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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mozart Sonata
Non classifié
194
Piano & claviers
Piano seul
573
Piano Facile
69
1 Piano, 4 mains
32
Piano, Voix
10
Orgue
9
2 Pianos, 4 mains
8
Piano, Voix et Guitare
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Instruments en Do
2
Accompagnement Piano
1
Clavecin
1
Accordéon
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
2 Guitares (duo)
15
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
2
Piano, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale 2 parties
5
Chorale 3 parties
2
Chorale SATB
1
Chorale
1
Voix duo, Piano
1
Chorale TTBB
1
+ 1 instrumentations
Retracter
Vents
Flûte traversière et Piano
35
Flûte traversière
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
26
2 Clarinettes (duo)
19
Quatuor de Saxophones: 4 saxophones
17
Quatuor de Clarinettes: 4 clarinettes
17
2 Flûtes traversières (duo)
15
Clarinette et Piano
14
Clarinette
14
2 Saxophones (duo)
13
Flûte, Hautbois, Clarinette, Basson
11
Quatuor de Flûtes : 4 flûtes
9
Saxophone Alto et Piano
9
3 Clarinettes (trio)
9
Hautbois, Piano (duo)
8
Ensemble de Clarinettes
8
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Tenor et Piano
5
Flûte, Clarinette (duo)
4
2 Hautbois (duo)
4
Saxophone Tenor
4
Saxophone Alto
4
Ensemble à vent
3
2 Flûte à bec (duo)
3
Quintette de Saxophone: 5 saxophones
3
Saxophone Soprano et Piano
3
Quatuor de Flûtes à bec
3
Ensemble de Flûtes
3
Clarinette Basse, Piano
2
Flûte, Violon, Piano
2
Saxophone Baryton, Piano
2
Saxophone, Clarinette (duo)
2
Ensemble de saxophones
2
Flûte, Clarinette et Basson
2
Flûte, Saxophone (duo)
1
Hautbois (partie séparée)
1
Hautbois, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
Flute (partie séparée)
1
Clarinette (partie séparée)
1
4 Hautbois
1
Trio de Flûtes: 3 flûtes
1
Clarinette, Violon (duo)
1
Flûte, Violoncelle
1
Quintette de Flûte : 5 flûtes
1
5 Flûtes à bec
1
+ 44 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Trompette, Piano
7
Trompette
7
Cor et Piano
6
2 Trombones (duo)
5
Trombone et Piano
4
Tuba et Piano
4
Quatuor de Cuivres
4
2 Cors (duo)
3
2 Trompettes (duo)
3
Trombone
3
2 Tubas (duo)
3
2 Euphoniums et 2 Tubas
2
Ensemble de Cors
2
2 Euphoniums (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Trombones
2
4 Tubas
2
3 Trombones (trio)
1
2 Cors Anglais Et Pianoforte
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Euphonium
1
Trompette, Trombone (duo)
1
Cor
1
+ 23 instrumentations
Retracter
Cordes
Violon et Piano
99
Quatuor à cordes: 2 violons, alto, violoncelle
66
Violon
33
Violon (partie séparée)
15
Alto, Piano
12
Violoncelle, Piano
12
2 Violons (duo)
9
Trio à Cordes: violon, alto, violoncelle
9
Harpe
9
Violon, Violoncelle (duo)
7
Violoncelle
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto seul
6
2 Altos (duo)
6
Violon, Alto (duo)
5
2 Violoncelles (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
2
Trio à cordes
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
1
4 Contrebasses
1
Contre Basse
1
Violoncelle (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Alto (partie séparée)
1
4 Violoncelles
1
Ensemble de Violoncelles
1
2 Violons, Piano
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
118
Orchestre de chambre
20
Orchestre
15
Orchestre d'harmonie
3
2 Xylophones
2
Percussion
1
Xylophone
1
Quintette à Vent
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Mozart Sonata
Partitions à imprimer
194 partitions trouvées
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176
Mozart Sonata kv. 310 for Orchestra
#
Classique
#
Wolfgang Amadeus Mozart
#
R
#
Mozart Sonata kv. 310 for Orch
#
R C Coleman
#
SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1017373 Composed by Wolfgang Amadeus Mozart. Arranged...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1017373 Composed by Wolfgang Amadeus Mozart. Arranged by R. C. Coleman. Classical,Concert,Standards,World. Score and parts. 104 pages. R C Coleman #6100703. Published by R C Coleman (A0.1017373). W. A. Mozart, Sonata for piano in A minor Kv. 310 Allegro maestoso – Andante cantabile con espressione - Presto R. C. Coleman orchestra transcription INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F Violins I Violins II Violas Cellos Basses ISMN: 979-0-805444-27-7
$32.00
Mozart: Sonata K. 576 "The Hunt" for String Trio
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Sonata K. 576 "Th
#
jmsgu3
#
SheetMusicPlus
String Trio - Level 4 - SKU: A0.1249709 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,His...
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String Trio - Level 4 - SKU: A0.1249709 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 55 pages. Jmsgu3 #844100. Published by jmsgu3 (A0.1249709). Mozart's final Sonata.
$39.95
Mozart: Sonata K. 576 "The Hunt" for String Trio - Score Only
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Sonata K. 576 "Th
#
jmsgu3
#
SheetMusicPlus
String Trio - Level 4 - SKU: A0.1249687 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,His...
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String Trio - Level 4 - SKU: A0.1249687 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 30 pages. Jmsgu3 #844092. Published by jmsgu3 (A0.1249687). Mozart's final Sonata.
$32.95
Mozart: Sonata K. 333 "Linz" for String Trio - Score Only
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: Sonata K. 333 "Li
#
jmsgu3
#
SheetMusicPlus
String Trio - Level 4 - SKU: A0.1245273 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,His...
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String Trio - Level 4 - SKU: A0.1245273 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 30 pages. Jmsgu3 #840164. Published by jmsgu3 (A0.1245273). Linz, 1783. Sonata in three movements.
$32.95
Mozart sonata in C Major K 545 3rd movement Rondo
#
Classique
#
Wolfgang Amadeus Mozart
#
Ben Choupak
#
Mozart sonata in C Major K 545
#
Musictake
#
SheetMusicPlus
Instrumental Solo - Level 4 - SKU: A0.1285514 Composed by Wolfgang Amadeus Mozart. Arranged by Ben Choupak. Classical. Individual part. 3 pages. Musicta...
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Instrumental Solo - Level 4 - SKU: A0.1285514 Composed by Wolfgang Amadeus Mozart. Arranged by Ben Choupak. Classical. Individual part. 3 pages. Musictake #876619. Published by Musictake (A0.1285514).
$2.99
Mozart: The 5 Named Sonatas Complete for String Trio
#
Classique
#
Wolfgang Amadeus Mozart
#
James M
#
Mozart: The 5 Named Sonatas Co
#
jmsgu3
#
SheetMusicPlus
String Trio - Level 4 - SKU: A0.1249714 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,His...
(+)
String Trio - Level 4 - SKU: A0.1249714 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Historic,Wedding. 270 pages. Jmsgu3 #844105. Published by jmsgu3 (A0.1249714). The 5 Named Mozart Sonatas:1. Durnitz (No. 6)2. Alla Turca (No. 11)3. Linz (No. 13)4. Semplice (No. 16)5. The Hunt (No. 18).
$99.95
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
#
Classique
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Sonata for Violin & Harpsichord in D minor (VB 157)
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Violin & Harpsi
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Artaria Editions
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SheetMusicPlus
Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Arta...
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Harpsichord,Instrumental Duet,Violin - Level 3 - SKU: A0.1488837 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 27 pages. Artaria Editions #1065691. Published by Artaria Editions (A0.1488837). Artaria Editions AE432Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano, and this work in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. It is not known for whom the work was written, but the extensive virtuosity makes it likely that it was intended either for Kraus himself or his brother Franz (1760-1790), an exceptional talent on the violin. The two-movement format is similar to Kraus's early string quartets (VB 178; Artaria Editions AE418), though in this case, the extensive sonata form first movement is followed by a through-composed one consisting of a slow pastorale (replete with bass drone in the violin) and an exotic faster section that includes material from the first movement. What makes this work interesting is the use of scordatura; the G string is to be tuned down to F, which makes it more useful from a harmonic standpoint in that the note can be used in the tonic, relative major, and all dominant-subdominant keys. The Basso part is completely figured—for this edition it has been realized by the editor - but given that Kraus specifically mentions only the keyboard instrument (clavicembalo), it is unlikely that it was performed as a continuo, i.e. with additional violoncello/contrabass, but rather was intended for harpsichord alone.Allan Badley.
$30.00
Sonata D major
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Johann Baptist Wendling
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Sonata D major
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Schott Music - Digital
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SheetMusicPlus
Flute and basso continuo - intermediate - SKU: S9.Q779981 Composed by Johann Baptist Wendling. Flute Music from the Mannheim School. Downloadable. Volum...
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Flute and basso continuo - intermediate - SKU: S9.Q779981 Composed by Johann Baptist Wendling. Flute Music from the Mannheim School. Downloadable. Volume op. 4/3, Op Heft 2. Schott Music - Digital #Q779981. Published by Schott Music - Digital (S9.Q779981). Key: D major.Johann Baptist Wendling played the flute in the Mannheim court orchestra from 1751-1778 and was held in great esteem by his contemporaries, among them W. A. Mozart with whom Wendling went on a recital tour to Paris in 1778. Among his six flute sonatas Op. 4, the Sonata No. 3 is particularly attractive with its elegant melodic phrasing and charming set of variations in the final movement (Minuetto con Varazioni).
$15.99
Sammartini: Sonata Op. 1 No. 1 for Piccolo Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1083016 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1083016 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687228. Published by jmsgu3 (A0.1083016). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Piccolo Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1082645 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroq...
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Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.1082645 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686858. Published by jmsgu3 (A0.1082645). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Baritone Horn Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.1081950 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.1081950 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Instructional,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686079. Published by jmsgu3 (A0.1081950). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 .Treble Clef I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686455. Published by jmsgu3 (A0.1082305). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 1 for Baritone Horn Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.1083751 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthr...
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Instrumental Duet Baritone Horn TC,Instrumental Duet - Level 2 - SKU: A0.1083751 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687953. Published by jmsgu3 (A0.1083751). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 1 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687634. Published by jmsgu3 (A0.1083439). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Oboe d'Amore Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1083032 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. ...
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Instrumental Duet Instrumental Duet,Oboe d'Amore - Level 2 - SKU: A0.1083032 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687247. Published by jmsgu3 (A0.1083032). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Sammartini: Sonata Op. 1 No. 2 for Oboe d'Amore Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe d'Amore - Level 3 - SKU: A0.1082616 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. ...
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Instrumental Duet Instrumental Duet,Oboe d'Amore - Level 3 - SKU: A0.1082616 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686815. Published by jmsgu3 (A0.1082616). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95
Mozart: Ein Musikalischer Spass K522 (A Musical Joke) - symphonic wind dectet/bass
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Ein Musikalischer Spas
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RayThompsonMusic
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1195142 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Chamber,C...
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B-Flat Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1195142 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Chamber,Classical,Comedy. 92 pages. RayThompsonMusic #794318. Published by RayThompsonMusic (A0.1195142). Arranged symphonic wind dectet/bassA Musical Joke (in German: Ein musikalischer Spaß) K. 522, (Divertimento for two horns and string quartet) is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke (Catalogue of All My Works) on June 14, 1787. Commentators have opined that the piece's purpose is satirical – that [its] harmonic and rhythmic gaffes serve to parody the work of incompetent composers – though Mozart himself is not known to have revealed his actual intentions.The title A Musical Joke might be a poor rendering of the German original: Spaß does not necessarily connote the jocular, for which the word Scherzwould more likely be used. In Fritz Spiegl's view, a more accurate translation would be Some Musical Fun. The sometimes-mentioned nicknames Dorfmusikantensextett (village musicians' sextet) and Bauernsinfonie (farmers' symphony) were added after Mozart's death.The piece consists of four movements and takes about 20 minutes to perform. Allegro (sonata form), F major Menuetto and trio, F major (trio in B-flat major) Adagio cantabile, C major Presto (sonata rondo form), F major  In a modernised version by Waldo de los Rios, the opening of the finale of A Musical Joke was used for many years as the theme tune to the BBC's Horse of the Year Show.The mp3 is of the Finale.
$24.99
Sonata in A major, Mozart, for ensemble.
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Classique
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Wolfgang Amadeus Mozart
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João Balducci
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Sonata in A major, Mozart, for
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João Balducci
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Piano,Violin - SKU: A0.1177152 Composed by Wolfgang Amadeus Mozart. Arranged by João Balducci. Chamber,Classical,Contest,...
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B-Flat Clarinet,Cello,Flute,Piano,Violin - SKU: A0.1177152 Composed by Wolfgang Amadeus Mozart. Arranged by João Balducci. Chamber,Classical,Contest,Festival,Standards. 17 pages. João Balducci #777158. Published by João Balducci (A0.1177152). Arranjo da Sonata k331(excertos) para piano, violino, cello, flauta e clarinete em Bb. Partes separadas dos instrumentos inclusas no PDF.Arrangement of Sonata k331(excerpts) for piano, violin, cello, flute and Bb clarinet. Separate instrument parts included in the PDF.
$18.00
Mozart - Church Sonata No.15 in C major, K.328/317c - For 2 violins, cello, organ Original
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Classique
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Wolfgang Amadeus Mozart
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poon
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Mozart - Church Sonata No.15 i
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poon
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SheetMusicPlus
Cello,Organ,Violin - Level 4 - SKU: A0.1439393 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. 23 pages. Poon #1019402. Published by p...
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Cello,Organ,Violin - Level 4 - SKU: A0.1439393 Composed by Wolfgang Amadeus Mozart. Arranged by poon. Classical. 23 pages. Poon #1019402. Published by poon (A0.1439393). Mozart - Church Sonata No.15 in C major, K.328/317c - For 2 violins, cello, organ Original.
$1.99
Mozart's Sonata K545 Adapted for a Saxophone Trio
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Classique
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Wolfgang Amadeus Mozart
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Omar Monsalve
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Mozart's Sonata K545 Adapted f
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Omar Monsalve
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - SKU: A0.1028097 Composed by Wolfgang Amadeus Mozart. Arranged by Omar Monsalve. Classical. 16 pages. Omar Monsalve #34...
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Woodwind Ensemble,Woodwind Trio - SKU: A0.1028097 Composed by Wolfgang Amadeus Mozart. Arranged by Omar Monsalve. Classical. 16 pages. Omar Monsalve #3481351. Published by Omar Monsalve (A0.1028097). One of the most popular compositions from Wolfgang Amadeus Mozart, this time the Piano sonata K 545, adapted to be played by two altos and baritone.
$4.00
Mozart - Theme from Sonata in C(Easy Piano Version)
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Classique
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Wolfgang Amadeus Mozart
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MPS
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Mozart - Theme from Sonata in
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Classic Piano sheetz
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.658056 Composed by Wolfgang Amadeus Mozart. Arranged by MPS. Classical. Score and parts. 3 pages. Classic Piano sheet...
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Small Ensemble - Level 2 - SKU: A0.658056 Composed by Wolfgang Amadeus Mozart. Arranged by MPS. Classical. Score and parts. 3 pages. Classic Piano sheetz #6286119. Published by Classic Piano sheetz (A0.658056). Mozart - Theme from Sonata in C for easy piano solo.
$3.99
Rondo Alla Turca by Mozart for String Ensemble
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Classique
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Wolfgang Amadeus Mozart
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Ander
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Rondo Alla Turca by Mozart for
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Woods Only, Arrangements
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1375679 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical,Fol...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1375679 Composed by Wolfgang Amadeus Mozart. Arranged by Ander. Chamber,Classical,Folk,March. 12 pages. Woods Only, Arrangements #960222. Published by Woods Only, Arrangements (A0.1375679). Introducing the sheet music for an arrangement of the third movement of Mozart’s Sonata 11, K. 331, the Rondo Alla Turca, for String Ensemble. This arrangement has been reduced to a duration of approximately 3 minutes and 15 seconds, maintaining the essence of the original theme and providing practicality in performance. It is intended for performance groups with musical experience but can also be used as teaching material for music students in academic recitals, concerts and ceremonies. The original work, composed by Wolfgang Amadeus Mozart, is a sonata in three movements, with the last movement, Alla Turca, popularly known as the Turkish March, being one of the composer’s best-known pieces.
$7.99
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