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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
New York, New York
Sheetmusicplus
Non classifié
591
Piano & claviers
Piano seul
1 375
Piano, Voix
1 131
Piano, Voix et Guitare
156
Piano Facile
100
Instruments en Do
36
1 Piano, 4 mains
11
Orgue
11
Piano grosses notes
9
Accompagnement Piano
6
2 Pianos, 4 mains
3
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Clavecin
1
Accordéon
1
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
55
Ligne De Mélodie, (Paroles) et Accords
42
Guitare
34
Ukulele
16
Paroles et Accords
13
Basse electrique
5
Guitare (partie séparée)
3
Piano, Guitare (duo)
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
Dulcimer
1
Ensemble de Ukulélés
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
333
Chorale TTBB
51
Chorale 3 parties
21
Pack Instrumental pour Chorale
14
Chorale SSAA
13
Voix haute
9
Voix Baryton, Piano
7
Chorale 2 parties
6
Chorale
6
Voix duo, Piano
5
Voix duo
4
Chorale Unison
4
Voix Tenor, Piano
4
Voix seule
4
Voix moyenne, Piano
3
Voix Soprano, Piano
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
48
Saxophone (partie séparée)
39
2 Saxophones (duo)
31
Quintette de Saxophone: 5 saxophones
30
Flûte traversière
27
Saxophone Tenor
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Saxophone Alto
23
Flûte traversière et Piano
22
Flûte, Violon, Piano
22
Ensemble de saxophones
22
Quatuor de Clarinettes: 4 clarinettes
20
Clarinette (partie séparée)
19
Saxophone Alto et Piano
18
2 Flûtes traversières (duo)
17
Saxophone, Clarinette (duo)
17
Ensemble de Clarinettes
16
Saxophone Tenor et Piano
16
Clarinette et Piano
16
2 Clarinettes (duo)
16
Clarinette
14
Hautbois (partie séparée)
13
Clarinette, Violon (duo)
12
Clarinette, Trompette (duo)
10
Quatuor de Flûtes : 4 flûtes
10
Ensemble de Flûtes
9
Flute (partie séparée)
9
2 Hautbois (duo)
8
Flûte, Clarinette (duo)
8
Hautbois, Piano (duo)
8
Hautbois, Clarinette (duo)
7
Flûte, Hautbois, Clarinette, Basson
6
Hautbois, Basson (duo)
6
Saxophone Soprano et Piano
6
Flûte, Violon
6
Flûte, Saxophone (duo)
6
Flûte, Trompette (duo)
5
Quintette de Flûte : 5 flûtes
5
Hautbois, Flûte
5
3 Saxophones (trio)
5
Clarinette et Alto
5
Quintette de Clarinettes: 5 clarinettes
4
Flûte et Guitare
4
Flûte, Alto (duo)
3
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Hautbois
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois (duo)
2
Cor anglais, Piano
2
Saxophone Baryton, Piano
2
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Hautbois, Guitare (duo)
1
Clarinette Basse, Piano
1
Saxophone et Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Trio de Flûtes: 3 flûtes
1
Flûte irlandaise
1
2 Saxophones, Piano
1
Saxophone et Orgue
1
Instruments en Mib
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Basson et Piano
1
+ 59 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trompette
25
Trombone (partie séparée)
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette (partie séparée)
19
Trompette, Saxophone (duo)
12
Trombone
12
Trombone et Piano
11
Ensemble de Trombones
10
Cor (partie séparée)
10
2 Trombones (duo)
9
Trompette, Trombone (duo)
9
Trompette, Piano
9
2 Trompettes (duo)
7
Tuba (partie séparée)
7
Cor
7
Quatuor de Cuivres
6
Ensemble de Trompettes
6
Tuba
5
Cor et Piano
5
Euphonium, Piano (duo)
4
Cor, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
Trombone, Cor (duo)
2
Trombone, Tuba (duo)
2
2 Cors (duo)
2
Trompette, Tuba (duo)
2
Cor anglais, Piano
2
Trompette, Cor (duo)
2
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette, Euphonium (duo)
1
Tuba et Piano
1
Instruments en Sib
1
Bass Clef Instruments
1
Trombone basse et Piano
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon
32
Violoncelle
17
Violon, Violoncelle (duo)
16
Violon (partie séparée)
14
Violon et Piano
14
Alto seul
12
Trio à Cordes: violon, alto, violoncelle
11
Violoncelle, Piano
11
2 Violoncelles (duo)
11
2 Violons (duo)
10
Contrebasse (partie séparée)
10
Alto, Piano
9
2 Altos (duo)
8
Violon, Alto (duo)
8
Harpe
7
Contre Basse
7
Violon, Guitare (duo)
6
Alto (partie séparée)
6
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
5
Violoncelle (partie séparée)
4
Ensemble d'Altos
3
4 Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Alto, Guitare (duo)
2
Violon, Basse continue
1
Violon, Orgue
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
243
Orchestre
59
Ensemble Jazz
45
Orchestre à Cordes
37
Ensemble de cuivres
27
Orchestre de chambre
14
Ensemble de Percussions
13
Percussion (partie séparée)
12
Jazz combo
11
Timbales (partie séparée)
5
Fanfare
4
Cloches
4
Vibraphone
4
Percussion
3
Batterie (partie séparée)
2
Batterie
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Note4Piano
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Vous avez sélectionné:
New York, New York
SheetMusicPlus
Partitions à imprimer
591 partitions trouvées
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Theme from New York, New York: Timpani
#
Methodes
#
John Kander
#
Mark Hayes
#
Recorded Acc. Available.
#
Theme from New York, New York:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Timpani - SKU: AX.00-PC-0014838_TMP Timpani. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digita...
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Timpani - SKU: AX.00-PC-0014838_TMP Timpani. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_TMP). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
Theme from New York, New York: 2nd & 3rd Trumpet
#
Methodes
#
John Kander
#
Mark Hayes
#
Recorded Acc. Available.
#
Theme from New York, New York:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
2nd & 3rd Trumpet - SKU: AX.00-PC-0014838_T23 2nd & 3rd Trumpet. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 2 pages. A...
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2nd & 3rd Trumpet - SKU: AX.00-PC-0014838_T23 2nd & 3rd Trumpet. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_T23. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_T23). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
Theme from New York, New York: Master Rhythm
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Methodes
#
John Kander
#
Mark Hayes
#
Recorded Acc. Available.
#
Theme from New York, New York:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Master Rhythm - SKU: AX.00-PC-0014838_MR Master Rhythm. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 4 pages. Alfred Mus...
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Master Rhythm - SKU: AX.00-PC-0014838_MR Master Rhythm. Composed by John Kander. Arranged by Mark Hayes. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014838_MR. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014838_MR). UPC: 038081339702.Everyone's favorite tribute to the Big Apple has been newly arranged in an unforgettable Sinatra-style, complete with the irresistible final kick line. A choral classic, sure to last in your library for years. Start spreadin' the news!Inst. Parts Available (choral); Recorded Acc. Available.
$3.00
Theme From "new York, New York"
#
Jazz
#
Frank Sinatra
#
Rubia de Moraes
#
Theme From "new York, New
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Felipe Medeiros
#
SheetMusicPlus
Small Ensemble Double Bass,Flute,Viola - Level 2 - SKU: A0.922108 By Frank Sinatra. By John Kander. Arranged by Rubia de Moraes. Jazz. Score and parts. ...
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Small Ensemble Double Bass,Flute,Viola - Level 2 - SKU: A0.922108 By Frank Sinatra. By John Kander. Arranged by Rubia de Moraes. Jazz. Score and parts. 8 pages. Felipe Medeiros #6411079. Published by Felipe Medeiros (A0.922108). An easy-to-play arrangement of the classic theme New York, New York immortalized by Frank Sinatra and written by John Kander and Fred Ebb.Start spreading the news / I'm leaving today / I want to be a part of it / New York, New YorkArrangement for flute, viola and double bass by Rúbia de Moraes.Features bow and pizzicato in the bass part.No fingerings or bow indications.Duration: Aprox. 3 minutes.It's simple and easy, suitable to many events including the classroom!Feel free to get in touch through Instagram @felipebassist.
$12.99
Theme From "new York, New York"
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Jazz
#
Frank Sinatra
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Elvio Ghigliordini
#
Theme From "new York, New
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Smim.it
#
SheetMusicPlus
Bass Guitar,Drums,Flute,Marimba,Piano Accompaniment,Vibraphone,Violin - Level 3 - SKU: A0.752057 By Frank Sinatra. By John Kander. Arranged by Elvio Ghi...
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Bass Guitar,Drums,Flute,Marimba,Piano Accompaniment,Vibraphone,Violin - Level 3 - SKU: A0.752057 By Frank Sinatra. By John Kander. Arranged by Elvio Ghigliordini. Jazz. 33 pages. Smim.it #4833641. Published by Smim.it (A0.752057). New York New York: Sheet Music for School EnsembleNew York New York: Partitura per orchestra scolastica
$12.99
Theme From "New York, New York"
#
Jazz
#
Frank Sinatra
#
Andrew Middleton
#
Theme From "New York, New
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Andrew Middleton
#
SheetMusicPlus
Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 2 - SKU: A0.735329 By Frank Sinatra. By John Kander. Arranged by Andrew ...
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 2 - SKU: A0.735329 By Frank Sinatra. By John Kander. Arranged by Andrew Middleton. Jazz. Score and parts. 9 pages. Andrew Middleton #4356159. Published by Andrew Middleton (A0.735329). Frank Sinatra's classic hit, New York, New York, arranged for solo clarinet and piano accompaniment. This arrangement would also be ideal for trumpet in B flat as well as soprano and tenor saxophone!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Theme From "New York, New York"
#
Jazz
#
Frank Sinatra
#
Andrew Middleton
#
Theme From "New York, New
#
Andrew Middleton
#
SheetMusicPlus
Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - SKU: A0.735334 By Frank Sinatra. By John Kander. Arranged by Andrew Middleton. Jazz. Score and parts....
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Small Ensemble Flute,Oboe,Piano,Violin - Level 3 - SKU: A0.735334 By Frank Sinatra. By John Kander. Arranged by Andrew Middleton. Jazz. Score and parts. 9 pages. Andrew Middleton #4356175. Published by Andrew Middleton (A0.735334). Frank Sinatra's classic hit, New York, New York, arranged for solo flute and piano accompaniment. This arrangement would also be suitable for violin and oboe too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Theme From "New York, New York"
#
Jazz
#
Frank Sinatra
#
Andrew Middleton
#
Theme From "New York, New
#
Andrew Middleton
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.735332 By Frank Sinatra. By John Kander. Arranged by Andrew Middleton. J...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.735332 By Frank Sinatra. By John Kander. Arranged by Andrew Middleton. Jazz. Score and parts. 7 pages. Andrew Middleton #4356169. Published by Andrew Middleton (A0.735332). Frank Sinatra's classic hit, New York, New York, arranged for solo oboe and piano accompaniment. This arrangement would also be suitable for violin too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Theme From "New York, New York"
#
Jazz
#
Frank Sinatra
#
Reese Blaskowski
#
Theme From "New York, New
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Reese Blaskowski
#
SheetMusicPlus
Small Ensemble Drum Set - Level 5 - SKU: A0.856474 By Frank Sinatra. By John Kander. Arranged by Reese Blaskowski. Jazz. Score and parts. 20 pages. Rees...
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Small Ensemble Drum Set - Level 5 - SKU: A0.856474 By Frank Sinatra. By John Kander. Arranged by Reese Blaskowski. Jazz. Score and parts. 20 pages. Reese Blaskowski #3515315. Published by Reese Blaskowski (A0.856474). The theme from New York, New York, by Frank Sinatra, arranged for brass quintet by Reese Blaskowski. This arrangement condenses a big band jazz piece into a brass quintet that will definitely impress a crowd.https://www.youtube.com/watch?v=k2LAqfFM3lI
$15.99
Theme From "new York, New York"
#
Jazz
#
Frank Sinatra
#
Andrew Grenci
#
Theme From "new York, New
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Andiss Music
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.809971 By Frank Sinatra. By John Kander. Arranged by Andrew Grenci. Jazz. 7 pages. Andiss Music (www.andrewgrenci....
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Woodwind Ensemble - Level 3 - SKU: A0.809971 By Frank Sinatra. By John Kander. Arranged by Andrew Grenci. Jazz. 7 pages. Andiss Music (www.andrewgrenci.com) #5288901. Published by Andiss Music (www.andrewgrenci.com) (A0.809971). New York, New York for clarinet and bass clarinet duet. Also playable with two clarinets. This arrangement has been performed professionally many times, and is always an entertaining hit! Enjoy the MP3 recording of the Niantic Bay Clarinet Project playing this piece.
$7.99
Theme From "New York, New York"
#
Jazz
#
Frank Sinatra
#
Jonathan Allentoff
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Theme From "New York, New
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Allentoff Music
#
SheetMusicPlus
Small Ensemble Cello,Double Bass,Viola,Voice - SKU: A0.837374 By Frank Sinatra. By John Kander. Arranged by Jonathan Allentoff. Jazz. Score and parts. 2...
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Small Ensemble Cello,Double Bass,Viola,Voice - SKU: A0.837374 By Frank Sinatra. By John Kander. Arranged by Jonathan Allentoff. Jazz. Score and parts. 21 pages. Allentoff Music #4802985. Published by Allentoff Music (A0.837374). Theme from New York, New York by John Kander and Fred Ebb, arranged for voice & string ensemble by ASCAP/ASMAC composer Jonathan Allentoff. .
$49.99
Theme From "New York, New York"
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Jazz
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Frank Sinatra
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Boni de Souza
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Theme From "New York, New
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De Souza et Music LLP
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Drums,Flute,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.887507 By Frank Sinatra. By John Kander. Arrang...
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Large Ensemble Cello,Double Bass,Drums,Flute,Guitar,Piano Accompaniment,Viola,Violin - Level 2 - SKU: A0.887507 By Frank Sinatra. By John Kander. Arranged by Boni de Souza. Jazz. Score and parts. 22 pages. De Souza et Music LLP #3464567. Published by De Souza et Music LLP (A0.887507). This arrangement of New York New York is especially for an 8-10pc ensemble comprising Violins 1 and 2, Viola, Cello, Double bass, Piano, Guitar and Drums with the Lead Melody lines taken by either Clarinet or Flute. It is suitable for Early Intermediate level players and would be very appropriate for School Concerts, Cocktail events and other gatherings where easy listening jazz and Broadway tunes are required. If the Lead instruments are not utilised the arrangement can be used for Vocal accompaniment by using just the String Quartet and Piano or a combination of String Quartet, Piano, Drums, Guitar (optional) and Double Bass.
$21.99
Vanity (Or How I Learned To Hate FOXNews & Fell In Love w/a Lesbian Who Looks Like a 12-Year Old Boy
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Bill Robertson, Chris Barnett,
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Stephen Barnett
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Vanity
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Stephen Matthew Barnett Music
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SheetMusicPlus
Cello,Double Bass,Drums,Piano,Shaker,Sleigh Bells,Viola,Violin,Voice - Level 5 - SKU: A0.1307659 By Bill Robertson, Chris Barnett, Justin McEllroy, Magg...
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Cello,Double Bass,Drums,Piano,Shaker,Sleigh Bells,Viola,Violin,Voice - Level 5 - SKU: A0.1307659 By Bill Robertson, Chris Barnett, Justin McEllroy, Maggie McNeil, Michelle Miller, Osso String Ensemble, Rebecca Larkin, Ryan Cunningham, Stephen Barnett, and Tania Taylor Powers. By Chris Barnett, Matthew Stevens, and Stephen Matthew Barnett. Arranged by Stephen Barnett. Broadway,Comedy,Contemporary,Musical/Show,Pop,Rock. Full Performance. Duration 262. Stephen Matthew Barnett Music #896920. Published by Stephen Matthew Barnett Music (A0.1307659). From the song cycle “Adultolescence,†produced in 2013 in New York City, NY.
$1.99
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Euphonium Quintet - Bass Clef)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Scor...
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Brass Ensemble Euphonium - Level 3 - SKU: A0.813827 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533911. Published by Regis Bookshar (A0.813827). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Euphonium Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Euphonium Quintet written in Bass Clef, he has made quite a few other arrangements of this selection which are readily available for a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (French Horn Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and...
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Brass Ensemble Horn - Level 3 - SKU: A0.813830 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533921. Published by Regis Bookshar (A0.813830). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (French Horn Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a French Horn Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instr.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 2 Trb)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Pe...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.813825 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533903. Published by Regis Bookshar (A0.813825). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets and 2 Trombones, he has made quite a few other arrangements of this selection wh.
$15.00
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