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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Natural High
Non classifié
44
Piano & claviers
Piano, Voix
7
Piano seul
6
Piano, Voix et Guitare
6
Instruments en Do
3
Piano Facile
2
Orgue
2
+ 1 instrumentations
Retracter
Guitares
Guitare
20
Guitare notes et tablatures
7
Guitare (partie séparée)
2
Voix
Chorale SATB
23
Chorale 3 parties
6
Voix haute
3
Chorale 2 parties
2
Voix Soprano, Piano
1
Chorale
1
Voix duo, Piano
1
Voix seule
1
Voix basse, Piano
1
Chorale Unison
1
Chorale TTBB
1
Chorale SSAA
1
+ 7 instrumentations
Retracter
Vents
Saxophone (partie séparée)
7
Clarinette (partie séparée)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte traversière et Piano
3
Saxophone Alto et Piano
3
Clarinette et Piano
3
Hautbois (partie séparée)
2
Saxophone Alto
2
Quatuor de Saxophones: 4 saxophones
2
Hautbois, Piano (duo)
2
Clarinette
1
Piccolo, Piano
1
Flûte à bec Soprano
1
Ensemble de Clarinettes
1
Flûte, Violon, Piano
1
2 Saxophones (duo)
1
+ 11 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
7
Trombone (partie séparée)
7
Trombone et Piano
3
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba (partie séparée)
2
Cor (partie séparée)
2
Trompette
1
2 Tubas (duo)
1
Trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Trompette, Piano
1
Ensemble de Trombones
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
+ 10 instrumentations
Retracter
Cordes
Violon (partie séparée)
6
Harpe
5
Contre Basse
3
Violoncelle, Piano
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
Alto (partie séparée)
3
Contrebasse (partie séparée)
3
Violon et Piano
3
Alto, Piano
2
Contrebasse, Piano (duo)
2
Violon
2
Violoncelle
2
2 Violons, Piano
1
Violon, Alto (duo)
1
Alto seul
1
2 Harpes (duo)
1
2 Violons (duo)
1
+ 12 instrumentations
Retracter
Orchestre & Percussions
Orchestre
18
Ensemble Jazz
11
Orchestre à Cordes
8
Orchestre d'harmonie
5
Percussion (partie séparée)
4
Jazz combo
2
Batterie (partie séparée)
1
Orchestre de chambre
1
Piano et Orchestre
1
Cloches
1
Orchestre, Violon
1
Ensemble de cuivres
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Partitions Numériques
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Librairie Musicale
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Natural High
Partitions à imprimer
44 partitions trouvées
<
1
26
Natural
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Imagine Dragons
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Katherine Bodor
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Natural
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Katherine Bodor
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SheetMusicPlus
Choral Choir - Level 3 - SKU: A0.955501 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriks...
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Choral Choir - Level 3 - SKU: A0.955501 By Imagine Dragons. By Ben McKee, Dan Reynolds, Daniel Platzman, Justin Tranter, Mattias Larsson, Robin Fredriksson, and Wayne Sermon. Arranged by Katherine Bodor. A Cappella,Rock. Octavo. 12 pages. Katherine Bodor #5372951. Published by Katherine Bodor (A0.955501). A cappella arrangement of Natural. Voicing is SSATBB+Lead+VP. An intense, robotic arrangement that requires full, resonant singing and also quiet moments. Intended for an intermediate to advanced high school or collegiate vocal ensemble. .
$5.00
How can I keep from singing? (solo/high)
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Alan Bullard
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How can I keep from singing?
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Oxford University Press Digital
#
SheetMusicPlus
High voice and piano or organ - SKU: OX.9780193547582 Arranged by Alan Bullard. Vocal score. 4 pages. Oxford University Press Digital #9780193547582. Pu...
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High voice and piano or organ - SKU: OX.9780193547582 Arranged by Alan Bullard. Vocal score. 4 pages. Oxford University Press Digital #9780193547582. Published by Oxford University Press Digital (OX.9780193547582). ISBN 9780193547582.Scored for high voice and piano or organ, this folk-inspired melody is gentle and free-flowing, perfectly suited to the natural imagery found in the Lowry's popular poem. Also available in a version for solo low voice.
$2.85
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Piano
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G
#
A
#
Agnus Dei for High or Medium V
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Adrian D Biggs
#
SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,E...
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Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.
$8.00
Agnus Dei for High or Medium Voice, Flute Solo and Piano
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G
#
A
#
Agnus Dei for High or Medium V
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Adrian D Biggs
#
SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score an...
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Small Ensemble Flute,Piano,Voice - Level 4 - SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Organ
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G
#
A
#
Agnus Dei for High or Medium V
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Adrian D Biggs
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - SKU: A0.882269 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. ...
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Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - SKU: A0.882269 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5970719. Published by Adrian D Biggs (A0.882269). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB, SAB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singer, oboe or clarinet and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
Agnus Dei for High or Medium Voice, Flute Solo and Organ
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G
#
A
#
Agnus Dei for High or Medium V
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Adrian D Biggs
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SheetMusicPlus
Small Ensemble Flute,Organ,Voice - Level 4 - SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score an...
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Small Ensemble Flute,Organ,Voice - Level 4 - SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.
$7.00
Agnus Dei for High or Medium Voice, Violin Solo and Piano
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G
#
A
#
Agnus Dei for High or Medium V
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Adrian D Biggs
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score a...
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Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723155. Published by Adrian D Biggs (A0.882257). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, in place of Violin, Solo Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, violinist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
Agnus Dei for High or Medium Voice, Violin Solo and Organ
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G
#
A
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Agnus Dei for High or Medium V
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Adrian D Biggs
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SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score a...
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Small Ensemble Piano,Violin,Voice - Level 4 - SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5728915. Published by Adrian D Biggs (A0.882266). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with Piano accompaniment
$7.00
(You Make Me Feel Like) A Natural Woman
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Pop musique
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Aretha Franklin, Carole King,
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(You Make Me Feel Like) A Natu
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Hal Leonard - Digital
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SheetMusicPlus
High Voice,Piano,Vocal - Interactive Download SKU: HX.1464982 By Aretha Franklin, Carole King, Celine Dion, and Mary J. Blige. This edition: Interactive ...
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High Voice,Piano,Vocal - Interactive Download SKU: HX.1464982 By Aretha Franklin, Carole King, Celine Dion, and Mary J. Blige. This edition: Interactive Download,scorch. Pop. Score. 7 pages. Hal Leonard - Digital #581107. Published by Hal Leonard - Digital (HX.1464982).
$4.99
The Hebrides Overture (Fingal's Cave) for woodwind ensemble
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts...
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Small Ensemble - Level 5 - SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat OR Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon OR Part 10: Bass Clarinet in B-flat (low C instrument essential) Optional add-ons: Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
The Hebrides Overture (Fingal's Cave) for Saxophone Orchestra
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Classique
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Felix Bartholdy Mendelssohn
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Catriona Melville-Mason
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The Hebrides Overture
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C ...
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Woodwind Ensemble - Level 5 - SKU: A0.956663 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. 91 pages. C Melville-Mason #6735339. Published by C Melville-Mason (A0.956663). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized saxophone orchestra. It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging. However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or in some cases opt for the appropriate ‘easier’ add-on part. Essential Parts: Part 1: Sopranino Saxophone Part 2: Soprano Saxophone Part 3: Alto Saxophone Part 4: Alto Saxophone Part 5: Alto Saxophone Part 6: Tenor Saxophone Part 7: Tenor Saxophone Part 8: Baritone Saxophone Part 9: Bass Saxophone Optional Parts: Easier Alto Saxophone Easier Tenor Saxophone Contrabass Saxophone Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull. From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels. The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day. It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This is an adaptation of an arrangement that was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.
$45.00
Schubert- Der Leiermann for voice and guitar
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Classique
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Franz Schubert
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Evans, Jack
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Schubert- Der Leiermann for vo
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Jack Stanley Evans
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SheetMusicPlus
Small Ensemble Guitar,High Voice - Level 3 - SKU: A0.964296 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 3 pag...
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Small Ensemble Guitar,High Voice - Level 3 - SKU: A0.964296 Composed by Franz Schubert. Arranged by Evans, Jack. Romantic Period. Score and parts. 3 pages. Jack Stanley Evans #5899357. Published by Jack Stanley Evans (A0.964296). Der Leiermann (The Organ Grinder)This is the final song in Schubert’s Winterreise song cycle, and tells the story of a poet encountering a hurdy-gurdy player busking in the snow. An atmosphere of absolute bleakness and despair should be conjured up by any performance of this song, as the song’s main character completes his lonely ‘winter’s journey’ and deterioration of his mental state. The chromatic grace notes in the introduction are supposed to represent the sound of a hurdy-gurdy being warmed up, and the open A string played thereafter is meant to evoke the hurdy-gurdy’s drone strings; so ensure it is allowed to ring clearly whilst playing the main figure on the higher strings. The guitar part is relatively simple, but it needs to be played with absolute precision and dynamic control; the extensive use of the open position allows the guitar’s natural resonance to come through. This classic Schubert song has been arranged for voice and acoustic guitar in order to provide an alternative accompaniment option for singers who want to perform Schubert’s lieder with guitar instead of piano.
$5.30
Eight Sonata for Harp
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Classique
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carefully selecting every sing
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Domenico Scarlatti
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Fabrizio Aiello
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Eight Sonata for Harp
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Preludio s.r.l.
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classica...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.808939 Composed by Domenico Scarlatti. Arranged by Fabrizio Aiello. Baroque,Classical. Score and parts. 32 pages. Preludio s.r.l. #5712611. Published by Preludio s.r.l. (A0.808939). The over 550 harpsichord sonatas by Domenico Scarlatti constitute one of the highest peaks of 18th century instrumental music. Despite being structured in a single movement, based on a theme and divided into two parts with a refrain, his sonatas have been shown to be pieces of remarkable originality. Their style is authentic and very bright, revealing a truly innovative and creative spirit with extremely daring and unconventional dissonances and modulations. The manifold contaminations come from the musical universe of that time: from the concert to the cantata, from the popular elements to the Spanish dance rhythms. Various sounds are recalled through the spontaneous, evocative and natural timbre of the harpsichord: from the orchestral ones to those of two other famous pinch instruments, such as the guitar and the harp.The greatest researcher on Domenico Scarlatti, Ralph Kirkpatrick, claimed: «Despite being a composer for harpsichord, and although almost all his compositions are conceived for the harpsichord language, his musical skills, more important than the sound effect, can be enhanced on any instrument».This aspect is aptly reflected in the harp versions of Scarlatti’s sonatas, which are primarily a way to show how the harp can represent the spirit and the playfulness of these compositions. Apparently, this instrument is one of the most suitable to capture the purity of the musical textures of these sonatas and their perfect balance between musical mathematics and feelings. Moreover, the didactic purposes of these adaptations are notable, since the player is faced with fast scales, double stops, repeated notes, broken octaves, complex arpeggios, embellishments and other unusual passages pervaded by a virtuoso language.By carefully selecting every single sonata and choosing the most suitable fingerings to highlight key phrases, Fabrizio Aiello has carried out a praiseworthy work which plays a crucial role in enriching the harp repertoire.Susanna Bertuccioli
$18.99
Glen Ogle
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Traditional Fiddle Tunes
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Heather M Music
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Glen Ogle
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399086 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1399086 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 36. Heather Mueller Music #61Vgj4lDfzs8Q2q0TZ0BIp. Published by Heather Mueller Music (A0.1399086). Key: D major.Title: Glen Ogle Type/Genre: Traditional Fiddle Tune - Reel (Scottish) Availability: Sheet Music for Sale Immerse yourself in the scenic beauty of the Scottish Highlands with Glen Ogle, a captivating reel that echoes the rugged landscapes and majestic vistas of Scotland. Key Features: Authentic Scottish Flavor: Glen Ogle embodies the spirit of Scottish reel music, with its lively rhythm and evocative melody. Delve into the rich tapestry of Scottish musical heritage as you explore this beloved tune. Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, enabling personalized renditions of Glen Ogle. While the sheet music features the basic melody, remember that in fiddle music, the music serves as a suggestion, allowing room for your own embellishments and improvisations. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Glen Ogle. Explore scales, bowing techniques, and rhythmic patterns derived from this spirited reel, honing your mastery of Scottish fiddling techniques. Cultural Connection: Connect with the cultural heritage of Scotland as you delve into Glen Ogle. Let the music transport you to the tranquil glens and craggy peaks where Scottish fiddlers have long drawn inspiration from the natural beauty that surrounds them. Whether you're a seasoned performer or a newcomer to Scottish music, Glen Ogle offers a captivating musical experience that celebrates the timeless allure of the Scottish Highlands. Join in the spirited rhythms of Glen Ogle and let the music inspire your own musical journey through the rugged landscapes of Scotland.
$2.99
River Music
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Contemporain
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. ...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99
Flustern (Whisper)
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Melody Shipley
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Flustern
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Melody Shipley
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.773041 Composed by Melody Shipley. Contemporary,Standards. 36 pages. Melody Shipley #4298005. Published by M...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.773041 Composed by Melody Shipley. Contemporary,Standards. 36 pages. Melody Shipley #4298005. Published by Melody Shipley (A0.773041). Flustern (Whisper) is an exploration of grief for eight or more players. This flute ensemble has parts for piccolo, alto flute, and six C flutes. Highest piccolo note: Third octave G. Flutes 1-4 go up to third octave B. Flutes 5-6 use low B (below middle C) in last measure. Alto flute range: Low C to third octave C. It is more of a intermediate difficulty, but I rated it advanced intermediate because of the high B naturals.
$18.00
Wandlungen
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Robert Sund
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Wandlungen
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Schott Music - Digital
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SheetMusicPlus
Men's choir - intermediate to advanced - SKU: S9.Q7142 4 Motetten. Composed by Robert Sund. This edition: choral score. Schott Choral Music. Down...
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Men's choir - intermediate to advanced - SKU: S9.Q7142 4 Motetten. Composed by Robert Sund. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 10 minutes. Schott Music - Digital #Q7142. Published by Schott Music - Digital (S9.Q7142). German.Commissioned by the Camerata vocale Limburg, this piece uses a sacred text from 'Ecclesiastes' in the version of the Zurich Bible of 1931. The text is made up of four different parts and set to music with different musical means. The first movement Wind has been composed for two three-part male-voice choirs. The music closely follows the natural declamation of the text, often in the form of a canon between the two choirs and the different voices. The second movement Licht is written for four parts. The light is presented in a slow tempo (poco rubato), often in high falsetto registers. Except for a forte outburst when darkness comes, the sound is very soft and gentle. The third movement is called Jugend and shall be performed by a young, enthusiastic and carefree tenor soloist. The text is based on many dactyls which gives the rhythm a youthful freshness. The fourth movement Alter tells how age progresses until the end. This is presented musically by a six-part canon which begins deep and soft and eventually culminates in high registers and a fortissimo. The work fades in a hardly audible pianissimo with the words of the preacher 'How everything is null and void! Everything is in vain!' (Robert Sund). Duration: 10 minutes.
$9.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Video Games
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Lana Del Rey
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Jeff Toto
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Video Games
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Jeff Toto
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1486582 By Lana Del Rey. By Elizabeth Grant and Justin Parker. Arranged by Jeff Toto....
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1486582 By Lana Del Rey. By Elizabeth Grant and Justin Parker. Arranged by Jeff Toto. Pop,Rock,Singer/Songwriter. 10 pages. Jeff Toto #1063645. Published by Jeff Toto (A0.1486582). Video Games by Lana Del Rey is a natural fit for string orchestra! The lush harmonies and sweeping melodic lines are sure to be enjoyed by your audience. Each section has an interesting part and this arrangement presents a great opportunity to study phrasing, dynamic contrast, and tone development. This piece can be executed by advanced middle school or intermediate high school orchestras.This is the abridged version, which can be combined with my arrangements of Diet Mountain Dew and Born to Die for a Lana Del Rey medley!
$14.99
You're A Mean One, Mr. Grinch
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Albert Hague and Dr Seuss
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Donald Jay Smith
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You're A Mean One, Mr. Grinch
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Donald Jay Smith Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Fi...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.†The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch†was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99
Prayer to the Motherworld
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William P
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Prayer to the Motherworld
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William P. Gorton
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SheetMusicPlus
Choir,Piano,Voice - SKU: A0.1071038 Composed by William P. Gorton. 20th Century,Contemporary,Sacred,Spiritual. Full Performance. Duration 167. William P...
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Choir,Piano,Voice - SKU: A0.1071038 Composed by William P. Gorton. 20th Century,Contemporary,Sacred,Spiritual. Full Performance. Duration 167. William P. Gorton #6118889. Published by William P. Gorton (A0.1071038). Prayer to the Motherworld, with text by Gerard Manley Hopkins, is a mystical supplication that invokes a divine essence that brings a sense of unity, peace, and security. Allusions to the world of nature tie the spiritual and natural worlds together in a lovely supplication. This haunting anthem, with a beautiful, arpeggiated accompaniment leading to a colorful climax would be appropriate for any good high school choir through more advanced choirs. Appropriate for either concert or church use. Can also be used as a solo.
$1.99
Ancient Friends
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Contemporain
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Maryliz Smith
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Ancient Friends
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Maryliz Smith
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Organ - SKU: A0.1014207 Composed by Maryliz Smith. Contemporary. Score and parts. 5 pages. Maryliz Smith ...
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Instrumental Duet High Voice,Instrumental Duet,Organ - SKU: A0.1014207 Composed by Maryliz Smith. Contemporary. Score and parts. 5 pages. Maryliz Smith #6102847. Published by Maryliz Smith (A0.1014207). A duet between tenor and organ describing the beauty of the natural world.
$3.99
The Garden Spinner Full Performance
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Andrea May Jenkins
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Andrea May Jenkins
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The Garden Spinner Full Perfor
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JenkinsVMAstudio LLC.
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SheetMusicPlus
High Voice,Piano - Level 2 - SKU: A0.1243761 By Andrea May Jenkins. By Andrea May Jenkins. Arranged by Andrea May Jenkins. Children,Contemporary,Instruc...
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High Voice,Piano - Level 2 - SKU: A0.1243761 By Andrea May Jenkins. By Andrea May Jenkins. Arranged by Andrea May Jenkins. Children,Contemporary,Instructional. Full Performance. Duration 138. JenkinsVMAstudio LLC. #838731. Published by JenkinsVMAstudio LLC. (A0.1243761). The Garden Spinner is about the natural beauty of a spider's web-spinning process. The melody matches the patterns of the spider's process and the lyric's description throughout the poems.This beautiful vocal arrangement is one of many pieces written from poems by Fairy Walker Lane. Fairy Walker Lane 1890-1985 and the great aunt of Andrea JenkinsAndrea had always loved her aunt Fairy's poems, from when she was a little girl and her mom showed her the original pieces of work on old manuscript paper typed by a typewriter.  Fairy was more than a poetry writer. She lived in Tucumcari, New Mexico, and her family was responsible for establishing one of the original schoolhouses where Andrea's great-grandmother was a schoolteacher. Fairy was also an entrepreneur and owned a business selling hats in Tucumcari.Andrea lives in Maricopa, AZ, and is a teacher for middle school choir and drama.
$5.00
Carson Cooman: Two Wakefield Songs (2004) for mezzo-soprano, Bb or A clarinet, and piano
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Carson Cooman
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Carson Cooman: Two Wakefield S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Clarinet,High Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.533609 Composed by Carson Cooman. Concert,Contemporary,Standards...
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Small Ensemble Clarinet,High Voice,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.533609 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 18 pages. Musik Fabrik Music Publishing #3030919. Published by Musik Fabrik Music Publishing (A0.533609). Two Wakefield Songs (2004) for mezzo-soprano, clarinet, and piano were written for mezzo-soprano Helen Karloski and clarinetist Angela Occhionero. The clarinet plays an integral role in the settings.Both songs are settings of poems by American poet Kathleen Wakefield. The settings attempt to capture an aspect of the natural ecstasy of the texts. The musical language throughout is mostly pan-diatonic, exploring the subtle radiance those sounds project. The set includes parts for both Bb and A cliarinet
$25.95
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