Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Pare etern
Non classifié
20
Piano & claviers
Piano seul
34
Piano, Voix
2
Piano Trio: piano, violon, violoncelle
1
Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Guitares
Voix
Chorale SATB
18
Chorale 3 parties
2
Voix seule
1
Vents
Flûte et Guitare
2
Saxophone Soprano et Piano
1
Clarinette et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Hautbois, Guitare (duo)
1
Clarinette
1
Saxophone Baryton, Piano
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Cor anglais, Guitare (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone Alto et Piano
1
Saxophone Tenor et Piano
1
Hautbois, Piano (duo)
1
+ 9 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Guitare (duo)
1
Cordes
Violoncelle , Guitare (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Alto, Piano
1
4 Violoncelles
1
Orchestre & Percussions
Orchestre de chambre
3
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
20
Librairie Musicale
106
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Pare etern
Partitions à imprimer
20 partitions trouvées
<
1
Eternal Father, Strong to Save - for Brass Quartet
#
Musique Sacrée
#
John Bacchus Dykes
#
Michele Galvagno
#
Eternal Father, Strong to Save
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1112593 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Patriotic,Praise...
(+)
Horn,Trombone,Trumpet - Level 2 - SKU: A0.1112593 Composed by John Bacchus Dykes. Arranged by Michele Galvagno. 19th Century,A Cappella,Patriotic,Praise & Worship,Sacred. 18 pages. Artistic Score Engraving di Galvagno Michele #714601. Published by Artistic Score Engraving di Galvagno Michele (A0.1112593). Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, and was first written in 1860 by William Whiting (1825—1878), an Anglican churchman from Winchester. According to his recount, Whiting grew up near the ocean and, at the age of thirty-five, had felt his life spared by God when a violent storm nearly claimed the ship he was travelling on. This instilled in him a belief in God's command over the rage and calm of the sea. The music associated with it was written by John B. Dykes (1823—1876), another Anglican clergymen and composer of the music for nearly three hundred hymns. This edition comes in several arrangements for multiple ensembles. At the moment of the first edition it contains the original choir version (with the 1861 lyrics), a voice and piano version, and arrangements for string, cello, trombone, horn, woodwind, brass, and saxophone quartets. The cello, trombone, and horn quartet versions are slightly more elaborated. Additional versions will be created upon request, contact me to know more. This arrangement is dedicated to Martin Smith.
$4.50
Vichnaya Pamyat
#
Various
#
Rob Bushnell
#
Vichnaya Pamyat
#
RBMusic
#
SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Ro...
(+)
Brass Ensemble Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - SKU: A0.752457 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Sacred,Traditional. Score and parts. 17 pages. RBMusic #6504099. Published by RBMusic (A0.752457). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is in the original key. A transposed version, making it easier to play, is available, item number H0.1100563-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
Vichnaya Pamyat
#
Various
#
Rob Bushnell
#
Vichnaya Pamyat
#
RBMusic
#
SheetMusicPlus
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Con...
(+)
Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 2 - SKU: A0.752458 By Various. By Hildur Gudnadottir. Arranged by Rob Bushnell. Contemporary,Film/TV,Folk,Religious,Sacred. 17 pages. RBMusic #6506025. Published by RBMusic (A0.752458). In 1982, the Vladimir Ilyich Lenin Nuclear Power Plant started a series of tests to simulate an electrical power outage to help create procedures for maintaining the circulation of the reactor coolant for the 60-75 seconds needed until the back-up generators got to full power. This was key to ensure that the coolant pumps did not stop working; otherwise, it could lead to the core overheating or, worse, the core melting down. The first test was unsuccessful, and, after some modifications, the test was repeated in 1984 and 1985. On 25 April 1986, a fourth test was scheduled to take place at 1415hrs during a controlled power-down of one of the reactors. However, at 1400hrs, another regional power station went offline, causing the test to be delayed by 10-hours. With the well-prepared day and evening crews’ shifts over, the test was left to the unprepared night crew. Unbeknownst to them, safety systems and protocols had been disabled or ignored earlier in the day, power-output issues had left the reactor in an unstable condition and there were basic design flaws with the reactor when it was constructed. All of this led to an uncontrolled chain reaction and, at some point around 01:23:45 in the morning of 26 April 1986, explosions and a fire destroyed a reactor building of reactor number 4 at Chernobyl. Radioactive contamination was released into the surrounding areas, 100,000s of people were evacuated, a 30-kilometre exclusion zone was put in place and whilst, officially, only 31 people died from this disaster, it has been estimated that between 4,000 and 16,000 fatalities are related to the events of that day. The area is likely to be unsafe for the next 20,000 years. The soundtrack to the TV mini-series Chernobyl is by the Icelandic composer, Hildur Guðnadóttir. The music is made, almost entirely, from sounds that she recorded at a decommissioned Nuclear power plant in Lithuania, giving it a very raw quality. She says the show itself portrays the disaster with respect and realism, and I was adamant the score reflects this. I wanted to show the viewer how it would feel to be there, and to tell this story of fear, loss and, ultimately, human error. Vichnaya Pamyat translated to Memory Eternal in Ukrainian, but a better English equivalent would be Rest in Peace. It is a hymn used during Ukrainian Orthodox Christian church funerals and memorial services. Guðnadóttir’s arrangement is heard at the end of the final episode of the series. This arrangement is not in the original key and has been transposed to make it easier to play. A version in the original key is available, item number H0.1099667-SC004126925. The arrangement also includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4Poc3MF8GFk.
$13.99
Di luce e di ombra (Un anno nuovo)
#
Contemporain
#
Monica Bergo
#
#
Di luce e di ombra
#
Monica Bergo
#
SheetMusicPlus
Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - SKU: A0.976890 Composed by Monica Bergo. Contemporary. Score and parts. 31 pages. Monica ...
(+)
Small Ensemble Flute,Ocarina,Pan Pipe,Piano,Violin - Level 3 - SKU: A0.976890 Composed by Monica Bergo. Contemporary. Score and parts. 31 pages. Monica Bergo #3418025. Published by Monica Bergo (A0.976890). DI LUCE E DI OMBRA (Un nuovo anno) Luci che Brillano Su questi giorni miei Nuove ombre che uccidono Il mio entusiasmo ma c’è Tutto un cammino che è stato scritto per me Come un romanzo , la sua trama svelerà Un altro anno su di me E nuovi giorni da inventare Scoprire che cosa accadrà È un buon motivo per lottare La luce mi illuminerà O ci sarà nuovo dolore Scoprire che succederà È un buon motivo per restare E corro sempre così forte Per paura di cadere Forse quest’anno imparerò Come si fa a camminare E non rallento mai il mio ritmo Indietro non posso tornare Perché me stessa incontrerei E dentro mi dovrei guardare Di luce ed ombra riempirò Questo mio eterno vuoto Che non so placare Mille canzoni inventerò Se ci sarà qualcuno che vorrà ascoltare In connessione con il mondo canto di fate , maghi, elfi, streghe e intrighi sempre a disagio nel mio tempo cercando un posto, un ruolo in quest’anno nuovo so che nulla ancora cambierà Di luce ed ombra vivrò Rubo alla luna i suoi misteri Al sole poi li donerò In cambio del caldo eterno nel cuore E come una strega che brucia sul rogo Mi infiammo, mi sciolgo Rinasco di nuovo nell ‘allineamento di Giove in Plutone L’eclissi lunare mi dà protezione Vorrei che la notte scendesse veloce Quando il mio dolore non trova mai pace Vorrei che quel sole brillasse in eterno In ogni stagione, estate ed inverno Un nuovo anno qui Davanti a me Metto in disordine i giorni suoi Il grigio di novembre Con il tepore di settembre con luci ed ombre confonderò ruberò il sole a giugno e il mio Natale scalderò e il ghiaccio di gennaio a Pasqua donerò confonderò la notte e il giorno sempre padrona del mio tempo in quello specchio guarderò felice di ciò che vedrò e nuovi viaggi ed esperienze ed emozioni a fior di pelle vivrò con gioia e intensità la luce e l’ombra che verrà quanti sorrisi sulle labbra formeranno nuove rughe felice di questa mia età è un bel traguardo essere qua e quante lacrime di nuovo scenderanno sul mio viso saranno gioia oppur dolore di luce e d’ombra io vivrò sarà un nuovo anno di gioie e dolori di luce e di ombra di freddo e calore….. Monica Bergo
$3.99
La visione di Cassandra (Borderline)
#
Contemporain
#
Monica Bergo
#
La visione di Cassandra
#
Monica Bergo
#
SheetMusicPlus
Small Ensemble Piano - Level 3 - SKU: A0.976860 Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295. Published by M...
(+)
Small Ensemble Piano - Level 3 - SKU: A0.976860 Composed by Monica Bergo. Contemporary. Score and parts. 19 pages. Monica Bergo #3238295. Published by Monica Bergo (A0.976860). 2017 Holiday Contest Entry♫*´¨`*•.¸¸.♫ La visione di Cassandra ♫*´¨`*•.¸¸.♫ Non vorrei aprire quella porta ,Non dovrei…ma è il vento che mi porta… E canto a voce bassa, Finchè il dolore passa e giro, giro-tondo ,com’è cattivo il mondo Tra pensieri e lacrime, Parole e musica C’è la visione di Cassandra E non so se potrà farcela, a scrivere di te ,Te ne sei andata in fretta , E sei perfetta Nella mente mia Cassandra sta Rinchiusa in quella stanza, Si stringe a sé ,Racconta un’esistenza: guarda là , mio padre e il suo bicchiere, guarda me, la vittima del bere lividi viola, a scuola sempre sola ,nell’indifferenza continua la violenza , mia madre sapeva ma tutto nascondeva ,la mente che non regge , e il borderline distrugge la scintilla che era in me, tutti quei sogni miei e quell’amore che non avrò mai, vorrei scappare ma sto incatenata qua, rituali incontrollati, gesti ripetuti ed un mostro chiuso dentro me Nella visione di Cassandra, Non ha più sbarre questa stanza non ha più un corpo, sesso ,è senza età È una visione ma lei non lo sa In armonia con il creato, Scorda il presente ed il passato Ed il dolore affiora e sparirà ,È una visione ma lei non lo sa Cassandra non lo sa, Che sta per perdere la nostra realtà Fili sdruciti Di un pupazzo fragile Rimane in bilico, Abbraccia un incubo Nei labirinti suoi , Non trova uscite mai E passa il margine, varca quel limite Si sente un fiore che Bisogni più non ha Ed il vento seguirà Davanti allo specchio ,I lunghi capelli, Rifletton bagliori di mille cristalli Li pettini piano,, Con cura infinita, Aspetti il tuo amore da tutta una vita Ed un carillon che risuona lontano ,La spazzola a un tratto ti cade di mano Perché l’uomo nero è qui, è già tornato, Infrange il tuo sogno, l’incanto è spezzato Cassandra corre tra le stelle E se le tatua sulla pelle Lividi e cicatrici più non ha, È una visione ma lei non lo sa In dimensioni da esplorare ,Come gli uccelli può volare Respira sole , amore e libertà E qui nessuno male le farà … Cassandra fermati, Cassandra aiutami a non rimpiangerti Adesso tu non puoi incatenarmi a te ,Al tuo ricordo che per sempre brucierà Cassandra non lo sa che le ali no, non ha Tragico angelo che prende il volo e poi Un burattino con i fili rotti ormai E il tempo è fermo qui, come il tuo battito Ma la visione è mia o di Cassandra, Non ricordo più, Questo tempo cambia La mia percezione del passato Volti e nomi che Il tempo ormai ha sbiadito E danzo al ticchettio di ciò che è stato anime perse che son rimaste indietro sempre dentro me con la loro storia un tatuaggio eterno nella mia memoria Non dovrei aprire quella porta ,Non vorrei, ma è il vento che mi porta…. e canto a voce bassa finchè il dolore passa e giro, giro-tondo com’è cattivo il mondo….. Monica Bergo
$3.99
I Know That God Lives - an original hymn for SATB voices
#
Musique Sacrée
#
Kevin G
#
I Know That God Lives - an ori
#
Kevin G. Pace
#
SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #321...
(+)
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218387. Published by Kevin G. Pace (A0.701520). An original hymn with text by Krista Mason Pace below.YouTube Video: https://youtu.be/KE-8yPHYkRkI know that God lives as sure as the sun sends light from above. Rivers that flow and starlight aglow, testify true of His love. I know that God lives. His ev’ry creation delights whence it came. Mountains in splendor and beauty herald His glorious name. I know that God lives; I know that He sent His Son to the Earth. His life he gave, then rose from the grave, off’ring a gift of great worth. I know that God lives. His work and His glory eternally sing. Cov’nants that bind me to Heaven; Near Him, He longs to bring. I know that God lives. This great work engages all men to know. Gained step by step, from parents who’ve kept promises made long ago. I know that God lives, And sweet is the feeling of answering prayer Led by His Spirit, each errand; Others know that He’s there. I know that God lives. I honor His name and church in these days. His work is true, and always I knew I’d give my love, strength, and praise. I know that God lives, the depth of my soul yearns to sing it aloud. Praying for blessings for all ‘til Glory comes in a cloud.
$1.99
Mozart: Requiem in D minor K626 III.Sequenz No.6 Lacrimosa - symphonic wind
#
Classique
#
Wolfgang Amadeus Mozart
#
Ray Thompson
#
Mozart: Requiem in D minor K62
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553591 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Cl...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553591 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Contemporary,Sacred,Standards. Score and parts. 16 pages. RayThompsonMusic #3132633. Published by RayThompsonMusic (A0.553591). Arranged double wind quintet and contrabass. The Lacrimosa (Latin for weeping/tearful), also a name that derives from Our Lady of Sorrows, a title given to The Virgin Mary, is part of the Dies Irae sequence in the Roman Catholic Requiem Mass. Its text comes from the Latin 18th and 19th stanzas of the sequence. Lacrimosa dies illa Qua resurget ex favilla Judicandus homo reus. Huic ergo parce, Deus: Pie Jesu Domine, Dona eis requiem. Amen. Full of tears will be that day When from the ashes shall arise The guilty man to be judged; Therefore spare him, O God, Merciful Lord Jesus, Grant them eternal rest. Amen.
$9.95
Mendelssohn: Wedding March for Viola & Piano
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
(+)
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Wedding March for Oboe d'Amore & Piano
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
O My Father—Medium-Range Vocal Solo and Piano
#
Musique Sacrée
#
Daniel Carter
#
Daniel Carter
#
O My Father—Medium-Range
#
Daniel Carter
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - SKU: A0.1077780 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. Praise & Worship,Sacred,Traditiona...
(+)
Medium Voice,Vocal Solo - Level 3 - SKU: A0.1077780 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. Praise & Worship,Sacred,Traditional. 8 pages. Daniel Carter #681964. Published by Daniel Carter (A0.1077780). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This medium-range vocal solo is a much simpler, completely different setting than the high-range vocal solo arranged for advanced performers available at danielcartermusic.com. Both are suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
O My Father—High-Range Vocal Solo and Piano
#
Musique Sacrée
#
Daniel Carter
#
Daniel Carter
#
O My Father—High-Range V
#
Daniel Carter
#
SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship...
(+)
Medium-High Voice,Vocal Solo - Level 5 - SKU: A0.1077736 By Daniel Carter. By James McGranahan. Arranged by Daniel Carter. 20th Century,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #681932. Published by Daniel Carter (A0.1077736). Eliza R. Snow’s poetic insights from the mid-1800s regarding our relationship with the divine created a new awareness that was not commonly accepted among Christian religions of the day. “In the heav’ns are parents single? No, the thought makes reason stare! Truth is reason; truth eternal Tells me I’ve a mother there.†Her words of reuniting with heavenly parents were set to James McGranahan’s hymn tune MY REDEEMER. This vocal solo for high-range voice arranged with an ethereal, other-worldly piano accompaniment allows the singer to reflect and vocally soar. Suitable for funerals, christenings, blessings, worship, devotionals, recitals, and concerts.
$4.99
Pantheon for Horn, Violin and Piano
#
Contemporain
#
Elizabeth Raum
#
Pantheon for Horn, Violin and
#
Gordon Cherry
#
SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Go...
(+)
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
Fauré: Requiem Op.48 III Sanctus - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 II
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.553852 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and par...
(+)
Large Ensemble - Level 3 - SKU: A0.553852 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 17 pages. RayThompsonMusic #4984961. Published by RayThompsonMusic (A0.553852). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version (featuring Oboe of No. III Sanctus for double wind quintet/bass.
$7.95
Fauré: Requiem Op.48 I Introit et Kyrie - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 I
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 3 - SKU: A0.553853 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and par...
(+)
Large Ensemble - Level 3 - SKU: A0.553853 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 17 pages. RayThompsonMusic #4985913. Published by RayThompsonMusic (A0.553853). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of No. I Introit et Kyrie for double wind quintet/bass.
$9.95
Fauré: Requiem Op.48 (Complete) - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.553855 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Sacred,Spiritual. Score and parts. 111 pages...
(+)
Large Ensemble - Level 4 - SKU: A0.553855 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Sacred,Spiritual. Score and parts. 111 pages. RayThompsonMusic #4986149. Published by RayThompsonMusic (A0.553855). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of the complete Requiem for double wind quintet/bass.The composition is structured in seven movements:Introit et KyrieOffertorySanctusPie JesuAgnus DeiLibera meIn ParadisumThey are all in the original keys.
$24.95
Fauré: Requiem Op.48 II Offertoire - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 II
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553854 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553854 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 18 pages. RayThompsonMusic #4986083. Published by RayThompsonMusic (A0.553854). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of No.II Offertoire for double wind quintet/bass.
$7.95
Fauré: Requiem Op.48 V Agnus Dei - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 V
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553849 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553849 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 17 pages. RayThompsonMusic #4980729. Published by RayThompsonMusic (A0.553849). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of No. V Agnus Dei for double wind quintet/bass.
$9.95
Fauré: Requiem Op.48 IV Pie Jesu - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 IV
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553848 Composed by Gabriel Faure. Arranged by Ray Thompson. Contemporary...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553848 Composed by Gabriel Faure. Arranged by Ray Thompson. Contemporary,Romantic Period,Sacred,Spiritual,Wedding. Score and parts. 16 pages. RayThompsonMusic #4980193. Published by RayThompsonMusic (A0.553848). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version of no IV Pie Jesu (Pie Jesus) for double wind quintet/bass.The soprano solo is given to the oboe.In seven movements, the work is scored for soprano and baritone soloists, mixed choir, orchestra and organ. Different from typical Requiem settings, the full sequence Dies irae is omitted, replaced by its section Pie Jesu. The final movement In Paradisum is based on a text that is not part of the liturgy of the funeral mass but of the burial.
$9.95
Fauré: Requiem Op.48 VII In Paradisum - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 VI
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553850 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.553850 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 17 pages. RayThompsonMusic #4983519. Published by RayThompsonMusic (A0.553850). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version (featuring oboe) of No. VII in Paradisum for double wind quintet/bass.
$9.95
Fauré: Requiem Op.48 VI Libera Me - symphonic wind/bass
#
Classique
#
Gabriel Faure
#
Ray Thompson
#
Fauré: Requiem Op.48 VI
#
RayThompsonMusic
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553851 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century...
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.553851 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Contemporary,Sacred,Spiritual. Score and parts. 24 pages. RayThompsonMusic #4984557. Published by RayThompsonMusic (A0.553851). Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.This is a performance version (featuring horn) of No. VI Libera Me for double wind quintet/bass.
$9.95
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Pare etern
