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Quatuor à cordes: 2 violons, alto, violoncelle
100
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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2 Altos (duo)
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Trio à Cordes: 2 violons, violoncelle
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Alto seul
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Alto et Harpe
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Trio à Cordes: 3 violoncelles
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4 Violoncelles
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
25
Fanfare
21
Orchestre d'harmonie
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Orchestre
12
Ensemble Jazz
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Ensemble de cuivres
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Xylophone, Piano
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Out Of Sight
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Songs of the Open Road II
Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed…
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Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
13.56 €
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Love at First Sight-Instrumental Performance Track
Double Bass,Drums,Piano - Digital Download SKU: A0.1068165 Composed by Deborah John…
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Double Bass,Drums,Piano - Digital Download SKU: A0.1068165 Composed by Deborah Johnson. Film/TV,Holiday,Love,Pop,Wedding. Accompaniment. Duration 297. Deborah Johnson #6683515. Published by Deborah Johnson (A0.1068165). This is the instrumental perfomance track without vocals for performance of Love at First Sight by Deborah Johnson. It's a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This arrangement is perfect for solo performance or performance with small rhythm section. Individual extracted vocal part with rhythm is also included in this sheet music, including piano/chords and vocal for rhythm sections and a lyric sheet. A total of 15 pages, including cover. The vocals are from F below middle C to A above for only a little over an octave and a half range. The full sheet music score is also available and the song is available for licensing upon seperate agreement. MP3s of the song and the instrumental track without piano or vocals are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99
8.15 €
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Deborah Johnson
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Love at First Sight-Instrumental Performance Track
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Deborah Johnson
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SheetMusicPlus
Love at First Sight
Double Bass,Drums,Piano - Digital Download SKU: A0.1068166 Composed by Deborah John…
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Double Bass,Drums,Piano - Digital Download SKU: A0.1068166 Composed by Deborah Johnson-Instrumental Performance Track-no piano. Film/TV,Holiday,Love,Pop,Wedding. Full Performance. Duration 297. Deborah Johnson #6683517. Published by Deborah Johnson (A0.1068166). This is an instrumental background MP3 without vocals or piano for performance of Love at First Sight by Deborah Johnson. It's a beautiful love song ballad that tells a captivating and heartwarming story. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products)Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 This arrangement is perfect for solo performance or performance with small rhythm section. Full sheet music also available and for licensing upon seperate agreement.The vocals are from F below middle C to A above for only a little over an octave and a half range. It is a richly arranged beautiful piece that would be a good addition for most any event! MP3s of the song and the instrumental track with piano are also available.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonProduction, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.
$8.99
8.15 €
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Deborah Johnson-Instrumental Performance Track-no piano
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Love at First Sight
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Deborah Johnson
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SheetMusicPlus
Glengarry Collection: The Highland Fiddle Music of Aonghas Grant Volume 2
Fiddle - Advanced - Digital Download SKU: M0.21526MEB Composed by Aonghas Grant. Tu…
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Fiddle - Advanced - Digital Download SKU: M0.21526MEB Composed by Aonghas Grant. Tunebook. Style. E-book and online video. Mel Bay Publications - Digital Sheet Music #21526MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.21526MEB). ISBN 9781619116160. 8.75x11.75 inches.This book, with accompanying video, is the second and final volume in the Glengarry Collection of Aonghas Grant's Highland fiddle repertoire. The book contains 188 additional slow airs, marches, strathspeys, reels, jigs and hornpipes. Accompanying stories, history and photographs provide additional background to the tunes. This collection focuses on the core of Grant's music - Highland fiddling, and its connections to pipe tunes and Gaelic songs. Some of these tunes have never been published before, while others are only available in out-of-print books and pipe settings. The collection also includes a number of tunes composed by Grant, and ones composed in his honor. The tunes are fully chorded in a style representative of Grant's band experience. Transcriptions of his bowings, grace notes and stories provide insight into his playing style. Accompanying photos richlyillustrate Grant's music, including images of musicians, family, and scenes from his various careers. The accompanying video download available online includes recordings of Grant's impromptu and passionate performances, featuring 81 selections.
$24.99
22.66 €
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Aonghas Grant
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Glengarry Collection: The Highland Fiddle Music of Aonghas Grant Volume 2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fields Of Gold
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1450395 By Sting. By Sting. Arranged by Max Stannard. Pop. Brass Band. 33 pages. Max Stannard Music #1030125. Published by Max Stannard Music (A0.1450395). This solo for flugel horn is an arrangement of the song Fields of Gold by Sting. The song was also covered by American singer and guitarist Eva Cassidy who recorded a version that first appeared on her 1996 live album Live at Blues Alley, then later on her albums Songbird (1998). In Lyrics By Sting, the singer described the view from his 16th-century Wiltshire manor house: In England, our house is surrounded by barley fields, and in the summer it's fascinating to watch the wind moving over the shimmering surface, like waves on an ocean of gold. There's something inherently sexy about the sight, something primal, as if the wind were making love to the barley. Lovers have made promises here, I'm sure, their bonds strengthened by the comforting cycle of the seasons..
$24.99
22.66 €
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Sting
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Max Stannard
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Fields Of Gold
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Max Stannard Music
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsich…
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Bass Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Sight-Singing 2
Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach…
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Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
11.78 €
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
The Art of Lutherie
Guitar (classical and lute) - Digital Download SKU: M0.30105MEB Composed by Tom Bil…
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Guitar (classical and lute) - Digital Download SKU: M0.30105MEB Composed by Tom Bills. Flatpicking Guitar. E-book and online video. Mel Bay Publications - Digital Sheet Music #30105MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30105MEB). ISBN 9781619115378. 8.75x11.75 inches.The Art Of Lutherie offers a glimpse into the mind and craft of luthier Tom Bills, whom many consider to be one of the most talented luthiers today. In this beautifully written and enjoyable read, Tom elegantly and clearly shares his best-kept secrets and methods of custom guitar making - those which make his guitars favorites among top collectors and players. Tom's unique approach to The Art Of Lutherie will empower and inspire you to create more than just a guitar, but a truly unique work of art. The information that is generously shared within this insightful and timeless work is both practical and applicable. It contains the same hard-won wisdom that only comes from years of experience and experimentation that Tom uses in creating his inspiring instruments. Over the years, he has produced instruments considered to be some of the best sounding guitars ever made. Learning the steps of how to build a guitar is important, but understanding why master luthiers take those steps and make those decisions can empower you to make your own educated choices. This will allow you to create unique guitars, and the world needs your art, your guitars - your important contribution. The Art Of Lutherie, a truly unique and inspiring guide, can prepare you to reach new heights when designing and creating unique guitars. It is not often I heap such lavish praise on people; however, Tom is in this case more than deserving: I know of no other luthier whose work I respect more. Tom knows his craft inside and out; he pours his soul into every guitar he makes; he uses cutting-edge science to guide his work, and it shows...as head of Artist Relations and Product Development at Mel Bay, it gives me great pleasure to publish Tom's work, which will no doubt take the art of lutherie to a new level. I hope you'll spend some time soaking in this book - it will certainly augment your musicality - Collin Bay. Includes access to online video.
$14.99
13.59 €
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Tom Bills
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The Art of Lutherie
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.747073 Composed by Herbert L…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett #6199053. Published by Keith Terrett (A0.747073). The Maid of the Mist in an arrangement for solo Cornet (Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet of a fun light piece creating a great showpiece for the cornet. It is named after the sight-seeing boats for tourists in Niagara Falls. Set as a polka, there is much opportunity for the soloist to display quick fingers and light triple tonguing.To create a clean new edition, dynamics and articulations were made more consistent in the parts. Counter melodies were added to enhance the arrangement.American composer and Cornet player Herbert L. Clarke was one of the first soloists to combine a pyrotechnic technique with a lush, romantic sound. His virtuoso-with-a-heart' style set the standard for Cornet (and later Trumpet) players for the next several generations. He, along with Jean Baptiste Arban and Frank Simon, is considered to be one of the finest Cornetists in history. Many of Clarke's compositions are still regularly performed, including: 'The Maid of the Mist', 'Sounds of the Hudson', 'The Bride of the Waves', 'Stars in a Velvety Sky', 'From the Shores of the Mighty Pacific', 'The Debutante and Southern Cross'. 'The Maid of the Mist' was composed ca. 1912 and is one of about 50 pieces Clarke wrote to display his virtuosity in concerts. 'Maid of the Mist' is the name of a tourist boat that visitors to Niagara Falls can ride to view the falls up-close.
$15.99
14.5 €
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Herbert L
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Keith Terrett
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The Maid of the Mist for Bb Cornet
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Keith Terrett
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sull…
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
10.84 €
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
When younglings first on Cupid fix their sight
Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508462
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 4 - Digital Download SKU: A0.508462 Arranged by Eric Burger Music. Renaissance. Score and parts. 9 pages. Eric Burger Music #3884763. Published by Eric Burger Music (A0.508462). View the score with playback at: https://youtu.be/6QPxOO2yeJU Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$6.00
5.44 €
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Eric Burger Music
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When younglings first on Cupid fix their sight
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Eric Burger Music
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SheetMusicPlus
End of an Era
String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brow…
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String Ensemble - Level 2 - Digital Download SKU: A0.1101781 Composed by Susan Brown. Chamber,Classical,Traditional. 48 pages. Susan Brown #705164. Published by Susan Brown (A0.1101781). 3 pieces for strings - a reflection of an unexpectedly fast changing world as witnessed since the beginning of this decade. Can be played as separate movements or flowing into each other. Passing opens with shock, disbelief and realisation that change has begun, followed by questioning why, and anger at at the loss of what was once a world understood to a feeling of being left behind. A feeling of the passing of time and lost youth gives way to self-pity and sadness. Anger follows, then resistance, then reflection on the speed of such change. Ultimately resignation. Looking back through the rose-tinted glasses of Reminiscing brings forth varied memories of times past and what hindsight deems to be 'those halcyon days'. Apprehensively Emerging into the new territory of change. Initially accepting the opportunities of it, then cautious and worried about the unknown to finally the knowledge that change will happen anyway - so just get on with it!
$15.00
13.6 €
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Susan Brown
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End of an Era
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Susan Brown
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SheetMusicPlus
Floating, Falling, Flying (parts for other instrumental combinations)
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
5.44 €
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Thriller,Traditional. 18 pages. Brian Chung Music #788535. Published by Brian Chung Music (A0.1188926). Have you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano). Composer's Commentary on YouTube: https://youtu.be/AGq1Y14PHIU In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00
16.32 €
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Funeral March of a Marionette - 2 violin and viola trio
Small Ensemble Viola,Violin - Digital Download SKU: A0.540396 Composed by Charles F…
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Small Ensemble Viola,Violin - Digital Download SKU: A0.540396 Composed by Charles Francois Gounod. Arranged by Lorento Golofeev. Classical. Score and parts. 15 pages. Lorento Golofeev #150547. Published by Lorento Golofeev (A0.540396). Little fun piece, written by Charles Gounod, originally for solo piano, arranged here for 2 violin and viola. Best known as the theme music for Alfred Hitchcock Presents TV series. All of my arrangements include bowings, dynamics and precise articulation for easier sight-reading. Many more arrangements, both pop and classical, are available for purchase. If you liked the quality of my work, please check my list often as it is constantly expanding. To hear some of my arrangements in full, please visit the page of Ion String Quartet on YouTube: https://www.youtube.com/channel/UCIcg2FJoN0FN_-hb8XeBaVA.
$4.99
4.52 €
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Charles Francois Gounod
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Lorento Golofeev
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Funeral March of a Marionette - 2 violin and viola trio
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Lorento Golofeev
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SheetMusicPlus
Funeral March of a Marionette
String Ensemble,String Trio - Digital Download SKU: A0.545959 Composed by Charles F…
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String Ensemble,String Trio - Digital Download SKU: A0.545959 Composed by Charles Francois Gounod. Arranged by Lorento Golofeev. Romantic Period. Score and parts. 19 pages. Lorento Golofeev #156072. Published by Lorento Golofeev (A0.545959). Little fun piece, written by Charles Gounod, originally for solo piano, arranged here for string trio. Best known as the theme music for Alfred Hitchcock Presents TV series. Viola and second violin parts are interchangeable. All of my arrangements include bowings, dynamics and precise articulation for easier sight-reading. Many more arrangements, both pop and classical, are available for purchase. If you liked the quality of my work, please check my list often as it is constantly expanding. To hear some of my arrangements in full, please visit the page of Ion String Quartet on YouTube: https://www.youtube.com/channel/UCIcg2FJoN0FN_-hb8XeBaVA.
$4.99
4.52 €
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Charles Francois Gounod
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Lorento Golofeev
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Funeral March of a Marionette
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Lorento Golofeev
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SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB cello and piano with parts
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421425. Published by Connie Boss (A0.801699). This is a fun arrangement of this song. It is in SATB cello and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
4.99 €
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB with optional instruments and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801679 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 15 pages. Connie Boss #6415657. Published by Connie Boss (A0.801679). This is a fun arrangement of this song. It is in SATB and optional instruments - flute, violin, cello) and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
4.99 €
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Carol of the Bells (Hear Them Ring) - SATB violin and piano with parts
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801700 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801700 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421433. Published by Connie Boss (A0.801700). This is a fun arrangement of this song. It is in SATB violin and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King.
$5.50
4.99 €
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Two Songs Without Words for String Quartet
Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed…
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Small Ensemble Cello,Viola - Level 5 - Interactive Download SKU: A0.484893 Composed by Bronson I. Kurcz. This edition: Interactive Download. Classical. Score and parts. Duration 187. Ivan Howard #58ukgthy9yGFywBqZ15xOI. Published by Ivan Howard (A0.484893). Key: C major.A two movement Lyric Piece for String Quartet. This being the First Movement, Bit. Each movement is short, and hopefully embodies the fullness of their title names. I tried to keep each movement as short as possible, making them somewhat difficult sounding but easy sounding to the listener, while hopefully playable at first or second Sight-Reading by the Advanced Quartet. I. Bit- 0:30 II. Love's Eternal Kiss- 2:37.
$3.99
3.62 €
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Bronson I
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Two Songs Without Words for String Quartet
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Ivan Howard
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SheetMusicPlus
The End Of The World - Score Only
Level 2 - Digital Download SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Syl…
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Level 2 - Digital Download SKU: A0.1190974 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Arco Ensembles. Chamber,Jazz,Pop,Standards,Traditional. 7 pages. Arco Ensembles Production Corp #790498. Published by Arco Ensembles Production Corp (A0.1190974). Imagine living in a parallel universe where the 19th-century practice of inviting a few friends over to one's home to read chamber music over finger sandwiches on a Sunday afternoon had never died. Recommend pairing with a bottle of red wine if age appropriate.This reference score is arranged for voice, two violas, piano, and bass. Drums can read off the score. Replace the vocals with another string, or have the vocalist google the lyrics. The possibilities are numerous![Note: mp3 sample and youtube link were recorded in a sight-reading session from this score by an ensemble that had never played together as a whole. Thereby proving you can too].
$7.99
7.24 €
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Skeeter Davis
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Arco Ensembles
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The End Of The World - Score Only
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Arco Ensembles Production Corp
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SheetMusicPlus
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