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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Organ Method
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The Trombonist's Toolkit Method book
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00
31.72 €
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Brink, Philip
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The Trombonist's Toolkit Method book
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Gordon Cherry
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SheetMusicPlus
Robert Klenck - Minuetto (in G minor) (no. 112), a violin duo from Klenck's Violin method (1892) - N
Harpsichord,Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.913008 Composed …
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Harpsichord,Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.913008 Composed by Robert Klenck. Arranged by Andrei Lucian Dragoi. Contemporary,Instructional,Standards. 4 pages. Andrei-Lucian Dragoi #4718681. Published by Andrei-Lucian Dragoi (A0.913008). This Minuetto (in G minor) (no. 112) (which is originally a violin duo from Klenck's Violin method (1892) - Notebook no. 1) was arranged for easy piano solo: this booklet includes the piano score and its lead sheet.Reference:http://vixrapedia.org/wiki/RK
$1.99
1.8 €
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Robert Klenck
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Andrei Lucian Dragoi
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Robert Klenck - Minuetto
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Andrei-Lucian Dragoi
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SheetMusicPlus
Blues Harmonica Method, Level 1
Harmonica (diatonic) - Beginning - Digital Download SKU: M0.21053BCDEB An Essent…
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Harmonica (diatonic) - Beginning - Digital Download SKU: M0.21053BCDEB An Essential Study of Blues for the Beginning Player in the Tongue. Composed by David Barrett. Harmonica: Diatonic. School of Blues. Blues. E-book and online audio. Mel Bay Publications - Digital Sheet Music #21053BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21053BCDEB). ISBN 9781610652957. 8.75x11.75 inches.Blues Harmonica Level 1, within the School of the Blues Lesson Series, is an exciting beginning blues harmonica course. The ideas presented are solid in the blues tradition with great sounding bluesy licks to play, even at the beginning level! Phrasing Concepts (how small pieces of music, called licks, are organized to create a pleasing solo), 12 Bar Blues Theory, Vibrato, Shakes and Tongue Blocking are covered. Downloadable audio online includes all harmonica parts notated in the book. This book and its downloadable online audio use a 'C' and 'A' major diatonic harmonica. Includes access to online audio.
$12.99
11.77 €
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David Barrett
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Blues Harmonica Method, Level 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.12…
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
22.66 €
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Con Spirito Music
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SheetMusicPlus
Calming Uneven Technique
Composed by Robert Moody. Method, Etudes and Exercises, Classroom, General Instructional, …
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Composed by Robert Moody. Method, Etudes and Exercises, Classroom, General Instructional, Technique Training. Score. 7 pages. Published by Published by Robert Moody (S0.271497). - Score - Method,Etudes and Exercises,Classroom,General Instructional,Technique Training - Published by Robert Moody
$1.99
1.8 €
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Robert Moody
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Calming Uneven Technique
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SheetMusicPlus
Symphonic Fantasy Orchestration
Composed by Miguel Serrat. Method, Etudes and Exercises, Repertoire, General Instructional…
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Composed by Miguel Serrat. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. Individual Part, Score. 12 pages. Published by Miguel Serrat (S0.352103). - Individual Part,Score - Method,Etudes and Exercises,Repertoire,General Instructional,Technique Training - Miguel Serrat
$5.99
5.43 €
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Miguel Serrat
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Symphonic Fantasy Orchestration
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Miguel Serrat
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SheetMusicPlus
Teoria e ExercÃcios
Composed by Marcelo Torca. Arranged by Marcelo Torca. Method. Individual Part. 21 pages. P…
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Composed by Marcelo Torca. Arranged by Marcelo Torca. Method. Individual Part. 21 pages. Published by Marcelo Torca (S0.17419). - Individual Part - Method - Marcelo Torca
$4.99
4.52 €
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Marcelo Torca
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Marcelo Torca
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Teoria e ExercÃcios
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Marcelo Torca
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SheetMusicPlus
Scale Song #2
Composed by Esther Chung Marks. For Piano,Piano Solo,Piano/Vocal/Chords,Piano Duet,Organ,K…
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Composed by Esther Chung Marks. For Piano,Piano Solo,Piano/Vocal/Chords,Piano Duet,Organ,Keyboard/Synthesizer. Method,Children's Music. Easy/Beginner. Sheet Music Single,Solo Part. Published by Esther Chung Marks Piano Instruction
$1.99
1.8 €
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Esther Chung Marks
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Scale Song #2
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Esther Chung Marks Piano Instruction
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SheetMusicPlus
Prayer - an Adaptation of Henry David Thoreau's poem (Low Voice)
Small Ensemble Low Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.101997…
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Small Ensemble Low Voice,Medium Voice,Organ - Level 5 - Digital Download SKU: A0.1019974 Composed by Douglas Clark. Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 8 pages. Glass Bottom Music #4412749. Published by Glass Bottom Music (A0.1019974). An original setting by Douglas Clark, for organ and bass/baritone (or alto) soloist. The lyrics are an adaptation of Henry David Thoreau’s poem Prayer, or Great God, I Ask Thee for No Meaner Pelf. The piece was premiered in December 2018 by Jeremy Lees, with Andrew John Kosinski on organ, at the First United Methodist Church in Asbury Park, NJ. The final version available here, benefits from the kind advice of organists John Kosinski, Timothy Broege, and Karin Gargone. God bless.
$4.99
4.52 €
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Douglas Clark
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Prayer - an Adaptation of Henry David Thoreau's poem
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Glass Bottom Music
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SheetMusicPlus
Prayers and Blessings (Piano/Vocal Score)
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SK…
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
$11.00
9.97 €
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
29.86 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
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SheetMusicPlus
Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
22.61 €
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
My Favorite Things
Small Ensemble - Level 2 - Digital Download SKU: A0.1025613 By Lorrie Morgan. By Ri…
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Small Ensemble - Level 2 - Digital Download SKU: A0.1025613 By Lorrie Morgan. By Richard Rodgers. Arranged by Andrew Ingkavet. Contemporary. Score and parts. 2 pages. The Musicolor Method #4887779. Published by The Musicolor Method (A0.1025613). We use color as educational scaffolding in the Musicolor Method. This arrangement is in Phase 6 Musicolor Notation which features colored noteheads. C- Red, D - Orange, E - Yellow, F- Green, G - Blue, A - Purple, B- Grey.
$4.99
4.52 €
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Lorrie Morgan
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Andrew Ingkavet
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My Favorite Things
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The Musicolor Method
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SheetMusicPlus
How To Comp
Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014…
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Melody instruments (piano/keyboard/guitar/vibraphone) - Digital Download SKU: S9.Q48014 A Study In Jazz Accompaniment. Jazz - music education - lessons. Downloadable, Textbook. Advance Music GmbH - Digital #Q48014. Published by Advance Music GmbH - Digital (S9.Q48014). English.This digital book/audio set presents a clear, comprehensive, one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text How to Improvise, How to Comp offers precise explanations, practical exercises, recorded musical examples, four play-along tracks, and daily practice routines. How to Comp organizes a vast amount of information that helped to make the author’s previous work a major contribution to jazz pedagogy. How to Comp is primarily for intermediate through advanced level players of harmonic instruments, e.g. piano (keyboard), guitar and vibraphone. However, drummers, bassists and horn players can also benefit from its study. Subject covered include: Voicing construction, preferred stock voicings, voiceleading, constant structure, non-harmonic voicings, single-note lines, rhythmic vocabulary, altering the harmonic rhythm, motive development, dividing and shifting attention, supportive and interactive comping styles, the soloist’s viewpoint, pacing, strolling, and much more. In How to Comp, the author, an accomplished jazz trombonist, pianist, composer, arranger and educator, looks deeply into the nature and challenge of artistic jazz accompaniment and puts into focus a direct, sure path toward mastery.A comprehensive, one-step-at-a-time method for learning how to accompany an improvised solo. It offers precise explanations, practical exercises, recorded examples, four play-along tracks, and daily practice routines. Intended for intermediate-to-advanced players of harmonic instruments (piano, guitar, vibraphone), it can also be used by drummers, bassists and horn players.
$33.99
30.8 €
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How To Comp
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Advance Music GmbH - Digital
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SheetMusicPlus
25 temas didáticos - seção (a)
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313765 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 27 pages. Sérgio Matias da Cunha #902478. Published by Sérgio Matias da Cunha (A0.1313765). Antecedendo aos “25 temas didáticos - seção(b)â€, e aos “10 estudos progressivosâ€, nesta primeira etapa encontram-se 25 temas com marcações de dedilhado, cuidadosamente elaborados somente sobre as notas naturais do teclado (notas brancas), baseados na disposição dos pentacórdios, nas notas de referência da clave de FA e da clave de SOL, nos movimentos paralelo, contrário e oblÃquo entre as duas mãos, bem como, disposição de acordes, arpejos e progressões sobre os graus tonais da tonalidade de DO maior. Conta-se ainda com diversas informações teóricas junto à s respectivas partituras.  Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$9.99
9.05 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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25 temas didáticos - seção
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Sérgio Matias da Cunha
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SheetMusicPlus
Desenvolvendo a coordenação
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313760 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 10 pages. Sérgio Matias da Cunha #902473. Published by Sérgio Matias da Cunha (A0.1313760). Partituras com informações relacionadas à coordenação motora, buscando desenvolver a independência da mão esquerda e da mão direita através de estratégias psicomotoras apresentadas entre as cinco músicas cifradas e com dedilhado, e duas atividades estrategicamente elaboradas, capazes de oferecer uma base eficaz, eficiente e efetiva a esse respeito. Conta-se ainda com diversas outra informações teóricas e atividades paralelas. Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$4.99
4.52 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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Desenvolvendo a coordenação
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Sérgio Matias da Cunha
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SheetMusicPlus
Método - Curso de Teclado Primeiros Toques - Volume 2 - Sérgio Cunha
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - Digital Download SKU: A0.1314021 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 108 pages. Sérgio Matias da Cunha #902748. Published by Sérgio Matias da Cunha (A0.1314021). Integrando a coleção de quatro volumes, no volume 2 (com 108 páginas), após responder um questionário de revisão, as músicas folclóricas ganharão um novo acompanhamento, desenvolvido através do reconhecimento das notas dos acordes e de sua distribuição dentro de um determinado movimento rÃtmico da mão esquerda. Neste segundo nÃvel, denominado 12 músicas folclóricas - nÃvel 2, serão apresentados 12 padrões rÃtmicos para o acompanhamento com a mão esquerda de cada melodia, um padrão rÃtmico para cada música folclórica, a serem distribuÃdos no pentagrama da clave de FA pelo próprio aluno, que no final deste estudo contará com um gabarito para eventuais correções.  Teremos também jogos musicais;  25 temas didáticos -seção (a) ;  10 estudos progressivos e  25 temas didáticos - seção (b) que trazem várias informações teóricas junto à s partituras, como explicações sobre figuras rÃtmicas, execução das notas, velocidade, grafia, abreviações, sinais de repetição, alterações ascendentes e descendentes das notas naturais, entre outros conceitos que visam embasar o estudante para um pleno crescimento prático e teórico. Algumas músicas do volume 3 poderão ser escolhidas pelo professor para serem tocadas pelo aluno paralelamente enquanto estuda o volume 2. Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$18.00
16.31 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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Método - Curso de Teclado Primeiros Toques - Volume 2 - Sérgio Cunha
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Sérgio Matias da Cunha
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SheetMusicPlus
Método - Curso de Teclado Primeiros Toques - Volume 1 - Sérgio Cunha
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 1 - Digital Download SKU: A0.1314018 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 124 pages. Sérgio Matias da Cunha #902745. Published by Sérgio Matias da Cunha (A0.1314018). Integrando a coleção de quatro volumes, no  volume 1 (com 124 páginas) você terá uma seleção de atividades e jogos para o desenvolvimento da percepção rÃtmica e sonora neste estágio inicial de musicalização;  várias atividades para uma introdução ao teclado com o  reconhecimento das teclas e suas relações; estudos preliminares com informações teóricas e introdutórias para a identificação das notas na partitura e no teclado através da formação e progressão dos acordes de três sons; jogos musicais e um panorama geral com os acordes mais populares, atendendo aos que procuram uma atuação mais imediata através da praticidade das cifras. Além disso, um primeiro estudo dos elementos rÃtmicos, baseado nos movimentos do corpo e exercÃcios de coordenação, possibilitando a execução das 12 músicas folclóricas - nÃvel 1, a serem lidas e executadas com a mão esquerda na clave de FA e com a mão direita na clave de SOL. Encontre várias partituras colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$18.00
16.31 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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Método - Curso de Teclado Primeiros Toques - Volume 1 - Sérgio Cunha
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Sérgio Matias da Cunha
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SheetMusicPlus
10 estudos progressivos
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313777 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 12 pages. Sérgio Matias da Cunha #902492. Published by Sérgio Matias da Cunha (A0.1313777). Após os “25 temas didáticos - seção(a)†e antecedendo aos “25 temas didáticos - seção(b)â€, apresentamos estes “10 estudos progressivosâ€, atentamente construÃdos para oferecer uma experiência progressiva e eficiente sobre a tonalidade de DO maior (notas brancas), envolvendo os acordes que formam seu campo harmônico, proporcionando uma evolução rÃtmica, harmônica e melódica, guiada não somente pelo conhecimento erudito, mas também pela capacidade intuitiva e associativa de quem o executa progressivamente. Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
6.33 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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10 estudos progressivos
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Sérgio Matias da Cunha
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SheetMusicPlus
25 temas didáticos - seção(b)
C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Leve…
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C Instrument,Digital Keyboard,Electronic Keyboard,Harmonium,Harpsichord,Organ,Piano - Level 2 - Digital Download SKU: A0.1313781 By Sérgio Matias da Cunha. By Sérgio Matias da Cunha. Arranged by Sérgio Matias da Cunha. Instructional. Educational Method. 27 pages. Sérgio Matias da Cunha #902497. Published by Sérgio Matias da Cunha (A0.1313781). Sucedendo aos “10 estudos progressivosâ€, e aos “25 temas didáticos - seção(a)â€, nesta etapa encontram-se 25 temas com marcações de dedilhado, cuidadosamente elaborados com um diferencial de apresentar não somente as notas naturais, mas também notas alteradas com sustenido e com bemol,  de forma ocorrente e/ou fixa, assinaladas no decorrer de cada tema através de ilustrações e comentários. Os temas são baseados na disposição dos pentacórdios, movimentos paralelo, contrário e oblÃquo entre as duas mãos, bem como, disposição de acordes, arpejos, cromatismos e progressões sobre os tons vizinhos diretos e indiretos da tonalidade. Conta-se ainda com diversas informações teóricas junto à s respectivas partituras.  Encontre mais partituras, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$9.99
9.05 €
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Sérgio Matias da Cunha
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Sérgio Matias da Cunha
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25 temas didáticos - seção(b)
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Sérgio Matias da Cunha
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SheetMusicPlus
Twelve Seconds to the Moon: 2nd Keyboard
By Robert W. Smith. For Concert Band. Instructional. Part. 12 pages. Published by Alfred M…
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By Robert W. Smith. For Concert Band. Instructional. Part. 12 pages. Published by Alfred Music. Digital Sheet Music
$4.00
3.62 €
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Robert W
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Twelve Seconds to the Moon: 2nd Keyboard
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Twelve Seconds to the Moon: 1st Keyboard
By Robert W. Smith. For Concert Band. Instructional. Part. 16 pages. Published by Alfred M…
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By Robert W. Smith. For Concert Band. Instructional. Part. 16 pages. Published by Alfred Music. Digital Sheet Music
$4.00
3.62 €
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Robert W
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Twelve Seconds to the Moon: 1st Keyboard
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
The Fundamentals of Music Theory - Booklet 1
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. …
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
9.96 €
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theory - Booklet 1
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Circlesquare Music
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SheetMusicPlus
O Come, All Ye Faithful
Brass Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1350807
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Brass Ensemble Bass Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1350807 Composed by Traditional. Arranged by Brenda Portman. Christian,Christmas,Classical,Sacred,Traditional. 45 pages. Brenda Portman #935634. Published by Brenda Portman (A0.1350807). New arrangement of O Come, All Ye Faithful for brass, organ, choir, congregation, and optional timpani & handbells(Verses 1, 2, 3, 6 in the United Methodist hymnal)Arranged by Brenda Portman*** New harmonizations + soprano descant ****** Brass ensemble (same instrumentation as Rutter Gloria): 4 C trumpets, 2 tenor trombones, bass trombone, tuba, opt. timpani ****** Brass quintet version available ***Verse 1: close to the standard harmonization, with trumpet descantVerse 2: brass in counterpoint, organ tacet, handbells on melodyVerse 3: soprano and trumpet descantVerse 4 (6): all instruments, fortissimoPARTS INCLUDED: Full ScoreChoral ScoreC Trumpets 1, 2, 3, 4Trombones 1, 2Bass TromboneTubaTimpaniOrganHandbells.
$29.95
27.14 €
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Traditional
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Brenda Portman
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O Come, All Ye Faithful
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Brenda Portman
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SheetMusicPlus
Festival Hymn Setting Easter 2019 Jesus Christ is Risen Today (Lyra Davidica-Easter Hymn)
Small Ensemble Choir,Organ,Soprano Saxophone,Timpani,Trombone - Level 2 - Digital Download…
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Small Ensemble Choir,Organ,Soprano Saxophone,Timpani,Trombone - Level 2 - Digital Download SKU: A0.729500 Arranged by James F. Rickley. 20th Century,Christian,Easter,Sacred. Score and parts. 54 pages. WayWordBound #4405628. Published by WayWordBound (A0.729500). Festival Hymn Setting for Easter 2019, Jesus Christ is Risen Today, Tune: Lyra Davidica (Easter Hymn) for Soprano Saxophone, 4 Trombones, 3 Tympani, Congregation, OrganScore in C, Concert Score, PartsEvangelical Lutheran Worship ELW 365 | Lutheran Church Missouri Synod Concordia LCM 199New Century Hymnal UCC 233 | United Methodist Hymnal 1989 UMH 302
$3.00
2.72 €
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James F
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Festival Hymn Setting Easter 2019 Jesus Christ is Risen Today
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WayWordBound
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SheetMusicPlus
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