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AUTRES INST…
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BANJO
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BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Non classifié
224
PIANO & CLAVIERS
Piano seul
158
Orgue
33
Piano, Voix
17
Piano Facile
13
2 Pianos, 4 mains
9
Clavecin
8
Orgue, Trompette (duo)
6
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Orgue, Piano (duo)
1
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GUITARES
Guitare
35
2 Guitares (duo)
2
Piano, Guitare (duo)
1
VOIX
Chorale SATB
48
Voix basse, Piano
10
Voix haute
7
Voix Tenor
6
Chorale 3 parties
5
Voix moyenne, Piano
3
Voix basse
2
Chorale 2 parties
2
Chorale TTBB
2
Voix seule
2
Chorale SSAA
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor, Piano
1
Voix duo, Piano
1
Chorale SSATB
1
Voix duo
1
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VENTS
Saxophone Alto et Piano
71
Quatuor de Saxophones: 4 saxophones
46
Clarinette et Piano
45
Flûte traversière et Piano
34
Saxophone Tenor et Piano
28
Hautbois, Piano (duo)
27
Saxophone Soprano et Piano
25
Saxophone Alto
21
Cor anglais, Piano
17
Clarinette
16
Quatuor de Clarinettes: 4 clarinettes
12
2 Saxophones (duo)
10
Flûte traversière
10
Hautbois (partie séparée)
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Clarinette, Guitare (duo)
6
Flûte et Guitare
6
Clarinette Basse, Piano
6
Saxophone et Orgue
5
Saxophone (partie séparée)
5
Ensemble de Clarinettes
4
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
3
Hautbois, Guitare (duo)
3
Cor Anglais
3
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Tenor
3
3 Saxophones (trio)
2
Saxophone Baryton, Piano
2
Clarinette, Orgue
2
2 Flûtes traversières, Piano
2
2 Saxophones, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quintette de Clarinettes: 5 clarinettes
1
2 Clarinettes, Basson
1
Quintette de Saxophone: 5 saxophones
1
Cor anglais, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Flûte, alto et harpe
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Flute, harpe et violon
1
Clarinette, Harpe (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone, Clarinette (duo)
1
Ensemble De Flûte à bec
1
Saxophone Soprano
1
Flûte, Violoncelle
1
Flûte, Violon
1
Flûte à Bec
1
Saxophone et Guitare
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
Piccolo
1
Flûte, Clarinette, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
4 Hautbois
1
Ensemble de Flûtes
1
Instrumentations suivantes
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CUIVRES
Cor anglais, Piano
17
Trompette
15
Cor
14
Trompette, Piano
11
Cor et Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba et Piano
5
Trombone et Piano
5
Trompette (partie séparée)
3
Cor Anglais
3
Trombone (partie séparée)
2
Euphonium, Piano (duo)
2
2 Trombones (duo)
1
Cor anglais, Guitare (duo)
1
4 Tubas
1
Trombone
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Trombone (duo)
1
3 Trombones (trio)
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
2 Trompettes (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais et Harpe (duo)
1
Euphonium
1
Instrumentations suivantes
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CORDES
Violon et Piano
28
Harpe
20
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violoncelle, Piano
16
Alto, Piano
13
Violon
12
Harpe, Flûte (duo)
8
Violoncelle
7
Violoncelle , Guitare (duo)
4
Violon, Guitare (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Contre Basse
4
Alto (partie séparée)
3
Alto seul
2
Alto, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
2
Violon, Orgue
2
Trio à Cordes: 2 violons, alto
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
2
2 Violons (duo)
1
Harpe, Violon (duo)
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Violon, Basson (duo)
1
Harpe, Trombone (duo)
1
2 Violoncelles (duo)
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
515
Orchestre
126
Orchestre de chambre
69
Orchestre à Cordes
27
Ensemble de cuivres
8
Vibraphone
1
Ensemble de Percussions
1
Percussion (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Musik Fabrik Music Publishing
Partitions à imprimer
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Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Down…
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Small Ensemble Double Bass,Flute,Guitar,Piano Accompaniment,Viola - Level 4 - Digital Download SKU: A0.533270 Composed by Carlos Peron Cano. 20th Century,Contemporary. Score and parts. 40 pages. Musik Fabrik Music Publishing #2151329. Published by Musik Fabrik Music Publishing (A0.533270). A mixed septet which uses elements of minimalism
$16.95
15.18 €
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Carlos Peron Cano
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Carlos Perón Cano: Musica pendular IV for flute, viola, two guitars, two pianos and contrabass
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jan Freidlin: Twilight Music for flute, violin and piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.534062 Composed by Jan Freidlin. 20th Century,Contemporary. Score and parts. 11 pages. Musik Fabrik Music Publishing #3103777. Published by Musik Fabrik Music Publishing (A0.534062). An aleatoric work which uses guided improvisation in a contemporary style. All players play off of the fullscore, so three copies need to be printed
$25.95
23.25 €
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Jan Freidlin
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Jan Freidlin: Twilight Music for flute, violin and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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Small Ensemble Alto Saxophone,Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.532887 Composed by Therese Brenet. Contemporary,Sacred,Standards. Score and parts. 32 pages. Musik Fabrik Music Publishing #119473. Published by Musik Fabrik Music Publishing (A0.532887). This work was inspired by the poem of the same name by Keats. It was written originally for saxophone and organ by its comissioner the saxophonist Paul Wehage and Françoise Lvéchin-Gangloff, the organist at the Church of Sain Roch in Paris where the work was premièred on February 12, 2012 It also exists in a version for saxophone and piano and for saxophone and string orchestra (with harp). The orchestral version was recorded on Thérèse Brenet's CD Le Livre de L'Harmonie du Monde on JTB-Prod (http://www.jtbprod.com/llhm.htm ) The orchestral materials are available on rental from the publisher (email to infoATclassicalmusicnow.com) The work is not a literal illustration of the poem, but an evocation of emotional states between a Romantic literary work and the music which the writing inspired more than a century and a half later, seen through a Modern musical aesthetic. I. - A thing of beauty...(Une belle chose... ) - 1’45 II.- ...is a joy for ever... (...est une joie pour toujours...) - 1’ III. - its lovelyness increases (...son charme s'amplifie...) - 4’ IV. - it will never fall into nothingness... (il ne tombera jamais dans le néant...) - 4’15 Total duration : 11'.
$25.95
23.25 €
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Therese Brenet
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Thérèse Brenet : A Thing of Beauty Is A Joy Forever" for alto saxophone and string orchestra, score
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Musik Fabrik Music Publishing
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
26.83 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.5…
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.532825 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 67 pages. Musik Fabrik Music Publishing #44847. Published by Musik Fabrik Music Publishing (A0.532825). The word Boustrophédon is a 16th century expression which refers to an archaic type of writing in which, after having written a line from left to right, one continues the next line from right to left and then alternates directions. This is the way the oldest known latin inscriptions are written, as well as in the traditional writing of the Touaregs The etymology comes from the Greek “bous†or ox and the verbal form “trophéin†or the verb “to turnâ€. These two elements give the image that this writing is traced in the same way that the ox pulled the plow in the fields In the sub-title, there is an evocation of Rimbaud‘s famous “Vowel“ sonnet : : Oh, sublime trumpet full of strange piercing sounds The author wanted to suggest both musically and technically the manner of this style of writing in boustrophedon. The work begins thus with a sonorous strange sonorous background which suggests this type of writing. This strange atmosphere is created by glissandi on the piano strings as well as on the strings of the violin and the violoncello. These alternating movements create “strange piercing sounds†against which the flute and clarinet alternately play brief sequences which create the outline of a melody. Then the atmosphere changes : the violin, the cello and the piano come together in a percussive violent outburst, which creates a tragic, passionate feeling which may also be considered “strange piercing soundsâ€. Several long aleatoric phrases are then presented like a sonorous halo which intensify to bring the lister to an intense Chorale-like phrase which serves as the central pillar of the work. This phrase is repeated several times, each time gaining in intensity to bring the work to its summit. At the conclusion, the theme is presented again with a great violence, this time without the boustropedon but perhaps with “strange piercing soundsâ€. https://www.youtube.com/watch?v=-SdwCOr-wzA.
$29.95
26.83 €
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Therese Brenet
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Thérèse Brenet : Boustrophédon for flute, clarinet, violin, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 …
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - Digital Download SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95
17.87 €
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Bass Trombone and Six Players
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
69.83 €
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Carson Cooman
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Tro…
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
26.83 €
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Carson Cooman
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Carson Cooman: Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Too Upset for Words (2003) for clarinet in Bb, guitar, and piano
Instrumental Duet,Piano Clarinet,Guitar,Instrumental Duet,Piano - Level 4 - Digital Downlo…
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Instrumental Duet,Piano Clarinet,Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533589 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3029395. Published by Musik Fabrik Music Publishing (A0.533589). Too Upset for Words (2003) for clarinet in Bb, guitar, and piano was commissioned by and isdedicated to Aris Carastathis and the Lakehead University New Music Ensemble.The work is cast in two very short movements that use the same basic musical material. Thework contrasts lyrical gestures with ones of extreme violence -- all derived from the samemusical sources.The first movement, Rages, continually brings back a loud piano crash. Out of the harmonicsof this sound come the clarinet and guitar's material.The second movement, Reflections, freely explores some of the gestures of the firstmovement. The pitches of the musical ideas become deconstructed -- existing only as pitchentities in a free section. The score is used for all three players, hence, in buying this file, three copies may be printed.
$11.95
10.71 €
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Carson Cooman
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Carson Cooman: Too Upset for Words
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Too Upset for Words (2003) for alto saxophone, guitar, and piano
Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano Alto Saxophone,Guitar,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.533590 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 7 pages. Musik Fabrik Music Publishing #3029397. Published by Musik Fabrik Music Publishing (A0.533590). Too Upset for Words (2003) for alto saxophone, guitar, and piano was commissioned by andis dedicated to Aris Carastathis and the Lakehead University New Music Ensemble.The work is cast in two very short movements that use the same basic musical material. Thework contrasts lyrical gestures with ones of extreme violence -- all derived from the samemusical sources.The first movement, Rages, continually brings back a loud piano crash. Out of the harmonicsof this sound come the saxophone and guitar's material.The second movement, Reflections, freely explores some of the gestures of the firstmovement. The pitches of the musical ideas become deconstructed -- existing only as pitchentities in a free section. All players play from the same score, hence in purchasing this file, you have the right to print three copies.
$11.95
10.71 €
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Carson Cooman
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Carson Cooman: Too Upset for Words
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Musik Fabrik Music Publishing
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SheetMusicPlus
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.53391…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - Digital Download SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95
17.87 €
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David Warin Solomons
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David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.53440…
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - Digital Download SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95
17.87 €
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David Warin Solomons
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David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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Musik Fabrik Music Publishing
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SheetMusicPlus
Frederick Frahm: Indian Earth for two violins, cello and organ
Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Compo…
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Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.
$19.95
17.87 €
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Frederick Frahm
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Frederick Frahm: Indian Earth for two violins, cello and organ
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, 1st trombone part
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.533745 Composed by Mus…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.533745 Composed by Musik Fabrik Music Publishing. Contemporary,Folk. Score and parts. 4 pages. Musik Fabrik Music Publishing #3042237. Published by Musik Fabrik Music Publishing (A0.533745). This is the first trombone part for this work by Carson Cooman.
$3.99
3.57 €
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Musik Fabrik Music Publishing
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Carson Cooman: Pittsburgh Rhapsody
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Rhapsody (2008) for brass band, tuba 3-4 part
Brass Ensemble Tuba - Level 5 - Digital Download SKU: A0.533761 Composed by Musik F…
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Brass Ensemble Tuba - Level 5 - Digital Download SKU: A0.533761 Composed by Musik Fabrik Music Publishing. Contemporary,Folk. Score and parts. 4 pages. Musik Fabrik Music Publishing #3042565. Published by Musik Fabrik Music Publishing (A0.533761). This is the part for third and fourth tuba in this work by Carson Cooman
$3.99
3.57 €
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Musik Fabrik Music Publishing
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Carson Cooman: Pittsburgh Rhapsody
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, pic
Small Ensemble Flute - Level 5 - Digital Download SKU: A0.533731 Composed by Musik …
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Small Ensemble Flute - Level 5 - Digital Download SKU: A0.533731 Composed by Musik Fabrik Music Publishing. Contemporary. Score and parts. 4 pages. Musik Fabrik Music Publishing #3041825. Published by Musik Fabrik Music Publishing (A0.533731). The piccolo part for this work by Carson Cooman.
$3.99
3.57 €
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Musik Fabrik Music Publishing
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Carson Cooman Enchanted Tracings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download …
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
23.25 €
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb clarinet, violoncello and piano
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.534728 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362071. Published by Musik Fabrik Music Publishing (A0.534728). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
17.87 €
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb clarinet, violoncello and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
58.18 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed…
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String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
$32.45
29.07 €
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Carson Cooman
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Carson Cooman - Viola Quintet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.
$38.95
34.89 €
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Carson Cooman
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Carson Cooman : Quartet for Piano and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Jaunts (2001) for mandolin quintet
Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Com…
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Small Ensemble Bass Guitar,Mandolin - Level 5 - Digital Download SKU: A0.533658 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #3035635. Published by Musik Fabrik Music Publishing (A0.533658). Jaunts (2001) for mandolin quintet (2 mandolins, mandola, guitar and bass guitar) was written for and is dedicated to the Sydney Mandolins,with much admiration.The work is about travel -- not long journeys or voyages -- but rather jaunts which thedictionary defines as short trips or excursions, usually for pleasure. The work exploresdiverse textures within a short time-span. The piece is in four general sections: It begins witha slow and unfolding opening leading to a moderate jaunt. This proceeds into a much fasterand driving section which ends very abruptly. The moderate pace begins again to themoderate pace which leads finally the opening spare textures again.The seeds of the musical material for the entire work come from the first mandolin's openinggesture.Aspects of the color and textures of the mandolin ensemble have been utilized by thecomposer in the work, inspired very much from the hearing of countless recordings of theSydney Mandolins in the performance of contemporary music.
$25.95
23.25 €
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Carson Cooman
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Carson Cooman: Jaunts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thérèse Brenet : Le Fascinateur for narrator, celtic harp (troubadour harp) piano and percussion sco
Small Ensemble Harp,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.532847
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Small Ensemble Harp,Multi-Percussion,Piano - Level 5 - Digital Download SKU: A0.532847 Composed by Therese Brenet. Contemporary,New Age. Score and parts. 54 pages. Musik Fabrik Music Publishing #61899. Published by Musik Fabrik Music Publishing (A0.532847). Le Fascinateur is scored for narrator, celtic harp, piano and percussion. The texts are taken from a poem by the astrophysicist Jean-Pierre Luminet. Nous nous étions plu, in Griphes, followed by Topiques, (Gérard Oberlé, Manoir de Pron, Nivernais, 1989). The juxtaposition suggests in epigram a quotation from Gaston Bachelard, which could apply to the musical score with an equal pertinence, since the music is, for Thérèse Brenet, the echo of the Cosmos “All of the words which are called to greatness by a poet are the keys to the universe, to the double universe of the cosmos and of the depths of the human soul.â€.
$25.95
23.25 €
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Therese Brenet
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Thérèse Brenet : Le Fascinateur for narrator, celtic harp
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Musik Fabrik Music Publishing
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SheetMusicPlus
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