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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Music for Bass Trombone and Piano
Partitions à imprimer
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1551
Frith - SONS OF THUNDER for Bass Trombone and Piano
Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810720 Compose…
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Bass Trombone,Instrumental Solo - Level 5 - Digital Download SKU: A0.810720 Composed by John Frith. Contemporary. Individual part. 13 pages. Gordon Cherry #1942817. Published by Gordon Cherry (A0.810720). Composer John Frith has written a new solo virtuosic work for Bass Trombone with Piano accompaniment of about 3 minutes in length. Read below to see what his thoughts are about his composition for Jonathan Warburton. I have written a number of pieces (over many years) for Jonathan Warburton who also commissioned ‘Sons of Thunder’ in 2015. Jon’s gift for musical ‘acrobatics’ gave me the idea of creating a short, high-energy work that would give vent to his exceptional range and flexibility. The central section is muted and relatively calm but it is not long before the music builds and the opening material returns. A solo cadenza creates a welcome calm interlude before the storm gathers once again as the piece builds to a momentous fortissimo before grinding to a thunderous halt! ‘Sons of Thunder’ is the nickname given by Jesus to the apostles James and John, possibly reflecting their lively characters……I’m guessing that theirs were not too unlike Jonathan’s ebullient personality!.
$17.50
16.11 €
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John Frith
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Frith - SONS OF THUNDER for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Illusion for Alto Sax, Bass Trombone and Piano
Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1…
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Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Cherry #1027301. Published by Gordon Cherry (A0.1447517). Below are the program notes for Illusion for Alto Sax, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the alto sax is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. There are editions for Trumpet and Bass Trombone and Trumpet and Tuba, all accompanied by Piano.The work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.
$40.00
36.83 €
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Elizabeth Raum
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Illusion for Alto Sax, Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
The Wexford Carol - trombone, flute, piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Level 3 - Digital Downloa…
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.726112 Composed by Irish traditional carol. Arranged by Todd Marchand. Celtic,Christmas,Folk,Irish,Sacred. Score and parts. 9 pages. Con Spirito Music #6168353. Published by Con Spirito Music (A0.726112). The Wexford Carol is an Irish carol that is thought to date to the 12th century. It achieved wide popularity in the 20th century due to its inclusion in The Oxford Book of Carols.Like many folk and traditional songs, it was transcribed from the performance of a local singer - in this case, by William Grattan Flood (1857-1928), an Irish musicologist, composer, and organist who collected it from a singer in Enniscorthy, County Wexford, Ireland.This arrangement for solo trombone with piano accompaniment features an impelling rhythmic foundation, rich harmonies, and a lovely countermelodic line for flute.Includes piano score, solo trombone part in both bass clef and Bb treble clef, and solo flute part.©Copyright 2009 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00
5.52 €
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Irish traditional carol
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Todd Marchand
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The Wexford Carol - trombone, flute, piano
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Con Spirito Music
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
27.58 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nebraska - My Heartland (INSTRUMENTAL PARTS)
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gard…
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Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
69.06 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (CHORAL SCORE)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M.…
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.3 €
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Nebraska - My Heartland (FULL SCORE)
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by …
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Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
184.16 €
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
71.78 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thailand Royal Anthem: Phleng Sansoen Phra Barami
Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schuro…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat    (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.  He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
4.59 €
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Pyotr Schurovsky
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Colin Kirkpatrick
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Thailand Royal Anthem: Phleng Sansoen Phra Barami
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Colin Kirkpatrick Publications
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SheetMusicPlus
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
3.67 €
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Mark S
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Professor M & M's Jive Detector
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Geofonica Artistworks
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Music for Bass Trombone (or Tuba) and Piano (op.64, No.4)
Bass trombone (or tuba) & piano - Digital Download SKU: IZ.PDP148 Composed by Burne…
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Bass trombone (or tuba) & piano - Digital Download SKU: IZ.PDP148 Composed by Burnet Tuthill. Score and Parts. 11 pages. Imagine Music - Digital #PDP148. Published by Imagine Music - Digital (IZ.PDP148). 9 x 12 in inches.Tuthill grouped five works composed in 1974 as his Opus 64. The fourth of the set is Music for Bass Trombone (or Tuba) and Piano, the most substantial in length of the collection. Tuthill wrote a large amount of Gebrauchsmusik, literally Music for Use, sometimes thought of as House Music, to be played by friends or family. I hope that this little piece will serve bass trombonists and tubists in planning recitals or academic juries.
$10.00
9.21 €
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Burnet Tuthill
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Music for Bass Trombone
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Imagine Music - Digital
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SheetMusicPlus
Lullaby Of Birdland
Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,T…
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Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquai’s Virtual Insanity that intensifies the listener’s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.
$50.00
46.04 €
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George Shearing
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Serena Rose
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Lullaby Of Birdland
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Serena Rose Music
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (for bass instruments)
Small Ensemble - Level 3 - Digital Download SKU: A0.722610 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.722610 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #4575883. Published by Custom Chamber Music (A0.722610). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 bass instruments as listed below. We also have a version for 3, 4, or 5 treble instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a bassoon quintet and a trombone trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Bassoon trio, quartet, and quintet.Trombone trio, quartet, and quintet.Euphonium trio, quartet, and quintet.Cello trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D3-Ab4] is the main melody. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, Bassoon, French Horn, Baritone, Trombone, C/Bb Euphonium, Viola, Cello.Part 2 [G2-Eb4] has some B-section melody and harmony. Alto/Bass Clarinet, Baritone Saxophone, Bassoon, French Horn, Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 3 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 4 [G2-Bb3] is additional harmony. Alto/Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
32.23 €
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Various
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Randy Calistri-Yeh
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
The Djebels for Brass Band
Brass Band - Intermediate - Digital Download SKU: F2.FM273 Composed by Ian Vlemmiks…
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Brass Band - Intermediate - Digital Download SKU: F2.FM273 Composed by Ian Vlemmiks. Score and Parts. 30 pages. Forton Music - Digital #FM273. Published by Forton Music - Digital (F2.FM273). ISBN 9790570481729.Brass Band - Soprano Cornet, Solo Cornet, Repiano Cornet/Flugelhorn, 2nd Cornet, 3rd Cornet, Flugelhorn, Solo Horn, 1st Horn, 2nd Horn, 1st Baritone, 2nd Baritone, 1st Trombone, Bass Trombone, 2nd Trombone, Euphonium, Eb Bass, Bb Bass, Bass Drum, Side Drum. A rousing opening section with impressive countermelodies lead to a middle section in the relative major. Here, the tune is put into the bass parts with some interjections from the upper parts. The final section is a stately chorale reminiscent of Elgar at his finest! Straightforward phrasing and relatively straightforward parts make this accessible to the majority of bands.
$37.95
34.94 €
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Ian Vlemmiks
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The Djebels for Brass Band
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Forton Music - Digital
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SheetMusicPlus
American Patriotic Music for All, Volume 1 (for treble instruments)
Small Ensemble - Level 3 - Digital Download SKU: A0.722609 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.722609 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 438 pages. Custom Chamber Music #4575879. Published by Custom Chamber Music (A0.722609). Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.This version is arranged for 3, 4, or 5 treble instruments as listed below. We also have a version for 3, 4, or 5 bass instruments, and another version with 3-7 mixed parts that can expand all the way to a full band.To demonstrate the flexibility of this collection, the audio clip has America the Beautiful performed as a clarinet quintet and a trumpet trio.The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England). Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, and quintet.Woodwind trio, quartet, and quintet.String trio, quartet, and quintet.Mixed trio, quartet, and quintet.Clarinet trio, quartet, and quintet.Saxophone trio, quartet, and quintet.Trumpet trio, quartet, and quintet.Viola trio, quartet, and quintet.The parts are described as follows (part ranges are given in concert pitch, where C4 is middle C):Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola.Part 3 [F3-C5] is the main bass line. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, Viola, Cello.Part 4 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 5 [E3-C5] is other harmony. Bb Clarinet, Alto/Bass Clarinet, Tenor Saxophone, French Horn, Bb Trumpet, Trombone, Viola, Cello.We recommend the following combinations:Trio: Parts 1, 2, 3.Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Be sure to also check out our three volumes of Christmas Carols for All!
$35.00
32.23 €
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Various
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Randy Calistri-Yeh
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American Patriotic Music for All, Volume 1
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Custom Chamber Music
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SheetMusicPlus
Soldier Of Fortune
Small Ensemble - Level 5 - Digital Download SKU: A0.747979 Composed by Robert Lamm,…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747979 Composed by Robert Lamm, Robert William Fulks Iii, and Robert William Lamm. Arranged by Patrick Sheehan. Contemporary. Score and parts. 70 pages. Patrick Sheehan #5000301. Published by Patrick Sheehan (A0.747979). INSTRUMENTATION: Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Clavinet, Hammond B3 Organ, Acoustic Guitar, Electric Guitar I (solo), Electric Guitar II (rhythm), Bass, Triangle, Drumset. All parts transcribed by ear from the original recording from CHICAGO 14, released in 1980. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
23.02 €
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Robert Lamm, Robert William Fulks Iii, and Robert William Lamm
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Patrick Sheehan
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Soldier Of Fortune
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Patrick Sheehan
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SheetMusicPlus
"Wedding Day at Troldhaugen" from Lyriske Smastykker No.8 for Low Brass Quartet
Brass Ensemble Trombone,Tuba - Level 4 - Digital Download SKU: A0.892032 Composed b…
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Brass Ensemble Trombone,Tuba - Level 4 - Digital Download SKU: A0.892032 Composed by Edvard Grieg. Arranged by Arkstar Brassmusic. Holiday,Romantic Period,Wedding. Score and parts. 23 pages. ASANO Takashi #3579035. Published by ASANO Takashi (A0.892032). Full arrangement of famous Piano piece of Wedding Day at Troldhaugen from Lyriske Smastykker No.8 for Low Brass Quartet.The Lowest part is both for Bass Trombone and Tuba.It is recomendable to pay 1st part for alto trombone.Duration of work: 7 minutesHighest note: Db for 1st part You can confirm the score and performance at the following YouTube site. https://youtu.be/KLYYTiNSCsA
$16.00
14.73 €
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Edvard Grieg
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Arkstar Brassmusic
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"Wedding Day at Troldhaugen" from Lyriske Smastykker No.8 for Low Brass Quartet
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ASANO Takashi
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SheetMusicPlus
Never Been In Love Before
Small Ensemble - Level 5 - Digital Download SKU: A0.747911 By Chicago. By Robert La…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747911 By Chicago. By Robert Lamm. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 70 pages. Patrick Sheehan #4968719. Published by Patrick Sheehan (A0.747911). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb) & Flugelhorn (Bb), Trombone, Grand Piano, Electric Guitar, Bass, Triangle, Cabasa, Conga Drums, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VIII released in 1975. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
23.02 €
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Chicago
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Patrick Sheehan
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Never Been In Love Before
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Patrick Sheehan
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SheetMusicPlus
Ghost Dances (Wounded Knee, 1890) for Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.977644 Composed by Roland Barrett. Arranged by Benjamin (Benthoven) Lau. Contemporary. Brass Band. 76 pages. BenthovenMusic Publications #6306099. Published by BenthovenMusic Publications (A0.977644). Ghost Dances (Wounded Knee, 1890) for Brass BandOriginally Composed by Roland Barrett, Arranged by Benjamin LauInspired by the tragic story of the Lakota Sioux massacre at Wounded Knee in 1890, Roland Barrett's original work features a soft and peaceful entry, followed by aleatoric sections with musical fragments to convey the imagery of a Sioux ghost dance, and a menacing, ferocious section with high speed and intensity to keep the audience on their toes. This brilliant and inspiring work has been adapted for brass band by BenthovenMusic. This arrangement still captures the same peaceful and free opening along with the rhythmic intensity and drive of the original but with a reduced percussion section and more brass. This is an excellent work for high school/university bands that shows strong musical capability, technicality, and endurance of the player. Dur. 5'43Instrumentation:- Soprano Cornet- Solo Cornet 1- Solo Cornet 2- Solo Cornet 3- Solo Cornet 4- Repiano Cornet- 2nd Cornet- 3rd Cornet- Flugel- Solo Horn- 1st Horn- 2nd Horn- 1st Baritone- 2nd Baritone- 1st Trombone- 2nd Trombone- Bass Trombone- Euphonium 1- Euphonium 2- Eb Bass- Bb Bass- Percussion 1 (Timpani, Claves, Vibraslap, Tambourine)- Percussion 2 (Rainstick, Glockenspiel, Metal Wind Chimes, Drum Set)- Percussion 3 (Chimes, Suspended Cymbal)
$65.00
59.85 €
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Roland Barrett
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Benjamin (Benthoven) Lau
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Ghost Dances
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BenthovenMusic Publications
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
59.81 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jump For Joy
Small Ensemble - Level 5 - Digital Download SKU: A0.747895 Composed by Duke Ellingt…
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Small Ensemble - Level 5 - Digital Download SKU: A0.747895 Composed by Duke Ellington, Paul Webster, and Sid Kuller. Arranged by Patrick Sheehan. Contemporary. Score and parts. 91 pages. Patrick Sheehan #4968669. Published by Patrick Sheehan (A0.747895). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Grand Piano, Electric Guitar, Bass, Drumset. All parts transcribed by ear from the YouTube video of CHICAGO performing on the TV special Duke Ellington: We Love You Madly, aired on February 11, 1973. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
23.02 €
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Duke Ellington, Paul Webster, and Sid Kuller
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Patrick Sheehan
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Jump For Joy
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Patrick Sheehan
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SheetMusicPlus
Harlequin Dances for Brass Band
Brass Band - Intermediate-Advanced - Digital Download SKU: F2.FM215 Composed by Kei…
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Brass Band - Intermediate-Advanced - Digital Download SKU: F2.FM215 Composed by Keiron Anderson. Score and parts. 104 pages. Forton Music - Digital #FM215. Published by Forton Music - Digital (F2.FM215). ISBN 9790570481149.Brass Band - Soprano Cornet, Solo Cornet, Repiano Cornet, 2nd Cornet, 3rd Cornet, Flugelhorn, Solo Horn, 1st Horn, 2nd Horn, 1st Baritone, 2nd Baritone, 1st Trombone, 2nd Trombone, Euphonium, Eb Bass, Bb Bass, Timpani, Percussion 1, Xylophone. Harlequin dances is a stunning original composition showcasing a variety of dance styles. The piece starts with a mambo-like section, then moves into a more romantic ballad-type movement. This then winds up into a Viennese waltz which uses cheeky glissandi, then onto a very clever tempo shift and back to a recap of the mambo music which races along to a thrilling climax.
$40.95
37.71 €
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Keiron Anderson
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Harlequin Dances for Brass Band
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Forton Music - Digital
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SheetMusicPlus
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