Partitions Numériques de Movement No 1

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Movement No 1

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651

Sonate a-Moll - 1. Poco Adagio #Classique #Carl Philipp Emanuel Bach #Sonate a-Moll - 1. Poco Adagio #Soundnotation #SheetMusicPlus

Flute - Intermediate - SKU: 2S.4251133768527 Composed by Carl Philipp Emanuel Bach. Classical Period. Score. 4 pages. Soundnotation #4251133768527. Publ...(+)

$3.95

Acute Suite No. 1 #Contemporain #Paul Burnell #Acute Suite No. 1 #Paul Burnell #SheetMusicPlus

Small Ensemble - Level 3 - SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul B...(+)

$3.99

Piano Trio No 1 #Contemporain #David F Golightly #Piano Trio No 1 #Modrana Music Publishers Ltd #SheetMusicPlus

Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers ...(+)

$40.00

Symphony No. 104 'London' #Classique #Franz Joseph Haydn #Robert Rainford #Symphony No. 104 'London' #Forton Music - Digital #SheetMusicPlus

Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainfor...(+)

$31.95

Two Movements from String Quartet No. 1 for Trombone Quintet from iTromboni #Classique #Pytor Ilyich Tchaikovsky #Andrew Poirier #Two Movements from String Quar #Gordon Cherry #SheetMusicPlus

Brass Ensemble Trombone - Level 5 - SKU: A0.811175 Composed by Pytor Ilyich Tchaikovsky. Arranged by Andrew Poirier. Classical,Romantic Period. Score an...(+)

$37.50

Soulful Quartet, No. 1 #Contemporain #Gary Powell Nash #Soulful Quartet, No #Soulful Quartet, No. 1 #Gary Powell Nash #SheetMusicPlus

Small Ensemble Cello,English Horn,Viola,Violin - SKU: A0.881261 Composed by Gary Powell Nash. Contemporary. Score and parts. 141 pages. Gary Powell Nash...(+)

Small Ensemble Cello,English Horn,Viola,Violin - SKU: A0.881261 Composed by Gary Powell Nash. Contemporary. Score and parts. 141 pages. Gary Powell Nash #5997423. Published by Gary Powell Nash (A0.881261). Gary Powell Nash has composed a total of four soulful works, which includes 2 trios and 2 quartets. Each of the soulful works are based on and inspired by an American popular musical genre, particularly either jazz, gospel, spirituals, rhythm and blues or some combination of those. Soulful Quartet, No. 1 is the first work composed after that premise. Furthermore, during the 2006-7 academic year, Nash took trips to Vietnam, Spain and Ghana and thus was inspired to compose music based on those experiences. Soulful Quartet, No. 1 was the first composition written under that premise. It consists of four movements. Movement #1, titled The River is based on the song River in Judea as it begins with a slow introduction in compound duple meter and features harmonic progressions derived from the supporting tune. This is juxtaposed with a song-like melody that is also reflective of the principal motive in River in Judea. The following section features faster music, also in compound duple meter with cross-rhythms, derived from West African folk music. Movement #2 is titled Reflections and is a slow movement in triple meter. Movement #3, In One Lifetime is a fast, multi-metered work, mostly alternating 4/4 and 3/4. Movement #4, Blue Mali begins with a slow introduction with a blues-like melody and transitions to faster music, also based on West African folk music.

$40.00

Suite No. 1 #Giorgio Mirto #Suite No. 1 #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...(+)

Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.

$10.95

Anitra's Dance from Peer Gynt Suite No. 1 for Woodwind Quartet #Classique #Edvard Grieg #Ashley Holder #Anitra's Dance from Peer Gynt #Ashley Holder #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 4 - SKU: A0.1050479 Composed by Edvard Grieg. Arranged by Ashley Holder. Instructional,Ro...(+)

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 4 - SKU: A0.1050479 Composed by Edvard Grieg. Arranged by Ashley Holder. Instructional,Romantic Period. 18 pages. Ashley Holder #654836. Published by Ashley Holder (A0.1050479). Edvard Griegâ€™s Peer Gynt, Op. 23 is the incidental music to Henrik Ibsenâ€™s play of the same name. Composed in 1875, Grieg later extracted eight movements to create two four-movement suites, Suite No. 1, Op. 46 in 1888 and Suite No. 2, Op. 55 in 1893. Anitraâ€™s Dance, the third movement in Suite No. 1, Op. 46, accompanies the lively and graceful Anitra as she dances after encountering Peer. This arrangement for woodwind quartet works well for any program. This arrangement includes: Flute 1, Flute 2, Oboe 1, & Oboe 2 (included are optional Clarinet 1 & 2 parts in lieu of oboes). Duration: 1:50.

$5.00

Peer Gynt Suite No. 1 - I. Morning Mood #Classique #Edvard Grieg #Andrew Jacobi #Peer Gynt Suite No. 1 - I. Mor #Andrew Jacobi #SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU:...(+)

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1371363 Composed by Edvard Grieg. Arranged by Andrew Jacobi. Classical. 46 pages. Andrew Jacobi #955580. Published by Andrew Jacobi (A0.1371363). Peer Gynt Suite No. 1 is a four-movement work pulled from Edvard Greigâ€™s incidental music to Henrik Ibsenâ€™s 1867 play also titled Peer Gynt. Â The original music was composed in 1875 with select movements from the play being pulled into its own suite and published in 1888. Â The opening movement to Suite No. 1originated in the prelude to Act IV of the play where it depicted the rising sun.Edvard Grieg was a Norwegian composer and pianist and was considered one of the leading composers from the Romantic Era. His integration of Norwegian folk music into his music helped to develop a national identity for Norway and much of his music remains as standard repertoire today.About the Arrangement:This arrangement of Morning Mood is written for a full woodwind choir, but features a few possible substitutions. Â Both oboe parts may be substituted as need to fill in voices. Â Oboe 1 features a substitute part for either soprano saxophone or clarinet and is necessary to perform the piece without significant holes. Â It is preferred that soprano sax be used in order to get the change in timbre, but clarinet can be effectively used. Â The oboe 2 part can be substituted for alto saxophone. Â All of the important bassoon parts are doubled in other parts and this arrangement can be played without a bassoon.List of partsFlute 1Flute 2Oboe 1 (Soprano Sax or Clarinet)Oboe 2 (Alto Sax)Bassoon 1Bassoon 2Clarinet 1Clarinet 2Clarinet 3Bass ClarinetContra Alto/Bass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBari Sax.

$30.00

Peer Gynt Suite No. 1 for Woodwind Quartet #Classique #Edvard Grieg #Ashley Holder #Peer Gynt Suite No. 1 for Wood #Ashley Holder #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 4 - SKU: A0.1050448 Composed by Edvard Grieg. Arranged by Ashley Holder. Instructional,Ro...(+)

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 4 - SKU: A0.1050448 Composed by Edvard Grieg. Arranged by Ashley Holder. Instructional,Romantic Period. 49 pages. Ashley Holder #654803. Published by Ashley Holder (A0.1050448). Edvard Griegâ€™s Peer Gynt, Op. 23 is the incidental music to Henrik Ibsenâ€™s play of the same name. Composed in 1875, Grieg later extracted eight movements to create two four-movement suites, Suite No. 1, Op. 46 in 1888 and Suite No. 2, Op. 55 in 1893. Both suites represent some of his most well-known music. Suite No. 1, Op. 46 includes Morning, a depiction of the dawn of the morning sun, followed by the somber Aaseâ€™s Death, the lively Anitraâ€™s Dance, and concluding with the famous In the Hall of the Mountain King. This arrangement for woodwind quartet works well for any recital, either in its entirety or as individual movements performed independently. This arrangement includes: Flute 1, Flute 2, Oboe 1, & Oboe 2 (included are optional Clarinet 1 & 2 parts in lieu of oboes). 1. Morning Mood â€“ 2:00 2. Aaseâ€™s Death â€“ 3:30 3. Anitraâ€™s Dance â€“ 2:00 4. In the Hall of the Mountain King â€“ 1:30 Total: 9:00.

$18.99

Mini Sonatina No.1 for recorder and violin #Contemporain #James Mayhew #Mini Sonatina No.1 for recorde #James Mayhew #SheetMusicPlus

Instrumental Duet Descant Recorder,Instrumental Duet,Violin - Level 2 - SKU: A0.996516 Composed by James Mayhew. Contemporary. Score and parts. 2 pages....(+)

Instrumental Duet Descant Recorder,Instrumental Duet,Violin - Level 2 - SKU: A0.996516 Composed by James Mayhew. Contemporary. Score and parts. 2 pages. James Mayhew #4896803. Published by James Mayhew (A0.996516). This is a small sonatina for descant recorder and violin with three movements spread over two pages; allegretto, larghetto and energico. It lasts about a minute and 40 seconds. The first movement is in G major, the second is in E minor and the third is in G major again. The first two movements are easy/intermediate level, while the last movement is a bit more difficult. Short but sweet!You may print it twice or copy the first print to have two copies.

$1.99

J.S. Bach - Bourrée from Violin Partita No.1 in B minor - Easy #Classique #Johann Sebastian Bach #Piacere Music Sheets #J.S. Bach - Bourrée fro #Piacere Music Sheets #SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - SKU: A0.1161071 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheet...(+)

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 2 - SKU: A0.1161071 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #761394. Published by Piacere Music Sheets (A0.1161071). Opus/Catalog Number:Â BWV 1002, Movement 7Key/Tone:Â B minorMovements/Sections:Â LivelyYear/Date of Composition:Â 1720 inÂ 6 Violin Sonatas and PartitasÂ (No.2)Difficulty: Grade 3/12 (Easy Intermediate)Obs.:Â This piece is the seventh of eight movements in Bach's Violin Partita No. 1.It is originally arranged for Violin Solo. This is an arrangement for Wind Quartet (Flutes 1 & 2, B-Flat Clarinet and Bassoon.Included:Â Full score and individual parts.

$7.95

J.S. Bach - Bourrée from Violin Partita No.1 in D minor - Intermediate #Classique #Johann Sebastian Bach #Piacere Music Sheets #J.S. Bach - Bourrée fro #Piacere Music Sheets #SheetMusicPlus

Horn,Trombone,Trumpet - Level 3 - SKU: A0.1161089 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Sta...(+)

Horn,Trombone,Trumpet - Level 3 - SKU: A0.1161089 Composed by Johann Sebastian Bach. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. 17 pages. Piacere Music Sheets #761412. Published by Piacere Music Sheets (A0.1161089). Opus/Catalog Number:Â BWV 1002, Movement 7Key/Tone:Â D minorMovements/Sections:Â LivelyYear/Date of Composition:Â 1720 inÂ 6 Violin Sonatas and PartitasÂ (No.2)Difficulty: Grade 5/12 (Intermediate)Obs.:Â This piece is the seventh of eight movements in Bach's Violin Partita No. 1.It is originally arranged for Violin Solo. This is an arrangement for Brass Quartet (B-Flat Trumpets 1 & 2, French Horn and Trombone.Included:Â Full score and individual parts.

$7.95

English Dances, Set 2, Op. 33: No. 1. Allegro Non Troppo #Contemporain #Malcolm Arnold #Ray Thompson #English Dances, Set 2, Op. 33: #RayThompsonMusic #SheetMusicPlus

Large Ensemble - Level 5 - SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusi...(+)

Large Ensemble - Level 5 - SKU: A0.553828 Composed by Malcolm Arnold. Arranged by Ray Thompson. Contemporary. Score and parts. 33 pages. RayThompsonMusic #4854111. Published by RayThompsonMusic (A0.553828). English Dances, Op. 27 and 33, are two sets of light music pieces, composed for orchestra by Malcolm Arnold in 1950 and 1951.Each set consists of four dances inspired by, although not based upon, country folk tunes and dancesEach movement is denoted by the tempo marking, as the individual movements are untitled.There are 4 mvts in each suite.This is the 1st movement of the second suite.It was used from 1969 to 2008 as the theme music for the long-running UK television programme What the Papers Say, and was used again for the revived version of the programme on BBC Radio Four.It is arranged for double wind quintet/bass/tuba.One of the flutes plays piccolo throughout.

$12.99

Trio Sonata No. 1 Opus 5 for Euphonium Trio #Georg Frideric Handel #Ralph Sauer #Trio Sonata No. 1 Opus 5 for E #Gordon Cherry #SheetMusicPlus

Brass Ensemble Euphonium - Level 5 - SKU: A0.811159 Composed by Georg Frideric Handel. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and...(+)

Brass Ensemble Euphonium - Level 5 - SKU: A0.811159 Composed by Georg Frideric Handel. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 20 pages. Gordon Cherry #5766193. Published by Gordon Cherry (A0.811159). Handel's Trio Sonata No. 1 Opus 5 was first published in 1739 for 2 violins, cello and continuo. The work is in sonata da chiesa style with four movements of slow-fast-slow-fast. Sonata No. 1 concludes with a cherry on top; an added surprise movement of a sprightly Gavotte. Mr. Sauer has arranged this delightful work for Euphonium Trio of advanced performers and is about 7 minutes in length.

$17.50

BACH: Trio Sonata No. 1 BWV 525 for Double Reed Trio #Classique #Johann Sebastian Bach #James M #BACH: Trio Sonata No. 1 BWV 52 #jmsgu3 #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 3...(+)

Woodwind Ensemble,Woodwind Trio - Level 4 - SKU: A0.552647 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. 36 pages. Jmsgu3 #6491011. Published by jmsgu3 (A0.552647). Sonata No. 1 BWV 525, originally for organ, arranged for double reed trio: 1 Oboe, 1 English Horn, 1 Bassoon. Duration: 14:15, Score: 19 pages.Â In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape. Â The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

$32.95

BACH: Trio Sonata No. 1 BWV 525 for String Trio #Classique #Johann Sebastian Bach #James M #BACH: Trio Sonata No. 1 BWV 52 #jmsgu3 #SheetMusicPlus

String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score...(+)

String Ensemble,String Trio - Level 4 - SKU: A0.552645 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Standards,Wedding. Score and parts. 35 pages. Jmsgu3 #6490989. Published by jmsgu3 (A0.552645). Sonata No. 1 BWV 525, originally for organ, arranged for string trio: 1 violin, 1 viola, 1 cello. Duration: 14:15, Score: 19 pages.Â In three movements.I. AllegroII. AdagioIII. AllegroJ.S. Bach's Trio Sonatas BWV 525-530 are some of the most popular and beloved works of the Baroque period. Composed in 1717, these six trio sonatas for the organ are among Bach's earliest works for the instrument. They are all in the traditional three-movement form and are composed in the style of the Italian concerto grosso, with two upper voices (treble and alto) and a basso continuo. The two upper voices often intertwine in intricate contrapuntal melodies, while the basso continuo provides harmonic support. The works are also full of virtuosic passages that demonstrate Bach's mastery of the organ. The Trio Sonatas are considered to be among the most important and influential works of the Baroque era, and they continue to be widely performed and studied today.The Bach Trio Sonatas have been successfully transcribed for a variety of ensembles, including wind, string, and brass ensembles. The parts are easily divided among a variety of wind instruments, including flute, oboe, clarinet, bassoon, and saxophone. In these transcriptions, the original material is retained, but often with some additional orchestration or embellishment. These transcriptions often emphasize the polyphonic texture of the original works, creating a rich soundscape. Â The Sonatas have also been successfully adapted for a variety of string ensembles. In these versions, the original two-part texture with the basso is maintained, creating a full and satisfying sound that allows for a more nuanced interpretation of the works. In addition, these transcriptions often add a variety of dynamic markings and articulations that were not present in the original editions. These transcriptions provide performers with a variety of options for interpreting and performing these beloved works.

$32.95

Piccolo Sonata No. 1 #Myrick Crampton #Piccolo Sonata No. 1 #MDC Music LLC #SheetMusicPlus

Piano,Soprano Flute - Level 4 - SKU: A0.1509877 Composed by Myrick Crampton. 21st Century,Classical. Score and part. 29 pages. MDC Music LLC #1085078. P...(+)

Piano,Soprano Flute - Level 4 - SKU: A0.1509877 Composed by Myrick Crampton. 21st Century,Classical. Score and part. 29 pages. MDC Music LLC #1085078. Published by MDC Music LLC (A0.1509877). Sonata for Piccolo and Piano No. 1 in 4 movements.Constructed to show off the beauty of the piccolo and piano, using lyrical open intervals and lively syncopated gestures. Plenty of room for an organic, individual performance of two equals. Modern, but very listenable!1. The initiation of all wise or noble things (J. S. Mill)2. Lalotte was affectionate, sprightly, and industrious.(H. W. Mabie)3. Something inexpressively lovely and wonderful advancesnthrough the crystal, nearer, nearer. (A. Huxley)4. But he failed to draw the clear and simple conclusion that every man is an artist. (J. Beuys)The audio sample has excepts from each movement.

$19.99

Vivaldi - Violin Concerto No.1 in D major RV 549 Op.3 for 4 Violins, Cello, Strings and Cembalo #Classique #Antonio Vivaldi #Santino Cara #Vivaldi - Violin Concerto No.1 #Santino Cara #SheetMusicPlus

Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.516972 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 p...(+)

Small Ensemble Cello,Harpsichord,Violin - Level 4 - SKU: A0.516972 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 89 pages. Santino Cara #3087537. Published by Santino Cara (A0.516972). Complete score and parts of the Violin Concerto No.1 in D major RV 549 for 4 violins, cello solo in the first movement, strings and cembalo, composed in about 1710 by Antonio Vivaldi and published in 1711 in L'estro armonico Op.3 Reconstructed and elaborated by Santino Cara in 2017. With the full score of the concerto are inserted separately all the instrumental parts including the part for harpsichord. Movements: 1. Allegro, 2. Largo e spiccato, 3. Allegro

$16.20

GALLO: TRIO SONATA No. 1 in G Major for flute, clarinet & bassoon or cello #Domenico Gallo #Pat Spence #GALLO: TRIO SONATA No. 1 in G #Piper Publications #SheetMusicPlus

Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - SKU: A0.811800 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert...(+)

Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 3 - SKU: A0.811800 Composed by Domenico Gallo (1730 - 1768). Arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 26 pages. Piper Publications #6357259. Published by Piper Publications (A0.811800). This is the first of a set of twelve trio sonatas by Domenico Gallo which were mistakenly attributed to Pergolesi. The first movement was made famous by Igor Stravinski in his Pulcinella Suite. The three movements (Moderato, Andantino & Presto), have been edited and arranged for flute, clarinet in A and bassoon or cello. Players of intermediate standard and above will enjoy the three well contrasted movements.

$12.00

Guitar Trio No. 1 in A Major with Flute and Violin "A Little Trio" #Ken Turley #Guitar Trio No. 1 in A Major w #Ken Turley #SheetMusicPlus

Flute,Guitar,Violin - Level 3 - SKU: A0.925998 Composed by Ken Turley. Concert,Contemporary,Holiday,Jazz,Love,Wedding. 42 pages. Ken Turley #1900665. Pu...(+)

Flute,Guitar,Violin - Level 3 - SKU: A0.925998 Composed by Ken Turley. Concert,Contemporary,Holiday,Jazz,Love,Wedding. 42 pages. Ken Turley #1900665. Published by Ken Turley (A0.925998). A trio for flute and violin with guitar accompaniment of four movements of contrasting tempos and rhythms that are a light and melodic blend of classical and jazz, reminiscent of something that might be heard in a French cafe. Individual parts are provided for printing on both sides. The listening sample, the first movement only, serves as a gentle introduction.

$7.00

Serenade for Flute, Violin, and Guitar, no. 1, op. 5, 2006 #John Pinno #Serenade for Flute, Violin, an #John Pinno #SheetMusicPlus

Small Ensemble Flute,Guitar,Violin - Level 5 - SKU: A0.775405 Composed by John Pinno. Concert,Contemporary. Score and parts. 49 pages. John Pinno #21579...(+)

Small Ensemble Flute,Guitar,Violin - Level 5 - SKU: A0.775405 Composed by John Pinno. Concert,Contemporary. Score and parts. 49 pages. John Pinno #2157925. Published by John Pinno (A0.775405). This is an original composition, in three movements, for flute, violin, and classical guitar, composed in 2006. This piece comes with full score, plus separate parts for flute, violin, and guitar. In 2005 I was asked to play in a chamber music performance, with a flautist and violinist, and was surprised to see how little published music there was for this combination....lots for flute , viola, and guitar, but not much with a violin in the mix. The few works I did find were written when composers felt that the guitar should sit in the background and play endless arpeggios, completely devoid of any melodic interest. This Serenade of mine aims to correct that problem. Timing: movement I ~ 3:30, II ~ 5:15, III ~ 3:15 This works very well as part of a classical guitar recital, when it's desirable to add a chamber work. If you have any questions, comments, or concerns about this work, or would like to hear a performance of this, please contact me at email: jpinno093@hotmail.com. Please also check out some of my other arrangements on Sheet Music Plus for classical guitar solo, and also duos for guitar with flute or voice : http://www.sheetmusicplus.com/publishers/john-pinno-sheet-music/3002745

$35.00

Trio Opus 9 no 1 #F J Gossec #Robert Rainford #Trio Opus 9 no 1 #Forton Music - Digital #SheetMusicPlus

Bassoon Trio - Intermediate - SKU: F2.FM159 Composed by F J Gossec. Arranged by Robert Rainford. Score and parts. 29 pages. Forton Music - Digital #FM15...(+)

Bassoon Trio - Intermediate - SKU: F2.FM159 Composed by F J Gossec. Arranged by Robert Rainford. Score and parts. 29 pages. Forton Music - Digital #FM159. Published by Forton Music - Digital (F2.FM159). ISBN 9790570480586.A charming trio for two oboes and a bassoon by the composer better known for his famous Tambourin. In three movements, ending with a minuet and trio. All three parts share the melodic interest with some delightful interplay between them. The second movement is the longest at 99 bars, the others are somewhat shorter. The oboe parts never go higher than top D, but do both include low B flats; the bassoon part reaches top F.

$12.95

Wind Quartet No. 1 in Eb Major for mixed ensemble #Christian contemporain #Musique Sacrée #Walter Scholtes #Piano-in 3 Movements. #Wind Quartet No. 1 in Eb Major #SCHOLTES EDITIONS #SheetMusicPlus

Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922198 Composed by Walter Scholtes. Contemporary,Sacred. Score and parts. 45 pages. SCHOLTES ED...(+)

Small Ensemble Clarinet,Horn,Trumpet - Level 5 - SKU: A0.922198 Composed by Walter Scholtes. Contemporary,Sacred. Score and parts. 45 pages. SCHOLTES EDITIONS #6789247. Published by SCHOLTES EDITIONS (A0.922198). The first of six such quartets, for Clarinet, Trumpet, Horn & Piano-in 3 Movements. A fine recital piece for many venues and occasions for advanced players, and a good teaching piece with appropriate challenges for advanced students. The first movement also indicates structural description items of sonata form. Traditional harmonies, tuneful melodies, very accessible for audiences. 46 pages.

$19.95

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