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Vous avez sélectionné:
Nan Avant
Partitions à imprimer
8 partitions trouvées
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Rememoramini~Argentine Tango for Bandoneon, Piano and Strings
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Nan Avant
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Rememoramini~Argentine Tango f
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Nan Avant
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.976191 Composed by Nan Avant. Concert,Contemporary,Jazz,Latin,World. Score and parts. 36 pages. Nan Avant #6519131. ...
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String Ensemble - Level 4 - SKU: A0.976191 Composed by Nan Avant. Concert,Contemporary,Jazz,Latin,World. Score and parts. 36 pages. Nan Avant #6519131. Published by Nan Avant (A0.976191). Rememoramini (proncounced air-eh-may-moor-uh-meany) is a rich, emotional Argentine Tango~a slow Milonga, ideal for concerts or tango dance performances. Recorded at Studio X in Seattle, produced by Burmer Music LLC. Composer web site: www.nanavant.com Contact: www.nanavant.com Email: njavant@gmail.com
$47.00
Tributum for Celtic Bagpipes and Chamber Orchestra by Nan Avant
Chamber Orchestra,Uilleann Pipes and the Great Highland Bagpipes
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Nan Avant
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Tributum for Celtic Bagpipes a
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Nan Avant
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SheetMusicPlus
Composed by Nan Avant. For Chamber Orchestra,Uilleann Pipes and the Great Highland Bagpipes. Contemporary Classical,Celtic. Advanced. Score,Set of Parts. 128 pa...
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Composed by Nan Avant. For Chamber Orchestra,Uilleann Pipes and the Great Highland Bagpipes. Contemporary Classical,Celtic. Advanced. Score,Set of Parts. 128 pages. Published by Nan Avant
$127.00
The Lord's Prayer for Voice and Piano
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Musique Sacrée
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Nan Avant
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The Lord's Prayer for Voice an
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Nan Avant
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - SKU: A0.976187 Composed by Nan Avant. Christian,Praise & Worship,Sacred,Spiritual,Weddi...
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - SKU: A0.976187 Composed by Nan Avant. Christian,Praise & Worship,Sacred,Spiritual,Wedding. Score and parts. 8 pages. Nan Avant #6071817. Published by Nan Avant (A0.976187). A contemporary and elegant setting to the beloved Lord's Prayer. This contemporary arrangement is perfect for sacred services, weddings and religious ceremonies.
$12.95
La cigale et la fourmi (The Grasshopper and the ant) French narrator, Clarinet, Bassoon and Piano
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August, word of animal,
Bo
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David Warin Solomons
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La cigale et la fourmi
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #95...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370906 Composed by David Warin Solomons. 21st Century,Contemporary. 18 pages. David Warin Solomons #955248. Published by David Warin Solomons (A0.1370906). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
$13.00
La Cigale et la Fourmi The Grasshopper and the Ant French narrator Clarinet Bassoon Piano (mp3)
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August, word of animal,
Bo
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David Warin Solomons
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La Cigale et la Fourmi The Gra
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. Da...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370914 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955258. Published by David Warin Solomons (A0.1370914). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in French), clarinet, bassoon and piano(A version with English narrator is also available on this site)La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€English translation by S N SolomonsThe Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.Solomons.
$5.50
The Grasshopper and the ant (La cigale et la fourmi) English narrator, clarinet, bassoon and piano
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August, word of animal,
Bo
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David Warin Solomons
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The Grasshopper and the ant
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #95...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370910 Composed by David Warin Solomons. 21st Century,Contemporary. 17 pages. David Warin Solomons #955254. Published by David Warin Solomons (A0.1370910). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and pianoThe pdf file contains score and instrumental parts. The narrator should use the score.(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€.
$13.00
The Grasshopper and the Ant La Cigale et la Fourmi English narrator Clarinet Bassoon Piano (mp3)
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August, word of animal,
Bo
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David Warin Solomons
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The Grasshopper and the Ant La
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David Warin Solomons
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SheetMusicPlus
Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370915 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. Da...
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Bassoon,Clarinet,Piano,Voice - Level 4 - SKU: A0.1370915 Composed by David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 189. David Warin Solomons #955259. Published by David Warin Solomons (A0.1370915). A setting of the La Fontaine poem La cigale et la fourmi with narrator (in English), clarinet, bassoon and piano(A version with French narrator is also available on this site.)The Grasshopper in drowsy songHad spent the pleasant summer long,And found herself without a crumbWhen winter’s icy blast had come.Not one small morsel could she spyOf puny worm or measly fly.So off she went to cry her wantStraight to her neighbour Madame Ant,Merely asking for a loanOf bread or grain to eke her ownUntil the plenteous time came round.“I’ll pay you back, or I’ll be boundBy August, word of animal,Both interest and principal.â€The Ants are not a lending lotIndeed that is their slightest fault.“What were you doing when ’twas hot?â€She asked this impecunious sort.†To all who came, both day and nightI used to sing at every chance.â€â€œYou used to sing? That’s fine and right!Well now’s the very time – to dance!â€Â©S.N.SolomonsOriginal French version:La cigale, ayant chanté tout l’été,se trouva fort dépourvue Quand la bise fut venue.Pas un seul petit morceau De mouche ou de vermisseau.Elle alla crier famine Chez la fourmi sa voisine,La priant de lui prêter Quelque grain pour subsisterJusqu’à la saison nouvelle.“Je vous paierai,â€lui dit elle,“avant l’août,foi d’animal,Intérêt et principal.â€La fourmi n’est pas prêteuse;C’est là son moindre défaut.“Que faisiez vous au temps chaud?â€Dit elle à cette emprunteuse“Nuit et jour à tout venantJe chantais,ne vous déplaise.â€â€œVous chantiez?j’en suis fort aise.Eh bien!dansez maintenant.â€
$5.50
A Night’s Tale
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contrast, the middle section,
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Alfredo Franco
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Cristiano Porqueddu
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A Night’s Tale
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published...
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Guitar - SKU: ZZ.DZ-4330 Composed by Alfredo Franco. Arranged by Cristiano Porqueddu. Score. 7 pages. Les Productions d'OZ - Digital #DZ 4330. Published by Les Productions d'OZ - Digital (ZZ.DZ-4330). The underlying concept is that of dreaming.The first section, Dreaming, which is static and meditative in character, is further divided into several parts, which, looking at the processes of dream narrative, present, in addition to the initial theme, short melodies of lyrical/melancholic character, ready to interrupt before reaching a possible development, to leave room for further suggestions.The short themes are repeated several times, including in the final section, which is a reprise, condensed and varied from the first.By contrast, the middle section, Nightmaring, has a strongly contrasting character to the preceding one, rhythmically marked and searchingly percussive, sardonic in the variety of figurations employed in the different registers of the instrument.A technically intricate section that demands of the performer the choice of appropriate solutions, and closes with a frenetic accumulation of fragments. The most perturbing part of the dream.Le concept sous-jacent est celui du rêve.La première section, Dreaming, qui est statique et méditative par nature, est subdivisée en plusieurs parties qui, en examinant les processus narratifs du rêve, présentent, en plus du thème initial, de courtes mélodies d’un caractère lyrique/mélancolique, prêtes à s’interrompre avant d’atteindre un développement possible, pour laisser place à de nouvelles suggestions.Les courts thèmes sont répétés plusieurs fois, y compris dans la section finale, qui est une reprise, condensée et variée par rapport à la première.En revanche, la section centrale, Nightmaring, contraste fortement avec la précédente, marquée rythmiquement et percussive dans sa recherche, sarcastique dans la variété des figurations employées dans les différents registres de l’instrument.Une section techniquement complexe qui demande au musicien de choisir des solutions appropriées, et qui se termine par une accumulation frénétique de fragments. La partie la plus troublante du rêve.
$5.95
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