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CLOCHES
COR
CORNEMUSE
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FLUTE TRAVERSI…
FORMATION MUSI…
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difficulté (tous)
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expert
avec audio
avec vidéo
avec play-along
Non classifié
8110
PIANO & CLAVIERS
Piano seul
11563
Piano, Voix
4324
Piano, Voix et Guitare
2884
Piano Facile
1540
Orgue
726
Instruments en Do
401
1 Piano, 4 mains
234
Piano grosses notes
201
Accordéon
182
Accompagnement Piano
122
2 Pianos, 4 mains
70
Piano Trio: piano, violon, violoncelle
46
Piano (partie séparée)
44
Ligne De Mélodie, Piano
28
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Orgue, Piano (duo)
9
Clavecin
8
2 Pianos, 8 mains
6
Accordéon, Voix
5
2 Accordéons
5
1 Piano, 6 mains
4
Orgue, Trompette (duo)
3
Instrument seul et Orgue
3
Accordéon, Corde(s)
2
2 Orgues (duo)
2
Accordéon - Piano, Voix, Guitare
2
Ensemble d'Accordéons
1
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GUITARES
Guitare notes et tablatures
1010
Guitare
713
Ligne De Mélodie, (Paroles) et Accords
695
Basse electrique
212
Ukulele
211
Paroles et Accords
198
2 Guitares (duo)
76
Guitare (partie séparée)
44
Mandoline
30
Piano, Guitare (duo)
28
4 Guitares (Quatuor)
23
3 Guitares (trio)
20
Dulcimer
19
Ensemble de guitares
16
Basse électrique (partie séparée)
13
Banjo
12
Dobro
11
Mandoline, Piano (duo)
7
Ukulele Baryton
3
2 Ukuleles
3
Mandoline, Guitare (duo)
2
Guitare, Violon, Violoncelle (trio)
2
Guitare Tab, Voix, Basse, Batterie
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
2 Mandolines (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
2170
Chorale 3 parties
651
Chorale 2 parties
454
Chorale TTBB
314
Chorale SSAA
216
Chorale Unison
142
Voix duo, Piano
134
Voix seule
126
Chorale
106
Voix Soprano, Piano
82
Voix duo
46
Voix Alto, Piano
31
Voix Tenor
29
Voix Tenor, Piano
28
Chorale SSAATTBB
26
Voix haute
25
Voix Soprano
24
Voix moyenne, Piano
21
Chorale SSATB
13
Voix basse, Piano
10
Voix Baryton, Piano
9
Voix Mezzo-Soprano, Piano
9
Chorale SSATTB
8
Chorale SATTB
3
Voix basse
2
Chorale SSAATB
2
Chorale SATBB
2
Soli, choeur mixte et accompagnement
1
Chorale SSAB a cappella
1
Voix Moyenne
1
Voix, Guitare
1
Chorale SSAB, Piano
1
Voix Baryton
1
Chorale, Orgue
1
Chorale SAATB A Cappella
1
Instrumentations suivantes
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VENTS
Flûte traversière
843
Flûte traversière et Piano
653
Quatuor de Saxophones: 4 saxophones
498
Clarinette
457
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
454
Clarinette et Piano
449
Saxophone (partie séparée)
416
Saxophone
406
Flûte, Hautbois, Clarinette, Basson
358
Saxophone Alto et Piano
297
Hautbois, Piano (duo)
293
Saxophone Alto
277
2 Saxophones (duo)
271
Quintette de Saxophone: 5 saxophones
250
Saxophone Tenor
211
Saxophone Tenor et Piano
197
Quatuor de Clarinettes: 4 clarinettes
196
2 Flûtes traversières (duo)
195
Clarinette (partie séparée)
177
Saxophone Soprano et Piano
162
2 Clarinettes (duo)
142
Flûte à Bec
135
Ensemble de saxophones
131
2 Flûte à bec (duo)
116
Hautbois (partie séparée)
110
Ensemble de Clarinettes
100
Hautbois
83
Saxophone Baryton, Piano
82
2 Hautbois (duo)
75
Quatuor de Flûtes : 4 flûtes
73
Flûte et Guitare
69
Flute (partie séparée)
67
3 Saxophones (trio)
66
Flûte, Clarinette (duo)
61
3 Clarinettes (trio)
58
Quintette de Clarinettes: 5 clarinettes
53
Saxophone, Clarinette (duo)
49
Ensemble de Flûtes
44
Trio de Flûtes: 3 flûtes
42
Cor anglais, Piano
42
Saxophone Soprano
41
Flûte à bec Alto, Basse continue
41
Clarinette Basse, Piano
40
Clarinette, Violon (duo)
39
Instruments en Mib
37
Hautbois, Clarinette (duo)
36
Hautbois, Basson (duo)
35
Flûte, Hautbois, Clarinette (trio)
32
Flûte traversière, Basse continue
32
3 Flûtes à bec (trio)
30
Clarinette, Trompette (duo)
30
Flûte à bec Soprano
29
Flûte à bec Alto, Piano
29
Quatuor de Flûtes à bec
26
Clarinette, Guitare (duo)
22
Flûte, Violon
21
Clarinette et Alto
20
Hautbois, Clarinette, Basson (trio d'anches)
19
Quintette de Flûte : 5 flûtes
19
Saxophone Baryton
18
Hautbois, Flûte
18
Flûte, Saxophone (duo)
17
Flûte, Violoncelle
17
Flûte, Trompette (duo)
16
Flûte, Clarinette et Basson
16
Ensemble à vent
16
Flûte à Bec, Piano
15
Flûte à bec Soprano, Piano
14
Clarinette, Violoncelle (duo)
13
Flûte, Alto (duo)
13
Clarinette, Basson (duo)
12
Flûte à bec Alto
12
Flûte, Hautbois (duo)
10
Flûte, Hautbois, Basson
10
5 Flûtes à bec
10
Flute, harpe et violon
9
2 Clarinettes, Piano
9
Flûte, Violon et Violoncelle
9
Ocarina
9
Piccolo, Piano
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Ensemble De Flûte à bec
8
Flûte à bec Soprano, Basse continue
7
Hautbois, Violoncelle
7
2 Flûtes traversières, Piano
6
Flûte à bec, Guitare (duo)
6
Flûte, Hautbois, Piano (trio)
6
Cor Anglais
6
Flûte, Clarinette, Piano (trio)
6
Clarinette Basse
5
Flûte, Violon, Piano
5
Clarinette, Harpe (duo)
4
Flûte, Trombone (duo)
4
Piccolo
4
Flûte, Basson et Piano
4
Harmonica
4
2 Flûtes, Basse continue
4
2 Saxophones, Piano
4
Flûte à bec Tenor
4
2 Hautbois et Basson
4
Flûte irlandaise
3
Flûte, alto et harpe
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, trompette et piano
3
2 Cors Anglais Et Pianoforte
3
Flûte, trombone et piano
3
Flûte, Violoncelle, Piano (trio)
3
2 Clarinettes, Basson
2
Saxophone et Guitare
2
Saxophone et Harpe
2
2 Hautbois, Piano
2
2 Flûtes à bec, Piano
2
3 Hautbois
2
Flûte, Tuba (duo)
2
Flûte, Alto et Piano
2
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
2 Hautbois et Cor anglais
1
Hautbois, Guitare (duo)
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute, Cor (duo)
1
Saxophone et Piano
1
Flûte et Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Harpe
1
Cornemuse
1
Saxophone et Orgue
1
Flûte de Pan
1
Flûte traversière, Orgue (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Clarinette, Contrebasse (duo)
1
Flûte, Harpe et Violoncelle
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Hautbois, Orgue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
731
Trompette
433
Trompette, Piano
318
Quatuor de Cuivres : 2 trompettes, trombone, tuba
304
Trombone
282
Trombone et Piano
278
Trombone (partie séparée)
272
Cor et Piano
261
Trompette (partie séparée)
249
Cor
200
Tuba et Piano
151
Tuba
122
Quatuor de Cuivres: 2 trompettes, Cor, trombone
110
Quatuor de Cuivres
104
Cor (partie séparée)
97
2 Trombones (duo)
93
2 Trompettes (duo)
89
Trio de Cuivres
69
Quatuor de cuivres: 4 trombones
66
2 Cors (duo)
62
Euphonium, Piano (duo)
62
Bass Clef Instruments
60
Trompette, Trombone (duo)
60
Tuba (partie séparée)
51
Ensemble de Trompettes
51
Quatuor de cuivres: 2 trompettes, 2 trombones
47
Ensemble de Trombones
45
Cor anglais, Piano
42
Quatuor de cuivres: 4 cors
39
Trompette, Saxophone (duo)
36
Instruments en Sib
30
2 Tubas (duo)
29
Euphonium
22
Trompette, Cor (duo)
22
2 Euphoniums et 2 Tubas
20
Ensemble de Cors
19
4 Tubas
17
3 Trombones (trio)
10
Quatuor de cuivres: 4 trompettes
9
3 Trompettes (trio)
8
Cor, Violoncelle (duo)
7
2 Euphoniums (duo)
6
Cor Anglais
6
Instruments en Fa
5
Trompette, Violoncelle (duo)
4
Cornet A Pistons
4
Tuba et Orgue
4
Trompette, Basson (duo)
4
2 Trompettes, Clavier (piano ou orgue)
3
Trombone basse et Piano
3
Ensemble de Tubas
3
Trompette, Harpe
3
Cor et Harpe
3
2 Cors Anglais Et Pianoforte
3
Euphonium, Tuba (duo)
3
Trompette et Guitare
2
2 Cors, Piano
2
Tuba ou Euphonium ou Saxhorn
2
3 Cors (trio)
2
Trombone basse
2
Trombone, Cor (duo)
2
3 Euphoniums
2
Trompette, Euphonium (duo)
1
3 Tubas (trio)
1
Cor et Orgue
1
Cornet et orchestre
1
Clarinette, Cor (duo)
1
Euphonium Ou Saxhorn Et Piano
1
Trombone et orchestre
1
Trombone, Tuba (duo)
1
Cor et Basson (duo)
1
Cor, Orchestre
1
Trompette, Violoncelle et Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1204
Violon et Piano
895
Violon
867
Violoncelle, Piano
588
Alto, Piano
413
Violoncelle
409
Alto seul
299
Violon (partie séparée)
230
Harpe
222
2 Violons (duo)
205
2 Violoncelles (duo)
178
Violon, Violoncelle (duo)
173
Quintette à cordes: 2 violons, alto, violoncelle, basse
148
Harpe, Flûte (duo)
144
Trio à Cordes: violon, alto, violoncelle
135
Contrebasse, Piano (duo)
128
Contre Basse
127
Violon, Alto (duo)
125
Contrebasse (partie séparée)
110
2 Altos (duo)
101
Trio à Cordes: 2 violons, violoncelle
96
Alto (partie séparée)
77
Violoncelle (partie séparée)
64
Violon, Basse continue
51
Piano Trio: Violon, Alto, Piano
41
Violon, Guitare (duo)
41
Violoncelle, Basse continue
38
2 Violons et Basse continue
37
4 Violoncelles
36
Alto, Violoncelle (duo)
33
2 Harpes (duo)
31
2 Contrebasses (duo)
25
Violoncelle , Guitare (duo)
23
Quatuor à cordes: 4 violons
16
Alto, Guitare (duo)
15
Trio à cordes: 3 violins
14
Trio à Cordes: 3 violoncelles
13
Ensemble de Violons
12
Quintette à cordes: 2 violons, 2 altos, violoncelle
11
Harpe, Violon (duo)
10
Violon, Basson (duo)
10
Ensemble d'Altos
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Trio à cordes
9
2 Violons, Piano
8
Alto et Basson
8
Violoncelle, Contrebasse (duo)
8
Quatuor à cordes : 4 altos
7
Harpe (partie séparée)
5
Trio à Cordes: 2 violons, alto
5
Ensemble de Violoncelles
4
Trio à cordes: 3 altos
4
Alto et Harpe
4
Violon, Orgue
4
Violon, Clarinette, Piano (trio)
3
Harpe, Voix
3
Harpe, Violoncelle (duo)
3
2 Violoncelles, Piano
2
Violoncelle, Orgue
2
2 Altos, Piano
1
Harpe et mandoline
1
Alto et orchestre
1
Flûte, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2479
Orchestre à Cordes
734
Orchestre
618
Ensemble Jazz
265
Ensemble de cuivres
242
Batterie
193
Fanfare
134
Orchestre de chambre
126
Cloches
115
Percussion (partie séparée)
110
Jazz combo
78
Batterie (partie séparée)
72
Ensemble de Percussions
39
Percussion
28
Xylophone, Piano
15
Marimba
13
Timbales (partie séparée)
11
Vibraphone
10
Xylophone
6
Instrumentation Flexible
5
2 Xylophones
4
Orchestre, Violon
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Quintette de Cuivres: autres combinaisons
3
Quintette à Vent
2
Quatuor à Vent : 4 instruments à vents
2
Caisse Claire
2
Piano et Orchestre
2
2 Marimbas
1
Timbales
1
Voix Mezzo-Soprano, Orchestre
1
Voix et Orchestre
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
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8101
Music for Children
Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Tri…
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Voice, recorder and percussion - Digital Download Minor: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff- Schulwerk. Downloadable. Op. 5. Schott Music - Digital #Q49516. Published by Schott Music - Digital
English.<br> <br> Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided. it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fifth volume: Songs and pieces making further use of the modes introduced in Vol. 4, with the addition of the more usual forms of the minor scale with the sharpened seventh. The settings of short dramatic scenes concludes the book.
$21.99
20 €
#
Music for Children
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Schott Music - Digital
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SheetMusicPlus
Sonatine G major
Double bass and piano - very easy - Digital Download SKU: S9.Q48142 Composed by Jos…
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Double bass and piano - very easy - Digital Download SKU: S9.Q48142 Composed by Joseph Reinagle. Arranged by Jens Schlichting and Rainer Mohrs. This edition: Sheet music. Double-Bass Library. Downloadable. Schott Music - Digital #Q48142. Published by Schott Music - Digital (S9.Q48142). Key: G major.Joseph Reinagle (1762-1825), pupil of the well-known cellist Johann Georg Schetky, was a versatile musician and composer. In 1800 he published 'A Concise Introduction to the Playing of the Violoncello' from which the three movements of the Sonatina have been taken. With its appealing melody and classical style, this music closes a major gap in the beginner's literature for double bass and piano. Reinagle's Sonatina is highly recommended for pupils' concerts and competitions. The musical text is based on the text of the first edition, using the original bowing and phrasing. Dynamic indications have been added by the editor as suggestions for lessons.
$9.99
9.09 €
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Joseph Reinagle
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Sonatine G major
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Schott Music - Digital
#
SheetMusicPlus
Musical Offering (Musical Sacrifice)
2 violins, viola, 2 cellos, violone (double bass), organ, Querflute and bassoon - intermed…
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2 violins, viola, 2 cellos, violone (double bass), organ, Querflute and bassoon - intermediate to advanced - Digital Download SKU: S9.Q23967 Original version based on Bach's first edition of 1747. Composed by Johann Sebastian Bach. This edition: set of parts. L’enchaînement des différents mouvements de l'Offrande musicale était, jusqu’à maintenant, resté incertain. Après un vaste examen théorique de ce problème publié dans un livre, l'éditeur présente maintenant ses conclusions sous forme de partition. Downloadable, Set of parts. Schott Music - Digital #Q23967. Published by Schott Music - Digital (S9.Q23967). The reason for the composition of this work is well-known: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and which Bach 'was to execute in a fugue'. The sequence of the individual movements of the composition, however, has been uncertain up to now. After an extensive theoretical examination of this problem in his book 'Johann Sebastian Bachs Musicalisches Opfer', the editor now presents his results in the form of a sheet music edition.
$53.99
49.11 €
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Johann Sebastian Bach
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Musical Offering
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Schott Music - Digital
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SheetMusicPlus
Triosonata B minor
2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - Digital Downl…
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2 flutes, cello (viola da gamba) and piano (basso continuo) - intermediate - Digital Download SKU: S9.Q16177 Composed by Johann Ludwig Krebs. This edition: Sheet music. Il Flauto traverso. Downloadable. Schott Music - Digital #Q16177. Published by Schott Music - Digital (S9.Q16177). Key: B minor.Johann Ludwig Krebs (1713-1780) was a student of Johann Sebastian Bach who greatly valued his musical accomplishments and scholarly knowledge. During his time in Zwickau (1737-43) Krebs composed a collection of six trio sonatas 'Denen Liebhabern der Instrumental-Music zum angenehmen Zeitvertreib', the second of which is the sonata published here. Although still in the formal tradition of the sonata da chiesa, the four-movement church sonata, it already points to the post Baroque era, especially with regard to the melody, to the gallant sentimental movements. This very charming work has been out of print for a long time and is now republished in the Edition Schott.
$18.99
17.27 €
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Johann Ludwig Krebs
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Triosonata B minor
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Schott Music - Digital
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SheetMusicPlus
Tuned In To Nature
Tsax. pft. - Intermediate - Digital Download SKU: F2.FM599 Composed by John Biggs. …
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Tsax. pft. - Intermediate - Digital Download SKU: F2.FM599 Composed by John Biggs. Two pieces for Tenor Sax and Piano. Score and part. 18 pages. Forton Music - Digital #FM599. Published by Forton Music - Digital (F2.FM599). ISBN 9790570484980.The title refers to the way aspects of nature resonate within us, and the sense of completeness we find when we connect in this way. 'When Rivers Flow' is a simple melody that sits on a rippling ostinato figure with various twists and turns in the piece. 'Free As A Bird' again is a simple melody that glides above a changing arpeggiated landscape of harmony. Both pieces are aimed at the developing intermediate player.
$7.95
7.23 €
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John Biggs
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Tuned In To Nature
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Forton Music - Digital
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SheetMusicPlus
Sonata
2 (2. auch Picc.) · 2 · 2 · 1 - 2 · 2 · 3 · 0 - P. S. (gr. Tr. m. Beck.)…
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2 (2. auch Picc.) · 2 · 2 · 1 - 2 · 2 · 3 · 0 - P. S. (gr. Tr. m. Beck.) (1 Spieler) - Str. viola and orchestra - intermediate to advanced - Digital Download SKU: S9.Q5697 For the solo viola and orchestra. Composed by Nicolo Paganini. This edition: piano reduction with solo part. Viola - viola library. Viola Library. Downloadable, Piano reduction with solo part. Duration 12 minutes. Schott Music - Digital #Q5697. Published by Schott Music - Digital (S9.Q5697). Die Edition Schott spiegelt die ganze Vielfalt der Musik in einer umfassenden Noten-Bibliothek für den Schüler, Amateur- und Profi-Musiker wider. Die Edition Schott bietet Musik von der Renaissance bis zur Moderne, vom Solo-Instrument bis zum Orchester, von klassischen Standardwerken bis zu interessanten Raritäten. Sie enthält rund zwanzig der anerkannten und bestens bewährten Schott-Instrumentalserien, wie Gitarren-Archiv, Violin-Bibliothek, Il Flauto Traverso oder Originalmusik für Blockflöte. Die Ausgaben in der Edition Schott zeichnen sich durch hohe Qualität und editorische Zuverlässigkeit mit gut lesbarem Notensatz, sinnvollen Wendestellen und hochwertigem Papier aus. Seit 1770 steht Schott Music für ausgezeichnete Leistungen in der Musik. Diese Tradition findet sich in der Edition Schott wieder, sie genießt damit aus gutem Grund internationales Renommee.
$16.99
15.45 €
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Nicolo Paganini
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Sonata
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Schott Music - Digital
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SheetMusicPlus
Sonata for 6 Players
Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - …
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Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour à mort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour à mort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
$34.99
31.83 €
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Hans Werner Henze
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Sonata for 6 Players
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Schott Music - Digital
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SheetMusicPlus
Sonata E minor
Oboe (flute, violin) and basso continuo - easy - Digital Download SKU: S9.Q5181 …
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Oboe (flute, violin) and basso continuo - easy - Digital Download SKU: S9.Q5181 From Essercizii Musici. Composed by Georg Philipp Telemann. This edition: Sheet music. Essercizii Musici - oboe. Oboe Library. Downloadable. Schott Music - Digital #Q5181. Published by Schott Music - Digital (S9.Q5181). Key: E minor.Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$15.99
14.54 €
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Georg Philipp Telemann
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Sonata E minor
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Schott Music - Digital
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SheetMusicPlus
Six Sonatas
Piano (harpsichord) - intermediate - Digital Download SKU: S9.Q16087 Composed by Ge…
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Piano (harpsichord) - intermediate - Digital Download SKU: S9.Q16087 Composed by Georg Benda. This edition: Sheet music. Georg benda - classical music - piano - sonatas. Schott Piano Classics. Downloadable. Schott Music - Digital #Q16087. Published by Schott Music - Digital (S9.Q16087). Georg Benda was born on 30. Juni 1722 in Bohemia, and 1997 was the 275. anniversary of his birth. He is the most celebrated member of the musical Benda family and besides works for the stage he wrote chiefly piano compositions. Zelter wrote to Goethe of Georg Benda: A true musician; I have never since met his like. The grade is similar to easy Haydn sonatas.
$15.99
14.54 €
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Georg Benda
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Six Sonatas
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Schott Music - Digital
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SheetMusicPlus
Anatole
Flute and Electronics - Advanced - Digital Download SKU: F2.FM244 Composed by Apost…
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Flute and Electronics - Advanced - Digital Download SKU: F2.FM244 Composed by Apostolos Loufopoulos and Myrto Korkokiou. Score. 8 pages. Forton Music - Digital #FM244. Published by Forton Music - Digital (F2.FM244). ISBN 9790570481439.Flute and Electronic Backgound audio. Inspired by images and sounds of the 'East' (Anatole = East/Dawn). The electronic part is made by electronically elaborated natural sounds of the flute, voice and percussion. The pre-recorded flute material in the electronic background is selected from individual flute improvisations on musical modes of the eastern Mediterranean.
$12.95
11.78 €
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Apostolos Loufopoulos and Myrto Korkokiou
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Anatole
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Forton Music - Digital
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SheetMusicPlus
9 Petites Sonates et Chaconne
2 cellos (bassoons, viol da gamba) - intermediate - Digital Download SKU: S9.Q16269…
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2 cellos (bassoons, viol da gamba) - intermediate - Digital Download SKU: S9.Q16269 Composed by Joseph Bodin de Boismortier. This edition: performance score. Cello - cello library - Duo. Cello Library. Downloadable, Performance score. Op. 66. Schott Music - Digital #Q16269. Published by Schott Music - Digital (S9.Q16269). Der 1737 in Paris erschienene Erstdruck dieser Duos für Bassinstrumente hat den Titel: Petites Sonates / Suivies d'une Chaconne / Pour deux Baßons, Violoncelles, ou Violes. / Par Mr. Boismortier. / OEuvre soixantes sixième. Die gut gearbeiteten, spieltechnisch nicht allzu schwierigen Sonaten müssen nicht unbedingt von gleichartigen Bassinstrumenten ausgeführt werden. Gut klingen auch die Besetzungen Fagott/Violoncello, Fagott/Viola da gamba und Violoncello/Viola da gamba.
$18.99
17.27 €
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Joseph Bodin de Boismortier
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9 Petites Sonates et Chaconne
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Schott Music - Digital
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SheetMusicPlus
National Glory Is Restored, but Trumped by the Promise of an "International" Resurrection (Downloadable)
Organ, optional trumpet - Medium - Digital Download SKU: MQ.10-589-5E Composed by R…
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Organ, optional trumpet - Medium - Digital Download SKU: MQ.10-589-5E Composed by Robert J. Powell. 9/11 Service, Funeral, National Songs/Patriotic. 5 pages. MorningStar Music Publishers - Digital Sheet Music #10-589-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-589-5E). Includes: 1. An Evening Call to Prayer Taps (DAY IS DONE), AR HYD Y NOS, MERRIAL, TALLIS' CANON, EVENTIDE, STILLE NACHT 2. A Prayer for the Protection of Our Armed Forces HESPERUS, GOD OF OUR FATHERS, MONTEZUMA, MELITA 3. War Is the Blemish on Any Nation's Character MATERNA, AMERICA (NATIONAL ANTHEM/ MY COUNTRY 'TIS OF THEE), STAR-SPANGLED BANNER, BATTLE HYMN OF THE REPUBLIC Tone poems reveal the official hymns of all branches of the Armed Forces, and such patriotic favorites as Materna, America, The Star-Spangled Banner/National Anthem, and Battle Hymn of the Republic. 4. In Memoriam: The Grief of Separation Tempered by Faith and Courage Taps (DAY IS DONE) 5. National Glory Is Restored, but Trumped by the Promise of an International Resurrection EASTER HYMN (WORGAN/LYRA DAVIDICA), DUKE STREET, VICTORY (PALESTRINA), Taps (DAY IS DONE) Parts for optional Trumpet included.
$5.00
4.55 €
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Robert J
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National Glory Is Restored, but Trumped by the Promise of an "International" Resurrection
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic.…
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Voice, recorder and percussion - Digital Download SKU: S9.Q25928 Pentatonic. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q25928. Published by Schott Music - Digital (S9.Q25928). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$10.99
10 €
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q2433 Minor: Bordun
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Voice, recorder and percussion - Digital Download SKU: S9.Q2433 Minor: Bordun. Composed by Carl Orff and Gunild Keetman. Arranged by Arnold Walter and Doreen Hall. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q2433. Published by Schott Music - Digital (S9.Q2433). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Edition have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared, an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of invovling their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Hall/Walter Edition Based on Volumes 1, 2 and 4 of the original German Edition musik für Kinder, english adaption with additional material by Doreen Hall and Arnold Walter.
$11.99
10.91 €
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Carl Orff and Gunild Keetman
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Arnold Walter and Doreen Hall
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic.…
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Voice, recorder and percussion - Digital Download SKU: S9.Q42466 Pentatonic. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orff-Schulwerk - Rhythmusübungen - Kinderreime. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 1. Schott Music - Digital #Q42466. Published by Schott Music - Digital (S9.Q42466). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this first volume: speech and rhythmic exercises, nursery rhymes, songs, instrumental pieces and melodic exercises using only the five note scale, with instructions and notes. Illustrated.
$21.99
20 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant…
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Voice, recorder and percussion - Digital Download SKU: S9.Q53825 Major: Dominant and Subdominant Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Orchestration - Orff Schulwerk - keys. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 3. Schott Music - Digital #Q53825. Published by Schott Music - Digital (S9.Q53825). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this third volume: The instrumentation and range of keys are inceased. The settings include the chords on the fourth and fifth notes of the major scale.
$21.99
20 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Ba…
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Voice, recorder and percussion - Digital Download SKU: S9.Q47192 Minor: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 4. Schott Music - Digital #Q47192. Published by Schott Music - Digital (S9.Q47192). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this fourth volume: Songs and pieces using the full range of the aeolian, dorian and phrygian modes. Accompaniements are founded on drone bass with the later addition of simple chords.
$21.99
20 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Music for Children
Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Ba…
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Voice, recorder and percussion - Digital Download SKU: S9.Q47388 Major: Drone Bass-Triads. Arranged by Margaret Murray. This edition: score for voice and/or instruments. Songs - Orff Schulwerk - pieces. Orff-Schulwerk. Downloadable, Vocal and performing score. Op. 2. Schott Music - Digital #Q47388. Published by Schott Music - Digital (S9.Q47388). English.Carl Orff devoted much of his life to the development of a philosophy of Music for Children, based on his belief that music is the natural outcome of speech, rhythm and movement. His ideas and pioneering work have had a major influence on music and dance education throughout the world and today that work continues under the guidance of leading teachers and educators in many countries. The five basic German volumes of Music for Children by Carl Orff and Gunild Keetman were published between 1950 and 1954. Editions have since been published in Bolivia, Brazil, Canada, Czechoslovakia, Denmark, Estonia, France, Ghana, Great Britain (including a special Welsh edition), Greece, Italy, Japan, Korea, Latin-America, the Netherlands, Portugal, Spain, Sweden, Taiwan and the USA. In 1952 the first edition in translation appeared an English language adaptation by Doreen Hall and Arnold Walter for their Canadian and American students. A few years later, Margaret Murray independently developed a version (1957-1966), essentially to fulfil the needs of United Kingdom teachers. Inevitably the considerable growth of Orff-Schulwerk in the United States led to the publication of the American Edition (1977) to satisfy the requirements of a different educational system and national heritage. Orff-Schulwerk: Music for Children has proved itself to be a stimulating source of material for music teaching. Carl Orff's fundamental educational ideas have revitalized music education in nursery schools, at all levels of primary and secondary education and in special music schools, based on the concepts that: - music, dance and language are inter-related and animated through rhythm. - when children discover, invent, improvise and compose, their experience of music is intensified. These creative activities are complementary to those of interpreting and listening to music. - all who take part are encouraged to contribute, not only vocally but also instrumentally. - the Orff approach to music education is many sided; it is concerned with practical music-making, it provides fundamental experiences and it lays the foundation for a comprehensive musical training. - movement games and activities for body awareness in space, time and flow, lead to movement improvisation and dance forms. - music and dance have been notated in many different ways in history. Various ways of writing down sounds and music, as well as playing from and interpreting different kinds of sources are being explored. Today, countless teachers and institutions are using these ideas. More and more teachers look for ways of involving their students in active music making. In particular, they seek to challenge their pupils' creativity by the use of music, dance and speech - as media of human expression - as a foundation of all education. A prerequisite for work in Orff-Schulwerk is the artistic and pedagogical training of teachers. The Orff Institute was founded in 1961 as a Department of the 'Mozarteum', in Salzburg, Austria. Training offered includes a four-year diploma course, a two-year post-graduate course, and a one-year-course in English. At the opening of the Orff Institute in Salzburg in 1963, Carl Orff ended his speech with a quotation from Schiller: 'I have done my part, now do yours.' That challenge has been taken up by teachers worldwide. Murray Edition English adaption, with additional material, by Margaret Murray. Besed on, and containing all the rhythmic and instrumental material from the main five volumes of the original German edition. Contents of this second volume: Songs and pieces using the full major scale. Accompaniments are founded on drone bass with the later addition of simple chords.
$21.99
20 €
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Margaret Murray
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Music for Children
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Schott Music - Digital
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SheetMusicPlus
Eight Sonata for Harp
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.80…
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - Digital Download SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
$18.99
17.27 €
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carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire
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Domenico Scarlatti
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Fabrizio Aiello
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Eight Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Six Sonatas
3 flutes (violins, oboes) - easy to intermediate - Digital Download SKU: S9.Q4774
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3 flutes (violins, oboes) - easy to intermediate - Digital Download SKU: S9.Q4774 Sonatas 2, 5, 6. Composed by Joseph Bodin de Boismortier. This edition: performance score. Il Flauto traverso. Downloadable, Performance score. Op. 7. Schott Music - Digital #Q4774. Published by Schott Music - Digital (S9.Q4774). Die sechs Sonaten für drei Flöten von Boismortier haben durch ihre seltene Klangform viel Reiz. Alle Sätze sind – in ihrer einfachen Art – mit Phantasie und Klangsinn gesetzt. Boismortier verstand es, die elegante Haltung seiner Musik mit den vielfältigen Kompositionsarten seiner Zeit zu verbinden. So sind die Sonaten sehr verschieden, unter anderem bezüglich der Satzformen. Alle drei Stimmen werden annähernd gleichwertig behandelt. Obwohl im Originaltitel als Sonaten für drei Flöten bezeichnet, klingen alle Stücke auch mit drei Violinen oder Oboen sehr gut. Gemischte Besetzungen sind ebenfalls möglich.
$15.99
14.54 €
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Joseph Bodin de Boismortier
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Six Sonatas
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Schott Music - Digital
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SheetMusicPlus
Six Sonatas
3 flutes (violins, oboes) or mixed instrumentation - easy to intermediate - Digital Downlo…
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3 flutes (violins, oboes) or mixed instrumentation - easy to intermediate - Digital Download SKU: S9.Q4773 Sonatas 1, 3, 4. Composed by Joseph Bodin de Boismortier. This edition: performance score. Il Flauto traverso. S. Rubrik Drei und mehr Flöten. Downloadable, Performance score. Op. 7. Schott Music - Digital #Q4773. Published by Schott Music - Digital (S9.Q4773). Die sechs Sonaten für drei Flöten von Boismortier haben durch ihre seltene Klangform viel Reiz. Alle Sätze sind - in ihrer einfachen Art - mit Phantasie und Klangsinn gesetzt. Boismortier verstand es, die elegante Haltung seiner Musik mit den vielfältigen Kompositionsarten seiner Zeit zu verbinden. So sind die Sonaten sehr verschieden, unter anderem bezüglich der Satzformen. Alle drei Stimmen werden annähernd gleichwertig behandelt. Obwohl im Originaltitel als Sonaten für drei Flöten bezeichnet, klingen alle Stücke auch mit drei Violinen oder Oboen sehr gut. Gemischte Besetzungen sind ebenfalls möglich.
$15.99
14.54 €
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Joseph Bodin de Boismortier
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Six Sonatas
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Schott Music - Digital
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SheetMusicPlus
Oh, Native Music
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.1959 Composed by …
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.1959 Composed by Samuel Lover. Pride, Patriotism. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1959). Oh, Native Music. Correct Edition, of the Vocal Music in the Dramatic Romance of the White Horse of the Peppers. No. 1. Written & Composed by Samuel Lover, Esq. Published [n.d.] by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Pride, Patriotism. First line reads Oh native music beyond comparing, the sweetest far on the ear that falls.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Samuel Lover
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Oh, Native Music
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
12 Sonatas
Violin and harpsichord (piano); cello (viola da gamba) ad libitum - advanced - Digital Dow…
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Violin and harpsichord (piano); cello (viola da gamba) ad libitum - advanced - Digital Download SKU: S9.Q42261 New edition after the Urtext. Composed by Arcangelo Corelli. This edition: Sheet music. Baroque - chamber music - sonata. The edition is part of the ABRSM syllabus (grade 8). Downloadable. Op. 5. Schott Music - Digital #Q42261. Published by Schott Music - Digital (S9.Q42261). Edition Schott reflects a wide variety of music and offers a comprehensive music library suitable for students, amateur and professional musicians. Edition Schott ranges from Renaissance to Contemporary solo instruments to orchestra, well-known pieces to interesting rarities and includes about twenty of Schott's acknowledged and well-established instrumental series such as Guitar-Archive, Violin Library, Il Flauto Traverso and Original Music for Recorder. Edition Schott publications share the highest production values and a distinct house style with clear notations, practical page-turns and high-quality paper. Edition Schott maintains and extends the internationally recognized tradition of excellence and reliability established in 1770 by Schott Music.
$24.99
22.73 €
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Arcangelo Corelli
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12 Sonatas
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Schott Music - Digital
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SheetMusicPlus
Two Sonatinas
Bassoon (cello) and basso continuo - advanced - Digital Download SKU: S9.Q4712 F…
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Bassoon (cello) and basso continuo - advanced - Digital Download SKU: S9.Q4712 From Neuen Sonatinen. Composed by Georg Philipp Telemann. This edition: Sheet music. Bassoon Library. Downloadable. Schott Music - Digital #Q4712. Published by Schott Music - Digital (S9.Q4712). The edition is part of the Trinity syllabus 2007 (grades 4,6,7).
$17.99
16.36 €
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Georg Philipp Telemann
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Two Sonatinas
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Schott Music - Digital
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SheetMusicPlus
Masters of Russian Composition: Alexander Borodin and Anatoly Lyadov
Guitar (classical) - Advanced - Digital Download SKU: M0.30072EB Composed by Rovsha…
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Guitar (classical) - Advanced - Digital Download SKU: M0.30072EB Composed by Rovshan Mamedkuliev. Arranged by Rovshan Mamedkuliev. Solos/Studies, World. European. E-book. Mel Bay Publications - Digital Sheet Music #30072EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30072EB). ISBN 9781619114654. 8.75x11.75 inches.This collection contains arrangements by one of the leading guitarists of the new generation, Rovshan Mamedkuliev. Rovshan invites guitar lovers to explore Russian music of the 19th century. Alexander Borodin (1833 - 1887), member of the famous Mighty Handful, wrote his Petite Suite for the piano. The four pieces presented in this collection barely utilize any of the piano's idiomatic techniques. Though unfamiliar to the guitar until the present day, the selected miniatures are wonderfully suited to its technical and timbral capabilities, especially Serenade. Thanks to the clearly defined genre of Nocturne, the vivid imagery of Reverie and the folk colour and bell-like melodiousness of In the Cloister, the four pieces, rich in quality and substance, will be a valuable contribution to the guitar repertoire. Anatoly Lyadov (1855 - 1914) used to joke that he could not stand more than five continuous minutes of music. The genius of musical miniature created his compositions to be laconic and refined in form, simple yet elegant. Lyadov's contemporaries called his pieces tiny pearls of finest finishing and compared the composer himself to a jeweler. His three preludes from op.36, op.39, and op.40, will become a fulfilling experience for the guitarist as the music explores the rich palette of the mysterious Russian soul, ranging from stormy aspirations to dreamlike, elegiac moods - expressed by the composer in but a few sounds.
$14.99
13.63 €
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Rovshan Mamedkuliev
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Rovshan Mamedkuliev
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Masters of Russian Composition: Alexander Borodin and Anatoly Lyadov
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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