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Nature, Sing to Me

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String Quintet "Confrontation to the Consummate" by Wendell Rosa #Wendell Rosa #String Quintet "Confronta #Wendell Rosa #SheetMusicPlus

String Ensemble,String Quintet - Level 4 - SKU: A0.915186 Composed by Wendell Rosa. 20th Century,Contemporary,World. Score and parts. 56 pages. Wendell ...(+)

$10.00

Strangers By Nature #Pop musique #Adele #Kevin Riley #Strangers By Nature #Kevin Riley #SheetMusicPlus

Small Ensemble Cello,Double Bass,Drum Set,Viola,Violin,Voice - Level 4 - SKU: A0.621793 By Adele. By Adele Adkins and Ludwig Goransson. Arranged by Kevi...(+)

$25.00

Bring Me Sunshine #Willie Nelson #Rob Bushnell #Bring Me Sunshine #RBMusic #SheetMusicPlus

Baritone Horn TC,Bass Trombone,E-Flat Cornet,E-Flat Tuba TC,Euphonium,Flugelhorn,Trumpet - Level 3 - SKU: A0.752393 By Willie Nelson. By Arthur Kent and...(+)

$27.99

Bring Me Sunshine #Willie Nelson #Rob Bushnell #Bring Me Sunshine #RBMusic #SheetMusicPlus

Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752397 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Rob...(+)

$15.99

Welcome To Rosas #Benjamin Rice and Julia Michae #Michele Fortunato #Welcome To Rosas #Trombonhero #SheetMusicPlus

Acoustic Guitar,Baritone Horn BC,Bass Clef Instrument,Bass Marimba,Bass Trombone,Bell Lyra,C Instrument,Cello,Digital Keyboard,Double Bass,Electric Bass Guitar,...(+)

$4.99

Welcome To Rosas #Benjamin Rice and Julia Michae #Michele Fortunato #Welcome To Rosas #Trombonhero #SheetMusicPlus

Acoustic Guitar,Bell Lyra,C Instrument,Cello,Celtic Harp,Digital Keyboard,Electric Guitar,Electronic Keyboard,Instrumental Solo,Steel Guitar,Treble Clef Instrum...(+)

$4.99

Welcome To Rosas #Benjamin Rice and Julia Michae #Michele Fortunato #Welcome To Rosas #Trombonhero #SheetMusicPlus

B-Flat instrument,B-Flat trombone,Instrumental Solo,Saxophone,Treble Clef Instrument - Level 4 - SKU: A0.1324772 Composed by Benjamin Rice and Julia Mic...(+)

$4.99

Welcome To Rosas #Benjamin Rice and Julia Michae #Michele Fortunato #Welcome To Rosas #Trombonhero #SheetMusicPlus

Acoustic Guitar,Bell Lyra,C Instrument,Celtic Harp,Digital Keyboard,Electric Guitar,Electric Violin,Electronic Keyboard,High Instrument,Instrumental Solo,Oboe d...(+)

$4.99

Welcome To Rosas #Benjamin Rice and Julia Michae #Michele Fortunato #Welcome To Rosas #Trombonhero #SheetMusicPlus

E-Flat Clarinet,E-Flat Cornet,E-Flat Instrument,E-Flat Tenor Horn,E-Flat Trombone TC,Horn in E-Flat,Instrumental Solo,Saxophone,Treble Clef Instrument - Level 4...(+)

$4.99

You Belong With Me #Pop musique #Taylor Swift #Hollywood Charts #You Belong With Me #Hollywood Charts #SheetMusicPlus

Rhythm Section Voice - Level 2 - SKU: A0.1295506 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Hollywood Charts. Contemporary,Country,Pop,R...(+)

$24.99

Take Me Home #Contemporain #Pentatonix #James Haynor #Take Me Home #James Haynor #SheetMusicPlus

Brass Ensemble Trombone - Level 3 - SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contempo...(+)

$12.99

Love Me With All Your Heart (Cuando Calienta El Sol) #The Ray Charles Singers #Stewart J Wallace #Love Me With All Your Heart #Stewart J Wallace #SheetMusicPlus

Choral Choir,Choral (3-Part Mixed) - Level 3 - SKU: A0.1400023 By The Ray Charles Singers. By Carlos A. Martinoli, Carlos Rigual, and Sunny Skylar. Arra...(+)

$1.99

River Music #Contemporain #Sarah Hersh #River Music #Burbury Lane Music #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. ...(+)

$15.99

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

What do they matter? (for medium-high voice and harp) #Contemporain #Nicole Elyse DiPaolo #What do they matter? #Nicole Elyse DiPaolo #SheetMusicPlus

Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...(+)

Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matterÂ to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of YucatÃ¡n. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.comÂ !

$5.99

Poème #Zdenek Fibich #Wolfgang Birtel #Poème #Schott Music - Digital #SheetMusicPlus

Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...(+)

Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn DvorÃ¡k. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka SchulzovÃ¡ in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'PoÃ¨me', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.

$4.99

N'oubliez pas!-Noskowski-Clarinet and Brass Quintet #Z Noskowski #Phil Beaman #N'oubliez pas!-Noskowski-Clari #Phil Beaman #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Euphonium,Trumpet,Tuba - Level 4 - SKU: A0.845277 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Peri...(+)

Small Ensemble B-Flat Clarinet,Euphonium,Trumpet,Tuba - Level 4 - SKU: A0.845277 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period. Score and parts. 18 pages. Phil Beaman #6533123. Published by Phil Beaman (A0.845277). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This Instrumental Quintet arrangement is of N'oubliez pas! from Fleurs du Printemps, Op 48 (Forget-me-nots, from Flowers of Spring).As the name implies, it is expressive and melancholy. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. There are numerous themes as it weaves between major and minor keys (without changing key signature). The upper three parts carry the melody and countermelodies, while part four is a moving arpeggiated line, and part five simply anchors the chordal root. Clarinet 1 carries the main melody with a wide range. Trumpet has the upper countermelody while Clarinet 2 takes the lower countermelody. Part 4, written in Bass Clef, can be played by Euphonium or Baritone Horn or Trombone, whoever is up to the challenge. The Tuba part is rather predictable. There is a fairly wide range (nearly 2 octaves) required in all of the parts. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert piece to show musicianship. 8 page score, 2 pages @part, 18 pages total2:50 minutes

$10.99

N'oubliez pas!-Noskowski-Clarinet and Brass Quintet 2 #Z Noskowski #Phil Beaman #N'oubliez pas!-Noskowski-Clari #Phil Beaman #SheetMusicPlus

Small Ensemble B-Flat Clarinet,Horn,Trumpet,Tuba - Level 4 - SKU: A0.845279 Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period,Standards....(+)

Small Ensemble B-Flat Clarinet,Horn,Trumpet,Tuba - Level 4 - SKU: A0.845279 Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 18 pages. Phil Beaman #6533163. Published by Phil Beaman (A0.845279). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This Instrumental Quintet arrangement is of N'oubliez pas! from Fleurs du Printemps, Op 48 (Forget-me-nots, from Flowers of Spring).As the name implies, it is expressive and melancholy. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. There are numerous themes as it weaves between major and minor keys (without changing key signature). The upper three parts carry the melody and countermelodies, while part four is a moving arpeggiated line, and part five simply anchors the chordal root. Clarinet 1 carries the main melody with a wide range. Trumpet has the upper countermelody while Clarinet 2 takes the lower countermelody. Part 4 is a challenge for French Horn. The Tuba part is rather predictable. There is a fairly wide range (nearly 2 octaves) required in all of the parts. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert piece to show musicianship. 8 page score, 2 pages @part, 18 pages total2:50 minutes

$10.99

N'oubliez pas!-Noskowski-Woodwind Quintet 1 #Z Noskowski #Phil Beaman #N'oubliez pas!-Noskowski-Woodw #Phil Beaman #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.845275 Composed by Z Noskowski. Arranged by Phil Beaman. Romanti...(+)

Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - SKU: A0.845275 Composed by Z Noskowski. Arranged by Phil Beaman. Romantic Period,Standards. 18 pages. Phil Beaman #6529857. Published by Phil Beaman (A0.845275). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This Instrumental Quintet arrangement is of N'oubliez pas! from Fleurs du Printemps, Op 48 (Forget-me-nots, from Flowers of Spring).As the name implies, it is expressive and melancholy. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. There are numerous themes as it weaves between major and minor keys (without changing key signature). The upper three parts carry the melody and countermelodies, while part four is a moving arpeggiated line, and part five simply anchors the chordal root.Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert piece to show musicianship. 8 page score, 2 pages @part, 18 pages total2:50 minutes

$10.99

Spring Question #Contemporain #Andreas Kleinert #Spring Question #Andreas Kleinert #SheetMusicPlus

Small Ensemble - SKU: A0.1017908 Composed by Andreas Kleinert. Contemporary. Score and parts. 3 pages. Andreas Kleinert #6327423. Published by Andreas K...(+)

Small Ensemble - SKU: A0.1017908 Composed by Andreas Kleinert. Contemporary. Score and parts. 3 pages. Andreas Kleinert #6327423. Published by Andreas Kleinert (A0.1017908). Im FrÃ¼hling erwacht die Natur â€“ unsere Seele atmet durch von neuem! GenieÃŸe das Auf- und Ab der flieÃŸenden Triolen! Die HalbschlÃ¼sse haben immer einen freundlichen Frage-Charakter. Hier sollten keine Sorgen zu spÃ¼ren sein. KunststÃ¼ck: Das StÃ¼ck entstand ein Jahr VOR covid 19! GenieÃŸe diese Unbeschwertheit jetzt! Wieder ein diatonisches StÃ¼ck von mir, ohne Modulation! 7 TÃ¶ne genÃ¼gen mir oft im Raum einer Tonleiter mich auszusingen!In spring nature wakes up again and our soul breaths all over again! Enjoy the tripletsÂ´flowing up and down! The half-closes always have a friendly character of a question. Here you shouldnÂ´t feel any sorrows. The reason: I created the piece exactly two years ago when there was no idea of corona disease yet. Enjoy that light-heartedness now! Again a diatonic piece from me, without modulation! 7 tones are often enough for me to sing in the space of one scale!

$3.99

Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only #Thomas Oboe Lee #Septet, opus 77 ... Variations #Thomas Oboe Lee #SheetMusicPlus

Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...(+)

Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 â€¦ â€œVariations on a Shaker Tuneâ€ was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts. Â When he approached me about writing a â€œtheme and variationsâ€ work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village. Â As it turns out Deborah Leah Rentz, a mezzo-soprano who is Markâ€™s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village. Â (Deborahâ€™s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) Â Â So I asked her to put on a DAT tape (those were the days before CDs or digital distributionâ€¦ ) a number of these hymns for me. Â I immediately fell in love with the very first one on the tape, â€œGrateful Remembrance.â€ Â It had a soulful, melancholic core; an almost â€œbluesyâ€ feeling to it. Â In this performance, Deborah will sing the hymn a cappella at the beginning. Â Â Then, the seven variations will follow.I. Grateful Remembrance â€¦ An instrumental version of the hymn.II. Grateful Chanting â€¦ Featuring the B-flat clarinet in a pentatonic â€œchantâ€ setting.III. Grateful Funk â€¦ The â€œbluesinessâ€ of the hymn is transformed into a funk riff.IV. Tango Remembered â€¦ A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida â€¦ The yearning â€œflat 6thâ€ in the hymn is transformed into a samba Carmen Miranda wouldâ€™ve have liked.VI. Canonized Remembrance â€¦ The hymn is treated to a canonic transfiguration.VII. Grateful Groove â€¦ The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!

$9.99

Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel #Thomas Oboe Lee #Septet, opus 77 ... Variations #Thomas Oboe Lee #SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...(+)

Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!

$9.99

Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel #Thomas Oboe Lee #Septet, opus 77 ... Variations #Thomas Oboe Lee #SheetMusicPlus

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...(+)

Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!

$9.99

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