Il Trono di Spade \| Partitura per orchestra scolastica
Game of Thrones \| Sheet Music for School Ensemble.

Song List: (Oh, My Darling) Clementine Raymond Overture Melody Reverie Poem Military Salute (Streabbog) Theme (Czibulka) Behold Our Faith Divine Theme (Chopin) Tell Us Of The Night (L.Mason) Theme (Gillet) Faust Ballet Music (Gounod) Invention Viii (Bach) Chorale Moderato (Concone) Intermezzo Russe (Franke) Cradle Song (Hauser M) Barcarolle Holy Is The Lord

Song List: Song of the Slaves If I Only Knew What I Know How Will I Know It's a Vision When Hope Is Gone Dem Dry Bones Where Eagles Fly Hope is a Happenin' Here, Hallelujah!

Song List: Song of the Slaves If I Only Knew What I Know How Will I Know It's a Vision When Hope Is Gone Dem Dry Bones Where Eagles Fly Hope is a Happenin' Here, Hallelujah!

Song List: Song of the Slaves If I Only Knew What I Know How Will I Know It's a Vision When Hope Is Gone Dem Dry Bones Where Eagles Fly Hope is a Happenin' Here, Hallelujah!

Song List: God Rest Ye Merry, Gentlemen Viennese Refrain Vilia Poor Wand'ring One Integer Vitae The Bell Doth Toll Concert Waltz (Oberon) Weber The Light Of All Our Seeing The Miller Of The Dee One And All Rejoice (R.Massie) Aria (Il Trovatore) Verdi Flantation Favorites (Foster) Grandfather's Clock Oh How Lovely Is The Evening Parting Hour, The (Schubert) Spring Is Come, The (Hayes) Blow The Man Down On Wings Of Song (Auf Flugeln Des Gesanges)

Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.

David Stout writes about his work:

"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says ?hand in bell? he had a problem. With a bass trombone he couldn?t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can?t see him. He then plays that passage. ?Is that the sound you want?? he asks. ?Yeah that?s it. Perfect!? I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ?con sardino.?

Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp

This fine work is appropriate for advanced performers and is about 7 minutes in length.