English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
107
Librairie
Musicale
206
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
107
PIANO & CLAVIERS
Piano, Voix
217
Accompagnement Piano
51
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano, Voix et Guitare
6
Piano Facile
3
Piano (partie séparée)
2
Orgue
1
Piano seul
1
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
VOIX
Chorale 3 parties
17
Voix Tenor, Piano
17
Chorale SATB
16
Chorale 2 parties
10
Voix Soprano, Piano
7
Voix Alto, Piano
7
Chorale SSAA
5
Voix duo, Piano
4
Voix Tenor
4
Voix seule
1
Voix duo
1
Voix Soprano
1
Instrumentations suivantes
Retracter
VENTS
Saxophone Alto et Piano
129
Quatuor de Saxophones: 4 saxophones
53
Quintette de Saxophone: 5 saxophones
46
2 Saxophones (duo)
33
Flûte traversière et Piano
16
3 Saxophones (trio)
12
Saxophone Alto
11
Saxophone Tenor et Piano
11
Clarinette et Piano
9
2 Flûte à bec (duo)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Clarinette, Violon (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette
4
Flûte à bec Alto
4
Flûte à bec Alto, Piano
4
2 Clarinettes (duo)
3
2 Flûtes traversières (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
2
Flûte, Violon
2
Flûte, Alto (duo)
2
Flûte, Clarinette (duo)
2
Ensemble de saxophones
2
Flûte, Alto et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Piano (duo)
2
Saxophone Soprano et Piano
2
Clarinette et Alto
2
Flûte, Saxophone (duo)
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Clarinette Basse, Piano
1
2 Hautbois (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Saxophone Baryton, Piano
1
Clarinette, Alto et Piano (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Basson (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Saxophone (duo)
4
2 Trombones (duo)
3
Euphonium, Piano (duo)
2
Cor anglais, Piano
1
Trompette, Piano
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
191
Quatuor à cordes: 2 violons, alto, violoncelle
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
24
Alto seul
18
Piano Trio: Violon, Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
15
Violon, Alto (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Violoncelle (duo)
2
Violon et Piano
2
2 Violons (duo)
1
Alto (partie séparée)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
18
Jazz combo
5
Ensemble Jazz
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Piano et Orchestre
1
Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Music for a while for alto and piano
Partitions à imprimer
107 partitions trouvées
<
1
26
51
....
101
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.21 €
#
Nathan Petitpas - Dots and Beams
#
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
#
Dots and Beams
#
SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.34 €
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Nebraska - My Heartland (INSTRUMENTAL PARTS)
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gard…
(+)
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
69.06 €
#
D
#
Nebraska - My Heartland
#
D. M. Gardner Music
#
SheetMusicPlus
Nebraska - My Heartland (CHORAL SCORE)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M.…
(+)
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.3 €
#
D
#
Nebraska - My Heartland
#
D. M. Gardner Music
#
SheetMusicPlus
Nebraska - My Heartland (FULL SCORE)
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by …
(+)
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
184.16 €
#
D
#
Nebraska - My Heartland
#
D. M. Gardner Music
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.37 €
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
(+)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.21 €
#
Nathan Petitpas - Dots and Beams
#
I encourage you to use both
#
Pitch and Rhythm - Treble Clef, Diatonic
#
Dots and Beams
#
SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, Soprano and Tenor Saxophone Duet
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Recorder - Level 4 - Digital D…
(+)
Instrumental Duet Instrumental Duet,Soprano Saxophone,Tenor Recorder - Level 4 - Digital Download SKU: A0.587776 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Ragtime,Standards. Score and parts. 5 pages. David McKeown #4896907. Published by David McKeown (A0.587776). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Soprano and Tenor Saxophone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The linked youtube performance is the Alto Saxophone version of this duet and the repeats are omitted for brevity.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.24 €
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Joplin, Soprano and Tenor Saxophone Duet
#
David McKeown
#
SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, Clarinet and Alto Clarinet Duet
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A…
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.1109548 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and parts. 5 pages. David McKeown #711942. Published by David McKeown (A0.1109548). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This duet version for one Clarinet and one Alto Clarinet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Clarinet version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Joplin, Clarinet and Alto Clarinet Duet
#
David McKeown
#
SheetMusicPlus
Mucus for a While (Purcell's "Music for a While" with parody words about a bad cold) (mp3)
Alto Voice,Piano - Level 3 - Digital Download SKU: A0.1442495 By David Warin Solomo…
(+)
Alto Voice,Piano - Level 3 - Digital Download SKU: A0.1442495 By David Warin Solomons (alto) and Richard McHale (piano). By Henry Purcell. Arranged by Paul Smith (aka Mole). Baroque,Classical,Comedy. Full Performance. Duration 217. David Warin Solomons #1022458. Published by David Warin Solomons (A0.1442495). Mucus for a While or, The Singer's Plaint upon being Afflicted with the Grippe. (words by Mole - Paul Smith)a parody of Musick for a While, compos'd by Mr. Henry Purcell.Performers here are David W Solomons (alto) and Richard McHale (Piano)Mucus, for a while,Shall all your Nose Defile;Wond'ring how your Pains were eased,Losing Count how much you've Sneezed,Till the Physick stop the FlowFrom their Eternall Drips;Till the Gunge drop from your NoseAnd the Cold Sores chap your Lips.Mucus, for a while,Shall all your Nose Defile.
$5.00
4.6 €
#
David Warin Solomons
#
Paul Smith (aka Mole)
#
Mucus for a While
#
David Warin Solomons
#
SheetMusicPlus
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged…
(+)
Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00
18.42 €
#
Various
#
Daniel Kelley
#
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
#
Last Resort Music Publishing
#
SheetMusicPlus
A Birthday Lear
Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.10…
(+)
Instrumental Duet Flute,Instrumental Duet,Voice - Level 5 - Digital Download SKU: A0.1031022 Composed by Geoffrey Boyd. 20th Century,Contemporary. Score and parts. 15 pages. ArrangmentsByArrangement.com #2807481. Published by ArrangmentsByArrangement.com (A0.1031022). Setting of 3 poems by Edward Lear for Narrator and Flute - 'The Jumblies' 'Calico Pie' and 'The Table and the Chair'.The music is atmospheric and challenging for the flute player, who also has to play piano in the second piece (very simple-two chords, right hand only, while the notes on the flute are all playable with the left hand). The Narrator's part is notated in standard musical rhythm, as in Walton's Façade. Perfect for an intimate recital, or a final college or university recital.
$19.00
17.5 €
#
Geoffrey Boyd
#
A Birthday Lear
#
ArrangmentsByArrangement.com
#
SheetMusicPlus
Stand By Me
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
(+)
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.589437 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by David McKeown. Pop. Score and parts. 4 pages. David McKeown #6070215. Published by David McKeown (A0.589437). Stand by Me was originally released by the co-writer Ben E King in 1960 and is the sixth highest royalty earning song of all time. However, King never intended to record the song himself. The story goes he had some studio time left over after a session and the producer asked him if he had any other songs they could put on tape. When King sat at the piano and performed Stand by Me, the producer recognised a huge hit in the making. This version is arranged as a duet for one Clarinet and one Alto Clarinet.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are some complex syncopated rhythms in the melody part and the challenge will be to tie these expressively to the repeating bass pattern which is present throughout. The short sample audio is from the Clarinet and Alto Saxophone version while the full length youtube performance is the Clarinet Duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.52 €
#
Ben E
#
David McKeown
#
Stand By Me
#
David McKeown
#
SheetMusicPlus
Illusion for Alto Sax, Bass Trombone and Piano
Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1…
(+)
Alto Saxophone,Bass Trombone,Piano Accompaniment - Level 5 - Digital Download SKU: A0.1447517 Composed by Elizabeth Raum. 21st Century,Contemporary. 37 pages. Gordon Cherry #1027301. Published by Gordon Cherry (A0.1447517). Below are the program notes for Illusion for Alto Sax, Bass Trombone & Piano by Elizabeth Raum.Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the alto sax is the other. The music is circus-like as befits many heated debates.Illusion was commissioned by Lucas Kaspar and JD Little. There are editions for Trumpet and Bass Trombone and Trumpet and Tuba, all accompanied by Piano.The work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.
$40.00
36.83 €
#
Elizabeth Raum
#
Illusion for Alto Sax, Bass Trombone and Piano
#
Gordon Cherry
#
SheetMusicPlus
Stand By Me
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
(+)
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589457 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by David McKeown. Pop. Score and parts. 4 pages. David McKeown #6070257. Published by David McKeown (A0.589457). Stand by Me was originally released by the co-writer Ben E King in 1960 and is the sixth highest royalty earning song of all time. However, King never intended to record the song himself. The story goes he had some studio time left over after a session and the producer asked him if he had any other songs they could put on tape. When King sat at the piano and performed Stand by Me, the producer recognised a huge hit in the making. This version is arranged as a duet for one Trumpet and Tenor Horn in E Flat.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are some complex syncopated rhythms in the melody part and the challenge will be to tie these expressively to the repeating bass pattern which is present throughout. The short sample audio is from the Clarinet and Alto Saxophone version while the full length youtube performance is the Clarinet Duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.52 €
#
Ben E
#
David McKeown
#
Stand By Me
#
David McKeown
#
SheetMusicPlus
Stand By Me
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
(+)
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589450 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by David McKeown. Pop. Score and parts. 4 pages. David McKeown #6070241. Published by David McKeown (A0.589450). Stand by Me was originally released by the co-writer Ben E King in 1960 and is the sixth highest royalty earning song of all time. However, King never intended to record the song himself. The story goes he had some studio time left over after a session and the producer asked him if he had any other songs they could put on tape. When King sat at the piano and performed Stand by Me, the producer recognised a huge hit in the making. This version is arranged as a duet for one Oboe and Violin.Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are some complex syncopated rhythms in the melody part and the challenge will be to tie these expressively to the repeating bass pattern which is present throughout. The short sample audio is from the Clarinet and Alto Saxophone version while the full length youtube performance is the Clarinet Duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.52 €
#
Ben E
#
David McKeown
#
Stand By Me
#
David McKeown
#
SheetMusicPlus
Stand By Me
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
(+)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589449 By Ben E. King. By Ben E. King, Jerry Leiber, and Mike Stoller. Arranged by David McKeown. Pop. Score and parts. 4 pages. David McKeown #6070239. Published by David McKeown (A0.589449). Stand by Me was originally released by the co-writer Ben E King in 1960 and is the sixth highest royalty earning song of all time. However, King never intended to record the song himself. The story goes he had some studio time left over after a session and the producer asked him if he had any other songs they could put on tape. When King sat at the piano and performed Stand by Me, the producer recognised a huge hit in the making. This version is arranged as a duet for one Oboe and Cor Anglais (or English Horn).Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with ensemble skills and expressive playing. There are some complex syncopated rhythms in the melody part and the challenge will be to tie these expressively to the repeating bass pattern which is present throughout. The short sample audio is from the Clarinet and Alto Saxophone version while the full length youtube performance is the Clarinet Duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.52 €
#
Ben E
#
David McKeown
#
Stand By Me
#
David McKeown
#
SheetMusicPlus
They Saw a Star Teen Christmas Cantata for duet/trio optional flute and piano
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0…
(+)
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1319996 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 47 pages. Connie Boss #908548. Published by Connie Boss (A0.1319996). This cantata is perfect for kids that are able to start singing parts in music. There are 5 songs in the cantata. There is narration before each song.1. Ave Maria Christmas version - This song has the lyrics Ave Maria throughout - which means Hail Mary. Some of the lyrics are a translation of the original Ave Maria. The rest of the lyrics are written for Christmas. The melody is the same as Ave Maria. It is intended for a soloist with duet harmonies. 2. A Little Baby - original song is written for duet. A Little Baby in a stall - A Little Baby oh so small - A Little baby born for all - A Little Baby3. Pachelbel Canon Christmas medley - this iconic song has lyrics from 4 Christmas songs - While Shepherds Watched Their Flocks by Night, Away in a Manger, What Child is This and The First Noel. There are parts where one part will ahh while the other sings the lyrics and then parts where they both sing the lyrics together in harmony. So pretty.4. They Saw a Star - original song about the star leading people to Bethlehem5. We Three Kings - uses the lyrics of We Three Kings, but the melody of Scarborough Fair - it flowed very well together.and has a different harmony than the Simon and Garfunkel version. Fun to perform.If you would like the accompaniment, email me proof of purchase and I will email it to you.Any questions or requests, email cdboss@cvalley.net.
$7.99
7.36 €
#
Connie Boss
#
Connie Boss
#
They Saw a Star Teen Christmas Cantata for duet/trio optional flute and piano
#
Connie Boss
#
SheetMusicPlus
Maple Leaf Rag, by Scott Joplin, for Alto Flute and Piano
Alto Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1112352 Com…
(+)
Alto Flute,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.1112352 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 8 pages. David McKeown #714426. Published by David McKeown (A0.1112352). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Alto Flute and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.67 €
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Joplin, for Alto Flute and Piano
#
David McKeown
#
SheetMusicPlus
Andante, Op. 5, Mvt. 2 (Clarinet Choir + Piccolo & 2 Flutes)
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet,Flute,Piccolo - Digit…
(+)
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet,Flute,Piccolo - Digital Download SKU: A0.1047015 By Richard Byrnes. By Johannes Brahms. Arranged by Richard Byrnes. Romantic Period. 92 pages. Richard Byrnes #651523. Published by Richard Byrnes (A0.1047015). Johannes Brahms (1833-1897) was a German composer who crafted his works using the techniques of musical counterpoint within traditional forms. Within those strictures he created many beautiful and powerful works. Barely 20 years old, Brahms wrote this in 1853. It is the second of five movements. Being his last piano sonata, it is his biggest solo piano work. This movement begins with a quotation from a poem by Otto Inkermann: Through evening's shade, the pale moon gleams While rapt in love's ecstatic dreams Two hearts are fondly beating. This is an arrangement by Richard Byrnes for Piccolo, 2 Flutes, E-flat Clarinet, 5 B-flat Clarinets, 3 Bass Clarinets, Contralto Clarinet, & Contrabass Clarinet. In addition to many works by Brahms, we offer works by Bach, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.
$65.99
60.76 €
#
Richard Byrnes
#
Richard Byrnes
#
Contrabass Clarinet
#
Andante, Op. 5, Mvt. 2
#
Richard Byrnes
#
SheetMusicPlus
Rondo Alla Turca (Turkish March) | Sax Quartet (w/ piano)
Alto Saxophone,Baritone Saxophone,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone - …
(+)
Alto Saxophone,Baritone Saxophone,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1283780 Composed by Wolfgang Amadeus Mozart. Arranged by Benzaiten Editions. 19th Century,Chamber,Classical,Multicultural,World. 21 pages. Benzaiten Editions #874971. Published by Benzaiten Editions (A0.1283780). Hey! Are you a sax player who wants to learn how to play Rondo Alla Turca (Turkish March) by Mozart? It's your lucky day! 🎵Rondo Alla Turca (Turkish March) - Sax Quartet Sheet Music with piano The Benzaiten Editions Sax Quartet Arrangement Embark on a musical journey to the exotic and lively world of Mozart's Rondo Alla Turca with our captivating saxophone quartet sheet music! This vibrant and spirited piece, also known as the Turkish March, is a delightful showcase of Mozart's genius and is sure to enchant both players and audiences alike. Our arrangement of Rondo Alla Turca for sax quartet brings out the playful and energetic nature of the composition while maintaining the grandeur of Mozart's original work. The interplay of violins, viola, and cello creates a harmonious tapestry of sound that captures the essence of this famous march. Perfect for saxophone quartets seeking to explore classical masterpieces or add a touch of excitement to their repertoire, our sheet music strikes a balance between accessibility and musicality. About Turkish March Rondo Alla Turca is the exhilarating final movement from Mozart's Piano Sonata No. 11, often referred to as the Turkish March. The piece exudes a sense of adventure and flair, evoking images of the lively and exotic sounds of Turkey. Mozart's intricate melodies and rhythmic patterns showcase his unparalleled compositional skill, making this march a true gem of classical music. As you and your sax quartet perform Rondo Alla Turca, you'll whisk your listeners away to a world of vivacious dance and sparkling melodies. The quartet's collective artistry will breathe new life into this timeless composition, transporting audiences to the heart of Mozart's musical genius. Whether you're a seasoned quartet seeking to dazzle your audience or simply passionate about exploring classical treasures, Rondo Alla Turca offers an unforgettable musical experience that will leave a lasting impression. Embark on a musical adventure with our captivating saxophone quartet sheet music for Mozart's Rondo Alla Turca and bring the excitement and brilliance of this Turkish March to life like never before. Get ready to delight and thrill your audience with the effervescent charm of Mozart's genius!
$12.99
11.96 €
#
Wolfgang Amadeus Mozart
#
Benzaiten Editions
#
Rondo Alla Turca
#
Benzaiten Editions
#
SheetMusicPlus
Lascia ch'io pianga (for SAT choir - with piano accompaniment)
Choral Choir,Choral,SAT Chorus - Level 3 - Digital Download SKU: A0.1449261 Compose…
(+)
Choral Choir,Choral,SAT Chorus - Level 3 - Digital Download SKU: A0.1449261 Composed by George Frideric Handel. Arranged by Rodrigo Faleiros. A Cappella,Baroque,Chamber,Opera. 4 pages. Rodrigo Faleiros #1028406. Published by Rodrigo Faleiros (A0.1449261). Explore Handel’s timeless aria “Lascia ch’io Pianga” in this carefully tailored arrangement for intermediate SAT choir. Whether your ensemble consists of seasoned singers or passionate amateurs, this sheet music brings together the expressive voices of soprano, alto and tenor to create a harmonious tapestry of classical melodies. Key Features: Intermediate Level: This arrangement strikes a balance between challenge and accessibility, making it ideal for intermediate choirs. SAT Choir: Each voice part - soprano, alto and tenor - has been thoughtfully crafted to allow singers to shine while maintaining a cohesive ensemble. Chord Symbols Included: Enhance your performance by incorporating chord symbols, allowing accompanists or instrumentalists to provide harmonic support. Piano Accompaniment: The piano part complements the vocal lines, adding depth and richness to the overall arrangement. Authentic Interpretation: While infusing your personal touch, stay true to the aria’s classical roots. Whether you’re preparing for formal recitals, community performances, or simply enjoying music together, this arrangement is a must-have for any SAT ensemble. ➡️ Check out my other choir arrangements by clicking here ⬅️
$1.99
1.83 €
#
George Frideric Handel
#
Rodrigo Faleiros
#
Lascia ch'io pianga
#
Rodrigo Faleiros
#
SheetMusicPlus
While Shepherds Watched Their Flocks By Night (Handel) - Lead sheet arranged in traditional and jazz
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858810 Composed by George Frideric Handel. Arranged by Stephen Bulat. Baroque,Christmas,Praise & Worship,Sacred. Score and parts. 3 pages. Stephen Bulat Publishing #6115869. Published by Stephen Bulat Publishing (A0.858810). The sheet music for this classic Christmas Carol in lead sheet format (melody, lyrics & chords) includes 2 arrangements; one in the traditional style and one with jazz chord substitutions. A Holiday songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (e.g. violin, flute, singer) Please click on the publisher to view this song in other keys as well as to purchase it in the Christmas Classics Fake Book.Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839Christmas Classics Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com
$3.49
3.21 €
#
George Frideric Handel
#
Stephen Bulat
#
While Shepherds Watched Their Flocks By Night
#
Stephen Bulat Publishing
#
SheetMusicPlus
While Shepherds Watched Their Flocks By Night (Handel) - Lead sheet arranged in traditional and jazz
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
(+)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.858809 Composed by George Frideric Handel. Arranged by Stephen Bulat. Baroque,Praise & Worship. Score and parts. 3 pages. Stephen Bulat Publishing #6115865. Published by Stephen Bulat Publishing (A0.858809). The sheet music for this classic Christmas Carol in lead sheet format (melody, lyrics & chords) includes 2 arrangements; one in the traditional style and one with jazz chord substitutions. A Holiday songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap, with all essential music notes, musical cues and rehearsal markings throughout. Layout is in a larger style font than lead sheets in a typical fakebook yet still condensed to fit on one page. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist. (e.g. violin, flute, singer) Please click on the publisher to view this song in other keys as well as to purchase it in the Christmas Classics Fake Book.Christmas Classics Fake Book (C Instruments): https://www.sheetmusicplus.com/title/20936007 - Item Number: S0.440923Christmas Classics Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/20940166 - Item Number: S0.444845Christmas Classics Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/20940155 - Item Number: S0.444839Christmas Classics Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/20953727 - Item Number: S0.453973SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com.
$3.49
3.21 €
#
George Frideric Handel
#
Stephen Bulat
#
While Shepherds Watched Their Flocks By Night
#
Stephen Bulat Publishing
#
SheetMusicPlus
<
1
26
51
....
101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
