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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Parsifal
Non classifié
7
Piano & claviers
Piano seul
6
Piano, Voix
2
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1
1 Piano, 4 mains
1
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Guitare
1
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Voix haute
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5
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1
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1
Tuba
1
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Quatuor à cordes: 2 violons, alto, violoncelle
11
Quatuor à cordes : 4 altos
5
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2
Violon et Piano
2
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Alto seul
1
Alto (partie séparée)
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
Parsifal
Partitions à imprimer
7 partitions trouvées
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Parsifal
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Classique
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Richard Wagner
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Parsifal
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. - 4 · 3 · 3 · 1 - P. - 2 Hfn. - Str. Auf dem Theater: 6 Trp. · 6...
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3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. - 4 · 3 · 3 · 1 - P. - 2 Hfn. - Str. Auf dem Theater: 6 Trp. · 6 Pos. · Glocken · Rührtr. · Donnermasch. - SKU: S9.Q17854 Ein Bühnenweihfestspiel in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - piano - opera. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17854. Published by Schott Music - Digital (S9.Q17854). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. PARSIFAL This piano reduction corresponds to the edition of Parsifal contained in the critical Complete Edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 14, I-III, edited by Egon Voss and Martin Geck, Mainz 1972f.) The chief source for the edition was Wagner’s autograph score, as the first printed score dating from 1883 on which all previous editions had been based had not been authorised by the composer and displayed significant deviations in comparison with the autograph. Further details can be found in the above-mentioned volumes of the Complete Edition.†(Amélie Pauli, quoted from the foreword of the new Parsifal vocal score; translated by Lindsay Chalmers-Gerbracht).
$47.99
Parsifal
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Classique
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Richard Wagner
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Parsifal
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo parts, choir and orchestra - SKU: S9.Q17848 From the new Complete Edition. Composed by Richard Wagner. This edition: study score. Choral mus...
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Solo parts, choir and orchestra - SKU: S9.Q17848 From the new Complete Edition. Composed by Richard Wagner. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q17848. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q17848). German.Parsifal, the last musico-dramatic work of Wagner, was premiered in Bayreuth on 26 July 1882 and, at first, were reserved for this performance venue according to the composer's will. Apart from only a few exceptions, it was not until 30 years later (i.e. after the expiration of the term of protection) that other opera-houses too were allowed to perform the 'sacred festival drama'. The new edition of the Eulenburg Study Score follows the Wagner Complete Edition which is based on the autograph score. All other editions published up to now only used as a source the first edition of 1883, unauthorized by Wagner, which differs from the autograph in important details. The original musical text is now available in a handy format - and ideally suited for studying. With a preface in various languages and Critical Report!
$71.99
Good Friday Spell from Parsifal for 12 Trombones
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Classique
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Richard Wagner
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Sy Brandon
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Good Friday Spell from Parsifa
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Sy Brandon
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.755186 Composed by Richard Wagner. Arranged by Sy Brandon. Romantic Period. Score and parts. 67 pages. Sy Br...
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Brass Ensemble Trombone - Level 4 - SKU: A0.755186 Composed by Richard Wagner. Arranged by Sy Brandon. Romantic Period. Score and parts. 67 pages. Sy Brandon #3410313. Published by Sy Brandon (A0.755186). An arrangement of this beautiful orchestral passage for nine tenor trombones and three bass trombones.
$19.99
The Porazzi Fragment
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Gavin Bryars
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The Porazzi Fragment
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Schott Music - Digital
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SheetMusicPlus
11 vlns · 4 vls · 4 vc. · 2 d.b. 21 solo-strings - SKU: S9.Q5778 For 21 solo strings. Composed by Gavin Bryars. This edition: study scor...
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11 vlns · 4 vls · 4 vc. · 2 d.b. 21 solo-strings - SKU: S9.Q5778 For 21 solo strings. Composed by Gavin Bryars. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 15 minutes. Schott Music - Digital #Q5778. Published by Schott Music - Digital (S9.Q5778). Commissioned by the Primavera Orchestra, and designed for the orchestra’s string formation, this short work for strings alone originates in an enigmatic, and un-published, 13 bar musical theme by Richard Wagner which appears to have been started during the period when he was composing the second act of Tristan und Isolde and finished shortly after the completion of Parsifal in Palermo, Piazza dei Porazzi.
$25.99
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
Parsifal Vorspiel (Prelude) for Large Brass Ensemble & Timpani
Brass Choir or Ensemble,Timpani
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Classique
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Richard Wagner
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Malmstrom, Randall
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Parsifal Vorspiel
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Cherry Classics
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SheetMusicPlus
Composed by Richard Wagner (1813-1883). Arranged by Malmstrom, Randall. Romantic Period, Opera. 44 pages. Published by Cherry Classics (S0.292711). - - Romanti...
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Composed by Richard Wagner (1813-1883). Arranged by Malmstrom, Randall. Romantic Period, Opera. 44 pages. Published by Cherry Classics (S0.292711). - - Romantic Period,Opera - Cherry Classics
$47.50
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