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Our Heroes: Score
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Vous avez sélectionné:
Our Heroes: Score
Partitions à imprimer
10 partitions trouvées
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1
October Impressions (score – mandolin, guitar, percussion)
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861910 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 12 pages. Ma...
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861910 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6207231. Published by Mark O'Connor Musik International (A0.861910). October Impressions (score – mandolin, guitar, percussion) MO157AScore (parts available)Music by Mark O’Connor8 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157ACopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$9.00
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Hogan's Heroes March
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Contemporain
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Jerry Fielding
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Dennis Ruello
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Hogan's Heroes March
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Chicory Music
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SheetMusicPlus
Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734400 Composed by Jerry Fielding....
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Large Ensemble Accordion,Bass Voice,Clarinet,Drum Set,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.734400 Composed by Jerry Fielding. Arranged by Dennis Ruello. Contemporary. Score and parts. 24 pages. Chicory Music #4279295. Published by Chicory Music (A0.734400). Hogan's Heroes MarchHogan's Heroes is an American television sitcom set in a German prisoner of war (POW) camp during World War II. It ran for 168 episodes from September 17, 1965, to April 4, 1971, on the CBS network. Bob Crane starred as Colonel Robert E. Hogan, coordinating an international crew of Allied prisoners running a Special Operations group from the camp. Werner Klemperer played Colonel Wilhelm Klink, the incompetent commandant of the camp, and John Banner played the bungling sergeant-of-the-guard, Sergeant Hans Schultz This arrangement, written at the Advanced Intermediate Level, for German (Oom - Pah) Band is perfect for getting everybody marching at your next Oktoberfest gig. *The mp3 sample starts in bar 9.
$19.99
Tuning of Heroes
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M
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Tuning of Heroes
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M. Maresco
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SheetMusicPlus
Alto Saxophone,Bells,Clarinet,Flute,Percussion,Trombone,Trumpet - Level 1 - Interactive Download SKU: A0.1473204 Composed by M. Maresco. This edition: In...
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Alto Saxophone,Bells,Clarinet,Flute,Percussion,Trombone,Trumpet - Level 1 - Interactive Download SKU: A0.1473204 Composed by M. Maresco. This edition: Interactive Download. Classical,Standards. 13 pages. Duration 64. M. Maresco #4JiRfzeiQc89kVlUqaRb8E. Published by M. Maresco (A0.1473204). Key: Bb major.Tuning of Heroes was written for a small elementary band, who's mascot was a Hero. This patriotic theme mainly consists of the first six notes of the scale, but also teaches students how to read Coda and D.S. al Coda, making this a great piece for score study. With different dynamics and other skill sets, this is a great piece for your students to feel accomplished with a longer piece.
$45.00
October Impressions (mandolin part – mandolin, guitar, percussion)
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861913 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 7 pages. Mar...
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861913 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6207233. Published by Mark O'Connor Musik International (A0.861913). October Impressions (mandolin part – mandolin, guitar, percussion) MO157BMandolin Part (score and parts available)Music by Mark O’Connor3 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157BCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
October Impressions (percussion part – mandolin, guitar, percussion)
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 3 - SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 6 pages. Mar...
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Small Ensemble Guitar,Mandolin,Percussion - Level 3 - SKU: A0.861916 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6207239. Published by Mark O'Connor Musik International (A0.861916). October Impressions (percussion part – mandolin, guitar, percussion) MO157DPercussion Part (score and parts available)Music by Mark O’Connor2 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157DCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$3.00
October Impressions (guitar part – mandolin, guitar, percussion)
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Mark O'Connor
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October Impressions
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Mark O'Connor Musik International
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SheetMusicPlus
Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861915 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 8 pages. Mar...
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Small Ensemble Guitar,Mandolin,Percussion - Level 4 - SKU: A0.861915 Composed by Mark O'Connor. 20th Century,Country,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6207237. Published by Mark O'Connor Musik International (A0.861915). October Impressions (guitar – mandolin, guitar, percussion) MO157CGuitar Part (score and parts available)Music by Mark O’Connor4 pages - 5:30 minutes in length From the Thirty-Year Retrospective album notes; I began to choose and arrange some of the best tunes of my 30-year recording career. As I worked, it all came flooding back. The places, the people, the feelings. Tunes from my childhood... Pickin’ in the Wind, the first tune I ever wrote...material from my Rounder and early Warner Bros. recordings...The Championship Years, New Nashville Cats, Heroes, Strength in Numbers, the Appalachia projects for Sony Classical. It was all there. A musical biography...started out as a retrospective of my career, during the process it became more. As I listen now, I realize that these recordings stand as a testament to the living, breathing, ever-evolving heritage of American music. As I watch these and other young players rise, I know it couldn’t be in better hands. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2002 Composed by Mark O’ConnorCan be heard on Thirty-Year Retrospective OMAC RecordsMark O’Connor – Violin, Chris Thile - Mandolin Catalogue Number MO157CCopyright © 1983 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Sonata for Multiple Woodwinds and Piano
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the same token, the pianist is
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Brett L
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Sonata for Multiple Woodwinds
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and p...
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano Accompaniment - Level 5 - SKU: A0.837487 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 83 pages. Sonata Grendel Publishing #5330711. Published by Sonata Grendel Publishing (A0.837487). I’ve made a performing career out of the ability to play more than one woodwind instrument. In pits and bands all over the world multiple woodwind players, or doublers, are often the unsung heroes of the show. The first one in the pit and the last one out, they bring a technical knowledge of three, sometimes four or five different instrumental traditions not to mention an ability to play in any number of musical styles all in the name of saving the producer a little money. They spend inordinate amounts of time taking lessons, practicing, and dealing with reeds of all shapes and sizes. Over the years the doubler has become an indispensable artist and many top universities and conservatories now offer multiple woodwinds as a major. The Sonata for Multiple Woodwinds and Piano was written for myself and long time friend, colleague, and collaborator, Mark Evans. Professor Evans is a marvelously sensitive and powerfully technical pianist and although the piece is written with myself in mind as the doubler, I owe much of the inspiration to the twenty-plus years I’ve spent making music with Mark. It was my intention to create a sonata for multiple woodwinds that is not a novelty piece but provides the doubler with an opportunity to perform a serious work that explores the expressive and technical boundaries of their instrument(s). By the same token, the pianist is not an accompanist but an equal partner with the doubler.
$27.95
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