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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
New
Non classifié
11 651
Piano & claviers
Piano seul
23 714
Piano, Voix
4 410
Piano, Voix et Guitare
4 182
Piano Facile
3 248
Instruments en Do
708
Orgue
662
1 Piano, 4 mains
331
Piano grosses notes
217
Accompagnement Piano
160
2 Pianos, 4 mains
138
Piano Trio: piano, violon, violoncelle
129
Accordéon
85
Piano Quintette: piano, 2 violons, alto, violoncelle
61
Piano (partie séparée)
45
Piano Quatuor: piano, violon, alto, violoncelle
44
Orgue, Piano (duo)
20
Ligne De Mélodie, Piano
19
Clavecin
18
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavier
11
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
5
1 Piano, 6 mains
4
Accordéon, Voix
4
Instrument seul et Orgue
3
2 Accordéons
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 793
Ligne De Mélodie, (Paroles) et Accords
848
Guitare
788
Ukulele
346
Paroles et Accords
259
Basse electrique
184
Piano, Guitare (duo)
147
2 Guitares (duo)
102
Guitare Pedal Steel
97
Guitare (partie séparée)
45
Banjo
40
Dulcimer
29
Mandoline
22
4 Guitares (Quatuor)
13
Ensemble de guitares
12
3 Guitares (trio)
10
Ukulele Baryton
8
Ensemble de Ukulélés
8
Mandoline, Guitare (duo)
6
Partitions De Groupes
5
Basse électrique (partie séparée)
4
Dobro
2
Guitare, Violon, Violoncelle (trio)
1
2 Mandolines (duo)
1
Guitare, Flûte, Clarinette
1
Orchestre à Plectres
1
Guitare, Orchestre
1
2 Ukuleles
1
Guitare Tab, Voix, Basse, Batterie
1
+ 24 instrumentations
Retracter
Voix
Chorale SATB
4 779
Chorale 3 parties
1 405
Chorale Unison
1 351
Chorale 2 parties
1 133
Chorale TTBB
636
Chorale SSAA
347
Pack Instrumental pour Chorale
323
Voix duo, Piano
272
Chorale
115
Voix duo
106
Voix seule
95
Voix Soprano, Piano
92
Voix Alto, Piano
76
Voix haute
57
Voix Tenor, Piano
50
Voix Baryton, Piano
48
Chorale SSATB
30
Voix moyenne, Piano
19
Voix basse, Piano
17
Voix Tenor
12
Chorale SSAATTBB
11
Voix Mezzo-Soprano, Piano
8
Voix Soprano
7
Soli, choeur mixte et accompagnement
7
Voix, Guitare
7
Chorale SSATTB
5
Chorale SSAB a cappella
5
Chorale SSAATB
3
Chorale, Orgue
3
Chorale SATBB
2
Chorale SSATBB
2
Chorale SAATB A Cappella
2
Chorale SATTBB A Cappella
2
Chorale SSAB, Piano
1
Chorale, Orchestre
1
Chorale SATTBB, Clavier
1
Voix Moyenne
1
Voix haute, Piano
1
Chorale SSAATB A Cappella
1
Voix basse
1
+ 35 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 647
Clarinette et Piano
1 247
Hautbois, Piano (duo)
1 103
Saxophone Alto et Piano
775
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
716
2 Saxophones (duo)
677
Quatuor de Saxophones: 4 saxophones
676
Flûte traversière
619
Flûte, Hautbois, Clarinette, Basson
556
Saxophone (partie séparée)
527
Clarinette
513
Saxophone Tenor et Piano
477
Saxophone Alto
419
Quintette de Saxophone: 5 saxophones
400
2 Flûtes traversières (duo)
382
2 Clarinettes (duo)
338
Saxophone Tenor
318
Saxophone Soprano et Piano
306
Quatuor de Clarinettes: 4 clarinettes
275
Clarinette (partie séparée)
259
Hautbois (partie séparée)
233
Cor anglais, Piano
217
Quatuor de Flûtes : 4 flûtes
178
Flûte, Clarinette (duo)
168
Ensemble de saxophones
165
Saxophone Baryton, Piano
153
2 Hautbois (duo)
148
Saxophone, Clarinette (duo)
139
Ensemble de Flûtes
136
Saxophone
133
Flute (partie séparée)
120
Ensemble de Clarinettes
119
Quintette de Clarinettes: 5 clarinettes
117
3 Saxophones (trio)
116
Clarinette, Violon (duo)
107
3 Clarinettes (trio)
104
2 Flûte à bec (duo)
101
Quintette de Flûte : 5 flûtes
92
Hautbois, Basson (duo)
87
Clarinette, Trompette (duo)
84
Hautbois, Clarinette (duo)
83
Hautbois
82
Trio de Flûtes: 3 flûtes
75
Flûte, Violon, Piano
67
Saxophone Soprano
66
Flûte, Violon
66
Clarinette, Harpe (duo)
64
Flûte et Guitare
63
Clarinette Basse, Piano
60
Flûte à Bec
59
Flûte, Saxophone (duo)
54
Hautbois, Flûte
52
Hautbois, Clarinette, Basson (trio d'anches)
50
Clarinette et Alto
48
Flûte à bec Soprano
47
Flûte, Alto (duo)
47
Flûte, Violoncelle, Piano (trio)
44
Flûte, Hautbois, Clarinette (trio)
43
Clarinette, Basson (duo)
42
Flûte, Trompette (duo)
42
Flûte, Violoncelle
35
Saxophone Baryton
33
Flûte, Clarinette et Basson
33
Clarinette, Violoncelle (duo)
25
Flûte, Hautbois (duo)
24
Ocarina
23
Instruments en Mib
23
Cor Anglais
21
Quatuor de Flûtes à bec
20
Flûte, Harpe et Violoncelle
19
Hautbois, Violoncelle
18
Flûte à bec Alto
18
Flûte, Clarinette, Piano (trio)
18
Flute, Cor (duo)
16
2 Flûtes traversières, Piano
15
Clarinette, Guitare (duo)
14
Clarinette, Violoncelle, Piano (trio)
13
Flûte, Hautbois, Basson
13
Flûte, Trombone (duo)
13
5 Flûtes à bec
11
Flûte, Violon et Violoncelle
10
Flûte à bec Soprano, Piano
10
Harmonica
10
Saxophone et Guitare
10
Flûte à bec Tenor
10
Clarinette, Trombone (duo)
9
Flûte à bec Alto, Piano
9
2 Saxophones, Piano
8
Hautbois, violon (duo)
7
2 Clarinettes, Piano
7
3 Flûtes à bec (trio)
7
Flûte, Hautbois, Piano (trio)
7
Flûte irlandaise
7
Flûte, Alto et Piano
7
3 Hautbois
7
Flûte, Clarinette, Cor, Basson (Quartet)
6
Piccolo
6
4 Hautbois
6
Piccolo, Piano
5
Hautbois et alto (duo)
5
Ensemble De Flûte à bec
5
Flûte, Basson et Piano
5
Clarinette Basse
5
Hautbois, Violoncelle et Piano
4
Flûte, Violon, Violoncelle et Piano
4
2 Cors Anglais Et Pianoforte
3
Flûte, Violon, Guitare
3
Flûte et Quatuor à Cordes
3
Cornemuse
3
Hautbois, Harpe
3
Clarinette, trompette et piano
3
Flûte, trombone et piano
3
Hautbois, Guitare (duo)
2
Flûte à Bec, Piano
2
Hautbois, Basson et Piano
2
Saxophone et Orgue
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Basse continue
2
Flûte, Tuba (duo)
2
Flute, harpe et violon
2
Ensemble à vent
2
Cor anglais, Guitare (duo)
2
2 Harmonicas
2
Hautbois et Orchestre
1
Hautbois, trombone (duo)
1
Clarinette, Saxophone, Piano
1
Flute, alto, violoncelle et guitare
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Harpe
1
2 Hautbois, Piano
1
Clarinette, Orchestre
1
Flûte à bec Alto, Basse continue
1
Flûte, alto et harpe
1
Hautbois, Trompette (duo)
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violon, Piano
1
Saxophone et Piano
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
+ 138 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
751
Trombone et Piano
646
Trompette
612
Trompette, Piano
593
Cor et Piano
448
Trombone
420
Quatuor de Cuivres : 2 trompettes, trombone, tuba
385
Trompette (partie séparée)
380
Trombone (partie séparée)
368
Cor
333
Tuba et Piano
230
Quatuor de Cuivres
227
Cor anglais, Piano
217
Quatuor de Cuivres: 2 trompettes, Cor, trombone
211
2 Trompettes (duo)
188
2 Trombones (duo)
176
Tuba
170
Trompette, Trombone (duo)
138
Cor (partie séparée)
115
2 Cors (duo)
115
Trompette, Saxophone (duo)
111
Euphonium, Piano (duo)
102
Ensemble de Trompettes
98
Tuba (partie séparée)
89
Quatuor de cuivres: 4 trombones
71
Quatuor de cuivres: 4 cors
64
Ensemble de Trombones
61
Trompette, Cor (duo)
39
2 Tubas (duo)
38
Quatuor de cuivres: 4 trompettes
30
Ensemble de Cors
25
Instruments en Sib
25
Bass Clef Instruments
23
Cor Anglais
21
Trio de Cuivres
20
Tuba et Orgue
19
2 Euphoniums et 2 Tubas
19
3 Trombones (trio)
19
Euphonium
18
2 Euphoniums (duo)
17
3 Trompettes (trio)
16
4 Tubas
14
Trombone, Cor (duo)
13
Trompette, Tuba (duo)
13
Euphonium, Tuba (duo)
13
Cor, Violoncelle (duo)
11
Clarinette, Cor (duo)
11
Trombone, Tuba (duo)
11
Cor, Tuba (duo)
10
Tuba ou Euphonium ou Saxhorn
8
Trombone basse et Piano
7
Trombone basse
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Cornet A Pistons
6
Instruments en Fa
6
Trompette, Violoncelle (duo)
4
3 Cors (trio)
4
Cor et Harpe
4
Trompette, Violoncelle et Piano
4
2 Cors Anglais Et Pianoforte
3
Ensemble de Tubas
3
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
2
Cor et Basson (duo)
2
Trombone et orchestre
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Cor anglais, Guitare (duo)
2
Trompette, Euphonium (duo)
2
Trompette, Basson (duo)
1
3 Tubas (trio)
1
2 Trombones, Piano
1
3 Euphoniums
1
Cor, Violoncelle et Piano
1
Trompette, Harpe
1
Trombone, Violon (duo)
1
Trompette, Orchestre
1
Cor et Orgue
1
Trompette, violon (duo)
1
+ 73 instrumentations
Retracter
Cordes
Harpe
2 401
Violon et Piano
1 893
Quatuor à cordes: 2 violons, alto, violoncelle
1 745
Violoncelle, Piano
1 167
Alto, Piano
1 055
Violon
791
Violoncelle
634
Alto seul
397
Violon, Violoncelle (duo)
336
2 Violons (duo)
299
Contrebasse, Piano (duo)
248
Trio à Cordes: violon, alto, violoncelle
243
2 Violoncelles (duo)
235
Quintette à cordes: 2 violons, alto, violoncelle, basse
213
Violon (partie séparée)
187
Violon, Alto (duo)
181
Harpe, Flûte (duo)
181
2 Harpes (duo)
172
Contre Basse
167
2 Altos (duo)
161
Contrebasse (partie séparée)
126
Alto (partie séparée)
111
Trio à Cordes: 2 violons, violoncelle
81
Alto, Violoncelle (duo)
59
4 Violoncelles
57
Harpe, Violon (duo)
54
Violoncelle (partie séparée)
51
Violon, Guitare (duo)
40
2 Contrebasses (duo)
38
Trio à cordes: 3 violins
37
Piano Trio: Violon, Alto, Piano
34
Trio à Cordes: 3 violoncelles
24
Quatuor à cordes: 4 violons
19
Trio à Cordes: 2 violons, alto
17
Trio à cordes: 3 altos
17
Ensemble de Violons
17
Violoncelle, Contrebasse (duo)
15
Ensemble d'Altos
15
Harpe, Voix
15
Violon, Basson (duo)
15
Quintette à cordes: 2 violons, 2 altos, violoncelle
14
Trio à cordes
13
3 Harpes
11
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Quatuor à cordes : 4 altos
11
Violoncelle , Guitare (duo)
11
Alto et Basson
10
Alto, Guitare (duo)
8
Harpe et Piano
6
Ensemble de Violoncelles
5
Harpe, Violoncelle (duo)
5
Violon, Basse continue
5
4 Harpes
4
Violon, Clarinette, Piano (trio)
4
2 Violons, Piano
4
2 Violoncelles, Piano
3
Harpe, Violon, Violoncelle
3
Flûte, Contrebasse (duo)
3
5 Harpes
3
Violoncelle, Orgue
2
3 Contrebasses
2
Alto et Harpe
2
Autoharp
2
Harpe, Orchestre
2
4 Contrebasses
2
Harpe et mandoline
1
Violoncelle, Basse continue
1
Violon, Clarinette et Guitare
1
Violon, Tuba (duo)
1
Violon, Orgue
1
Harpe (partie séparée)
1
2 Altos, Piano
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
3 729
Orchestre
944
Orchestre à Cordes
904
Ensemble Jazz
586
Fanfare
580
Ensemble de cuivres
336
Cloches
283
Orchestre de chambre
185
Batterie
167
Jazz combo
152
Percussion (partie séparée)
146
Ensemble de Percussions
69
Percussion
49
Timbales (partie séparée)
40
Batterie (partie séparée)
38
Marimba
29
Vibraphone
28
Xylophone, Piano
24
Xylophone
15
Quintette à Vent
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
8
Timbales
8
Caisse Claire
5
Orchestre, Violon
4
Piano et Orchestre
4
2 Xylophones
4
Quatuor à Vent : 4 instruments à vents
4
Ensemble d'École
3
Xylophone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Instrumentation Flexible
2
Marimba, Piano (duo)
1
Vibraphone et Marimba
1
Marimba, Saxophone (duo)
1
+ 29 instrumentations
Retracter
Autres
Théorie de la musique
4
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
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11 651 partitions trouvées
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9976
Good News from New England
#
Cecilia McDowall
#
Good News from New England
#
Oxford University Press Digital
#
SheetMusicPlus
SKU: OX.9780193566972 Composed by Cecilia McDowall. New Horizons. Score. 47 pages. Oxford University Press Digital #9780193566972. Published by Oxford U...
(+)
SKU: OX.9780193566972 Composed by Cecilia McDowall. New Horizons. Score. 47 pages. Oxford University Press Digital #9780193566972. Published by Oxford University Press Digital (OX.9780193566972). ISBN 9780193566972.For SSATB and solo violin. This exciting work for choir and solo violin draws its title from Edward Winslow's 1624 chronicles, Good Newes from New England, in which he describes the Mayflower Pilgrims' settlement in the New World. It closes with a version of 'The Old Hundredth', and the audience is encouraged to join in singing this hymn.
$12.95
Good News from New England
#
Cecilia McDowall
#
Good News from New England
#
Oxford University Press Digital
#
SheetMusicPlus
SKU: OX.9780193566989 Composed by Cecilia McDowall. New Horizons. Score. 8 pages. Oxford University Press Digital #9780193566989. Published by Oxford Un...
(+)
SKU: OX.9780193566989 Composed by Cecilia McDowall. New Horizons. Score. 8 pages. Oxford University Press Digital #9780193566989. Published by Oxford University Press Digital (OX.9780193566989). ISBN 9780193566989.For SSATB and solo violin. This exciting work for choir and solo violin draws its title from Edward Winslow's 1624 chronicles, Good Newes from New England, in which he describes the Mayflower Pilgrims' settlement in the New World. It closes with a version of 'The Old Hundredth', and the audience is encouraged to join in singing this hymn.
$7.50
Theme from New York, New York: Timpani
#
Methodes
#
John Kander
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Mark Hayes
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Recorded Acc. Available.
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Theme from New York, New York:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Timpani - SKU: AX.00-PC-0014838_TMP Timpani. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digita...
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Timpani - SKU: AX.00-PC-0014838_TMP Timpani. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_TMP). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
Theme from New York, New York: 2nd & 3rd Trumpet
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Methodes
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John Kander
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Mark Hayes
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Recorded Acc. Available.
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Theme from New York, New York:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
2nd & 3rd Trumpet - SKU: AX.00-PC-0014838_T23 2nd & 3rd Trumpet. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 2 pages. A...
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2nd & 3rd Trumpet - SKU: AX.00-PC-0014838_T23 2nd & 3rd Trumpet. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_T23. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_T23). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
Theme from New York, New York: Master Rhythm
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Methodes
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John Kander
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Mark Hayes
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Recorded Acc. Available.
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Theme from New York, New York:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Master Rhythm - SKU: AX.00-PC-0014838_MR Master Rhythm. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 4 pages. Alfred Mus...
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Master Rhythm - SKU: AX.00-PC-0014838_MR Master Rhythm. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_MR. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_MR). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
A Whole New World
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Film Walt Disney
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Enfant
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Alan Menken
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Robert Newth
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A Whole New World
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Robert Newth
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.845797 Composed by Alan Menken. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,M...
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Large Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.845797 Composed by Alan Menken. Arranged by Robert Newth. Broadway,Contemporary,Film/TV,Musical/Show. Score and parts. 33 pages. Robert Newth #6561959. Published by Robert Newth (A0.845797). A Whole New World was written by Tim Rice and Alan Menken for the 1992 Disney film Aladdin. This arrangement is for early intermediate woodwind ensemble with 12 distinct parts, 3 Flutes, 3 Oboes, 3 Bb Clarinets and 3 Bassoons. Each part requires the player to think and play independently and is great for improving ensemble skills.This arrangement was originally written for and performed by the National Youth Orchestra of Scotland's Woodwind Training Ensemble.The PDF download contains a full score and all twelve parts.
$19.99
J.E. Newell's "The Secular Melodist"
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Various
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J
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J.E. Newell's "The Secula
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bl_music
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SheetMusicPlus
Small Ensemble Harmonium,Organ,Piano - Level 2 - SKU: A0.842553 Composed by Various. Arranged by J.E. Newell (1901) , B. Brennan (2014). Folk,Instructio...
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Small Ensemble Harmonium,Organ,Piano - Level 2 - SKU: A0.842553 Composed by Various. Arranged by J.E. Newell (1901) , B. Brennan (2014). Folk,Instructional,Standards,Traditional,World. Score and parts. 31 pages. Bl_music #5791217. Published by bl_music (A0.842553). J.E. Newell „The Secular Melodist 27 pieces for Harmonium/Reed Organ A couple of years ago I was lucky to find a complete original of this quite rare book of secular sheet music for reed organ, first published in 1901. It shows how integrated the harmonium/reed organ was in the daily life of the Victorians/Edwardians. Hymns and religious songs on Sundays, secular favourites at any (other) time. I processed Newell’s Secular Melodist and now offer this new edition, produced to modern standards but retaining the original format. The original title page reads: The Secular Melodist Containing Popular & Favorite Melodies For The Harmonium or American Organ Easily Arranged By J.E. Newell Whisper and I shall hear (Piccolomini), The Village Blacksmith (Weiss), The Washington PostMarch (Sousa), Juanita (Hon. Mrs. Norton), Queenie (Watson), What are the wild Waves saying (Glover) and 21 other numbers. Fun to play. Also highly suitable for piano or keyboard. Easy to medium.
$14.99
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Treble Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards....
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813828 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533917. Published by Regis Bookshar (A0.813828). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Treble Clef, he has made quite a few other arrangements of this selection which are readily available for a wi.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violoncello Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Perio...
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String Ensemble,String Quintet Cello - Level 3 - SKU: A0.813841 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533955. Published by Regis Bookshar (A0.813841). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violoncello Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violoncello Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
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