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Harpe
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Violoncelle, Piano
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Violoncelle (partie séparée)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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2 Violoncelles (duo)
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2 Altos (duo)
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2 Violons (duo)
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2 Violons et Basse continue
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Trio à cordes: 3 altos
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Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
172
Orchestre
163
Orchestre de chambre
58
Ensemble Jazz
45
Orchestre d'harmonie
33
Jazz combo
23
Ensemble de Percussions
8
Ensemble d'École
8
Cloches
5
Orchestre, Violon
2
Fanfare
1
Piano et Orchestre
1
Batterie
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Percussion (partie séparée)
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Ensemble de cuivres
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Théorie de la musique
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Music and Strings - John Bass
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Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551495 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.551495 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 61 pages. Jmsgu3 #5306289. Published by jmsgu3 (A0.551495). DESCRIPTION1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 â??1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ?ich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Griegâ??s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
55.05 €
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Edvard Grieg
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James Guthrie, ASCAP
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Grieg: Peer Gynt Suite Complete for Bass Flute and Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.26 €
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
One Faith, One Hope, One Lord - Brass and Strings Score/Parts
Brass Quintet, String Ensemble - Digital Download SKU: LX.30-2481L Composed by Crai…
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Brass Quintet, String Ensemble - Digital Download SKU: LX.30-2481L Composed by Craig Courtney. Sacred Anthem, Christmas, Discipleship, Easter, General, Reformation. Brass and Strings Score/Parts. 34 pages. Lorenz Publishing - Digital Sheet Music #e30/2481L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2481L). Craig Courtney’s “One Faith, One Hope, One Lord†is a must-have standard for any church choir library. Dignified and thoughtful, this powerful affirmation of faith is harmonically rich and features beautiful choral writing, which thickens through the piece. Optional solo trumpet or brass and strings enhance the majestic text, “One faith, one hope, one Lord, one God.†Instrumentation: 2 Trumpets, F Horn, 2 Trombones, Violin 1 & 2, Viola, Cello, Bass.
$39.95
36.69 €
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Craig Courtney
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One Faith, One Hope, One Lord - Brass and Strings Score/Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Hallelujah from Handel's Messiah - Orchestra and SATB Choir (Full Score and Parts)
Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Cello,Choir,Double Bass,Timpani,Viola,Viol…
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Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Cello,Choir,Double Bass,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.1216852 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Early Music,Film/TV,Multicultural,Sacred,World. 59 pages. Sheet Music To Play Editions #813375. Published by Sheet Music To Play Editions (A0.1216852). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Full Score and Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$24.99
22.95 €
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George Frideric Handel
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César Madeira
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Hallelujah from Handel's Messiah - Orchestra and SATB Choir
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Sheet Music To Play Editions
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SheetMusicPlus
Glissando On Ice
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 2 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 2 - Digital Download SKU: A0.889390 Composed by Luis Artur dos Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #1989381. Published by Luis Anjos Teixeira (A0.889390). 2016 Chamber Music Contest Entry Glissando On Ice- for Harp and Strings, can be played by students or beginners on an early/intermediates Level. It allows different interpretations. The piece is always very welcome by the public. Due to its flexibility it can be played in all kinds of events. The Harp glissandos in the end of the piece, are only possible to execute with the helping hands of more musicians, and It does not need to be exactly done as I wrote it. The glissando effects in this case can be interpreted in many other ways. Thanks a lot for taking Your time to read the text, to look at the cover and to listen to the file. The score and the sound sample where produced with Finale and Garritan instruments. The Photo was made by Christiane Schröder, and the Cover Design by Claudia Eppelt. I am a member of the SPA (Sociedade Portuguesa de Autores. If You have any questions about this Piece, please get in contact with me per e-mail at silveira.luis@web.de - My site - www.anjosteixeira-music.com Cheers.
$12.99
11.93 €
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Luis Artur dos Anjos Teixeira
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Glissando On Ice
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Luis Anjos Teixeira
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.18 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3507999. Published by jmsgu3 (A0.549560). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.91 €
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549580 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549580 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 18 pages. Jmsgu3 #3509491. Published by jmsgu3 (A0.549580). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.91 €
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain King from Peer Gynt Suite for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Music for Three, Volume 8 - Keyboard or Guitar 50840
Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865
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Small Ensemble Organ,Piano Accompaniment - Level 5 - Digital Download SKU: A0.961865 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Traditional. Score and parts. 94 pages. Last Resort Music Publishing #567576. Published by Last Resort Music Publishing (A0.961865). Music for Three, Volume 8 - More Baroque, Classical & Romantic Favorites Keyboard or Guitar Including works by Bizet, Faure, Borodin, Gottschalk, and Rossini and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. The parts available for this volume are listed here! 50811 Part 1 Flute or Oboe or Violin 50813 Part 1 Clarinet in Bb 50821 Part 2 Flute or Oboe or Violin 50822 Part 2 Viola 50823 Part 2 Clarinet in Bb 50831 Part 3 Cello or Bassoon 50840 Keyboard or Guitar 50899 Score Table of Contents Badinerie from Suite #2 in b minor (Bach) Bist Du Bei Mir (Bach) Allegro Moderato & Allegro from Brandenburg Concerto #3 in G Major (Bach) Fur Elise (Beethoven) Galop & Petit Mari, Petite Femme from Jeux d'Enfants, Op. 22 (Bizet) Farandole & Menuet from L'Arlesienne Suite #2 (Bizet) Minuet from Quintet in E Major, Op. 13 #5 (Boccherini) Theme from Polovetzian Dances from Prince Igor (Borodin) Fantasie-Impromptu from Fantasie-Impromptu in C# minor, Op. 66 (Chopin) Adagio from Violin Sonata in G minor, Op. 5 #5 (Corelli) Flower Duet from Lakme (Delibes) Slavonic Dance #1 from Slavonic Dances, Op. 46 #1 (Dvorak) Slavonic Dance #2 from Slavonic Dances, Op. 46 #2 (Dvorak) Bereceuse from Dolly Suite, Op. 56 (Faure) Bananier, Le (Gottschalk) Dying Poet, The (Gottschalk) Tournament Galop (Gottschalk) Funeral March for a Marionette (Gounod) Juliet's Waltz Song Je veux vivre from Romeo and Juliet (Gounod) I Love Thee Ich Liebe Dich from The Heart's Melodies, Op. 5 (Grieg) Arrival of the Queen of Sheba from the Oratorio Solomon (Handel) Allegro & Hornpipe from The Water Music (Handel) Theme from Jupiter from The Planets (Holst) Capriccio #24 from 24 Capricci, Op. 1 (Paganini) Galop from La Boutique Fantastique (Rossini) Mon Coeur S'ouvre A Ta Voix from the opera Samson and Delilah (Saint-Saens) Rosamunde Ballet Music from incidental music to Rosamunde (Schubert) The Trout from the Trout Quintet, Op. 114 (Schubert) The Laughing Song from Die Fledermaus (Strauss) Danses des petits cygnes from the ballet Swan Lake (Tschaikovsky) None But the Lonely Heart from Six Songs, Op. 6 #6 (Tschaikovsky).
$26.00
23.88 €
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Various
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Daniel Kelley
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Music for Three, Volume 8 - Keyboard or Guitar 50840
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Last Resort Music Publishing
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
55.09 €
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
Celtiberian Fantasy For Harp and Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
26.62 €
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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SheetMusicPlus
March for Strings
By Nannette Stein Streicher. Arranged by Bill Schuetter. For string orchestra (4 violins, …
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By Nannette Stein Streicher. Arranged by Bill Schuetter. For string orchestra (4 violins, 2 violas, cello, double bass). Level 4. Score and parts. Duration 1 minute 30 seconds. Published by Imagine Music - Digital
$12.00
11.02 €
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Nannette Stein Streicher
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Bill Schuetter
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March for Strings
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Imagine Music - Digital
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SheetMusicPlus
Minuet For Margaret. (Flute, Violin and Piano Arrangement)
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1298596 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Classical. 32 pages. Geraldine (Denny) Green at Oakmountmusic #888475. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298596). ALL PURCHASES COME WITH SCORE AND PARTSWhen I was a young child and I would ask my mother for something she would often, in the midst of all her busy jobs, say to me, “Oh, give me a minuet!â€, meaning jokingly a minute, of course, before she could tend to my wishes.  This meant that I grew up believing that a minuet and a minute meant the same thing and could be equally interchanged. You can then imagine my amazement and amusement at around 13/14 years of age when I discovered through my music studies that a minuet was in fact a type of musical form and dance! Therefore, it went without saying that at some point in my music writing life I just HAD to write my Mum a minuet! So, here is the minuet she so often unwittingly asked me for throughout our lives! She attended the premiere of the Flute, violin and piano arrangement in Bolton, UK, and was highly amused (and not a little chuffed) by the story behind the piece!Naturally, the piece is dedicated to my mother, Margaret (Pearl) Denny, and was finally written in June 2015 for Gary Woolf and the Banda Di Musica in Germany.Its duration is about 7/8 minutes long and it is intended for junior strings. Violins 1 and 2 are of moderate difficulty, while the Violin 3/violas, cellos/basses are simpler.There is a violin solo throughout (moderate difficulty), to be played by the Leader, but is not a concerto-style solo, but rather one that weaves in and out of the texture throughout the piece.The piece is in a minuet and Trio style and is light, tuneful and fun. There are 3 arrangements available:No.1 – School Arrangement: Violins 1, 2 and 3, Cellos 1 and 2No.2 – Standard Arrangement: Violins 1 and 2, violas, cellos, Double bassesNo.3 – Violin, flute and piano.  This arrangement is of a more advanced standard than the string orchestra arrangements and would suit players of approximately grade 7 upwards.Â
$21.00
19.28 €
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Geraldine
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Minuet For Margaret.
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Geraldine
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SheetMusicPlus
Hallelujah from Handel's Messiah - SATB Choir and Orchestra (Individual Parts)
Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Choir,Timpani - Level 3 - Digital Download…
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Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Choir,Timpani - Level 3 - Digital Download SKU: A0.1216857 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Multicultural,World. 31 pages. Sheet Music To Play Editions #813381. Published by Sheet Music To Play Editions (A0.1216857). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.This file DOES NOT contain Full Score. Individual Parts only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$15.99
14.68 €
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George Frideric Handel
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César Madeira
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Hallelujah from Handel's Messiah - SATB Choir and Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Fantaisie Op. 79 for Flute and Strings
Large Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A…
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Large Ensemble Cello,Double Bass,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.1203650 Composed by Gabriel Faure. Arranged by Andrew Middleton. Classical,Romantic Period. Score and parts. 41 pages. Andrew Middleton #802225. Published by Andrew Middleton (A0.1203650). Fantaisie Op. 79 was originally composed for flute and piano by French composer Gabriel Faure. The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the Concours de flute, a flute competition held by the Conservatoire de Paris. Although performed as one single movement, Fantaisie can clear be divided into individual sections. A slow opening section that uses ideas from Fauré's incidental music to Pelléas et Mélisande, Op. 80, written at the same time, followed by a faster second section. Faure stated a performance of the piece should last for no longer than 4 minutes, 30 second. This arrangement for flute and strings stays true to Faure’s original score for flute and piano. Adapted flutes parts for clarinet and bassoon are also available too. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
18.36 €
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Gabriel Faure
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Andrew Middleton
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Fantaisie Op. 79 for Flute and Strings
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Andrew Middleton
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
22.96 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Concertino G major and Nocturne C major
Oboe and strings (violin, viola, basso) - easy - Digital Download SKU: S9.Q575379 C…
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Oboe and strings (violin, viola, basso) - easy - Digital Download SKU: S9.Q575379 Composed by Johann Georg Albrechtsberger. Downloadable, Piano reduction with solo part. Duration 34 minutes. Schott Music - Digital #Q575379. Published by Schott Music - Digital (S9.Q575379). As to form, both the concertino and the nocturne are still strongly characterised by the features of the baroque suite. As to style, however, melody and harmonic structure point to Viennese Classicism.
$21.99
20.19 €
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Johann Georg Albrechtsberger
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Concertino G major and Nocturne C major
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Schott Music - Digital
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SheetMusicPlus
Telemann-Concerto in d minor,TWV 52-d1,for 2 Clarinets and Strings
Composed by Georg Philipp Telemann (1681-1767). Arranged by MSM. Classical, Romantic …
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Composed by Georg Philipp Telemann (1681-1767). Arranged by MSM. Classical, Romantic Period. Score and parts. 65 pages. Open Cloud #5312389. Published by Open Cloud
$17.99
16.52 €
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Georg Philipp Telemann
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Telemann-Concerto in d minor,TWV 52-d1,for 2 Clarinets and Strings
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Open Cloud
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SheetMusicPlus
AIR from Water Music for Duo, Intermediate Level for any treble instrument and one bass instrument o
Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.…
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Bassoon,Cello,Flute,Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.521361 Composed by George Frideric Handel. Arranged by Sherry Lewis. Baroque,Christmas,Easter,Wedding. 7 pages. Sherry Lewis Publishing #5983359. Published by Sherry Lewis Publishing (A0.521361). AIR, FROM WATER MUSIC, HANDEL String Duo, Woodwind duo, any combination of a treble clef instrument and a bass clef instrument, concert pitch. Can include violin and cello, flute and cello, oboe and cello, flute and bassoon, oboe and bassoon, etc.SPECIAL NOTE: DOUBLE STOPS/PARTS ARE FOR STRINGS ONLY AND NOT NECESSARY TO THE PERFORMANCEIntermediate Level score: 2 pages parts: 2 pages pages time: 3'50DEMO NOTE: DEMO WILL PLAY IN STRINGS. Often I've begun the demo with a few measures cuts at the beginning to get to the main theme as the intro is rather long but is included in the arrangement of course.MY QUARTET VERSIONS in short notice work fine for solo, two parts, three parts and quartet however I offer individual versions for one, two, three and four parts: https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing to view all of the titles and sets I offer.If you can’t find a title then contact me at stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing.
$4.50
4.13 €
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George Frideric Handel
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Sherry Lewis
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AIR from Water Music for Duo, Intermediate Level for any treble instrument and one bass instrument o
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Sherry Lewis Publishing
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SheetMusicPlus
CLAIR DE LUNE, Trio, Intermediate level for 2 treble instruments and 1 bass instrument
Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU…
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Small Ensemble,Strings Bassoon,Cello,Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.521616 Composed by Claude Debussy. Arranged by Sherry Lewis. 20th Century,Concert,Holiday,Spiritual,Wedding. Score and parts. 17 pages. Sherry Lewis Publishing #6252951. Published by Sherry Lewis Publishing (A0.521616). CLAIR DE LUNE, Trio for 2 treble and 1 bass instrument Score: 5 pages parts: 6 pages time: 4'10 DEMO: For the demo the example is woodwinds. MY QUARTET VERSIONS, in short notice usually work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$6.50
5.97 €
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Claude Debussy
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Sherry Lewis
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CLAIR DE LUNE, Trio, Intermediate level for 2 treble instruments and 1 bass instrument
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Sherry Lewis Publishing
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SheetMusicPlus
Thank You For The Music
Strings Bass Clef Instrument,Bass Voice,Choir,Clarinet,Digital Keyboard,Double Bass,Electr…
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Strings Bass Clef Instrument,Bass Voice,Choir,Clarinet,Digital Keyboard,Double Bass,Electric Bass Guitar,Electric Guitar,Electronic Keyboard,Flute,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Piano Accompaniment,Piccolo,Recorder,String Synthesizer,Treble Clef Instrument,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1205345 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Amphibia Cultural Legacy. Broadway,Contemporary,Film/TV,Musical/Show,New Age,Pop. 8 pages. Amphibia Cultural Legacy #803534. Published by Amphibia Cultural Legacy (A0.1205345). The iconic song Thank You For The Music by ABBA has been remixed with an orchestra and additional instruments by Amphibia Cultural Legacy, bringing a fresh new sound to this classic hit. This updated version of the song is featured in the end credits of the popular musical movie Mamma Mia!, adding to its popularity and appeal to fans, old and new.The original song was already a timeless classic, but adding an orchestra and other instruments takes it to a new level of sophistication. The lush arrangement highlights each device, from strings to woodwinds, bringing out their unique qualities while maintaining the original music's integrity. Listening to this rendition is like experiencing Thank You For The Music for the first time.Thanks to Amphibia Cultural Legacy's expert remixing skills, Thank You For The Music now sounds richer.
$100.00
91.83 €
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ABBA
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Amphibia Cultural Legacy
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Thank You For The Music
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Amphibia Cultural Legacy
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SheetMusicPlus
George Butterworth: Idyll: The Banks of Green Willow - symphonic wind/bass
Level 5 - Digital Download SKU: A0.553781 Composed by George Butterworth. Arranged …
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Level 5 - Digital Download SKU: A0.553781 Composed by George Butterworth. Arranged by Ray Thompson. 20th Century,Spiritual,Standards. 52 pages. RayThompsonMusic #4350463. Published by RayThompsonMusic (A0.553781). The Banks of Green Willow The original is a short orchestral piece by George Butterworth, probably the most played of his three works for orchestra. It has certainly been his most recorded orchestral work. Described by its composer as an Idyll, and written in 1913, it is scored for a small orchestra consisting of two flutes, two oboes, two clarinets, two bassoons, two horns, one trumpet, harp and strings.Butterworth based The Banks of Green Willow on two folk song melodies that he noted in 1907 - The Banks of Green Willow and Green bushes. This popular piece is often used on TV in programmes with wholesome panoramic views of the British countryside. It has a relaxing pastoral English feel to it.This arrangement is in the original key so requires 2 clarinets in A. (alternate clarinets in Bb are provided)I have arranged it for wind dectet (double wind quintet) and bass.Opt. tuba/contra bassoon. I have also added an optional cut, avoiding the middle section, so that you can play it as reflective background music..There is an additional bar, to be omitted in the full version, and played in the cut one!The 4th mvt of Percy Aldridge Grainger's Lincolnshire Posy The Lost Lady Found has a similar tune to Green BushesI have arranged it for wind dectetThe mp3 is a live performance by Alliance Classical Players of New York on 21 June 2023.You can also purchase my wind quintet arrangement of Green Willow.I have also arranged English Idyll No.1 for wind dectet.https://youtu.be/_3YQfpnwaE4.
$14.95
13.73 €
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George Butterworth
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Ray Thompson
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George Butterworth: Idyll: The Banks of Green Willow - symphonic wind/bass
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RayThompsonMusic
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.72 €
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David Catherwood
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Nocturne No.20 in C Sharp minor - Bassoon Solo, Strings and Piano (Full Score and Parts)
Strings Bassoon,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: …
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Strings Bassoon,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.1238816 Composed by Frederic Chopin. Arranged by César Madeira. 19th Century,Chamber,Classical,Romantic Period,Wedding. 24 pages. Sheet Music To Play Editions #834234. Published by Sheet Music To Play Editions (A0.1238816). Nocturne No.20 in C Sharp minor, Op. posth. B.49. Arrangement for Bassoon Solo, Strings - Violin 1, 2, Viola, Violoncello and Contrabass - and Piano. With Full Score and Individual Parts. Enjoy it!Frédéric François Chopin (1810 - 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose poetic genius was based on a professional technique that was without equal in his generation.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$15.99
14.68 €
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Frederic Chopin
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César Madeira
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Nocturne No.20 in C Sharp minor - Bassoon Solo, Strings and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Dies Irae: In Flanders fields from Eternal Light: A Requiem (Downloadable)
Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Di…
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Soprano voice solo, tenor voice or baritone voice solo, ATB choir, and piano - Medium - Digital Download SKU: MQ.56-0054-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. Instrument part. 13 pages. Duration 5 minutes, 36 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0054-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0054-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement has no soprano part, it is soloist above and ATB below, giving a rich, dark quality to the music. The tenors and basses (divisi) begin this movement, declaiming “Dies irae, dies illa.†Two soloists begin in the “Flanders fields†text above. There is an option for three soloists as the piece evolves. (Soprano, tenor and baritone, the composer gives some options for this.) Soon the choir takes up the poem, yet the Latin text occasionally appears and continues, moving toward a climax on the text “We are the Dead, Short days ago We lived.†As the music descends from the high point, the English poem continues, with the choir very softly commenting “Dies irae†as the movement ends. Duration 5:36.
$3.35
3.08 €
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Howard Goodall
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Dies Irae: In Flanders fields from Eternal Light: A Requiem
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
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