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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ogrójec
Non classifié
106
Piano & claviers
Piano seul
179
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38
Piano, Voix et Guitare
15
1 Piano, 4 mains
11
Instruments en Do
5
Orgue
3
Piano Facile
3
Accompagnement Piano
1
Clavier
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
Ligne De Mélodie, Piano
1
+ 8 instrumentations
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Guitares
Guitare
13
Mandoline
4
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Chorale SATB
22
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5
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2
Chorale Unison
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1
Voix duo
1
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Flûte traversière et Piano
11
Clarinette et Piano
9
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8
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8
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7
Saxophone Alto et Piano
7
Saxophone Tenor
6
Saxophone Soprano et Piano
6
Saxophone Alto
6
Flûte traversière
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
5
Quatuor de Flûtes : 4 flûtes
5
Quatuor de Saxophones: 4 saxophones
5
Clarinette Basse, Piano
5
Hautbois, Piano (duo)
4
Ensemble de Clarinettes
4
Clarinette
4
Saxophone (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte à bec Tenor
1
3 Saxophones (trio)
1
Piccolo, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Saxophone et Orgue
1
Hautbois (partie séparée)
1
Harmonica
1
Ensemble de Flûtes
1
+ 28 instrumentations
Retracter
Cuivres
Trompette
12
Euphonium, Piano (duo)
8
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
Cor anglais, Piano
5
Cor et Piano
5
Trompette, Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Trombones (duo)
1
2 Tubas (duo)
1
Tuba et Piano
1
2 Trompettes (duo)
1
+ 10 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
12
Violoncelle, Piano
9
Violon
9
Violoncelle
6
Alto, Piano
6
Harpe
4
Violon (partie séparée)
2
Ensemble de Violons
2
Violon, Violoncelle (duo)
2
2 Violons (duo)
2
Violon, Alto (duo)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Alto seul
1
Trio à cordes: 3 altos
1
Alto (partie séparée)
1
Alto, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
20
Orchestre à Cordes
15
Orchestre
8
Orchestre de chambre
7
Ensemble de Percussions
6
Ensemble Jazz
3
Jazz combo
2
Piano et Orchestre
1
Ensemble de cuivres
1
Xylophone, Piano
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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How To Write Music: Musical Orthography - Clement Harris
Small Ensemble - Level 1 - Digital Download SKU: A0.894352 Composed by Clement Harr…
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Small Ensemble - Level 1 - Digital Download SKU: A0.894352 Composed by Clement Harris. Arranged by Theoria Music. Instructional. Score and parts. 38 pages. Theoria Music Publishing #5321293. Published by Theoria Music Publishing (A0.894352). This is an educational book on writing music written by Clement Harris. From the IntroductionIt is reasonable to expect that a musician shall be at least an accurate and legible writer as well as a reader of the language of his Art. The immense increase in the amount of music published, and its cheapness, seem rather to have increased than decreased this necessity, for they have vastly multiplied activity in the Art. If they have not intensified the necessity for music-writing, they have increased the number of those by whom the necessity is felt.Intelligent knowledge of Notation is the more necessary inasmuch as music-writing is in only a comparatively few cases mere copying. Even when writing from a copy, some alteration is frequently necessary, as will be shown in the following pages, requiring independent knowledge of the subject on the part of the copyist. (See e.g., par. 28.) Yet many musicians, thoroughly competent as performers, cannot write a measure of music without bringing a smile to the lips of the initiated. About the Composer/AuthorClement Hugh Gilbert Harris (8 July 1871 – 23 April 1897) was an English pianist and composer who studied in Germany and died fighting in the Greco-Turkish War of 1897.
$2.99
2.76 €
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Clement Harris
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Theoria Music
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How To Write Music: Musical Orthography - Clement Harris
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Theoria Music Publishing
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SheetMusicPlus
Wir bauen eine Stadt
Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. …
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Hohe Stimmen (Fl. · Ob. · Vl. 1) - mittlere Stimmen in C oder B (Klar. · Trp. · Vl. 2) - tiefe Stimmen in Violin- und Bassschlüssel (Fg. · Vl. 3 · Vc.) - Sopran-, Alt- und Tenor-Blockflöten - S. (Trgl. oder Tamb. · Trommel) - Klav. children's choir (SMez), melody instruments and percussion - very easy - Digital Download SKU: S9.Q22789 Spiel für Kinder nach einem Text von Robert Seitz. Composed by Paul Hindemith. This edition: score. Downloadable, Score. Duration 30 minutes. Schott Music - Digital #Q22789. Published by Schott Music - Digital (S9.Q22789). German.CONTENT How does a town intended for children evolve, who lives in it, what forms of transport can be used to get around and how it is also possible that unpleasant moments occur in an urban community? These are all questions which Wir bauen eine Stadt answers in a playful and child-oriented mode. COMMENTARY Since 1926, Hindemith had been pursuing the objective of attracting children and amateur musicians to contemporary music through the composition of especially suitable musical works. In 1927, his musical-educational ambitions led among other projects to the involvement of the youth music movement in his plans for the Baden- Baden chamber music festival in which he was deeply involved in his capacity as member of the programme committee. Neue Musik Berlin 1930, a supplementary event following the Baden-Baden music festival, was to be devoted not only to radio plays, amateur choirs and electric music, but also to the field of ‘plays and songs for children’. The play for children Wir bauen eine Stadt was created in collaboration with the Berlin author Robert Seitz who provided the text and was premièred on 21 June 1930 by children aged between eight and twelve years old providing the final work in the concert Neue Musik Berlin 1930. The work swiftly achieved widespread dissemination and was available in a number of different languages within two years of its completion. Hindemith explained his pedagogical concept behind Wir bauen eine Stadt in a preface to the score as follows: ‘A play for children: this means that this work was more intended as a lesson and exercise for children themselves rather than for the entertainment of adult audiences. The form of the work can be altered according to the appropriate needs of the group of children involved: songs can be omitted and other musical pieces, dances or scenes inserted. An infinite number of children can participate in this work; apart from the minimum of three players for the “orchestraâ€, no specific instrumentation is specified. If numerous musicians are available (perhaps also those with instruments which are played in other registers than the pitches indicated in this work), these can be employed doubling at the octave of the two outer parts to achieve a more interesting texture. The music can additionally be livened up by tambourines, drums and other easily playable percussion. […]’ Alongside three instrumental movements, Hindemith’s play for children primarily consists of choral songs in verse form for one- and two-voice choir with a few simple individual solo parts. This classic children’s theatre composition has up to the present day retained its prominent place within the (school) theatre repertoire. Six pieces from this work were issued in a piano version for children in 1931 under the title: Wir bauen eine Stadt. Klavierstücke für Kinder. (S. Sch.-G.) EDITOR’S NOTE A documentation of national premieres is not possible with Wir bauen eine Stadt. The performance material is on sale at music dealers and performance right is included by purchasing the material, without further involvement of the publisher.
$15.99
14.74 €
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Paul Hindemith
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Wir bauen eine Stadt
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Schott Music - Digital
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SheetMusicPlus
October Impressions (mandolin part – mandolin, guitar, percussion)
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861913
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861913 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6207233. Published by Mark O'Connor Musik International (A0.861913). October Impressions (mandolin part – mandolin, guitar, percussion) MO157BMandolin Part (score and parts available)Music by Mark O’Connor3 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157BCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
5.53 €
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
October Impressions (score – mandolin, guitar, percussion)
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861910
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861910 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6207231. Published by Mark O'Connor Musik International (A0.861910). October Impressions (score – mandolin, guitar, percussion) MO157AScore (parts available)Music by Mark O’Connor8 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157ACopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$9.00
8.3 €
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
October Impressions (percussion part – mandolin, guitar, percussion)
Small Ensemble Guitar,Mandolin,Percussion - Level 3 - Digital Download SKU: A0.861916
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Small Ensemble Guitar,Mandolin,Percussion - Level 3 - Digital Download SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6207239. Published by Mark O'Connor Musik International (A0.861916). October Impressions (percussion part – mandolin, guitar, percussion) MO157DPercussion Part (score and parts available)Music by Mark O’Connor2 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157DCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$3.00
2.77 €
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
October Impressions (guitar part – mandolin, guitar, percussion)
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861915
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - Digital Download SKU: A0.861915 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6207237. Published by Mark O'Connor Musik International (A0.861915). October Impressions (guitar – mandolin, guitar, percussion) MO157CGuitar Part (score and parts available)Music by Mark O’Connor4 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157CCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
5.53 €
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download S…
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3024441. Published by William Pagan-Perez (A0.933818). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: the MP3 Sound is from the flute and piano arrangement...
$8.95
8.25 €
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
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William Pagan-Perez
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SheetMusicPlus
Primeras Lecciones Metodo de Guitarra de Rock
Guitar (electric) - Beginning - Digital Download SKU: M0.99820BCDSPEB Composed by M…
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Guitar (electric) - Beginning - Digital Download SKU: M0.99820BCDSPEB Composed by Mike Christiansen. Rock. First Lessons - Spanish. Spanish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99820BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99820BCDSPEB). ISBN 9781619113084. 8.75x11.75 inches.Finalmente, un método que hace que los estudiantes comiencen con lo esencial de la guitarra mientras se enfoca en el material que todo guitarrista de rock deberÃa saber. Los temas incluyen acordes de potencia, escalas de rock, solos de rock, tabulación de lectura y notación estándar, acordes abiertos, patrones de rasgueo y melodÃas de rock. Diseñada para educar a los estudiantes sobre lo esencial de la guitarra, esta lección hace que el aprendizaje sea divertido. Progresiones de acordes y melodÃas similares a los clásicos del rock hacen de este texto una necesidad para los aspirantes a guitarristas de rock. El audio en lÃnea que lo acompaña brinda a los estudiantes la oportunidad de escuchar y tocar junto con los profesionales. Incluye acceso a audio en lÃnea.Finally a method that gets students started on the essentials of guitar while focusing on the material every rock guitarist should know. Subjects include power chords, rock scales, rock soloing, reading tab and standard notation, open chords, accompaniment strum patterns, and rock licks. Designed to educate students about guitar essentials, this lesson makes the learning fun. Chord progressions and melodies similar to rock classics make this text a must for aspiring rock guitarists. The accompanying online audio gives students the opportunity and hear and play along with the pros. Includes access to online audio. Written in Spanish only.
$9.99
9.21 €
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Mike Christiansen
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Primeras Lecciones Metodo de Guitarra de Rock
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
First Snowfall for Orff Instruments
Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.872417 Compo…
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Orff instruments Orff instruments - Level 3 - Digital Download SKU: A0.872417 Composed by Jeff Henson. 20th Century,Christmas. Score and parts. 36 pages. Playground Music Press #4793803. Published by Playground Music Press (A0.872417). Bring the crisp coldness and beauty of a wintery landscape to your classroom or winter program! First Snowfall captures the child-like magic of that moment when snow first falls, evoking the imagery and moods of winter, and gives students the chance to explore impressionism in music via classroom activities or instrumental performance. Compressed .zip file includes full audio listening track, full score, teacher instructional notes, individual instrument parts for projecting or printing, projectable mallet bar visuals for specified instrument parts, speech/body percussion parts to help students prepare for playing their part, performance tips, and suggestions for choreography and movement. Updated version now includes play-along resources for the general music classroom. Explore form, steady beat, meter, movement and dance, using classroom instruments, or connecting to visual arts and literature.Instrumentation:Soprano Glockenspiel (SG)Alto Glockenspiel (AG)Soprano Xylophone (SX)Alto Xylophone (AX)Soprano Metallophone (SM)Bass Xylophone (BX)Contrabass Bars (CBB)Sleigh Bells
$7.99
7.37 €
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Jeff Henson
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First Snowfall for Orff Instruments
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Playground Music Press
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SheetMusicPlus
The Rogue Hypotenuse
Instrumental Duet Bassoon,Double Bass,Instrumental Duet - Level 4 - Digital Download SK…
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Instrumental Duet Bassoon,Double Bass,Instrumental Duet - Level 4 - Digital Download SKU: A0.1016589 Composed by R. Currier III. 20th Century,Concert,Contemporary. Score and parts. 4 pages. R. Currier III #6247347. Published by R. Currier III (A0.1016589). Fun and a bit quirky, The Rogue Hypotenuse affords a chance to inject a humorous note into concert programs without seeming completely incongruous or frivolous. Timing is everything with this piece - the percussive interplay of the two distinct voices weave a tale at the same time funny and slightly brooding. Odd meters and tuplets sprinkled throughout the piece add spice and an off-kilter feel. Thanks for stopping by to check out The Rogue Hypotenuse. For more original music in a variety of genres, please visit my website, www.raysoctopus.com, which includes some of my art photography, information about me, and a link to my SoundCloud account. Or, you can just jump on over to SoundCloud via this link: https://soundcloud.com/ray-currier.
$5.00
4.61 €
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R
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The Rogue Hypotenuse
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R. Currier III
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SheetMusicPlus
I Wanna Make With The Happy Times
Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed b…
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Piano and voice; ukulele, banjo, guitar - Digital Download SKU: LV.22028 Composed by Frank Loesser & Gertrude Niesen. Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22028). I Wanna Make With The Happy Times. [biography on back cover of Earl Carrol]. Words and Music by Frank Loesser and Gertrude Niesen. Published 1940 by Paramount Music Corporation, 1619 Broadway in New York. Composition of strophic with refrain with piano and voice; ukulele, banjo, guitar instrumentation. Subject headings for this piece include Portraits, Leisure, Entertainment, Happiness, Contentment, Wealth. First line reads Hoorah! Hooray! I don't really know which to say.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Frank Loesser & Gertrude Niesen
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I Wanna Make With The Happy Times
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Dear Erin, Macushla Machree. Song
Piano and voice; ukulele - Digital Download SKU: LV.8956 Composed by George Graff, …
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Piano and voice; ukulele - Digital Download SKU: LV.8956 Composed by George Graff, Jr. Maps, Geography, Shamrocks, Ireland, Homesickness, Immigrants, Love, Absences. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8956). Dear Erin, Macushla Machree. Song. Words by John Brannigan. Music by George Graff, Jr. Published 1923 by in n.p. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Maps, Geography, Shamrocks, Ireland, Homesickness, Immigrants, Love, Absences. First line reads When evening shadows creep to the west, and the moonbeams shine.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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George Graff, Jr
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Dear Erin, Macushla Machree. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Mozart: Ave Verum Corpus for Piano Quintet
Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552099 Composed by Wolfgan…
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Piano Quintet Piano - Level 3 - Digital Download SKU: A0.552099 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. 12 pages. Jmsgu3 #6119421. Published by jmsgu3 (A0.552099). Mozart: Ave verum corpus K. 618 for PIANO QUINTET. This is a fantastic masterpiece of music written by one of the greatest composers in our history. This famous piece by Mozart was composed only six months before his untimely death in 1791. Mozart wrote this on commission while working on the Magic Flute. Program this for Lent or Easter meditations or any Christian communion service. Also, this would be a strong recital encore showing mastery of phrasing, tone quality, and dynamics.Ave verum corpusFirst, Mozart composed a most noteworthy motet in Latin, Ave verum corpus. This translates in English as Hail, the actual body. The motet is undoubtedly listed as K.618 in the Köchel Catalog. This is a chronological catalog of Mozart’s compositions consequently published by Ludwig von Köchel. Seems like Mozart probably composed this motet in the last year of his life. Likewise, he worked on his final opera, the Magic Flute, and his Requiem Mass at the time. Mozart wrote it for the feast of Corpus Christi. He scored it for SATB choir, string instruments, and a small organ. Hence, while the Requiem is a more dramatic work, the motet expresses even more the Eucharistic thoughts with relatively simple means, well-matched for the church choir in a small town.Early YearsWolfgang Amadeus Mozart (1756 – 1791) was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he could already play the keyboard and violin at age two. He started composing at age five and performed before European royalty.Middle PeriodAt 17, Mozart was working as a musician at the Salzburg Royal Court but grew agitated from boredom and traveled to search for a more exciting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the Capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos.Final PeriodThe conditions surrounding his death have been the subject of much conjecture and mythology. He composed over 600 works, many recognized as high points of symphonic, chamber, concertante, choral, and operatic. He is among the most everlastingly famous classical composers, and his impact is substantial on succeeding Western art music.
$42.95
39.6 €
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Wolfgang Amadeus Mozart
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James M
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Mozart: Ave Verum Corpus for Piano Quintet
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jmsgu3
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SheetMusicPlus
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
9.17 €
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Juliana Hall
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Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Nature Morte
Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - Digital Download SKU: A…
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Small Ensemble B-Flat Clarinet,Horn,Viola,Xylophone - Level 5 - Digital Download SKU: A0.1080531 Composed by William Brenner. Classical,Contemporary. Score and parts. 31 pages. William Brenner #684755. Published by William Brenner (A0.1080531). Nature Morte | by William Brenner (Still life) For quartet: Clarinet in Bb, Horn in F, Viola and Xylophone This is my final project for my 2nd semester in college. I hope you enjoy it! The piece explores complex musical writing and technical elements. My goal was to explore this kind of composition while following my typical way of writing music: expressing a story or an image through music. -------------------------------------------------------------------------------------------------------------------- Program note: Many times throughout history, cycles and elements of nature like birth, death and, of course, love have been extremely rich sources of inspiration for composers. However, even though it has been the main subject of many musical works in the past, it is still pretty rare for nature to be represented as a cycle used when describing humankind. Therefore, the goal of the piece Nature Morte is to not only show the cycle of life present in nature, but also address the cohabitation of death and life within this same cycle. Paintings by Jan Wijnants like Le repos des chasseurs aux faucons et Paysage avec bovins sur une route de campagne wonderfully illustrates this phenomena. This dutch painter often uses dead trees and big tree stumps in his work, which symbolizes typical fields and landscapes from the 17th century. This demonstration of coexistence between life and death, as well as this idea of cycles within life in nature, are the main sources of inspiration for this piece. Given that the idea of life and death within nature is inspired by motionless elements in visual art, it explains the chosen title: Nature morte (which could translate as “Still lifeâ€).
$16.99
15.66 €
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William Brenner
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Nature Morte
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William Brenner
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SheetMusicPlus
Diehnelt: Stile Antico for 5-voice cello ensemble
String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Co…
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String Ensemble,String Quintet Cello - Level 5 - Digital Download SKU: A0.809059 Composed by Kim Diehnelt. Baroque,Concert,Contemporary. Score and parts. 10 pages. Kim Diehnelt #4350647. Published by Kim Diehnelt (A0.809059). Stile Antico: On a theme of Palestrina (2012) for 5-voice cello ensemble The title Stile Antico refers a style of musical composition from the 16th century which was often employed in church music, because it allowed the words (sacred text) of each singer to be clearly heard. This pre-classical polyphony was many-voiced and without instrumental accompaniment. Inspired by a theme from a mass by Giovanni Pierluigi da Palestrina (c. 1525 – 1594) ‘Praestet hoc nati genitor, I present a modern cello ensemble rendition of this ‘ancient style.’ Most conspicuous of the work’s attributes is the use of time. Rather than moving the musical ideas and themes towards a goal or through structural development and a sense of progress, the music (and time) unfolds perhaps as the natural swing of a pendulum; neither clinging to a past, nor anticipating a future. The listener beholds one moment continuously being reshaped through sound. Also, the concepts of melody and harmony as we assume them today are blurred. Of the five players, no one has the melody, no one has the harmony, yet together the ensemble combines to create a continuous flux of melodic-harmony (or harmonic-melody). This idea is of another type of ‘stile antico.’ Within the ideas of alchemy, which richly influenced the music of the 16th century and beyond, exists the concept that one plus one equals three. That is, two objects also create a ‘between-ness.’ So too with musical voices; the combination of two voices creates a new between-ness. Through out this work the individual cellists create a continuously shifting canvas of ‘between-ness.’ The music and the performers ask for a renewed perception of the many between-nesses of our present moment. www.kimdiehnelt.com(c) 2012 (ASCAP)
$18.95
17.47 €
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Kim Diehnelt
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Diehnelt: Stile Antico for 5-voice cello ensemble
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Kim Diehnelt
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SheetMusicPlus
Filigree No. 1, for Flute (Alto Recorder) and Vibraphone, Score and Parts
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: …
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Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047543 By Paul Burnell. By Paul Burnell. Classical,Contemporary. Score and parts. 14 pages. Paul Burnell #652092. Published by Paul Burnell (A0.1047543). Filigree No. 1 by Paul Burnell, composed 2015 for Flute (or Alto Recorder) and Vibraphone. Download comprises both score and parts. Duration 2:25 Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Programme note: Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
1.83 €
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Paul Burnell
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Filigree No. 1, for Flute
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Paul Burnell
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SheetMusicPlus
Filigree No. 2, for Alto Flute (Bass Recorder) and Vibraphone, Score and Parts
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download …
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047613 By Paul Burnell. By Paul Burnell. Classical,Contemporary. Score and parts. 8 pages. Paul Burnell #652099. Published by Paul Burnell (A0.1047613). Filigree No. 2, by Paul Burnell, composed 2015 for Alto Flute (or Bass Recorder) and Vibraphone Download comprises both score and parts. Duration 3:20 Score shows Alto Flute at transposed pitch. A separate Bass Recorder part is available. Programme note: Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
1.83 €
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Paul Burnell
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Filigree No. 2, for Alto Flute
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Paul Burnell
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SheetMusicPlus
Filigree No. 3, for Alto Flute (Alto Recorder) and Vibraphone, Score and Parts
Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download …
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Instrumental Duet Alto Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047619 Composed by Paul Burnell. Classical,Contemporary. Score and parts. 13 pages. Paul Burnell #652106. Published by Paul Burnell (A0.1047619). Filigree No. 2, by Paul Burnell, composed 2015 for Alto Flute (or Bass Recorder) and Vibraphone. Download comprises both score and parts. Duration 3:20 Score shows Alto Flute at transposed pitch. A separate Bass Recorder part is available. Programme note: Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
1.83 €
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Paul Burnell
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Filigree No. 3, for Alto Flute
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Paul Burnell
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SheetMusicPlus
Filigree No. 4, for Flute (Soprano Recorder) and Vibraphone, Score and Parts
Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: …
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Instrumental Duet Flute,Instrumental Duet,Vibraphone - Level 4 - Digital Download SKU: A0.1047623 Composed by Paul Burnell. Classical,Contemporary. Score and parts. 16 pages. Paul Burnell #652110. Published by Paul Burnell (A0.1047623). Filigree No. 4, by Paul Burnell, composed 2015 for Flute (or Soprano Recorder) and Vibraphone. Download comprises both score and parts. Duration 1:45 A separate Soprano Recorder part is available. Written for Sara Minelli, flute, and Chris Brannick, vibraphone, and first performed by them on 1st February 2016 at King's College Chapel, London. Programme note: Filigree is a delicate kind of ornamental jewellery, typically in gold and silver, assembled from small beads or twisted threads, soldered together or attached to the surface of an object of the same metal and arranged in artistic patterns. Filigree is an ancient form of metalwork but was fashionable also in Italy and France between the 17th and 19th centuries. It sometimes resembles the appearance of lace fabric and remains popular in India and other Asian countries.
$1.99
1.83 €
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Paul Burnell
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Filigree No. 4, for Flute
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Paul Burnell
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SheetMusicPlus
Ode to My Savior Beginner Trumpet Trio
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Edd…
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Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
4.68 €
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Eddie Lewis
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Ode to My Savior Beginner Trumpet Trio
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Tiger Music
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.83 €
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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