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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Passacaglia for Organ
Non classifié
11
Piano & claviers
Orgue
33
Piano seul
6
1 Piano, 4 mains
1
Clavecin
1
Guitares
Voix
Chorale SATB
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Quatuor de Clarinettes: 4 clarinettes
1
Cuivres
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Euphoniums et 2 Tubas
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 1 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Passacaglia for Organ
Partitions à imprimer
11 partitions trouvées
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1
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
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Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Four Modal Passacaglias for Organ Manuals
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David Lasky
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David Lasky
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Four Modal Passacaglias for Or
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David Lasky
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1509936 By David Lasky. By David Lasky. Arranged by David Lasky. 21st Century,Classical,Religious,Sacre...
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Instrumental Solo,Pipe Organ - Level 2 - SKU: A0.1509936 By David Lasky. By David Lasky. Arranged by David Lasky. 21st Century,Classical,Religious,Sacred. Individual part. 11 pages. David Lasky #1085142. Published by David Lasky (A0.1509936). These very easy-to-read modal passacaglias for organ manuals are each about two-and-a-half minutes in length and make good church voluntaries (including as moderately soft postludes).https://youtu.be/GmXeFrJI0Rkhttps://www.youtube.com/watch?v=VZuyfktlf-Ahttps://youtu.be/nQq-dhhGjD0https://youtu.be/e0TeCsO05hw
$10.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Passacaglia and Fugue in C Minor by J. S. Bach - BRASS QUINTET
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Classique
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Johann Sebastian Bach
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Matt Smith
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Passacaglia and Fugue in C Min
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Matt Smith
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SheetMusicPlus
SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677. Published by Ma...
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SKU: A0.1069430 Composed by Johann Sebastian Bach. Arranged by Matt Smith. Baroque. Full Performance. Duration 703. Matt Smith #6209677. Published by Matt Smith (A0.1069430). Passacaglia and Fugue in C minor (BWV 582) is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th and 20th century passacaglias: Robert Schumann described the variations of the passacaglia as intertwined so ingeniously that one can never cease to be amazed.This arrangement for Brass Quintet will be the highlight of any concert. It shows off the technical possibilities of brass instruments and will have your audience mesmerised.Good luck and have fun!Duration: About 11 1/2 minutesYouTube demo video: https://www.youtube.com/watch?v=gcrX7qqyyssVisit www.mattsmithmusic.co.uk for more!
$2.99
Eight Psalm Impressions for Organ, Vol. I-Digital Download
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Musique Sacrée
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Eight Psalm Impressions for Or
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SheetMusicPlus
Eight tunes based on Psalms For worship, recital or concert, here are eight Psalm impressions from arranger Douglas E.Wagner for organ...
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Eight tunes based on Psalms For worship, recital or concert, here are eight Psalm impressions from arranger Douglas E.Wagner for organ
Song List
: Chorale Prelude (Psalm 23:4) Gigue (Psalm 149:3) Meditation (Psalm 42:1) Passacaglia (Psalm 52:1) Reflection (Psalm 72:3) Toccata (Psalm 150:4) Trumpet Tune (Psalm 81:3) Voluntary (Psalm 67:7)
$20.95
Händel's Opera pieces for string trio formations - Voice 3 for Cello
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G
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Antonio TudurÃ
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Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instr...
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String Ensemble,String Trio - Level 2 - SKU: A0.998998 Composed by G.F.Händel / Georg Friedrich Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 16 pages. Antonio Tuduri #5310905. Published by Antonio Tuduri (A0.998998). Händel's Opera pieces - Voice 3 for CelloFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$2.99
Händel's Opera pieces for string trio formations - Full Score - Director/teacher
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G
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Antonio TudurÃ
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#
Händel's Opera pieces for
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Antonio Tuduri
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SheetMusicPlus
String Ensemble,String Trio - Level 2 - SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Sta...
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String Ensemble,String Trio - Level 2 - SKU: A0.998991 Composed by G.F.Händel / G.F.Haendel. Arranged by Antonio TudurÃ. Baroque,Instructional,Standards. Score and parts. 44 pages. Antonio Tuduri #5310839. Published by Antonio Tuduri (A0.998991). Händel's Opera pieces - Director teacher scoreThis score include the full score with the five parts grouped in 3 voicesFirst of all, I apologize for my english language mistakes !!The repertoire included in Händel's Opera pieces is the culmination of a process of searching for musical material in Händel's opera repertoire, which can be used at the same time, outside of its original compositional context, exclusively exalting its beauty as well as the genius of the its composer Georg Friedrich Handel.The conditions that all the pieces of the volume had to fulfill were the following:- To have a short duration to be used as teaching material in subjects of baroque technique and chamber music, collective subjects or even chamber orchestra subjects.- They can be interpreted in trio chamber formations in the following combinations:Voice 1 Violin, flute, oboe or clarinet.Voice 2 Violin, viola, flute, oboe or clarinet.Voice3 Violin, viola, cello, bassoon, flute, oboe or clarinet. They are of limited technical complexity in order to allow the performers to participate and at the same time enjoy listening the polyphony and counterpoint of Handel's compositional style.This collection of 27 pieces have been mostly selected from Handel's vast opera production (44 operas or so depending on the criteria to be considered as operas or oratories) and the most beautiful (but not famous), adapted to three-voice trio formations.The pieces included are the following1. L’ultimo ballo (Alceste)2. Menuet (Almira )3. Final Gavotte of act I (Arianna in Creta)4. Overture Mussette (Alcina)5. Overture Andante (Berenice)6. Gavotte7. Symphony of act III (Xerxes)8. Il primo ballo (Alceste )9. 3d movement of overtura (Arianna in Creta)10. 3d movement overture (Ottone Re di Germania)11. Menuet I of organ concerto HWV 308 .12. Menuet II of òrgan concerto HWV 30813. Final Chorus (Lucio Cornelio Silla)14. Final Chorus ( Siroe Re di Persia)15. Overture menuet (Alcina)16. Menuet I of organ concerto HWV 310 17. Duetto Il vostro maggio (Rinaldo)18. Overture menuet of acte I (Arminio)19. Act II Symphony (Arminio)20. Act III Symphony (Deidamia)21. Act I Symphony (Giustino).22. Passacaglia.23. Menuet from Tamerlano24. Scene 3 prelude (Agrippina)25. Act I Symphony (Xerxes)26. Overture 3d movement (Faramondo).27. Scene 3 act II (Teseo - Arianna in Creta)
$9.99
Passicaglia and Fugue in C Minor BWV 582, - Wind Quintet
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Classique
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Johann Sebastian Bach
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John W Tomkins
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Passicaglia and Fugue in C Min
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John Tomkins
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - SKU: A0.908716 Composed by Johann Sebastian Bach. Arranged by John W Tomkins. Baroqu...
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Small Ensemble Bassoon,Clarinet,English Horn,Flute,Oboe - Level 5 - SKU: A0.908716 Composed by Johann Sebastian Bach. Arranged by John W Tomkins. Baroque. Score and parts. 45 pages. John Tomkins #3210225. Published by John Tomkins (A0.908716). Bach's titanic organ prelude and fugue transcribed for wind quintet! Optional English Horn sections in Oboe part. Challenging transcription takes full advantage of the range and color palette of the Woodwind Quintet to paint a vivid sound world. Score and Parts.
$12.99
Carillon regardless - No 1 Bell Dance
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David Warin Solomons
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Carillon regardless - No 1 Bel
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David Warin Solomons
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.576655 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 2 pages. David Warin Solomons...
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Instrumental Solo - Level 3 - SKU: A0.576655 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 2 pages. David Warin Solomons #51143. Published by David Warin Solomons (A0.576655). Carillon regardless (title suggested by my Dad!) is a set of three pieces for carillon written especially for the Carillon in Loughborough (UK) The pieces (available separately or as one download) are: Bell Dance: a jolly number using a 3 - 3 - 2 rhythm with a melody which is also used for my song It was a lover and his lass Sunday in the park: based on a poem (by my Dad) about the park surrounding the carillon on a hot Sunday Passacaglia: simply a walk down the street (pasar la calle) - this piece also exists as a piece for organ and for flute and guitar The sound samples are electronic previews.
$6.00
Carillon regardless - No 2 Sunday in the park
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David Warin Solomons
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Carillon regardless - No 2 Sun
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David Warin Solomons
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.576656 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin Solomons...
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Instrumental Solo - Level 3 - SKU: A0.576656 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 3 pages. David Warin Solomons #51151. Published by David Warin Solomons (A0.576656). Carillon regardless (title suggested by my Dad!) is a set of three pieces for carillon written especially for the Carillon in Loughborough (UK) The pieces (available separately or as one download) are: Bell Dance: a jolly number using a 3 - 3 - 2 rhythm with a melody which is also used for my song It was a lover and his lass Sunday in the park: based on a poem (by my Dad) about the park surrounding the carillon on a hot Sunday Passacaglia: simply a walk down the street (pasar la calle) - this piece also exists as a piece for organ and for flute and guitar The sound samples are electronic previews.
$6.00
Carillon regardless - all three pieces
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Contemporain
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David Warin Solomons
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Carillon regardless - all thre
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David Warin Solomons
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SheetMusicPlus
Instrumental Solo - Level 3 - SKU: A0.576658 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 8 pages. David Warin Solomons...
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Instrumental Solo - Level 3 - SKU: A0.576658 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 8 pages. David Warin Solomons #51155. Published by David Warin Solomons (A0.576658). Carillon regardless (title suggested by my Dad!) is a set of three pieces for carillon written especially for the Carillon in Loughborough (UK) The pieces (available separately or as one download) are: Bell Dance: a jolly number using a 3 - 3 - 2 rhythm with a melody which is also used for my song It was a lover and his lass Sunday in the park: based on a poem (by my Dad) about the park surrounding the carillon on a hot Sunday Passacaglia: simply a walk down the street (pasar la calle) - this piece also exists as a piece for organ and for flute and guitar The sound samples are electronic previews.
$15.00
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Version intégrale
Passacaglia for Organ
