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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE TRAVERSI…
FORMATION MUSI…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Mr.Rain
Non classifié
12
Piano & claviers
Piano seul
49
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11
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3
1 Piano, 4 mains
2
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2
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Guitare
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2
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Vous avez sélectionné:
Mr.Rain
Partitions à imprimer
12 partitions trouvées
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1
Brass Band - Fugue for Mr Jeremy Fisher
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Contemporain
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Mike Lyons
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Lyons Music Services
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Brass Band - Fugue for Mr Jere
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767265 Composed by Mike Lyons. Arranged by Lyons Music Services. Contemporary. Brass Band. 50 pages. Lyons Music Services #3138369. Published by Lyons Music Services (A0.767265). An original character piece based on The Tale of Mr Jeremy Fisher from the Beatrix Potter story of the same title. Jeremy Fisher is a frog who lives in a slippy-sloppy house at the edge of a pond. One rainy day he collects worms for fishing, and sets off across the pond on his lily-pad boat. He plans to invite his friends for dinner if he catches more than five minnows. He encounters all sorts of setbacks to his goal, and escapes a large trout who tries to swallow him. He swims for shore, decides he will not go fishing again, and hops home. The music follows his encounter with the trout. Jeremy is represented by the lugubrious fugue theme in the basses, the river by the descending scale pattern and the trout by the descending triplet figures. Every part of the band gets to play something interesting and the music needs to be lively.
$25.00
Over The Rainbow (from The Wizard Of Oz)
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Film/TV
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Film/TV
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Judy Garland
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Martin Jones
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Over The Rainbow
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Mr Martin Jones
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Euphonium,Flute,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.767972 By Judy Garland. ...
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Large Ensemble Alto Saxophone,Clarinet,Euphonium,Flute,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.767972 By Judy Garland. By Harold Arlen. Arranged by Martin Jones. Film/TV. Score and parts. 14 pages. Mr Martin Jones #3550841. Published by Mr Martin Jones (A0.767972). A simple arrangement of Over the Rainbow for flexible wind ensembleThe arrangement is in 4 parts, which are then transposed and adapted to cater for a range of instruments:- Flute- Clarinet- Trumpet / Cornet- Alto Saxophon- Tenor Saxophone- Trombone- EuphoniumThe arrangement is ideal for an ad-hoc or school wind ensembel where the selection of instruments may be variable.
$12.99
How Can I Keep From Singing - Trumpet Descant for Last Verse/Refrain with Organ
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Musique Sacrée
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Brooks Holmes
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Brooks Holmes
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How Can I Keep From Singing -
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Brooks Holmes
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SheetMusicPlus
B-Flat Trumpet,C Trumpet,Piano - Level 3 - SKU: A0.1009442 By Brooks Holmes. By Quaker Hymn - Robert Lowry. Arranged by Brooks Holmes. Classical,Contemp...
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B-Flat Trumpet,C Trumpet,Piano - Level 3 - SKU: A0.1009442 By Brooks Holmes. By Quaker Hymn - Robert Lowry. Arranged by Brooks Holmes. Classical,Contemporary,Praise & Worship,Sacred,Wedding. Score and part. 4 pages. Brooks Holmes #615107. Published by Brooks Holmes (A0.1009442). This descant was designed for the Church musician performing for Easter and other special religious services. It works perfectly with the Traditional Choir & Organ parts. This package includes parts for Bb & C Trumpet. Check out Mr. Holmes’ YouTube performance for more details.
$2.99
Imposters Among Us
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Mad Musician
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Imposters Among Us
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Mr. Musician
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SheetMusicPlus
Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.547186 By Mad Musician. By William Rimmer. This edition: Interactive Download. Co...
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Piano and Keyboard,Vocal,Voice - Level 3 - Interactive Download SKU: A0.547186 By Mad Musician. By William Rimmer. This edition: Interactive Download. Contest. Score. 10 pages. Duration 154. Mr. Musician #1gG30dDjPG63jZS4MnRQQG. Published by Mr. Musician (A0.547186). Key: C major.Ironically the first original work I've ever posted online. Regardless, enjoy the madness that goes on in my own brain.
$5.99
Unaccompanied Suites for Bass Trombone
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Bass
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792573 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. In...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.792573 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 48 pages. Gordon Cherry #5008627. Published by Gordon Cherry (A0.792573). Bach's Unaccompanied Suites have been beautifully and meticulously edited for Bass Trombone by Ralph Sauer. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer, I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style…This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.
$22.50
Unaccompanied Suites for Alto Trombone
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Classique
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Alto
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Gordon Cherry
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.792578 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Instructional,Renaissance. In...
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Instrumental Solo - Level 5 - SKU: A0.792578 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Instructional,Renaissance. Individual part. 48 pages. Gordon Cherry #5010159. Published by Gordon Cherry (A0.792578). Bach's Unaccompanied Suites have been beautifully and meticulously edited for Alto Trombone by Ralph Sauer. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer, I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style…This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built. Excellent practice for anyone who wants to improve their alto clef reading abilities.
$22.50
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
3 by Handel
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Classique
#
George Frideric Handel
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Ian D
#
3 by Handel
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Grumpy Mule Music
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.949177 Composed by George Frideric Handel. Arranged by Ian D. Crew. Baroque,Classical,Multicultural,Standards,World. Record...
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Recorder - Level 3 - SKU: A0.949177 Composed by George Frideric Handel. Arranged by Ian D. Crew. Baroque,Classical,Multicultural,Standards,World. Recorder Ensemble. 27 pages. Grumpy Mule Music #6365105. Published by Grumpy Mule Music (A0.949177). Though German by birth and training, for many folks, the music of George Frideric Handel (1685 – 1759) epitomises the elegance and exuberance of Georgian London. An astute businessman as well as a musical genius, Mr Handel frequently 'recycled' his earlier material in subsequent compositions. (Check out the organ concertos...) So, in that same spirit of recycling, here are three splendid little keyboard pieces served up for Recorder Quartet: the Air ('The Harmonious Blacksmith'), the Sarabande from the Suite in D minor HWV 437, and the Gavotte HWV 491.
$11.99
Vorbeiziehende Bäume [Trees Passing By - 2 Sax]
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Juan MarÃa Solare
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Vorbeiziehende Bäume [Tre
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Juan Maria Solare
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #33687...
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Woodwind Ensemble - Level 3 - SKU: A0.596510 Composed by Juan MarÃa Solare. 20th Century,Instructional,Jazz,World. 11 pages. Juan Maria Solare #3368739. Published by Juan Maria Solare (A0.596510). Vorbeiziehende Bäume [Trees passing by] is a piece for 2 saxophones where the Southamerican origin of the composer clearly arises to the surface: an original metamorphosis of the tango argentino flirting with jazz. Vorbeiziehende Bäume is part of a set of eleven pieces for saxophone duo (all others will be uploaded soon) called Eisenbahn (Railroad). All eleven pieces have titles related to the railway. If you are wondering why a German title, the reason is quite simple: that's where the composer lives. In this edition, Vorbeiziehende Bäume is offered in four instrumental combinations: - 2 saxophones (2 Tenor or 2 Alto) - Alto Sax + Tenor Sax - 2 Baritone Sax - Bb Clarinet + Tenor Sax No parts are needed: scores are already transposed (practice showed that it is much efficient to read this piece from the score, seeing also the partner's part). The piece, that is dedicated to Albanian clarinetist Ibrahim Gunbardhi, has been performed by him together with Mr. Thomas Sauer. Here is a rehearsal: https://www.youtube.com/watch?v=Y0_6xIGHRb0 The composer's description on the score reflects an experience that most of us had: Imagine you are on a train. You see different landscapes through the window. But somehow it's always the same.
$2.50
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