the wife rescued and 2 cats and there was in essence negative time for me. This piece explores those feelings. The Music Rock music with a nice harmonized chorus. The piece speaks for itself.
$1.99
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Compositeurs
Mentions légales
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Version intégrale
Me, Myself and Music
