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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
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CORNEMUSE
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EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SAXOPHONE
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PIANO & CLAVIERS
Piano seul
136
Piano, Voix
38
Piano, Voix et Guitare
36
Orgue
15
Piano Facile
15
1 Piano, 4 mains
12
Instruments en Do
5
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5
Piano Trio: piano, violon, violoncelle
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2
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Orgue, Trompette (duo)
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Clavecin
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Piano Quatuor: piano, 2 violons, violoncelle
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Accordéon
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GUITARES
Guitare
23
Guitare notes et tablatures
11
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
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Ukulele
5
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4
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VOIX
Chorale SATB
110
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20
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16
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Chorale SSAA
13
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11
Chorale Unison
11
Voix duo, Piano
5
Voix duo
4
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1
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSATB
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Chorale SSAATTBB
1
Voix moyenne, Piano
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VENTS
Quatuor de Saxophones: 4 saxophones
35
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
2 Saxophones (duo)
30
2 Flûtes traversières, Piano
26
Saxophone (partie séparée)
25
Clarinette et Piano
24
Saxophone Alto et Piano
21
2 Flûtes traversières (duo)
20
Saxophone Alto
18
Saxophone Soprano et Piano
17
Clarinette
17
Saxophone Tenor et Piano
17
Flûte traversière et Piano
15
Hautbois, Piano (duo)
13
Saxophone, Clarinette (duo)
12
Hautbois (partie séparée)
10
Quintette de Saxophone: 5 saxophones
10
Saxophone Baryton, Piano
10
Saxophone Tenor
9
Clarinette, Violon (duo)
9
2 Clarinettes (duo)
7
Flûte, Hautbois, Clarinette, Basson
7
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6
Cor anglais, Piano
6
Flûte traversière
6
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5
2 Hautbois (duo)
5
Clarinette et Alto
5
3 Saxophones (trio)
4
Hautbois, Flûte
4
Flûte, Trompette (duo)
4
Flûte, Violon
4
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4
Flûte et Guitare
4
Ensemble de Clarinettes
4
2 Saxophones, Piano
4
Flûte, Saxophone (duo)
4
Clarinette, Guitare (duo)
3
Hautbois, Clarinette (duo)
3
Ensemble de saxophones
3
Quatuor de Clarinettes: 4 clarinettes
3
Flûte à bec Soprano
3
Flûte, Alto (duo)
3
2 Flûte à bec (duo)
2
Clarinette Basse, Piano
2
5 Flûtes à bec
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette, Piano (trio)
1
Flute (partie séparée)
1
Flûte à bec Tenor
1
2 Cors Anglais Et Pianoforte
1
Flûte, Alto et Piano
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
Cor anglais, Guitare (duo)
1
3 Clarinettes (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flûte et Trio à cordes
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Flûte, Basson et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Trombone et Piano
27
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trombone (partie séparée)
17
Trombone
14
Trompette
14
Trompette, Saxophone (duo)
10
2 Trombones (duo)
8
Cor et Piano
7
Trompette, Trombone (duo)
7
Trompette, Piano
7
Tuba et Piano
6
Trompette (partie séparée)
6
Cor anglais, Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 trombones
4
Tuba
3
2 Trompettes (duo)
3
Quatuor de Cuivres
2
Ensemble de Trompettes
2
Euphonium, Piano (duo)
2
Trompette, Trombone, Piano
1
2 Cors Anglais Et Pianoforte
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
Cor
1
Trombone, Violon (duo)
1
Trio de Cuivres
1
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
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CORDES
Violon et Piano
27
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violoncelle, Piano
17
Alto, Piano
16
Harpe
15
Violon, Violoncelle (duo)
9
Violon, Alto (duo)
6
Trio à Cordes: violon, alto, violoncelle
5
Violon
5
2 Violons (duo)
5
Violoncelle (partie séparée)
4
Trio à Cordes: 2 violons, violoncelle
3
Contrebasse (partie séparée)
3
2 Altos (duo)
3
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe, Voix
2
Piano Trio: Violon, Alto, Piano
1
Alto et Harpe
1
Violon, Guitare (duo)
1
Alto (partie séparée)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
89
Orchestre à Cordes
35
Orchestre
28
Ensemble de cuivres
23
Orchestre de chambre
13
Jazz combo
10
Ensemble Jazz
8
Batterie (partie séparée)
2
Ensemble de Percussions
2
Cloches
2
Fanfare
2
Piano et Orchestre
1
Marimba
1
Percussion
1
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376
Pro-Play Duets for Baritone Sax - Play along with professional musicians - Key compatible for 10 ins
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxo…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.977465 Composed by Ken Hartfield. Arranged by Ken Hartfield. Pop,Rock. Score and parts. 11 pages. Ken Hartfield - Freeze Tracks Music #4287909. Published by Ken Hartfield - Freeze Tracks Music (A0.977465). One-of-a-kind duet series. Play along with professional musicians. Pro-Play Duets for beginner brass and woodwind students.This duet series helps the student for role modelling, improves intonation, reading abilities and makes practicing fun! The students can also use the piano accompaniment for an acoustic performance, which is ideal for music festivals since all of the duets are key compatible for 10 different instruments, example trumpet and flute. Recommended by The Canadian Music Educators' Association. Voice command compatible for: Siri, Google and Alexa. When you have purchased the Duet Book, email us at freezetracks3@gmail.com and we will email you the download links for the mp3's and piano accompaniment book at no charge. Watch our video at https://youtu.be/pZYiap1uBio
$9.99
9.23 €
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Ken Hartfield
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Ken Hartfield
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Pro-Play Duets for Baritone Sax - Play along with professional musicians - Key compatible for 10 ins
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
Pro-Play Duets for Trombone - Play along with professional musicians - Key compatible for 10 instrum
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxo…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Oboe,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.977466 Composed by Ken Hartfield. Arranged by Ken Hartfield. Pop,Rock. Score and parts. 11 pages. Ken Hartfield - Freeze Tracks Music #4287917. Published by Ken Hartfield - Freeze Tracks Music (A0.977466). One-of-a-kind duet series. Play along with professional musicians. Pro-Play Duets for beginner brass and woodwind students.This duet series helps the student for role modelling, improves intonation, reading abilities and makes practicing fun! The students can also use the piano accompaniment for an acoustic performance, which is ideal for music festivals since all of the duets are key compatible for 10 different instruments, example trumpet and flute. Recommended by The Canadian Music Educators' Association. Voice command compatible for: Siri, Google and Alexa. When you have purchased the Duet Book, email us at freezetracks3@gmail.com and we will email you the download links for the mp3's and piano accompaniment book at no charge. Watch our video at https://youtu.be/pZYiap1uBio
$9.99
9.23 €
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Ken Hartfield
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Ken Hartfield
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Pro-Play Duets for Trombone - Play along with professional musicians - Key compatible for 10 instrum
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Ken Hartfield - Freeze Tracks Music
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Alto solo and piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Conn…
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.53 €
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
Silent Durations XLa (a Zen experience)
Small Ensemble Cello,Clarinet,Viola - Level 3 - Digital Download SKU: A0.799503 Com…
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Small Ensemble Cello,Clarinet,Viola - Level 3 - Digital Download SKU: A0.799503 Composed by Drake Mabry. Contemporary. Score and parts. 9 pages. Drake Mabry #3531327. Published by Drake Mabry (A0.799503). Silent Durations XLa (a Zen experience) features the warm and friendly tone colors of the clarinet, viola and cello. The work celebrates the intimacy of a kind of chamber music that draws its expression on virtually equal amounts of silence and sound. Sometimes as a trio, other times as a duet and there are several solo passages. These Silent Duration pieces are notable for their incorporation of silence as an integral part of the compositional fabric. This one-movement work explores the various combination of tone colors and musical expressions available with this ensemble. The duration is 8'20.
$5.99
5.53 €
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Drake Mabry
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Silent Durations XLa
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Drake Mabry
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SheetMusicPlus
Be Kind to Your Loved Ones for 13-note Bells and Boomwhackers® (with Black and White Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565232 By Sharon Wilson. By I. B. Woodbury. Arranged by Sharon Wilson. Children,Folk,Holiday,Instructional,Traditional. Score and parts. 11 pages. Sharon Wilson #3624957. Published by Sharon Wilson (A0.565232). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also providedThough this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.53 €
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Sharon Wilson
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Sharon Wilson
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Be Kind to Your Loved Ones for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
One last bar then Joe can sing
Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for per…
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Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
42.47 €
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
32.32 €
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Be Kind to Your Loved Ones for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff In…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Ukulele,Voice - Level 1 - Digital Download SKU: A0.565212 By Sharon Wilson. By I. B. Woodbury. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #3624189. Published by Sharon Wilson (A0.565212). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.53 €
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Sharon Wilson
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Sharon Wilson
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Be Kind to Your Loved Ones for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Songs for a Rainbow People
A collection of hymns and songs by this talented New Zealand composer. The selections are …
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A collection of hymns and songs by this talented New Zealand composer. The selections are light-hearted, creative and uplifting. Notes on the hymns are included
Song List: Across a Dark, Autumnal Sky I Saw a Flock of Wild Geese Fly (Honking Hymn) As Everyone Knows, or Thinks They Know from the Book of Genesis (The Tale of a Snake) A Stable Lamp Is Lighted Every Hair upon Your Head Fancy Noah Sailing in the Ark (Rainbow People) For Everyone Born a Place a the Table Gentle God, the Candle Flickers God in the Darkness, God Beyond Our Knowing God of the Bible, God in the Gospel(Fresh as the Morning) God Rest Us, Rest that Part of Us which Is Tired Great and Deep the Spirit's Purpose Here to Celebrate God's Loving How Much Am I Worth? I'm a Fishbowl Christian I'm Gonna Take Another Step Along the Way (Treksong) It All Depends on Where I'm Going Listen to the Voices, Listen to the Voices of the Earth Lord, I Wait for the Tide to Turn Lord Jesus, Look on This We Do Merry Christmas Rag Nothing Is Lost on the Breath of God Now as We Go, Kind Spirit Keep Us O Spring in the Desert, O Shelter from Heat (Prayer for the Presence) Snap Us Out of It, Lord (The Ho-Hum Hymn) Sometimes the Boundless Beauty of the World Strong Word of God, Spoken to All The Grace of God on You Distill The Lord God Walked in Paradise (Callings) There's Straw in the Manger (The Folly of Love Carol) These Hills Where the Hawk Flies Lonely This Tree We Plant in Loving Memory When I Was a Child I Thought as a Child When Our Lives Know Sudden Shadow
$9.95
9.19 €
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Songs for a Rainbow People
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SheetMusicPlus
Grand Nonetto
Flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass - Digital Downl…
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Flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass - Digital Download SKU: S9.Q52998 Composed by Louis Spohr. This edition: set of parts. Downloadable, Set of parts. Op. 31. Musikverlag Robert Lienau - Digital #Q52998. Published by Musikverlag Robert Lienau - Digital (S9.Q52998). Louis Spohr (1784-1859) was one of the most important musicians of the 19th century, a renowned concert violinist and teacher, composer and conductor. His Nonet in F major Op. 31 was the first of its kind and commissioned by the Viennese merchant and violinist Johann von Tost. The premiere aroused so much enthusiasm that the nonet had to be repeated several times in the season.
$21.99
20.31 €
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Louis Spohr
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Grand Nonetto
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
O Holy Night for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410423. Published by jmsgu3 (A0.552827). O Holy Night arranged for Baritone Horn & Piano. Duration: 4:56 Score: 5 pg, 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
23.04 €
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Adam
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James M
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Piano
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O Holy Night for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Surfin' U.s.a.
Small Ensemble Drum Set,Horn - Level 3 - Digital Download SKU: A0.873894 By The Bea…
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Small Ensemble Drum Set,Horn - Level 3 - Digital Download SKU: A0.873894 By The Beach Boys. By Chuck Berry. Arranged by Petey C. Pop,Rock. Score and parts. 15 pages. Petey C. #6256089. Published by Petey C. (A0.873894). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.Another Beach boys quartet because The Beach Boys are great. As a teenager, I was definitely exposed to a fair amount of their music for some reason. It's not always easy to transform this kind of music into an idiom that sounds good as instrumental chamber music, however, this is part of my quest to develop a broad range of popular music that I can play live with a small group on the horn.This is great for university students and professionals... maybe even high school students. There are not a lot of great, challenging horn quartet arrangements out there, like this one is. This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and rock genres. This one has a kit part included, which isn't necessary to perform this quartet, but might make it easier if a quartet to perform it with drums if they wanted to.The melody gets passed around a bit so it's fun and interesting for everyone. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
12 €
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The Beach Boys
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Petey C
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Surfin' U.s.a.
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Petey C.
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SheetMusicPlus
Sunday Kind Of Love
Alto Saxophone,Tenor Saxophone - Digital Download SKU: A0.1418012 Composed by Anita…
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Alto Saxophone,Tenor Saxophone - Digital Download SKU: A0.1418012 Composed by Anita Leonard, Barbara Belle, Louis Prima, and Stan Rhodes. Arranged by P. R. Frederick. Pop,R & B. Saxophone Duet. 4 pages. P. R. Frederick #999562. Published by P. R. Frederick (A0.1418012). The Louis Prima ballad that is often done as a doo wop tune by groups like the Del-Vikings and the Harptones. Arranged as duet for like saxophones. Â A score and separate parts are provided.See my other saxophone duets here
$8.00
7.39 €
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Anita Leonard, Barbara Belle, Louis Prima, and Stan Rhodes
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P
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Sunday Kind Of Love
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P. R. Frederick
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SheetMusicPlus
Luther: Out of the Depths for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.04 €
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Shlof Mein Kind, Jewish Lullaby for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589709 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088199. Published by David McKeown (A0.589709). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullaby for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Shlof Mein Kind, Jewish Lullaby for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589699 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088175. Published by David McKeown (A0.589699). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullaby for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Shlof Mein Kind, Jewish Lullaby for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589698 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score and parts. 3 pages. David McKeown #6088173. Published by David McKeown (A0.589698). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.68 €
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullaby for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
The Dream of the Rood
1(afl, pic).0.ca.0.ssax.1(cbsn)-1.0.1.0-perc(crot, vib, mar, bell plate, sizz cym, Swiss c…
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1(afl, pic).0.ca.0.ssax.1(cbsn)-1.0.1.0-perc(crot, vib, mar, bell plate, sizz cym, Swiss cow bell, gong [horizontal], tam-t, 2 bng, 2slit drum, wood drum, 2cong, 2b.d, marac, 5tempbl, vibraslap)-hp-str(0.0.1.0.1) 4 voices (Countertenor, 2 Tenors and Bass) and ensemble - Digital Download SKU: S9.Q19665 For four voices and instrumental ensemble. Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 30 minutes. Schott Music - Digital #Q19665. Published by Schott Music - Digital (S9.Q19665). English.The Anglo-Saxon poem The Dream of the Rood was probably written in the 8th Century and is the earliest dream-vision poem in Old English. A fragment of the poem from the section that describes the crucifixion can be found carved on the Ruthwell Cross in Dumfriesshire, and set in stone at a time when Ruthwell was part of the ancient kingdom of Northumbria. In responding to a commission for the Hilliard Ensemble, I was keen to find a dramatic text, but one that would also invite a musical response appropriate to the very nature of this kind of vocal quartet. Writing for the Hilliards together with a mixed instrumental ensemble, and for a generous cathedral acoustic, has had a strong influence on the types of textures and sonorities I have used. The structure of the work is dictated by the form of the poem, but the music could also be seen as consisting of a sequence of motets with both vocal and instrumental interludes. John Casken.
$36.99
34.16 €
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John Casken
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The Dream of the Rood
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Schott Music - Digital
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SheetMusicPlus
Not a Bb ballad - trombone quartet with odd-metering skills
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851115 Composed by Sop…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.851115 Composed by Sophia Johanna. Contemporary,Jazz,World. Score and parts. 22 pages. Sophia Transistor #3516559. Published by Sophia Transistor (A0.851115). It's a composition for trombone quartet featuring odd-metering phrasing for at least one advanced player.It is a kind of etude for trombone that makes use of large intervals and odd-meter phrasing.Rhythmic bassy lines create the feeling of an instrumentation that is far beyond the one of a solid classical trombone quartet.Indead this piece has a funky & jazzy subtune.Here is a playalong on Youtube:https://youtu.be/n8zK4_HgyWMGerman description:Ja, also, das Stück hier ist für ein Posaunenquartett und ein sehr überbewerteter Posaunist kann darin sein Können beim odd-meter phrasing beweisen.Es ist aber machbar. Zumindest ich selber kanns auch spielen, dann kriegt ihr das auch hin.Das Stück ist auch sehr rhythmisch und hat viele Basslinien, die den Eindruck vermitteln, dass da nicht nur ein ödes klassisches Posaunenquartet am Werk ist, sondern echte weltoffene Instrumente.Ich möchte fast behaupten, dass das Stück einen funkigen und jazzigen Unterton besitzt.Danke fürs Interesse, bin wirklich sehr stolz drauf.Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about
$3.28
3.03 €
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Sophia Johanna
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jazzy subtune
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Not a Bb ballad - trombone quartet with odd-metering skills
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Sophia Transistor
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SheetMusicPlus
Chorale Partita with Seven Variations for Trombone Quintet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792468 Composed by Joh…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792468 Composed by Johann Pachelbel. Arranged by Keith Terrett. Baroque,Classical,Renaissance. Score and parts. 19 pages. Gordon Cherry #4988169. Published by Gordon Cherry (A0.792468). Pachelbel's grand Chorale Partita with Seven Variations in G is based on the 17th Century Protestant German hymn tune Alle Menschen müssen sterben (All of Mankind is Mortal) by Jakob Hintze. The original form of the work was in C major with eight variations, composed for Organ. Bach, being greatly influenced by Pachelbel, later took up the melody for use in one of his Cantatas. Keith Terrett has done a great job arranging these elaborate variations of about 6 minutes in length for a Trombone quintet of advanced performers.
$20.00
18.47 €
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Johann Pachelbel
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Keith Terrett
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Chorale Partita with Seven Variations for Trombone Quintet
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Gordon Cherry
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SheetMusicPlus
Luther: Out of the Depths for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.04 €
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 C…
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Contrabassoon,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.04 €
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Martin Luther
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James M
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Luther: Out of the Depths for Contrabassoon & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - Digital Download SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.04 €
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Martin Luther
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James M
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Luther: Out of the Depths for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Luther: Out of the Depths for Piano Trio
Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by …
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Piano Trio,String Ensemble - Level 1 - Digital Download SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
39.67 €
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Martin Luther
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James M
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Luther: Out of the Depths for Piano Trio
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jmsgu3
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SheetMusicPlus
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
9.19 €
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Juliana Hall
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Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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