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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Others advanced
Non classifié
88
Piano & claviers
Piano seul
114
Piano Facile
7
Instruments en Do
6
Orgue
4
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
Piano, Voix
1
Piano, Voix et Guitare
1
2 Pianos, 8 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare
16
Guitare notes et tablatures
10
Basse electrique
9
Banjo
3
Ukulele
2
Dulcimer
2
4 Guitares (Quatuor)
1
2 Guitares (duo)
1
Dobro
1
Ensemble de guitares
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale 3 parties
4
Voix haute
3
Voix duo
2
Chorale SSAATTBB
1
Chorale TTBB
1
Voix Tenor
1
+ 2 instrumentations
Retracter
Vents
Saxophone
51
Flûte traversière
22
Clarinette
21
2 Saxophones (duo)
9
2 Clarinettes (duo)
7
Saxophone, Clarinette (duo)
6
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone Alto
5
Hautbois, Piano (duo)
4
2 Flûtes traversières (duo)
4
Clarinette et Piano
4
Saxophone Tenor
4
Flûte, Clarinette (duo)
4
Ensemble de Clarinettes
3
Saxophone Alto et Piano
3
Ensemble de Flûtes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Soprano
2
Flûte, Clarinette et Basson
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte, Saxophone (duo)
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Flûte, Violon
2
Hautbois, Basson (duo)
2
Saxophone Tenor et Piano
2
Flûte à Bec
2
Clarinette, Trompette (duo)
2
Flûte traversière et Piano
2
Flûte et Guitare
1
Flûte, Alto (duo)
1
Flûte à bec Soprano
1
Flûte à bec Alto, Basse continue
1
3 Saxophones (trio)
1
Quintette de Saxophone: 5 saxophones
1
3 Clarinettes (trio)
1
Quatuor de Saxophones: 4 saxophones
1
2 Hautbois (duo)
1
Flûte, Violoncelle
1
Flûte, Trompette (duo)
1
Saxophone Soprano et Piano
1
Hautbois, Flûte
1
Trio de Flûtes: 3 flûtes
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette
27
Ensemble de Trompettes
26
Trombone
23
Ensemble de Trombones
6
Trompette, Piano
6
Trombone et Piano
4
Ensemble de Cors
4
2 Trompettes (duo)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Tubas (duo)
1
Trompette (partie séparée)
1
Cor
1
Trompette, Trombone (duo)
1
Tuba
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Trombone, Tuba (duo)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon et Piano
7
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
4
Violon, Violoncelle (duo)
3
Violon
3
2 Violoncelles (duo)
2
Violoncelle
2
Alto, Piano
2
Violoncelle, Piano
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
1
Violoncelle, Orgue
1
2 Altos (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Alto seul
1
Harpe, Violon (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Batterie
20
Ensemble de cuivres
11
Orchestre à Cordes
10
Ensemble Jazz
8
Orchestre d'harmonie
3
Orchestre
2
Ensemble de Percussions
2
Orchestre de chambre
2
Percussion
1
Xylophone, Piano
1
+ 5 instrumentations
Retracter
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ACCORDEON
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DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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LUTH, THEOR…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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POP ROCK - ROCK CLAS…
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REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Others advanced
Partitions à imprimer
88 partitions trouvées
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76
Band Of Brothers (tv Ser - Incidental Music)
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Michael Arnold Kamen
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P
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Band Of Brothers
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Pete Strohm Music
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SheetMusicPlus
Trombone - Level 5 - SKU: A0.1243669 Composed by Michael Arnold Kamen. Arranged by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival...
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Trombone - Level 5 - SKU: A0.1243669 Composed by Michael Arnold Kamen. Arranged by P. F. Strohm. 20th Century,21st Century,Contemporary,Contest,Festival,Film/TV. 100 pages. Pete Strohm Music #838634. Published by Pete Strohm Music (A0.1243669). Fantasia on Themes from Band of Brothers, is a concert work for trombone choir, derived from Michael Kamen's brilliant cues for the 2001 HBO series Band of Brothers. American composer P. F. Strohm has explored and developed cues from the original score, creating a beautiful, compelling work for trombone choirs and their audiences. The result is a memorable and moving musical essay on the nature of war, in five movements entitled Despair, Relief, Valor, Grief, and Hope. The work is both challenging and rewarding, with an Advanced level of difficulty. Performance time 19:30. Member, ASCAP.
$25.00
Four Brothers
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Jimmy Giuffre and Jon Hendrick
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Marc Donatelle
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Four Brothers
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Marc Donatelle
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SheetMusicPlus
String Ensemble Cello - Level 5 - SKU: A0.1404282 Composed by Jimmy Giuffre and Jon Hendricks. Arranged by Marc Donatelle. 20th Century,Chamber,Jazz,Sta...
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String Ensemble Cello - Level 5 - SKU: A0.1404282 Composed by Jimmy Giuffre and Jon Hendricks. Arranged by Marc Donatelle. 20th Century,Chamber,Jazz,Standards. 61 pages. Marc Donatelle #987385. Published by Marc Donatelle (A0.1404282). This is the famous jazz standard written by Jimmy Giuffre in 1947 for the Woody Herman band. In this arrangementit features eight celli (8 brothers?), each with a solo moment. The chord changes are provided, for the adventurous who want to break away from the written solos. This is an advanced arrangement, highlighting the extended range of the cello.
$25.00
In The Name Of Love (feat. Bebe Rexha)
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Pop musique
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Martin Garrix
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Katherine Bodor
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In The Name Of Love
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Katherine Bodor
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SheetMusicPlus
Advanced - By Martin Garrix. Arranged by Katherine Bodor. 19 pages. Published by Katherine Bodor...
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Advanced - By Martin Garrix. Arranged by Katherine Bodor. 19 pages. Published by Katherine Bodor
A cappella arrangement of In The Name Of Love, incorporating motifs from other EDM-influenced songs (Spectrum by Zedd, Say It by Tove Lo, and a few others). Voicing is SMATVV+LV+VP. The arrangement contains moments of nuanced singing, loud resonant singing, and complex transitions. Aimed for an advanced high school or collegiate vocal ensemble. .
$3.99
Swedish Dances
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Max Bruch
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Robert Rainford
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dance-like then reflective
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Swedish Dances
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Forton Music - Digital
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SheetMusicPlus
2fl. Pft. - Intermediate-Advanced - SKU: F2.FM393 Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. 31 pages. F...
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2fl. Pft. - Intermediate-Advanced - SKU: F2.FM393 Composed by Max Bruch. Arranged by Robert Rainford. Two Flutes and Piano. Score and Parts. 31 pages. Forton Music - Digital #FM393. Published by Forton Music - Digital (F2.FM393). ISBN 9790570482924.Two Flutes and Piano - These dances were first published in 1892 for violin and piano, although Bruch later arranged them for solo piano, and also for orchestra. The slow, stately introduction leads in to seven dances in volume one, each a charming character study. Individual movements are dramatic, then tranquil; dance-like then reflective. The third, fifth and seventh movements have the feeling of folk-dances, while the others are more lyrical and expressive. Structurally the pieces are fairly simple, with melody sections flowing in to each other. Some ideas are developed into links and codas. In this arrangement, both players share the melodic material fairly evenly. Each has a solo movement to play, with the other movements featuring call and answer moments, harmony sections and contrapuntal elements to enjoy. Technically quite advanced, with the first flute covering the whole range of the instrument, these gems of pieces are well worth working on.
$15.95
Old-Time Favorites for Fiddle and Mandolin
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Dan Levenson
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Old-Time Favorites for Fiddle
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle and mandolin - Intermediate-Advanced - SKU: M0.30225BCDEB Composed by Dan Levenson. Solos and Duets. Strings. E-book and online audio. Mel Bay Pu...
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Fiddle and mandolin - Intermediate-Advanced - SKU: M0.30225BCDEB Composed by Dan Levenson. Solos and Duets. Strings. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30225BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30225BCDEB). ISBN 9781619114562. 8.75x11.75 inches.You asked for it and you got it! More tunes to play at festivals and jams or just sittin' at home with a friend or two. 62 more tunes with both basic and advanced standard notation lines with suggested chords as well as a mandolin tablature line to get you going in the right direction and playing these old-time favorites .As in Old-Time Festival Tunes for Fiddle and Mandolin  you will find some of the tunes to be straightforward while others promise to be genuine finger twisters! The book revisits some of the author's old favorites and some time-tested standards. The accompanying online audio includes each tune on both fiddle and mandolin. There is also a clawhammer banjo companion to this book titled Old-Time Favorites for Clawhammer Banjo which shares the same basic standard notation line in this volume.
$22.99
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Classique
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in F major, Op.7
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
Betty Lee
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Classique
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Euphonium/Baritone Solo with B
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Richard Jones
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Betty Lee
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Richard Jones
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1488841 By Euphonium/Baritone Solo with Band. By Herman Bellstedt. Arranged by Richard Jones. Classical. Brass Band. 61 pages. Richard Jones #1065695. Published by Richard Jones (A0.1488841). Betty Lee is an example of a theme and variation or fantasia style of writing that was popular at the end of the 19th century and the fists quarter of the 20th century. In most instances the piece would involve a folk or national tune that becomes more complicated as it progresses. Whislt many British composers such as Round and Hartmann were renowned for writing these style of pieces, American virtuoso players were equally adept, including Herbert Clarke, Frank Simon and others. Herman Bellstedt was amongst these virtuoso player/cpmposer combinations. He was born in Bremen in Germany, but moved to Cincinnati, Ohio when he was 9. He quickly gained a reputation as a fine cornet player, playing as a soloist with most bands in his area and beyond, earning him the title 'Boy Wonder'. Soon he was performing with the top bands in the US, including the Patrick Gilmore and John Philip Sousa Band, in the latter sharing solos with cornet sensations Herbert L. Clarke and Walter B. Rodgers. During this period he also started as Professor of Wind Instruments at Cincinnati Conservatory, where he continued to work on his composition projects. The most famous of these composition are Napoli, Fantasie No.1, Capriccio Brilliante and a version of Carnival of Venice; Betty Lee is a lesser known piece to these but equally provides a technical challenge.It is a must for all intermediate to advanced performers.
$20.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Night
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Florence Beatrice Price
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Charles Decker
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Night
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1434033 Composed by Florence Beatrice Price. Arranged by Charles Dec...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1434033 Composed by Florence Beatrice Price. Arranged by Charles Decker. 20th Century,Chamber,Historic,Multicultural,World. 18 pages. Charles Decker Music Press #1014281. Published by Charles Decker Music Press (A0.1434033). From the Music of Black Composers Series at Charles Decker Music Press is prominent Black composer Florence Price’s Night that rivals in elegance and and expressive melodic treatment her famous Adoration. Arranged for two B-flat trumpets, horn, trombone and tuba, the edition features trumpet and horn, and by using using all conical brass (flugelhorns or cornets, horn, euphonium and tuba) can create a memorable performance for audiences.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!” Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press, especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.” Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series Brass” in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson, Florence Price and others.For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$12.99
Cool Cowboy Glen (TAB guitar part of duet)
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1422149 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,...
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Guitar - Level 4 - SKU: A0.1422149 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. Guitar Tab. 9 pages. Geofonica Artistworks #1003495. Published by Geofonica Artistworks (A0.1422149). This is the GUITAR PART (in standard notation with TAB) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in standard notation (without TAB) is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$3.99
Cool Cowboy Glen (guitar part of duet)
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. ...
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell. Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
Cool Cowboy Glen (bass part of duet)
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The Candlelight Guitarist feat
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Brad Powell
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Cool Cowboy Glen
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Geofonica Artistworks
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SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. ...
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Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Country,Folk,Latin,Pop,Rock. 5 pages. Geofonica Artistworks #1003498. Published by Geofonica Artistworks (A0.1422152). This is the BASS PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The GUITAR PART is available separately, in standard notation, and also in TABS-plus-standard notation.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$2.99
The Charleston (1923) for Brass Choir
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20t...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99
Tales of an Old Grandmother, Op. 31 for Tuba or Bass Trombone & Piano
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Contemporain
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Prokofiev, S
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Sauer, Ralph
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others will never be erased
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Tales of an Old Grandmother, O
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.810903 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and indivi...
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 4 - SKU: A0.810903 Composed by Prokofiev, S. Arranged by Sauer, Ralph. 20th Century. Score and individual part. 15 pages. Gordon Cherry #3676427. Published by Gordon Cherry (A0.810903). • Also known as Four Grandmother Songs and Old Granny Tales, this work was composed in New York in 1918 at the beginning of the composer’s self- imposed exile from Russia after its Revolution.• These short pieces were immediately successful and were performed worldwide.• In the epigraph to this work Prokofiev wrote, Some recollections had become half erased from her memory; others will never be erased.• Mr. Sauer once again, has produced a magnificent new work for Tuba or Bass Trombone & Piano.• This work with its great character is a joy to perform, about 8 - 9 minutes in length for moderately advanced performers.
$17.50
Magnificat and Nunc Dimittis for Mixed Chorus and Brass Quintet
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Musique Sacrée
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Samuel Coleridge-Taylor
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Richard Decker
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Magnificat and Nunc Dimittis f
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Charles Decker Music Press
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SheetMusicPlus
Horn,Medium-High Voice,Medium-Low Voice,Organ Accompaniment,Piano Accompaniment,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1247941 Composed by Samuel Col...
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Horn,Medium-High Voice,Medium-Low Voice,Organ Accompaniment,Piano Accompaniment,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1247941 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christian,Multicultural,Praise & Worship,Sacred,World. 92 pages. Charles Decker Music Press #842506. Published by Charles Decker Music Press (A0.1247941). Magnificat and Nunc Dimittis are two of Samuel Coleridge Taylor’s dramatic and expressive sacred choral works for SATB mixed chorus enhanced with brass quintet  accompaniment of two B-flat trumpets (alternate C trumpet parts included), F horn, trombone and tuba. Included are optional organ and piano parts for rehearsal or enlarged performance settings. This edition has two scores - the full score with chorus, brass quintet, rehearsal piano, and optional organ and a vocal score SATB chorus parts with rehearsal piano. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$29.95
Sea Drift for Brass Septet
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Brass Septet
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1193715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Deck...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1193715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 44 pages. Charles Decker Music Press #793188. Published by Charles Decker Music Press (A0.1193715). Coleridge-Taylor's Sea Drift scored for Brass Septet captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers.  One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for three trumpets in B-flat with alternate parts for C trumpets, three trombones with alternate substitute horn part, and tuba.  The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$17.95
Military Marches and Airs for Trumpet Ensemble
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Jean-Baptiste Lully
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Charles Decker
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Military Marches and Airs for
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trombone,Trumpet - Level 3 - SKU: A0.1343765 Composed by Jean-Baptiste Lully. Arranged by Charles Decker. Baroque,Contest,Early Music,F...
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Trumpet Ensemble Trombone,Trumpet - Level 3 - SKU: A0.1343765 Composed by Jean-Baptiste Lully. Arranged by Charles Decker. Baroque,Contest,Early Music,Festival,Historic,Multicultural,World. 42 pages. Charles Decker Music Press #929268. Published by Charles Decker Music Press (A0.1343765). Seeking impressive and royal court pompous works for your trumpet ensemble?  Then these four Baroque regal fanfares from 1686 for the court of French Royal Highness Louis XIV, originally for trumpets, oboes and timpani, now arranged for antiphonal B-flat trumpet quartets with timpani will transport the audience back to stately Baroque court ceremonial music. The four fanfares include the brilliant and gloriously pompous Fanfare pour le Carrousel Royal  followed by a Minuet, Gigue, and Gavotte. Beyond brass ensemble programs and special ceremonies, feature your band trumpet section with these impressive works. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Kendor Music for more of Charles Decker trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$12.99
Five Ragtime Solos by Scott Joplin for Tenor Horn and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Instrumental Solo,Piano,Tenor Horn - Level 3 - SKU: A0.1118312 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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Instrumental Solo,Piano,Tenor Horn - Level 3 - SKU: A0.1118312 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719830. Published by David McKeown (A0.1118312). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Tenor Horn in E Flat with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Five Ragtime Solos by Scott Joplin for Alto Flute and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.1118298 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.1118298 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719817. Published by David McKeown (A0.1118298). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Flute with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
WHAT!!?
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Contemporain
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Matthew Atherton
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WHAT!!?
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Mr Matthew P Atherton
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - SKU: A0.1014306 Composed by Matthew Atherton. Contemporary. Score and parts. 11 pages. Mr Matthew P Atherton...
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Instrumental Duet Instrumental Duet,Piano - SKU: A0.1014306 Composed by Matthew Atherton. Contemporary. Score and parts. 11 pages. Mr Matthew P Atherton #3141169. Published by Mr Matthew P Atherton (A0.1014306). WHAT!!? (An absurd Rondo for Piano 4-hands)It could be a Gallop but the horse would have to have one leg somewhat shorter than the others.Basically a comical, light-hearted piece but not without some difficulties. Numerous odd meters (including 7/4, 11/8) with polyrhythms and syncopations. Essentially tonal but with much chromaticism.Would suit players of a moderate to advanced level..
$5.00
Five Ragtime Solos by Scott Joplin for Descant Recorder and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1118296 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Sco...
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Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1118296 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719814. Published by David McKeown (A0.1118296). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Descant Recorder with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Horsey Horsey
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Contemporain
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Desmond Cox, Elton Box, Paddy
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David McKeown
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Horsey Horsey
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - SKU: A0.589770 Composed by Desmond Cox, Elton Box, Paddy Roberts, and Ralph Butler. Arranged...
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 4 - SKU: A0.589770 Composed by Desmond Cox, Elton Box, Paddy Roberts, and Ralph Butler. Arranged by David McKeown. Contemporary. Score and parts. 7 pages. David McKeown #6094349. Published by David McKeown (A0.589770). Horsey Horsey is a comedy song arranged by David McKeown as a duet for one Flute and one Viola. Horsey Horsey was written in 1937 by Paddy Roberts and Ralph Butler. Paddy Roberts was a South African musician who flew in the RAF during the Second World War, then later as a commercial airline pilot. His music career finally got off the ground in the mid ‘50s. Ralph Butler was a well-known comedy lyricist of the time, responsible also for The Sun Has Got His Hat On, Nellie The Elephant and Run Rabbit, Run among others. Nowadays Horsey Horsey is best known as a nursery rhyme.This duet version of Horsey Horsey is a fun Theme and Variations, with the melody presented in swing style, in a slow minor key version, in 6/8 and in a nineteenth century style grand finale. The arrangement moves through several different keys, exploring a wide range of the instruments, and is therefore suitable for players at an Advanced Intermediate level. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Sea Drift for Brass Octet
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Samuel Coleridge-Taylor
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Richard Decker
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Sea Drift for Brass Octet
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1197023 Composed by Samuel Coleridge-Taylor. Arranged by Richard Deck...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1197023 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Historic,Multicultural,World. 50 pages. Charles Decker Music Press #796180. Published by Charles Decker Music Press (A0.1197023). This brass octet arrangement of Coleridge-Taylor's Sea Drift captures the subtle textures of the composer’s chromatic harmonies inspired in his original vocal octet setting of a poem by T. B. Aldrich. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers.  One of Coleridge-Taylor's rare A Cappella compositions for vocal SATB double choir here arranged for mixed brass octet, Sea Drift is infused with descriptive tone-color painting highlighting the tragic story of the merchant sailor who perishes in a stormy sea to the despair of his lover onshore. The arrangement is scored for eight brass with alternate parts - three B-flat trumpets with alternate C trumpet parts , two F horns with alternate flugelhorn parts, two trombones with an alternate horn part for trombone 1, and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$18.95
Symphony No. 104 'London'
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Classique
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Franz Joseph Haydn
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Robert Rainford
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Symphony No. 104 'London'
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Forton Music - Digital
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SheetMusicPlus
Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainfor...
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Picc. 4Fl. Afl. Bfl. (Cafl)Cbfl. (SCBfl). (Dble CBFl) - Intermediate-Advanced - SKU: F2.FM553 Composed by Franz Joseph Haydn. Arranged by Robert Rainford. Flute Ensemble - Piccolo, 4Flutes, Alto Flute, Bass Flute, Optional Contr'Alto, Contrabass, Obtional Sub and Double Contras. Score and parts. 221 pages. Forton Music - Digital #FM553. Published by Forton Music - Digital (F2.FM553). ISBN 9790570484522.This is an arrangement of the last symphony that Haydn wrote. It was composed and premiered in London in 1795, and was an instant success. Following the standard four movement pattern of the time, it starts with a slow, serious introduction before the lighter, fast first movement begins properly. Using just one main theme, Haydn spins a delightful series of moods and emotions before rushing to the exciting conclusion. The second movement is more measured and controlled, but with episodes of drama and tension. The third movement is a traditional minuet and trio, with the lightness and humour of Haydn. The last movement has elements of folk music, with it's opening low drone and peasant like melody. Haydn however alternates the romping first section ideas with a more sophisticated, legato second section. This creates a delicious balance and has to make for one of the most satisfying symphonies ever written. This arrangement has been created with a range of playing standards in mind. The first and last movements use the full resources of the flute choir right down to the lowest double contrabass in C. The rarer flutes have optional parts so can be safely omitted, but add great depth to the sound. Flute 1 is quite complicated and involved, but then the parts get easier until flute 4 is fairly basic and could be easily realised by players with less experience. The second and third movements have been thinned down, with piccolo, G treble, contr'alto, subcontrabass in G and double contrabass in C being tacet. Also in these movements, flute 1 and 2 take the same line, while flute 3 and 4 are similarly in unison, with an optional contrabass part. These movements may be taken by four or five solo players, or some sections could be solos and others played by the full ensemble, or many other options.
$31.95
In a Jolly Mood
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Eckhard Kopetzki
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In a Jolly Mood
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute and vibraphone - intermediate to advanced - SKU: S9.Q50048 Composed by Eckhard Kopetzki. This edition: Sheet music. Flute and Percussion. Download...
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Flute and vibraphone - intermediate to advanced - SKU: S9.Q50048 Composed by Eckhard Kopetzki. This edition: Sheet music. Flute and Percussion. Downloadable. Duration 5' 20. Musikverlag Zimmermann - Digital #Q50048. Published by Musikverlag Zimmermann - Digital (S9.Q50048). German • English • French.The tonal language of this piece resembles the type of music of jazz and rock which contains romantic elements and which was played by Chick Corea, Keith Jarrett and others in the seventies. This kind of music was called beautified jazz, meaning jazz made more beautiful by using chamber music instrumentation, which creates an immediate charm and a jolly mood due to its straight play. The calm introduction is followed by the flute theme, accompanied by the vibraphone. Afterwards, we encounter a thematic development which consists of frequent imitations as well as flute soli passages accompanied by the vibraphone. The composition is part of the series flute and percussion, it is of intermediate difficulty.
$12.99
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