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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Nova Era
Non classifié
79
Piano & claviers
Piano seul
254
Piano, Voix et Guitare
118
Piano Facile
40
Piano, Voix
30
Piano grosses notes
29
Instruments en Do
12
1 Piano, 4 mains
6
Orgue
4
Accordéon, Voix
2
2 Pianos, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
39
Ligne De Mélodie, (Paroles) et Accords
24
Guitare
17
Ukulele
7
Piano, Guitare (duo)
3
Paroles et Accords
2
Mandoline
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
Basse electrique
1
Ukulele Baryton
1
2 Guitares (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale 2 parties
27
Chorale SATB
19
Chorale 3 parties
5
Chorale SSAATTBB
2
Chorale TTBB
2
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Flûte, Violon, Piano
45
Saxophone Alto
16
2 Saxophones (duo)
11
Saxophone Tenor
10
2 Clarinettes (duo)
10
Flûte traversière
8
Clarinette
8
Saxophone, Clarinette (duo)
5
Quatuor de Clarinettes: 4 clarinettes
5
2 Flûtes traversières (duo)
5
Clarinette, Violon (duo)
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Violon
3
Saxophone Alto et Piano
2
Clarinette, Trompette (duo)
2
Hautbois, Basson (duo)
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette (duo)
2
Flûte traversière et Piano
2
Flûte, Violoncelle
2
Clarinette et Alto
2
Hautbois, Flûte
2
Ensemble de saxophones
1
Saxophone Soprano
1
Flûte, Clarinette (duo)
1
Instruments en Mib
1
Hautbois, Piano (duo)
1
Clarinette, Violoncelle (duo)
1
2 Hautbois (duo)
1
Clarinette et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Alto (duo)
1
Flûte, Trompette (duo)
1
+ 31 instrumentations
Retracter
Cuivres
Trombone
10
Trompette
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
2 Tubas (duo)
5
Trompette, Saxophone (duo)
4
Cor
4
Trompette, Piano
4
2 Trombones (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Bass Clef Instruments
2
Trombone et Piano
2
Tuba et Piano
2
Ensemble de Trombones
2
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
2 Cors (duo)
1
Instruments en Sib
1
2 Trompettes (duo)
1
Tuba
1
+ 15 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon
11
Violon et Piano
9
Violoncelle
8
Alto seul
5
2 Altos (duo)
4
2 Violons (duo)
4
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
3
Trio à Cordes: violon, alto, violoncelle
2
Violon, Alto (duo)
2
Alto (partie séparée)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Piano
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
17
Orchestre à Cordes
16
Orchestre
13
Orchestre de chambre
9
Ensemble de cuivres
5
Jazz combo
4
Ensemble Jazz
3
Cajon
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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SAXOPHONE
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VIELLE A RO…
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VIOLONCELLE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Prix + au -
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A-Z
difficulté (tous)
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expert
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avec vidéo
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Crtitères actifs :
Nova Era
Partitions à imprimer
79 partitions trouvées
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1
26
51
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Landini: Ecco la Primavera for Brass Trio
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standa...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063306. Published by jmsgu3 (A0.1486246). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures.The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389.As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings.Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95
Landini: Ecco la Primavera for Clarinet Trio
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Landini
#
James M
#
Landini: Ecco la Primavera for
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Ren...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. 15 pages. Jmsgu3 #1063348. Published by jmsgu3 (A0.1486287). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95
Landini: Ecco la Primavera for Saxophone Trio
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Landini
#
James M
#
Landini: Ecco la Primavera for
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,H...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone - Level 3 - SKU: A0.1486279 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063339. Published by jmsgu3 (A0.1486279). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an essential example of Italy's musical, cultural, and intellectual shifts during the transition from the medieval period to the Renaissance.
$34.95
Landini: Ecco la Primavera for Double Reed Trio
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Landini
#
James M
#
Landini: Ecco la Primavera for
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,Oboe - Level 3 - SKU: A0.1486330 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Rena...
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Woodwind Ensemble Bassoon,Oboe - Level 3 - SKU: A0.1486330 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. 15 pages. Jmsgu3 #1063393. Published by jmsgu3 (A0.1486330). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95
de Vitry: Garrit gallus/In nova fert for Brass Trio
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Philippe De Vitry
#
James M
#
de Vitry: Garrit gallus/In nov
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jmsgu3
#
SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - SKU: A0.1347457 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Instructional...
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Cornet,Horn,Trombone - Level 3 - SKU: A0.1347457 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #932258. Published by jmsgu3 (A0.1347457). Philippe de Vitry's Garrit gallus/In nova fert is significant in its historical and musical importance. Composed around 1315, it is one of the earlier works of the Ars Nova, marking a stylistic change in medieval music. The motet is complex, using multiple texts sung simultaneously, isorhythm, and unusual harmonies, which required a new notational system of red ink coloration to indicate the duple. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament, and the corrupt leadership at the time. It may make a strong political statement about the corrupt leadership at the time, as it is part of the Roman de Fauvel. This animal fable satirizes the political situation in Paris.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95
Red Wine Supernova
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Chappell Roan
#
Hollywood Charts
#
Red Wine Supernova
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Hollywood Charts
#
SheetMusicPlus
Rhythm Section Voice - Level 2 - SKU: A0.1513307 By Chappell Roan. By Amy Kuney, Anna Schindel, Chappell Roan, Daniel Nigro, and Lisa Hickox P/k/a Lixa....
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Rhythm Section Voice - Level 2 - SKU: A0.1513307 By Chappell Roan. By Amy Kuney, Anna Schindel, Chappell Roan, Daniel Nigro, and Lisa Hickox P/k/a Lixa. Arranged by Hollywood Charts. Pop. Cover Band. 6 pages. Hollywood Charts #1088179. Published by Hollywood Charts (A0.1513307). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for your rhythm section. This ensures your entire band will be on the same page, literally!Introducing the rhythm section transcription of Chappell Roan's Red Wine Supernova, meticulously arranged for musicians who want to capture the vibrant energy and dynamic groove of this unforgettable track. Perfect for bands and ensembles, this transcription provides an authentic representation of the driving bass lines, intricate guitar work, and rhythmic nuances that define the song's unique sound. Whether you're performing live or adding it to your repertoire, this sheet music will help you bring the lush, intoxicating atmosphere of Red Wine Supernova to life. Enhance your performance with the full rhythm section experience and enjoy the thrill of playing this modern pop masterpiece.
$24.99
Samba De Verao
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Jazz
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Cauby Peixoto
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Anderson Branco
#
Samba De Verao
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Anderson Branco
#
SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 2 - SKU: A0.1042216 By Cauby Peixoto. By Marcos Kostenbader Valle and Paulo Sergio Kostenbader Valle. Arranged...
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Acoustic Guitar,Instrumental Solo - Level 2 - SKU: A0.1042216 By Cauby Peixoto. By Marcos Kostenbader Valle and Paulo Sergio Kostenbader Valle. Arranged by Anderson Branco. 20th Century,Jazz. Individual part. 2 pages. Anderson Branco #647020. Published by Anderson Branco (A0.1042216). Summer Samba (also known as So Nice or its original Portuguese title, Samba de Verão) is a 1964 bossa nova and jazz standard song by Brazilian composer Marcos Valle, with English-language lyrics by Norman Gimbel; the original Portuguese lyrics are by Paulo Sérgio Valle, the composer's brother.[1].
$4.99
Red Wine Supernova
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Chappell Roan
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Genevieve Andrews
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Red Wine Supernova
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Genevieve Andrews
#
SheetMusicPlus
Small Ensemble Cello, Viola, Violin - Level 3 - Interactive Download SKU: A0.1513167 By Chappell Roan. By Amy Kuney, Anna Schindel, Chappell Roan, Daniel...
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Small Ensemble Cello, Viola, Violin - Level 3 - Interactive Download SKU: A0.1513167 By Chappell Roan. By Amy Kuney, Anna Schindel, Chappell Roan, Daniel Nigro, and Lisa Hickox P/k/a Lixa. Arranged by Genevieve Andrews. This edition: Interactive Download, pdf. Pop. 26 pages. Duration 186. Genevieve Andrews #70ef16w3W0mnExS2IB6uwM. Published by Genevieve Andrews (A0.1513167). Key: A major.A string quartet arrangement of Red Wine Supernova by Chappell Roan.
$20.00
Red Wine Supernova
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Pop musique
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Chappell Roan
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Red Wine Supernova
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Hal Leonard - Digital
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SheetMusicPlus
Piano, Piano,Vocal,Guitar, Piano/Keyboard, Voice - Interactive Download SKU: HX.1512556 By Chappell Roan. This edition: Interactive Download, pdf, scorch...
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Piano, Piano,Vocal,Guitar, Piano/Keyboard, Voice - Interactive Download SKU: HX.1512556 By Chappell Roan. This edition: Interactive Download, pdf, scorch. Pop. 6 pages. Hal Leonard - Digital #355561. Published by Hal Leonard - Digital (HX.1512556).
$5.99
Jane Novacane
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Pop musique
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Raphael Jason Zamora ft
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Addison Lee
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Jane Novacane
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Addison Lee
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SheetMusicPlus
Piano, Vocal,Piano and Keyboard - Interactive Download SKU: A0.483526 By Raphael Jason Zamora ft. Ari Lennox. Arranged by Addison Lee. This edition: Inte...
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Piano, Vocal,Piano and Keyboard - Interactive Download SKU: A0.483526 By Raphael Jason Zamora ft. Ari Lennox. Arranged by Addison Lee. This edition: Interactive Download. Pop. Score. 8 pages. Duration 189. Published by Addison Lee (A0.483526). I do not own the rights to this music.
$4.99
Doubt & Determination (An Epic Sonata of Indeterminacy)
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Dennis Garretson
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Doubt & Determination
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Dennis Garretson
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SheetMusicPlus
Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary...
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Small Ensemble Flute,Soprano Saxophone,Tenor Saxophone,Violin - Level 5 - SKU: A0.993652 Composed by Dennis Garretson. 20th Century,Baroque,Contemporary. Score and parts. 5 pages. Dennis Garretson #4580777. Published by Dennis Garretson (A0.993652). Description:Doubt & Determination bridges the gaps between musical eras, as one would hear certain nuance that dates back to the Baroque era but possess a rather modern musical structure. The piece challenges both the listeners and the player themselves. For the public ears, one will have to adapt the performer's perspectives to 'feel' the piece. As the title suggests, both 'Doubt' and 'Determination' are two human perceptions that oppose each other, to understand the music is to find common grounds between them, through unexpected cadences and dynamic change. The performer will have to deliver the technicalities of bringing them together, through detail instructions on dynamics and tempo change. The piece is modeled in Sonata Form. however, it is to be approached with indeterminacy, occasionally granting the performer the freedom through Tempo Rubato and Breath Perceptions.Practice Suggestion:This music can only prevail through expression, thus the commitment for dynamic is of the utmost importance. It is highly suggested to understand what makes this piece unique, a score analysis is always a good start. Mark out the accents (Staccato and Emphasis) and the tempo change. Establish breathing points since the piece has very minimal instructions for that, it is hence highly dependent on the performer's capability to deliver.A proper mindset is essential for the perfect performance.Instrumentations:Certain instruments are optional if a soprano saxophone is proven unavailable. The permitted exceptions are Violins (high strings with nuance deliverance) and Woodwinds within the tenor and soprano range.About the ComposerDennis Garretson is young Pianist, Improviser and Composer.Born and raised in Hong Kong, he started as a self-taught composer in high school. and became increasingly influenced by Hollywood &Blockbuster sounds, which paved the way towards discovering his passion towards the realm of orchestral music & film scores. He produced his first soundtrack when he was 17 and secured his first Media Award in the 12th Annual Hong Kong Film Art Association for the best original composition.Currently pursuing a music degree in Nova Scotia Canada, Dennis has the honorable opportunity of studying under multi Juno nominated composer - Peter Togni. His style of writing could be described as - Adaptive Story Telling, allowing listeners to have their very own unique interpretations of what the music could be about while anchoring within reach of the composer's core idea. Dennis strives to be a composer of true versatility, albeit his primary interest remains committed to film scores. He has written in the styles of Schoenberg's 12-tone techniques and has gone as polar as modern movie and trailer music. His music has been commissioned for short films and could be heard on various media platforms.For work inquiry, please contact through social media.
$6.99
Bohemian Rhapsody
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Film/TV
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Queen
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Javier MartÃnez Maya
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Bohemian Rhapsody
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Arte Nova Music Lab
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.742569 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Javier MartÃnez Maya. Film/TV. Score and pa...
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Large Ensemble - Level 4 - SKU: A0.742569 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Javier MartÃnez Maya. Film/TV. Score and parts. 89 pages. Arte Nova Music Lab #6431737. Published by Arte Nova Music Lab (A0.742569). Bohemian Rhapsody is a song by the British rock band Queen. It was written by Freddie Mercury for the band's 1975 album A Night at the Opera. The song is a six-minute suite, notable for its lack of a refraining chorus and consisting of several sections: an intro, a ballad segment, an operatic passage, a hard rock part and a reflective coda. Bohemian Rhapsody is one of the few songs to emerge from the 1970s progressive rock movement to achieve widespread commercial success and appeal to a mainstream audience.Bohemian Rhapsody topped the UK Singles Chart for nine weeks and had sold more than a million copies by the end of January 1976. In 1991, after Mercury's death, it topped the charts for another five weeks, eventually becoming the UK's third best-selling single of all time. It is also the only song to reach the UK Christmas number one twice by the same artist. It also topped the charts in countries including Canada, Australia, New Zealand, Ireland, and the Netherlands, and sold over six million copies sold worldwide. In the United States, the song peaked at number nine in 1976, but reached a new peak of number two on theBillboard Hot 100 after being used in the film Wayne's World (1992). In 2018, the release of Queen biopic Bohemian Rhapsody brought the song renewed popularity and chart success worldwide.Taken from https://en.wikipedia.org/wiki/Bohemian_Rhapsody
$60.00
Machaut: Le Messe de Nostre Dame for Brass Quartet
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Filhos da Revolução dos Cravos / Children of the Carnation Revolution (Orff Inst.)
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Rudesindo Soutelo
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Filhos da Revoluç&atild
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,...
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Orff instruments Orff instruments - Level 3 - SKU: A0.1423143 Composed by Rudesindo Soutelo. Arranged by Orff Instruments (Score + Parts). 21st Century,Children,Classical,Contemporary. 48 pages. Publisher by Rudesindo Soutelo #1004474. Published by Publisher by Rudesindo Soutelo (A0.1423143). Rudesindo SouteloFilhos da Revolução dos Cravos / Children of the Carnation Revolution (2024) for Orff Instruments [ca. 5' 21]Première: 24-IV-2024. Auditório Ramos Pereira, Vila Praia de Âncora (Portugal). Int.: Clube Instrumental da EBS do Vale do Âncora. Prof. Manuela Moura. ISWC: T-324.609.051-3ISMN: 979-0-707704-20-2Info: https://soutelo.euSample pages / Páginas de amostra: https://www.researchgate.net/publication/379996834The songs of intervention that filled the revolutionary spirit are perceived by the generations born afterwards as grandfather’s little stories. The children of a revolution are always calm and carefree, but this complacent detachment contains within itself the germs of new tensions that could become the cause and beginning of a new revolution.The piece was composed for the Instrumental Club of the Vale do Âncora Primary and Secondary School to celebrate the 50th anniversary of the Carnation Revolution. There is a version for piano 4 hands. The generative complex that organises the whole work {6[2, 2, 2], 2, 9[3, 3, 3]} is taken from the number of letters in the words of the title.-oOo-Os cantos de intervenção que preencheram o espírito revolucionário são percebidos, pelas gerações que nasceram depois, como as historinhas do avô. Os filhos duma revolução são sempre calmos e despreocupados, mas essa acomodada distensão encerra em si mesma os germes de novas tensões que podem vir a ser a causa e o princípio duma nova revolução.A obra foi escrita para o Clube Instrumental da Escola Básica e Secundária do Vale do Âncora para assim celebrar o cinquenta aniversário da Revolução dos Cravos. Há uma versão para Piano a 4 mãos. O complexo geratriz que organiza toda a obra {6[2, 2, 2], 2, 9[3, 3, 3]} está tomado do número de letras que contêm as palavras do título.
$10.00
de Vitry: O canenda/Rex regum for Brass Quartet
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Philippe De Vitry
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James M
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de Vitry: O canenda/Rex regum
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,...
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Brass Quartet Cornet,Horn,Trombone - Level 3 - SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.
$24.95
Scenes (Loops / Resonances / Phase)
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Contemporain
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Scenes
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Marcos Fernandez-Barrero
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Centu...
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Instrumental Solo - Level 5 - SKU: A0.1307538 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 21st Century,Classical,Contemporary,Film/TV,New Age. Individual part. 30 pages. Marcos Fernandez-Barrero #896802. Published by Marcos Fernandez-Barrero (A0.1307538). A solo piano work commissioned by Palau de la Música Catalana and funded by the Barcelona Creació Sonora to be premiered on the 28th September 2022 at Palau de la Música Catalana (Barcelona) by Alex Alguacil. Scenes is a musical composition comprising three distinct pieces: Loops, Resonances, and Phase. These works can be programmed independently or played consecutively without interruption to create a seamless, unified musical experience.Each of the three pieces draws its melodic inspiration and thematic ideas from Los Requiebros, the opening composition of Enrique Granados' Goyescas. In Los Requiebros, Granados skillfully incorporates a traditional Valencian tune known as La Tirana del TrÃpili to depict a romantic scene inspired by one of Francisco Goya's paintings. Goya's art served as a profound influence on Granados during this period.In Scenes, the aforementioned Valencian tune, along with various other elements rooted in the Spanish-Catalan piano school of Granados' era, is explored, dissected, reassembled, and blended with original ideas. This creative process results in three unique acoustic scenes where the central musical material is manipulated through looping, resonating, and phase shifting techniques. The resulting compositions provide a fresh perspective on the source material, offering a captivating journey through the world of sound, evoking a sense of timelessness and innovation.Scenes invites the audience to explore the rich heritage of Spanish-Catalan music while embracing contemporary approaches to composition and performance. The choice to perform the three pieces in succession without interruption allows for a seamless narrative that unites these scenes into a singular, immersive musical experience_________________________________________________________Una obra para solo encargo del Palau de la Música Catalana y financiada por el Barcelona Creació Sonora para su estreno el 28 de septiembre de 2022 en el Palau de la Música Catalana (Barcelona) a cargo de Alex Alguacil. “Scenes†(Escenas) es una composición que consta de tres obras distintas: Loops, Resonances y Phase. Estas pueden ser programadas de manera independiente o tocarse de manera consecutiva sin interrupciones para crear una experiencia musical unificada y fluida.Cada una de las tres piezas extrae su inspiración melódica y sus ideas temáticas de Los Requiebros, la obra de apertura de Goyescas de Enrique Granados. En Los Requiebros, Granados incorpora de manera magistral una melodÃa tradicional valenciana conocida como La Tirana del TrÃpili para representar una escena romántica inspirada en una de las pinturas de Francisco Goya. En Scenes, la mencionada melodÃa valenciana, junto con varios otros elementos arraigados en la escuela de piano española-catalana de la época de Granados, se exploran, deconstruyen, reensamblan y mezclan con ideas originales. Este proceso creativo da como resultado tres escenas acústicas únicas en las que el material musical central se manipula mediante técnicas de bucle, resonancia y cambio de fase. Las composiciones resultantes ofrecen una perspectiva fresca sobre el material fuente, brindando un viaje cautivador a través del mundo del sonido, evocando una sensación de atemporalidad e innovación.Scenes invita al público a explorar la rica herencia de la música española-catalana al tiempo que adopta enfoques contemporáneos para la composición y la interpretación. La elección de interpretar las tres piezas de manera sucesiva sin interrupciones permite una narrativa fluida que une estas escenas en una experiencia musical singular y envolvente.
$19.95
de Vitry: Hugo princeps/Cum structura for Brass Trio
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Philippe De Vitry
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James M
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de Vitry: Hugo princeps/Cum st
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jmsgu3
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SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Trad...
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Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Traditional. 6 pages. Jmsgu3 #932321. Published by jmsgu3 (A0.1347512). The motet Hugo, Hugo, princeps by Philippe de Vitry is significant for its musical innovation and potential political connotations. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a strong political statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament and the corrupt leadership at the time. Additionally, the motet employs elements that de Vitry helped develop early in the 14th century, which would later characterize the Ars Nova period in music. Therefore, Hugo, Hugo, princeps is notable for its musical and potentially political significance.The term Hugo princeps in Philippe de Vitry's motet is believed to refer to a specific individual named Hugo, potentially with political connotations. The term princeps in the motet's title may imply a reference to a leader or prince. When combined with the context of the text, it likely carries a symbolic or allegorical meaning related to that period's political and social environment. The term Cum structura in Hugo princepsCum structura is a musical term that translates to with structure in English. In the context of Philippe de Vitry's motet, it likely denotes the structural complexity and organization of the musical composition. This term reflects the meticulous and innovative musical construction for which Vitry's works are known, particularly during the Ars Nova period in the 14th century.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95
Take A Deep Breath
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Marian Fernandez
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Take A Deep Breath
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Marian Fernandez
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SheetMusicPlus
Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Violin - Level 4 - SKU: A0.1466288 Composed by Marian Fernandez....
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Mixed Percussion Bassoon,Cello,Clarinet,Cymbals,Flute,Horn,Piano,Trombone,Trumpet,Viola,Violin - Level 4 - SKU: A0.1466288 Composed by Marian Fernandez. 21st Century,Film/TV. Accompaniment. Duration 174. Marian Fernandez #1044869. Published by Marian Fernandez (A0.1466288). Take a Deep Breath es una pieza musical que nace de un momento de introspección y necesidad de calma. Esta composición refleja la travesía emocional de atravesar periodos de oscuridad y estrés. A través de una rica orquestación instrumental, la pieza guía al oyente desde la sensación de agobio y desesperanza hacia un renacer de esperanza y motivación. El objetivo principal de Take a Deep Breath es representar ese viaje transformador, cómo nos sentimos atrapados en la oscuridad para luego, al detenernos un momento y respirar profundamente, encontrar la fuerza para emerger hacia nuestra mejor versión. Esta obra es ideal para acompañar escenas emotivas, de naturaleza, de motivación o de superación, proporcionando una banda sonora que resuena con la experiencia universal de buscar claridad y esperanza en tiempos difíciles, y celebrar la transición hacia un estado de renovación y fuerza interior.
$50.00
Don't Look Back In Anger
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Oasis
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Matt Shaw
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Don't Look Back In Anger
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MJ Shaw
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1475524 By Oasis. By Noel Gallagher. Arranged by Matt Shaw. 21st Century,Pop,Rock. Brass Band. 42 pages. MJ Shaw #1053076. Published by MJ Shaw (A0.1475524). The iconic Oasis song, synonymous with the BritPop era and originally written by Noel Gallagher, has been skilfully arranged for brass band by Matt Shaw. Scored for standard British-style brass band, with timpani, kit and tambourine, this slick arrangement features moments for flugelhorn, solo euphonium and solo trombone in place of guitar solos, and gives plenty of opportunities for you to showcase your band's kit player. A brilliant, clever and detailed arrangement, which will suit all concert programmes, from Nova Vocem Music.Suggested level - 3rd Section +.
$45.00
Cum enim quietum silentium contineret omnia, ...
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Janusz Krzysztof Korczak
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Cum enim quietum silentium con
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB/SATB/SATB/SATB) - advanced - SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distinguished Choral Mus...
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Mixed choir (SATB/SATB/SATB/SATB) - advanced - SKU: S9.Q46315 Composed by Janusz Krzysztof Korczak. This edition: choral score. Distinguished Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q46315. Published by Schott Music - Digital (S9.Q46315). Latin.For his choral piece Cum enim quietum silentium contineret omnia, ..., the composer, choir director and organist Janusz Krzysztof Korczak, born in Cracow in 1994, was awarded the 3rd prize at the International Composition Competition 'Musica Sacra Nova' 2016. This demanding Latin choral work is written for four four-part a cappella ensembles (SATB/SATB/SATB/SATB), including a plan of the ensembles' precise positions provided by the Polish composer. In this church music work which is divided into several thematic sections for which Korczak has a maximum of four singers for each part in each ensemble in mind, he has tried, by his own account, to set to music 'a kind of programmatic visualization' of the words borrowed from the Liber Sapientiae 18, 14-15b. As a consequence, performance instructions like soft or sharp whispering, singing with open and closed mouth, parts to be recited 'ad libitum', a general rest with explicit indication of seconds, strong dynamic accents as well as an abruptly descending glissando at the end are among the striking features of this 16-part a cappella choral work. Ideal literature for singers who are eager to experiment.
$4.99
Nineteen Skeletal Duets for Euphoniums (in treble clef)
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Contemporain
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Gregory Fritze
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Nineteen Skeletal Duets for Eu
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score an...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
From The Start
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Laufey
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Caleb James
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From The Start
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Caleb James
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SheetMusicPlus
Brass Ensemble,Brass Quintet Flugelhorn,Trumpet - Level 4 - SKU: A0.1508097 By Laufey. By Laufey and Spencer Stewart. Arranged by Caleb James. Chamber,C...
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Brass Ensemble,Brass Quintet Flugelhorn,Trumpet - Level 4 - SKU: A0.1508097 By Laufey. By Laufey and Spencer Stewart. Arranged by Caleb James. Chamber,Contest,Festival,Jazz,Pop,Singer/Songwriter. 32 pages. Caleb James #1083385. Published by Caleb James (A0.1508097). Experience the jazzy elegance of Laufey’s “From the Start” reimagined for flugelhorn quintet. This adaptation, tailored for high school or college ensembles, showcases warm low range of the flugelhorn, as well as the moderately high, making it an ideal choice for developing musicians looking to explore jazz and Latin-inspired genres.The arrangement features a delicate balance between melody and harmony, with each flugelhorn part offering a unique voice within the ensemble. The flowing bossa nova rhythm provides a sophisticated yet accessible backdrop, allowing performers to delve into expressive phrasing and dynamic interplay. Rhythmic syncopations and subtle, syncopated accents bring a playful yet refined character to the piece, enhancing the overall bossa nova feel.Ideal for concert settings and educational performances, this arrangement encourages students to develop their technical skills while embracing the nuances of jazz-influenced Latin styles. Whether performing for a formal concert or a casual setting, the quintet will captivate audiences with this charming, rhythmically engaging, and harmonically rich rendition of Laufey's beloved composition.
$18.99
Sea Songs
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of ...
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Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
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