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Tri et filtres :
--INSTRUMENTS--
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AUTOHARPE
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527
PIANO & CLAVIERS
Piano seul
1749
Piano, Voix et Guitare
989
Piano, Voix
759
Piano Facile
495
Accompagnement Piano
94
Piano grosses notes
50
Orgue
47
1 Piano, 4 mains
36
Piano Trio: piano, violon, violoncelle
16
Instruments en Do
16
Piano Quatuor: piano, violon, alto, violoncelle
9
Piano (partie séparée)
5
2 Pianos, 4 mains
5
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4
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1
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Ligne De Mélodie, (Paroles) et Accords
24
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6
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5
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3
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2
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2
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1
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242
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85
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67
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29
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20
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20
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17
Voix Baryton, Piano
16
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12
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11
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11
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10
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10
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7
Voix Tenor
6
Voix seule
4
Voix moyenne, Piano
4
Pack Instrumental pour Chorale
3
Chorale
2
Voix basse
1
Voix Soprano
1
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Flûte traversière et Piano
98
Clarinette et Piano
86
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76
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67
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55
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29
3 Saxophones (trio)
28
Saxophone Baryton, Piano
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette
20
3 Clarinettes (trio)
15
Cor anglais, Piano
14
Quatuor de Saxophones: 4 saxophones
12
2 Saxophones (duo)
11
2 Clarinettes (duo)
9
2 Flûtes traversières (duo)
9
Hautbois, Flûte
8
Flûte traversière
8
Flûte, Hautbois, Clarinette, Basson
7
Flûte, Alto et Piano
6
Quatuor de Clarinettes: 4 clarinettes
6
Clarinette Basse, Piano
6
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5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Clarinette (duo)
5
Saxophone, Clarinette (duo)
4
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4
Saxophone Alto
4
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3
Flûte, Violoncelle, Piano (trio)
3
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3
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3
Piccolo, Piano
3
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2
Hautbois, Basson (duo)
2
Saxophone (partie séparée)
2
Saxophone
2
Saxophone Soprano
2
Clarinette, Violon (duo)
2
2 Clarinettes, Piano
2
Flûte et Guitare
2
Hautbois
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
Flûte, Violon
2
Flûte à Bec
2
Flûte à bec Soprano
2
Clarinette, Trompette (duo)
2
Saxophone Tenor
2
2 Flûtes traversières, Piano
2
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Quintette de Saxophone: 5 saxophones
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Basson
1
Flûte, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Alto (duo)
1
Clarinette, Alto et Piano (trio)
1
Clarinette et Alto
1
Quintette de Flûte : 5 flûtes
1
Flûte à Bec, Piano
1
Clarinette (partie séparée)
1
Flûte à bec Alto, Piano
1
Clarinette, trompette et piano
1
Hautbois (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
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CUIVRES
Trombone et Piano
62
Trompette, Piano
57
Cor et Piano
39
Trompette
16
Euphonium, Piano (duo)
15
Cor anglais, Piano
14
Tuba et Piano
13
3 Trombones (trio)
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Tuba
6
Tuba et Orgue
5
Trombone
4
2 Trompettes (duo)
4
Cor
4
Euphonium
3
Trompette, Trombone (duo)
3
Trompette (partie séparée)
3
2 Cors (duo)
2
2 Trombones (duo)
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
Trombone, Tuba (duo)
2
Trompette, Violoncelle et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Trombones
1
Trompette, Trombone, Piano
1
Instrumentations suivantes
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CORDES
Violon et Piano
150
Violoncelle, Piano
84
Alto, Piano
78
Quatuor à cordes: 2 violons, alto, violoncelle
26
Violon
21
Contrebasse, Piano (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
Violon, Alto (duo)
12
Piano Trio: Violon, Alto, Piano
11
Alto seul
10
Violoncelle
10
Violoncelle, Contrebasse (duo)
7
Violon, Guitare (duo)
4
2 Violons (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Alto (partie séparée)
3
2 Violoncelles (duo)
3
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Violon, Violoncelle (duo)
2
Contre Basse
2
Harpe
2
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
Alto, Guitare (duo)
1
Harpe et Piano
1
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
37
Orchestre d'harmonie
23
Orchestre
20
Ensemble de cuivres
17
Jazz combo
13
Orchestre de chambre
7
Ensemble de Percussions
4
Ensemble d'École
3
Cloches
3
Orchestre à Cordes
2
Quintette de Cuivres: autres combinaisons
1
Xylophone, Piano
1
Vibraphone et Marimba
1
Fanfare
1
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Precious Memories (Trio - Bb Clarinet, Horn in F & Piano with Score/Part)
Instrumental Duet,Piano Clarinet,Horn,Instrumental Duet,Piano - Level 3 - Digital Download…
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Instrumental Duet,Piano Clarinet,Horn,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.615623 Composed by J. B. F. WRIGHT. Arranged by Gary Lanier. Contemporary,Praise & Worship,Sacred. Score and parts. 15 pages. The Lanier Company #3006673. Published by The Lanier Company (A0.615623). Precious Memories is a popular sacred folk song arranged by Gary Lanier for Bb Clarinet, Horn in F and Piano. The score, including cover and instrumental part is 15 pages. This arrangement is perfect for church, funeral or a gathering where tribute to Godly fathers, Mothers, and loving saints is desired.
$8.99
8.19 €
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J
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Gary Lanier
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Precious Memories
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The Lanier Company
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.49 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.66 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.66 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.45 €
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J
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James M
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.27 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30 €
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
Résilience égrènera nos vertiges (solo soprano piano choir and orchestra )
Choral Choir (4-Part) - Digital Download SKU: A0.1014390 Composed by Julien Boulier…
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Choral Choir (4-Part) - Digital Download SKU: A0.1014390 Composed by Julien Boulier. Arranged by Julien Boulier. Contemporary. Octavo. 11 pages. Julien Boulier #4412681. Published by Julien Boulier (A0.1014390). This is the first version of Résilience égrènera nos vertiges for soprano solo, piano, choir and little orchestra. This will be next written for full orchestra. In this first version, some instruments need to be amplified, others not. Without amplification, it needs to be completed, arranged and orchestrated with others instruments of the full orchestra.
$6.00
5.46 €
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Julien Boulier
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Julien Boulier
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Résilience égrènera nos vertiges
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Julien Boulier
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SheetMusicPlus
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861895 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
16.39 €
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Mark O'Connor
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Piano Trio No. 2 "Strange Rims"
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Mark O'Connor Musik International
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SheetMusicPlus
Beethoven - Rondo Op.49 - Flute, Viola, Cello, Piano Piano Quartet
Small Ensemble Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.823999 …
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Small Ensemble Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.823999 Composed by Ludwig van Beethoven. Arranged by Tim TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #4783595. Published by TK (Tim) Murray (A0.823999). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Flute, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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Ludwig van Beethoven
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Tim TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Flute, Viola, Cello, Piano Piano Quartet
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TK
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SheetMusicPlus
Beethoven - Rondo Op.49 - Clarinet Viola Cello Piano, Piano Quartet
Small Ensemble Cello,Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.824162
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Small Ensemble Cello,Clarinet,Piano,Viola - Level 3 - Digital Download SKU: A0.824162 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #6717071. Published by TK (Tim) Murray (A0.824162). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Clarinet, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Clarinet Viola Cello Piano, Piano Quartet
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TK
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SheetMusicPlus
Murray - Piano Trio - Violin, Cello & Piano
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) Murray #4762457. Published by TK (Tim) Murray (A0.823987). This Piano Trio is a 3 mvt work describing a journey.The 1st. mvt. Prelude (Setting off) is in a minimalist style depicting the mesmerising nature of travel. The 2nd. mvt. Meditation (Taking stock) shows the wide range and depth of thoughts and emotions that can come when you are still and let your mind wander. The Finale (Going home) is a moto perpetuo full of the excitement at heading back renewed and energised. This Piano Trio was commissioned by Margaret Lewissohn and premiered by The Isis Piano Trio. It has been recorded by The Fujita Trio.(c. 21 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$15.95
14.52 €
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Piano Trio - Violin, Cello & Piano
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TK
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SheetMusicPlus
Beethoven - Rondo Op.49 - Oboe, Viola Cello Piano, Piano Quartet
Small Ensemble Cello,Oboe,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A…
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Small Ensemble Cello,Oboe,Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.824160 Composed by Ludwig van Beethoven. Arranged by TK Murray. Classical,Concert,Standards. Score and parts. 21 pages. TK (Tim) Murray #6717057. Published by TK (Tim) Murray (A0.824160). Beethoven's joyous, jokey and rhythmic Rondo is the finale of his Piano Sonata Op.49. It's full of wit and humour and makes a great encore piece for any programme. This arrangement for Piano Quartet (Oboe, Viola, Cello, Piano) is very approachable and gives all of the instruments something of interest to play. This is a real feel-good piece which everyone will enjoy!Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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Ludwig van Beethoven
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TK Murray
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tkmurraycomp@aol.com
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Beethoven - Rondo Op.49 - Oboe, Viola Cello Piano, Piano Quartet
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TK
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SheetMusicPlus
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861896 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206133. Published by Mark O'Connor Musik International (A0.861896). Piano Trio No. 2 Strange Rims (violin part – piano, vln, cel) MO166BViolin Part (score and parts available)Music by Mark O’Connor24 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166BCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
10.93 €
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Mark O'Connor
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Piano Trio No. 2 "Strange Rims"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861897 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206137. Published by Mark O'Connor Musik International (A0.861897). Piano Trio No. 2 Strange Rims (cello part – piano, vln, cel) MO166CCello Part (score and parts available)Music by Mark O’Connor23 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166CCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
10.93 €
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Mark O'Connor
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Piano Trio No. 2 "Strange Rims"
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Mark O'Connor Musik International
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SheetMusicPlus
Shenandoah - Instrumental and piano arranged by David Catherwood
Cello,Clarinet,Flute,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.73942…
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Cello,Clarinet,Flute,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.739428 Composed by Folk Song. Arranged by David Catherwood. Folk. 12 pages. Opus 3 Music #3479463. Published by Opus 3 Music (A0.739428). Shenandoah - Instrumental and piano  Parts supplied for Bb and C instruments (treble clef) and bass clef in CSome suggested combinations (although others are also possible)Flute, Bb Clarinet and pianoCello, Violin and pianoFlute, Violin and pianoBb Clarinet, Violin and pianoTrombone, Bb Trumpet and piano
$10.99
10.01 €
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Folk Song
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David Catherwood
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Shenandoah - Instrumental and piano arranged by David Catherwood
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Opus 3 Music
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SheetMusicPlus
Rain, Rain, Go Away! (Songs For a Rainy Day) - 2-Part Choir Piano Track
Choir,Piano - Digital Download SKU: A0.1069495 Composed by Joanna Mills. Children,I…
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Choir,Piano - Digital Download SKU: A0.1069495 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 95. Joanna Mills Music #5197933. Published by Joanna Mills Music (A0.1069495). Use this piano accompaniment track with Rain, Rain, Go Away! for 2-Part Choir (S0.706323) for rehearsal or performance. This charming 2-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs have been sung overlapping. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40.Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$4.99
4.54 €
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Joanna Mills
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It's Raining, It's Pouring
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Rain, Rain, Go Away!
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Joanna Mills Music
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SheetMusicPlus
Rain, Rain, Go Away! (Songs For a Rainy Day) - 3-Part Choir Piano Track
Choir,Piano - Digital Download SKU: A0.1069497 Composed by Joanna Mills. Children,I…
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Choir,Piano - Digital Download SKU: A0.1069497 Composed by Joanna Mills. Children,Instructional,Standards. Accompaniment. Duration 98. Joanna Mills Music #5197935. Published by Joanna Mills Music (A0.1069497). Use this piano track to accompany Rain, Rain, Go Away! (Songs for a Rainy Day) (S0.706285) 3-part choir arrangement for rehearsal or performances.This charming 3-Part choir arrangement is a quodlibet of three traditional songs about rain: Rain, Rain, Go Away; It's Raining, It's Pouring; and Pitter Patter Raindrops. It begins with a sparse staccato section which builds quickly to emulate the start of a rain shower, and then each song is added one after another until all three songs are sung at the same time. Then the rain sounds begin again until the rain shower ends with one final Drop. The piano score is simple and supports the singers, and because the song is in the key of F, Orff instruments can easily be added (or replace the piano entirely). Suitable for elementary aged students (range E4-D5), and perfect for a fall (autumn), spring, or early summer concert, or classroom instruction. Approximate performance time 1:40. Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.
$7.99
7.28 €
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Joanna Mills
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It's Raining, It's Pouring
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Rain, Rain, Go Away!
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Joanna Mills Music
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SheetMusicPlus
America, the Beautiful (SATB choir, piano, alto solo, brass quartet)
Small Ensemble B-Flat Trumpet,Choir,Piano Accompaniment,Trombone - Level 3 - Digital Downl…
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Small Ensemble B-Flat Trumpet,Choir,Piano Accompaniment,Trombone - Level 3 - Digital Download SKU: A0.773733 Composed by Samuel Ward. Arranged by Anthony Giamanco. A Cappella,Contemporary,Folk,Holiday,Patriotic. Score and parts. 31 pages. Whole Tone Press #4633075. Published by Whole Tone Press (A0.773733). An exciting, festive arrangement of the beloved patriotic song for SATB choir, piano, alto solo and brass quartet. Ideal for patriotic celebrations and concerts. Choir sings stanza 3 a cappella (but piano may lightly accompany if needed). Medium level of difficulty. Parts may also be purchased separately (Choir score, Alto solo/Piano score, and Brass Quartet parts.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg
$5.25
4.78 €
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Samuel Ward
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Anthony Giamanco
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America, the Beautiful
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Whole Tone Press
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SheetMusicPlus
Tchaikovsky - Romance Op.5 - Piano Trio Violin Cello Piano
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.824002 Composed by …
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.824002 Composed by Peter Ilyich Tchaikovsky. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 13 pages. TK (Tim) Murray #4783863. Published by TK (Tim) Murray (A0.824002). The Romance Op.5 is pure Tchaikovsky at his most Romantic - Lyrical, Passionate & very Dramatic! It is a beautiful work and lends itself very successfully to Piano Trio as the interaction of the instruments really heightens the emotions.Highly recommended. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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Peter Ilyich Tchaikovsky
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Tim TK Murray
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Tchaikovsky - Romance Op.5 - Piano Trio Violin Cello Piano
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TK
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SheetMusicPlus
Faure - 'Le pas espagnol' - Piano Trio, Violin, Cello & Piano
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.824019 Composed by …
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.824019 Composed by Gabriel Faure. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 16 pages. TK (Tim) Murray #4785551. Published by TK (Tim) Murray (A0.824019). Faure's 'Le pas espagnol' is the finale to his delightful 'Dolly Suite' for Piano Duet. It is an exhilarating Spanish Dance full of energy and joyful Spanish rhythms and flair. It immediately draws the performers and audience alike into its colourful world making you want to tap your feet and smile! Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$6.95
6.33 €
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Gabriel Faure
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Tim TK Murray
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tkmurraycomp@aol.com
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Faure - 'Le pas espagnol' - Piano Trio, Violin, Cello & Piano
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TK
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SheetMusicPlus
Momentum (for vibraphone and piano)
Instrumental Duet,Piano Instrumental Duet,Piano,Vibraphone - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Piano,Vibraphone - Level 4 - Digital Download SKU: A0.1507523 Composed by Clive Lane. 21st Century. 8 pages. Clive Lane #1082920. Published by Clive Lane (A0.1507523). Momentum is a duet for vibraphone and piano. Itr is a stand-alone piece, that will eventually be joined by two others as 'Three Conversations for vibraphone and piano.It is a short, tonal, energetic piece that offers opportunities for both players to shine.Score and separate vibraphone part.Duration: 2' 10.
$4.99
4.54 €
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Clive Lane
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Momentum
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Clive Lane
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SheetMusicPlus
Loch Lomond (Violin and/or Treble recorder and piano)
Instrumental Duet,Piano Instrumental Duet,Piano,Recorder,Violin - Level 3 - Digital Downlo…
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Instrumental Duet,Piano Instrumental Duet,Piano,Recorder,Violin - Level 3 - Digital Download SKU: A0.773695 Arranged by Anthony Giamanco. Celtic,Concert,Folk. Score and parts. 17 pages. Whole Tone Press #3680433. Published by Whole Tone Press (A0.773695). This famous Scottish folk song is given a new treatment for Violin and/or Treble recorder with piano accompaniment. Good high school as well as adult players will enjoy this moderately easy arrangement. An exceptional choice for a spring concert or solo and ensemble! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
$4.75
4.33 €
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Anthony Giamanco
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Loch Lomond
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Whole Tone Press
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SheetMusicPlus
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