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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Party All The Time
Non classifié
47
Piano & claviers
Piano, Voix et Guitare
31
Piano Facile
26
Piano seul
21
Piano, Voix
12
Accompagnement Piano
3
Instruments en Do
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
3
3 Guitares (trio)
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
7
Chorale 3 parties
6
Chorale SSAA
3
Chorale 2 parties
2
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Quatuor de Saxophones: 4 saxophones
3
Clarinette
2
Trio de Flûtes: 3 flûtes
2
Clarinette et Piano
1
Saxophone (partie séparée)
1
Quatuor de Clarinettes: 4 clarinettes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Saxophones (duo)
1
Flûte et Guitare
1
Saxophone Alto
1
Saxophone Tenor
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette de Flûte : 5 flûtes
1
+ 9 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone et Piano
1
Quatuor de Cuivres
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Trio à Cordes: violon, alto, violoncelle
5
Violon et Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon
1
Violoncelle
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
16
Orchestre
6
Ensemble de cuivres
4
Ensemble Jazz
3
Fanfare
1
Autres
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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expert
avec audio
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Vous avez sélectionné:
Party All The Time
Partitions à imprimer
47 partitions trouvées
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1
26
Raindrops Keep Fallin' On My Head
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Contemporain
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Foster & Allen
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Des McNutty
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Raindrops Keep Fallin' On My H
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trombone,Trumpet - Level 4 - SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contempo...
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Small Ensemble Timpani,Trombone,Trumpet - Level 4 - SKU: A0.977354 By Foster & Allen. By Burt Bacharach and Hal David. Arranged by Des McNutty. Contemporary. Score and parts. 20 pages. Des Press #6438147. Published by Des Press (A0.977354). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble with optional timpani. Plus three trombones. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change!
$12.99
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
The Peanut Vendor (el Manisero)
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Contemporain
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Louis Armstrong & His Orchestr
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Des McNutty
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The Peanut Vendor
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. S...
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Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
A Pulchritudinous Posy of Pleasing Party-Pieces, nr 1.
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Friedrich Silcher, Hill/Hill,
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Des McNutty
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A Pulchritudinous Posy of Plea
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Des Press
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNut...
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Instrumental Duet Instrumental Duet,Timpani,Trumpet - Level 4 - SKU: A0.977351 Composed by Friedrich Silcher, Hill/Hill, and Trad. Arranged by Des McNutty. Concert,Folk,Holiday,Latin. Score and parts. 24 pages. Des Press #6437339. Published by Des Press (A0.977351). Happy Birthday EdMuss i DennLa CucarachaAt last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! This arrangement of Happy Birthday was written in 2011 for Edward H Tarr's 75th birthday concert in Basel (CH). Ed conducted many pieces from the Charamela Real, mostly for trumpets in two different tonalities. Happy Birthday was slipped in the programme before the second encore without his knowledge. At his downbeat, he got quite a surprise. The rest of these arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$5.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Call Me Maybe
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Carly Rae Jepsen
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Amphibia Cultural Legacy
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Call Me Maybe
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percuss...
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Large Ensemble,Mixed Percussion,Strings Bass Drum,Bass Voice,Clarinet,Cymbals,Double Bass,Drum Set,Drums,Electric Bass Guitar,Electric Guitar,Flute,Hand Percussion,Harp,High Instrument,Horn,Medium Voice,Medium-High Voice,Medium-Low Voice,Oboe,Recorder,Steel Guitar,String Synthesizer,Suspended Cymbal,Treble Clef Instrument,Trombone,Trumpet,Tuba - SKU: A0.1204562 By Carly Rae Jepsen. By Carly Rae Jepsen, Joshua Ramsay, and Tavish Crowe. Arranged by Amphibia Cultural Legacy. Broadway,Disco,Musical/Show,New Age,Pop,Rock. Score and parts. 9 pages. Amphibia Cultural Legacy #803024. Published by Amphibia Cultural Legacy (A0.1204562). Call Me Maybe is a fun and catchy song that has played at countless parties since its debut in 2011. But have you ever heard it with additional instruments added? Amphibia Cultural Legacy took the original Carly Rae Jepsen hit and remixed it, adding drums, guitar riffs, and other elements to create an even more upbeat version that is perfect for celebrating.The new version of Call Me Maybe by Amphibia Cultural Legacy features a faster tempo than the original, making it ideal for dancing and getting your guests up. The added instruments give the song a fuller sound that will energize your partygoers from start to finish. This remix will surely be a crowd-pleaser that will keep everyone entertained throughout the night.As the end of the year approaches, many people are already looking forward to their New Year's celebrations. One key element of any successful party is the music, and Call Me Maybe by Amphibia Cultural Legacy is a perfect choice. Carly Rae Jepsen initially wrote this cover remix with additional instruments, but Amphibia's unique sound has given it new life.The song starts with a catchy beat that immediately gets people moving on the dance floor. Adding various instruments, such as trumpets and drums, adds depth to the track and makes it even more exciting. The lyrics also testify to the joyous spirit of New Year's celebrations - Before you came into my life, I missed you so bad - reminding us that we should cherish those we love during this time.
$80.00
Here, There And Everywhere
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Rock
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The Beatles
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Javier MartÃnez
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Here, There And Everywhere
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Arte Nova Music Lab
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 3 - SKU: A0.742496 By The Beatles. By John Lennon and Paul McCartney. Arrang...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 3 - SKU: A0.742496 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez. Rock. Score and parts. 19 pages. Arte Nova Music Lab #5298841. Published by Arte Nova Music Lab (A0.742496). Here, There and Everywhere is a song by the English rock band the Beatles from their 1966 album Revolver. A love ballad, it was written by Paul McCartney and credited to Lennon–McCartney. McCartney includes it among his personal favourites of all the songs he has written. In 2000, Mojo ranked it 4th in the magazine's list of the greatest songs of all time.The Beatles recorded Here, There and Everywhere in June 1966, towards the end of the sessions for Revolver. Having recently attended a listening party for the Beach Boys' Pet Sounds album, McCartney drew inspiration from Brian Wilson's song God Only Knows.Taken from https://en.wikipedia.org/wiki/Here,_There_and_Everywhere
$40.00
If You Could Go Back Piano Vocal Performance
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Pop musique
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. P...
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Piano,Voice - SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Could Go Back Guitar Vocal Performance
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Rock
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Steven H
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If You Could Go Back Guitar Vo
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boo...
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Bass Guitar,Voice - SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
Dancing To The Party Next Door
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Neil Diamond
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Jeffrey Bowen
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Dancing To The Party Next Door
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir,Choral,SAA Chorus - Level 4 - SKU: A0.1441787 Composed by Neil Diamond. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 12 pages. Music Ar...
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Choral Choir,Choral,SAA Chorus - Level 4 - SKU: A0.1441787 Composed by Neil Diamond. Arranged by Jeffrey Bowen. Contest,Festival,Pop. 12 pages. Music Arrangement Services Inc. #1021772. Published by Music Arrangement Services Inc. (A0.1441787). Performed by Neil Diamond. This song is about being alone yet having a good time dancing to the party next door. The song refers to sitting at home, reading a magazine, sound of rock and roll, losing control, grooving with the kids, having a good time, being reserved and proper, flying high, seeing the writing on the wall, flying while being afraid to fall. This arrangement includes a vocal feature and dance break. This arrangement is designed for high school or college show choir, concert choir or community choir. Concert Band Score accompaniment also available. Performance time is approximately 2:55.
$3.99
The Chicken Dance
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Terry Rendall and Werner Thoma
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Aaron Hettinga
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The Chicken Dance
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Aaron Hettinga
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SheetMusicPlus
Clarinet,Drums,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781971 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contem...
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Clarinet,Drums,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781971 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Standards,Traditional. 11 pages. Aaron Hettinga #6015437. Published by Aaron Hettinga (A0.781971). This wedding reception/dance party standard is presented here in an arrangement for the instrumentation of Alford’s Hungry Five series of Polka band books. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time the D.S. is taken. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle!Flexibility: The 5 parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm, so that part is included as a bonus for groups who have a drummer available. Ready to go for your German Band's Oktoberfest gig!
$14.99
Life of the Party
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Allen Pote
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Life of the Party
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Hope Publishing - Digital
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SheetMusicPlus
PDF Score - SKU: H1.8291DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship. Score. 45 pages. Hope Publi...
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PDF Score - SKU: H1.8291DP Composed by Allen Pote. Musicals for Adults, Musicals for Youth. Youth Musicals. General Worship. Score. 45 pages. Hope Publishing - Digital #8291DP. Published by Hope Publishing - Digital (H1.8291DP). Tom S. Long.Musical For Young Voices This musical for young voices from the writing team of Allen Pote and Tom Long is a humorous telling of the stories of Mary & Martha in the gospels. Family conflict, making time for Jesus in the midst of hectic lives, and trusting God when things get tough are the themes that are addressed with both lighthearted humor and poignant drama. Staging requirements are minimal. Performance time is 30 minutes.
$12.95
Crazy Little Thing Called Love
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Dwight Yoakam
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Kevin P Holdgate
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Crazy Little Thing Called Love
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1350018 By Dwight Yoakam. By Freddie Mercury. Arranged by Kevin P Hold...
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1350018 By Dwight Yoakam. By Freddie Mercury. Arranged by Kevin P Holdgate. 20th Century,Broadway,Musical/Show,Pop,Standards,Wedding. 21 pages. Kevin P Holdgate #934794. Published by Kevin P Holdgate (A0.1350018). This arrangement is for brass sextet (2 Trumpets, F Horn, 2 Trombones, Tuba & Drum Kit) with additional parts for Horn in Eb, Trombone in treble clef, Euphonium in treble clef and Eb Tuba. Arranged in a 'beer keller' style it has been regularly featured by my own Ockoberfest group 'The Lagermeisters'. Suitable for any competent Intermediate group of players this is a great song to get the party up and dancing.Crazy Little Thing Called Love is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979, becoming the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.Having composed Crazy Little Thing Called Love on guitar, Mercury played rhythm guitar while performing the song live, which was the first time he played guitar in concert with Queen. Queen played the song live between 1979 and 1986, and a live performance of the song is recorded in the albums Queen Rock Montreal, Queen on Fire – Live at the Bowl, Live at Wembley '86 and Hungarian Rhapsody: Queen Live in Budapest. Since its release, the song has been covered by a number of artists. The song was played live on 20 April 1992 during The Freddie Mercury Tribute Concert, performed by Robert Plant with Queen. The style of the song was described by author Karl Coryat as rockabilly in his 1999 book titled The Bass Player Book.
$15.99
Get The Party Started
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Pink
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John Ivor Holland
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About
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Get The Party Started
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1359817 By Pink. By Linda Perry. Arranged by John Ivor Holland. 21st Century,Film/TV,Pop. Brass Band. 33 pages. John Ivor Holland #944297. Published by John Ivor Holland (A0.1359817). Penned by 4 Non Blondes frontwoman Linda Perry, Get the Party Started was released as a single by P!nk in October 2001, as the lead single from her second album, Missundaztood and is now considered to be her signature song. It became an international success and reached the top ten in many countries; About.com placed the song at number-one in their list of The Top 100 Best Party Songs of All Time in 2019. The song was originally written for Madonna, but she turned it down - see if you can spot the reference to this in the arrangement! Get your concert going and the audience on their feet with this massive chart, suitable for indoor or outdoor performance. Arranged as part of a pledge to make more music available for brass band, particularly those by women composers.
$35.99
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
Ragtime I
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Contemporain
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Andreas Kleinert
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Ragtime I
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Andreas Kleinert
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SheetMusicPlus
Small Ensemble - SKU: A0.1017904 Composed by Andreas Kleinert. Contemporary. Score and parts. 3 pages. Andreas Kleinert #6326287. Published by Andreas K...
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Small Ensemble - SKU: A0.1017904 Composed by Andreas Kleinert. Contemporary. Score and parts. 3 pages. Andreas Kleinert #6326287. Published by Andreas Kleinert (A0.1017904). Hell! Steht dick und fett sehen als Vortragsbezeichnung! Auch wirklich fröhlich spielen! Es gehört auch immer wieder von vorne an; das stört gar nicht, denn diese Melodie wird einfach ins Ohr! Den Zwischenteil in Moll habe ich in zwei Teilen zerlegt, damit zwischendrin auch noch einmal die Rondo-Melodie erklingen kann.Auch wenn ihr Mal was zu feiern habt, ein freudiges Ereignis, dann ist diese Musik - für eine fröhliche Gesellschaft - genau die richtige!Brightly! So it is written above! So really play it happily! It begins again and again from the beginning; no matter as this melody wants to get into your ear! I parted the intermediate part into two halfs so that rondo melody can be played once more in between. When you want to celebrate a party, a happy occasion, for a happy company, then this music will be just the right one for you!
$2.99
Samba De Janeiro
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Contemporain
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Various Artists
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Des McNutty
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Samba De Janeiro
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des Mc...
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Small Ensemble Timpani,Trumpet - Level 4 - SKU: A0.977353 By Various Artists. By Airto G Moreira, Gottfried Engels, and Ramon Zenker. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438145. Published by Des Press (A0.977353). Part of the series: A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
All Night Long (all Night)
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Lionel Richie
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Tim Olt
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All Night Long
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Olt Music
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.759347 By Lionel Richie. By Lionel Richie. Arranged by Tim Olt. Contemporary,Rock. Score and parts. 3...
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String Ensemble,String Quintet - Level 4 - SKU: A0.759347 By Lionel Richie. By Lionel Richie. Arranged by Tim Olt. Contemporary,Rock. Score and parts. 35 pages. Olt Music #6086819. Published by Olt Music (A0.759347). Anyone growing up in the 80s will remember this as one of the finest smooth party songs of all time. Driving Latin feel with a coolness about it, and the wonderful voice of Lionel Richie. Everyone has something fun to play in this arrangement.
$15.00
Dancin' In The Moonlight
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King Harvest
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Manfred Hirtenlehner
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Dancin' In The Moonlight
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Manfred Hirtenlehner
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SheetMusicPlus
Brass Ensemble Baritone Horn TC,Bass Trombone,Euphonium,Trumpet,Tuba - Level 4 - SKU: A0.1171311 By King Harvest. By Sherman Kelly. Arranged by Manfred ...
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Brass Ensemble Baritone Horn TC,Bass Trombone,Euphonium,Trumpet,Tuba - Level 4 - SKU: A0.1171311 By King Harvest. By Sherman Kelly. Arranged by Manfred Hirtenlehner. 20th Century,Funk,Pop,Wedding. Score and parts. 6 pages. Manfred Hirtenlehner #771650. Published by Manfred Hirtenlehner (A0.1171311). Dancin' In The Moonlight arranged for Brass Quartett. An all time classic song which goes alongside with every mood. Dance in the moonlight and party with you´re instruments. Also including parts in more than one transposition!
$19.99
Tequila
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The Champs
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David McKeown
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Tequila
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David McKeown
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Voice,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.587615 By The Champs. By Chuck ...
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Large Ensemble Alto Saxophone,Bass Voice,Clarinet,Drums,Flute,Piano,Tenor Saxophone,Trombone,Trumpet - Level 2 - SKU: A0.587615 By The Champs. By Chuck Rio. Arranged by David McKeown. Contemporary,Latin,Pop,Rock. Score and parts. 29 pages. David McKeown #4580229. Published by David McKeown (A0.587615). Tequila was a surprise No.1 hit for The Champs in 1958 but was originally a filler track recorded in three takes for a B side. In 1959 it became the first rock’n’roll tune to win a Grammy and has remained popular with party-goers ever since; all this despite having a one word lyric!This version is a straightforward band arrangement scored for Rhythm Section, Eb and Bb Saxophones, Trumpet, Trombone, Clarinet and Flute. Full score and all the individual parts are included in one PDF file. It suits players at an easy to intermediate standard and is guaranteed to be popular with young and old. The arrangement is designed to be flexible as not all instruments need to be present. Once the rhythm section is playing the main riff convincingly the rest of the band will start to play with confidence. This version is equally ideal for school bands and professional bands looking to add a big dancefloor favourite to their repertoire.The overall performance time is three to four minutes, depending on tempo.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$14.99
Champagne Trio (+1), Die Fledermaus
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Classique
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Johann Strauss Jr
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Scott S
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Champagne Trio
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Scott S. Stewart
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SheetMusicPlus
Level 4 - SKU: A0.1217933 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standard...
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Level 4 - SKU: A0.1217933 Composed by Johann Strauss Jr. Arranged by Scott S. Stewart. 19th Century,Broadway,Musical/Show,Opera,Romantic Period,Standards. 18 pages. Scott S. Stewart #814455. Published by Scott S. Stewart (A0.1217933). “Champagne Trio (+1)†is an arrangement for a 4-part SATB solo quartet with piano accompaniment of the Champagne Trio from the Act II finale of Strauss’ operetta, Die Fledermaus.  When Prince Orlofsky calls for champagne to be served, he calls it “the life and soul of any party!† Likewise, musically speaking, this arrangement is perfect for community engagement programs, outdoor performance events, beer hall celebrations, etc., that need a popular, rousing, drinking song.  The new English lyrics, and style of arrangement will promote that spirit.  Performance time: 2:40+-  Note: also included is a separate printed piano part for the ease of the pianist (not having to negotiate all the pages of the piano-vocal score) in performance.
$25.00
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Gregory Fritze
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Three Pieces for Tuba Ensemble
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Musica Nova USA
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Mus...
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
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