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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Never Change
Non classifié
57
Piano & claviers
Piano seul
73
Piano, Voix
28
Piano Facile
22
Piano, Voix et Guitare
20
Piano grosses notes
13
Instruments en Do
4
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 4 instrumentations
Retracter
Guitares
Guitare notes et tablatures
14
Ukulele
5
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
4
Guitare
4
Basse electrique
1
Dulcimer
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
21
Chorale 3 parties
16
Voix haute
3
Chorale 2 parties
3
Chorale SSAA
3
Chorale TTBB
2
+ 1 instrumentations
Retracter
Vents
Flûte, Violon, Piano
31
Flûte, Hautbois, Clarinette, Basson
8
Quatuor de Saxophones: 4 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quintette de Saxophone: 5 saxophones
5
3 Saxophones (trio)
5
2 Saxophones (duo)
4
3 Flûtes à bec (trio)
2
Clarinette et Piano
2
Ensemble de Clarinettes
2
2 Flûte à bec (duo)
2
Saxophone Tenor
2
Hautbois, Piano (duo)
2
Saxophone Alto et Piano
2
Flûte traversière
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Clarinettes (duo)
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte et Guitare
2
Flûte, Saxophone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
5 Flûtes à bec
1
2 Flûtes traversières (duo)
1
Saxophone et Orgue
1
Saxophone, Clarinette (duo)
1
Flûte, Alto (duo)
1
Clarinette
1
Clarinette, Violon (duo)
1
Clarinette et Alto
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Saxophone Soprano et Piano
1
Cor anglais, Piano
1
Flûte à bec Alto
1
Saxophone Alto
1
Clarinette, Basson (duo)
1
Flûte, Violon
1
Flûte, Violoncelle
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
Saxophone Tenor et Piano
1
Quintette de Flûte : 5 flûtes
1
+ 40 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres
2
Trombone
2
2 Trombones (duo)
1
Trompette
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Trompette (partie séparée)
1
Tuba
1
4 Tubas
1
Cor anglais, Piano
1
Ensemble de Trompettes
1
Cor et Piano
1
2 Euphoniums et 2 Tubas
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
18
Harpe
9
Violoncelle
6
Violon et Piano
4
Trio à Cordes: violon, alto, violoncelle
3
2 Violons (duo)
3
Violon, Violoncelle (duo)
2
Violoncelle, Piano
2
Violon, Alto (duo)
2
Contre Basse
1
Alto, Violoncelle (duo)
1
2 Violoncelles (duo)
1
4 Violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Piano
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Alto seul
1
Harpe, Voix
1
Quatuor à cordes : 4 altos
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
8
Ensemble Jazz
8
Orchestre à Cordes
5
Jazz combo
3
Cloches
2
Orchestre de chambre
2
Orchestre
2
Ensemble de Percussions
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
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Partitions Gratuites
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Partitions Numériques
57
Librairie Musicale
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Matériel de Musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Never Change
Partitions à imprimer
57 partitions trouvées
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1
26
51
Never Never Land
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James Taylor
#
Yumiko Matsuoka
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Never Never Land
#
Yumiko Matsuoka
#
SheetMusicPlus
Choral 4-Part Chorus,Choir,Choral - Level 5 - SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuok...
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Choral 4-Part Chorus,Choir,Choral - Level 5 - SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble. Â TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.
$4.00
Never Never Never
#
Contemporain
#
Alberto Testa and Tony Renis
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Daryl McKenzie
#
Never Never Never
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Daryl McKenzie
#
SheetMusicPlus
Large Ensemble Bass Voice,Clarinet,Drums,Flute,Guitar,Percussion,Piano,Trombone,Trumpet - Level 4 - SKU: A0.718019 Composed by Alberto Testa and Tony Re...
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Large Ensemble Bass Voice,Clarinet,Drums,Flute,Guitar,Percussion,Piano,Trombone,Trumpet - Level 4 - SKU: A0.718019 Composed by Alberto Testa and Tony Renis. Arranged by Daryl McKenzie. Contemporary. Score and parts. 15 pages. Daryl McKenzie #4326301. Published by Daryl McKenzie (A0.718019). Band parts only - No Score or voice part. Female Vocal key of C major with key changes to Db and D major. 4 Reens (2 Flutes, 2 Clarinets), 3 Trumpets, 3 Trombones, Piano, Guitar, Bass, Drums, Percussion.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$49.99
Les Temps Changent (Times are changing) for rock guitar, big band and street percussions
#
Jazz
#
Rock
#
Terry Carpenter
#
Les Temps Changent
#
Terry Carpenter
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - SKU: A0.916210 Com...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Electric Guitar,Flute,Percussion,Tenor Saxophone,Trombone,Trumpet,Tuba - SKU: A0.916210 Composed by Terry Carpenter. Jazz,Rock. Score and parts. 59 pages. Terry Carpenter #5792275. Published by Terry Carpenter (A0.916210). This instrumental was originally written for the B.O. of an action movie, the first sequence beginning in the french Champs Elysées. The movie was nevergot made but the music is here for you, in the style of Lalo Schiffrin. Rock it!
$14.99
Guinnevere
#
Crosby Stills and Nash
#
Simon James
#
Guinnevere
#
DML
#
SheetMusicPlus
Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1203228 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Contemporar...
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Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1203228 By Crosby Stills and Nash. By David Crosby. Arranged by Simon James. 20th Century,Contemporary,Pop,Singer/Songwriter. 14 pages. DML #801902. Published by DML (A0.1203228). Guinnevere is a song written by David Crosby in 1968. The song appears on Crosby, Stills & Nash's critically acclaimed debut album. The song is notable for its serene yet pointed melody and its unique lyrics, which compare Queen Guinevere to the object of the singer's affection, referred to as mi'lady. In a Rolling Stone interview, Crosby remarked: That is a very unusual song, it's in a very strange tuning (EBDGAD) with strange time signatures. I have arranged the song in standard tuning as re-tuning your guitar can be very time consuming. In order to do this successfully I have made some changes to the original accompaniment, nothing drastic and the feel of the guitar part is still the same. This the vocal arrangement, there is also an instrumental trio arrangement. The vocal part is tricky because of the rhythm while the accompanying guitar is challenging not only for the unusual time signatures but also a complex left hand at times requiring long stretches. The song has three verses all of which are sung slightly differently from each other therefore the vocal part has no repeats while the guitar part does. I have given the lyrics here as well as in the song as the meaning is important and not obvious at first glance.
$5.99
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Bass Clef Instruments)
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Jazz
#
Arrigo Tomasi
#
Melodic Jazz Improvisation Ser
#
Arrigo Tomasi
#
SheetMusicPlus
Bass Clef Instrument,Bass Guitar,Bassoon,Cello,Double Bass,Trombone,Tuba - Level 3 - SKU: A0.774700 Composed by Arrigo Tomasi. Instructional,Jazz. 4 pag...
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Bass Clef Instrument,Bass Guitar,Bassoon,Cello,Double Bass,Trombone,Tuba - Level 3 - SKU: A0.774700 Composed by Arrigo Tomasi. Instructional,Jazz. 4 pages. Arrigo Tomasi #4616303. Published by Arrigo Tomasi (A0.774700). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Bb Instruments)
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Jazz
#
Arrigo Tomasi
#
Melodic Jazz Improvisation Ser
#
PartiturasDigitales.net
#
SheetMusicPlus
Small Ensemble B-Flat instrument,Clarinet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.774701 Composed by Arrigo Tomasi. Instructional,Jazz. Sc...
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Small Ensemble B-Flat instrument,Clarinet,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.774701 Composed by Arrigo Tomasi. Instructional,Jazz. Score and parts. 4 pages. PartiturasDigitales.net #4616305. Published by PartiturasDigitales.net (A0.774701). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
Melodic Jazz Improvisation Series: There Will Never Be Another Dexter (Eb Instruments)
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Jazz
#
Arrigo Tomasi
#
Melodic Jazz Improvisation Ser
#
PartiturasDigitales.net
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,E-Flat Instrument - Level 3 - SKU: A0.774702 Composed by Arrigo Tomasi. Instructional,Jazz. Score and p...
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Small Ensemble Alto Saxophone,Baritone Saxophone,E-Flat Instrument - Level 3 - SKU: A0.774702 Composed by Arrigo Tomasi. Instructional,Jazz. Score and parts. 4 pages. PartiturasDigitales.net #4616307. Published by PartiturasDigitales.net (A0.774702). Melodic Jazz Improvisation Series is a compilation of improvisations on jazz standards chords changes with the aim of creating samples of melodic phrasing that you can use and adapt in your improvisations. Usable studies for students, teachers and jazz improvisation lovers.
$4.99
Some Things Never Change
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Musique Sacrée
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Heather Sorenson
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Some Things Never Change
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Hal Leonard - Digital
#
SheetMusicPlus
(Alto Dominant) - SKU: HX.473716 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473716).
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(Alto Dominant) - SKU: HX.473716 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473716).
$2.99
Some Things Never Change
#
Musique Sacrée
#
Heather Sorenson
#
Some Things Never Change
#
Hal Leonard - Digital
#
SheetMusicPlus
(Bass Dominant) - SKU: HX.473718 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473718).
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(Bass Dominant) - SKU: HX.473718 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473718).
$2.99
Some Things Never Change
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Musique Sacrée
#
Heather Sorenson
#
Some Things Never Change
#
Hal Leonard - Digital
#
SheetMusicPlus
(Accompaniment Only) - SKU: HX.473714 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473714).
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(Accompaniment Only) - SKU: HX.473714 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473714).
$14.99
Some Things Never Change
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Musique Sacrée
#
Heather Sorenson
#
Some Things Never Change
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Hal Leonard - Digital
#
SheetMusicPlus
(Tenor Dominant) - SKU: HX.473717 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473717). ...
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(Tenor Dominant) - SKU: HX.473717 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473717).
$2.99
Some Things Never Change
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Musique Sacrée
#
Heather Sorenson
#
Some Things Never Change
#
Hal Leonard - Digital
#
SheetMusicPlus
(Soprano Dominant) - SKU: HX.473715 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473715).
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(Soprano Dominant) - SKU: HX.473715 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473715).
$2.99
Some Things Never Change
#
Musique Sacrée
#
Heather Sorenson
#
Some Things Never Change
#
Hal Leonard - Digital
#
SheetMusicPlus
(Full Performance) - SKU: HX.473713 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473713).
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(Full Performance) - SKU: HX.473713 Composed by Heather Sorenson. Sacred. Choral. Duration 281. Published by Hal Leonard - Digital (HX.473713).
$1.99
God Never Changes
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Classique
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Wolfgang Amadeus Mozart
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Stephen DeCesare
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God Never Changes
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Exultet Music
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 2 - SKU: A0.618281 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Classical,Sacred. Score. 3 pages....
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Choral Piano,Vocal,Voice - Level 2 - SKU: A0.618281 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Classical,Sacred. Score. 3 pages. Exultet Music #2009287. Published by Exultet Music (A0.618281). For 3 voices.
$12.99
Everlong
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Foo Fighters
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Brian Streckfus
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Everlong
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Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian St...
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Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.
$2.99
OF LIGHT AND SHADOW (A NEW YEAR)
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Contemporain
#
Monica Bergo
#
OF LIGHT AND SHADOW
#
Moni Bergo
#
SheetMusicPlus
Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Publis...
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Small Ensemble Drums,Flute,Piano,Violin - SKU: A0.1012752 Composed by Monica Bergo. Contemporary. Score and parts. 37 pages. Moni Bergo #5743757. Published by Moni Bergo (A0.1012752). Music and song composed by meOF LIGHT AND SHADOW (A new year) Lights that shine On these days of mine Shadows that kill My enthusiasm but there is A whole journey that has been written for me Like a novel, its plot will unveil Another year on me And new days to be invented Find out what will happen It's a good reason to fight The light will illuminate me Or there will be new pain Find out what will happen It's a good reason to stay And I always run so strong For fear of falling Maybe this year I will learn How to do walk And I never slow down my pace Back I can not come back Because I would meet myself And inside me I should look I will fill with light and shadow This my eternal emptiness That I can not placate A thousand songs I will invent If there will be someone who will want to listen In connection with the world singing of fairies, magicians, elves, witches and intrigues always uncomfortable in my time looking for a place, a role in this year new I know that nothing will change yet Of light and shadow I will live I steal from the moon her mysteries I will give them to the sun In exchange for the eternal heat in the heart And like a witch burning at the stake I fire, I melt And born again And the alignment of Jupiter in Pluto The lunar eclipse gives me protection I wish the night would go down fast When my pain never finds peace I wish the sun would shine forever In every season, summer and winter A new year here Before me I mess up his days The gray of November With the warmth of September with lights and shadows I will confuse I will steal the sun in June and my Christmas will heat up and the January ice at Easter I will donate I will confuse the night and the day always mistress of my time in that mirror I will look happy with what I will see and new trips and experiences and emotions on the skin I will live with joy and intensity the light and the shadow that will come how many smiles on my lips will form new wrinkles happy with my age it's a nice finish line to be here and how many tears again will come down on my face will be joy or pain of light and shadow I will live It will be a new year of joys and sorrows of light and shadow of cold and heat ... .. Monica Bergo
$5.00
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Der fliegende Holländer
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Classique
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder -
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
The Great Healer
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David Kai
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David Kai
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The Great Healer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David ...
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Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.
$1.99
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Never Change