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Piano Sonata No. 8 in C Minor
Partitions à imprimer
10 partitions trouvées
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Beethoven-Piano Sonata No.8 in C minor, Op.13 (Pathétique)
Small Ensemble - Level 4 - Digital Download SKU: A0.657637 Composed by Ludwig van B…
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Small Ensemble - Level 4 - Digital Download SKU: A0.657637 Composed by Ludwig van Beethoven. Arranged by MPS. Classical. Score and parts. 25 pages. Classic Piano sheetz #6234939. Published by Classic Piano sheetz (A0.657637). Piano Sonata No.8 in C minor, Op.13 (Pathétique).
$8.99
8.2 €
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Ludwig van Beethoven
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MPS
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Beethoven-Piano Sonata No.8 in C minor, Op.13
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Classic Piano sheetz
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SheetMusicPlus
Handel - Oboe Sonata No.8 in C minor HWV 366 Op.1 for Oboe, Continuo and Harpsichord or Piano
Small Ensemble Bassoon,Harpsichord,Oboe - Level 3 - Digital Download SKU: A0.517048…
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Small Ensemble Bassoon,Harpsichord,Oboe - Level 3 - Digital Download SKU: A0.517048 Composed by Handel George Frideric. Arranged by Santino Cara. Baroque. Score and parts. 17 pages. Santino Cara #3259777. Published by Santino Cara (A0.517048). Complete score and parts of the Oboe Sonata No.8 in C minor HWB 366 for Oboe, Continuo (bassoon or cello) and Harpsichord or Piano. Reconstructed and elaborated by Santino Cara from 20 Sonatas Op.1 by George Frideric Handel. Movements: 1. Largo, 2. Allegro, 3. Adagio, 4. Bourrée anglaise - Allegro
$16.40
14.96 €
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Handel George Frideric
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Santino Cara
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Handel - Oboe Sonata No.8 in C minor HWV 366 Op.1 for Oboe, Continuo and Harpsichord or Piano
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Santino Cara
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SheetMusicPlus
Handel - Flute Sonata No.8 in C minor HWV 366 Op.1 for Flute and Cembalo or Piano
Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.517112 Com…
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Instrumental Duet Instrumental Duet - Level 4 - Digital Download SKU: A0.517112 Composed by Georg Frideric Handel. Arranged by Santino Cara. Baroque. Score and parts. 10 pages. Santino Cara #3450367. Published by Santino Cara (A0.517112). Complete score and part, of the Flute sonata No.8 in C minor HW V366 for Flute and Cembalo. Reconstructed and elaborated by Santino Cara, from 20 Sonatas Op.1 by George Frideric Handel.
$16.40
14.96 €
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Georg Frideric Handel
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Santino Cara
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Handel - Flute Sonata No.8 in C minor HWV 366 Op.1 for Flute and Cembalo or Piano
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Santino Cara
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SheetMusicPlus
Moonlight Sonata by Beethoven for E-flat and B-flat Clarinet Duet
B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.…
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B-Flat Clarinet,E-Flat Clarinet,Instrumental Duet - Level 2 - Digital Download SKU: A0.1151931 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 8 pages. Woods Only, Arrangements #752136. Published by Woods Only, Arrangements (A0.1151931). This arrangement adapted for Bb and Eb clarinet duo was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$3.99
3.64 €
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for E-flat and B-flat Clarinet Duet
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Woods Only, Arrangements
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SheetMusicPlus
Moonlight Sonata by Beethoven for Low Brass Trio
Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1265484 Composed by Ludwig …
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Horn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1265484 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 8 pages. Woods Only, Arrangements #858284. Published by Woods Only, Arrangements (A0.1265484). This Low Brass Trio arrangement of Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2, also known as the “Moonlight Sonata,†was designed to evoke emotion while preserving the original essence of the work. With only a slight change in tone and the addition of harmonic resources, this funeral march is suitable for any musical performance occasion. Intended for beginner students wishing to immerse themselves in the world of romantic music, it is also suitable for professional teachers to use for recitals, academic presentations, or as didactic material in ensemble practice.
$5.99
5.46 €
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Low Brass Trio
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Woods Only, Arrangements
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SheetMusicPlus
Vivaldi - Trio Sonata No.7 in C major RV 8 Op.2 for Violin, Cello and Cembalo (or Piano)
Small Ensemble Cello,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.517382…
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Small Ensemble Cello,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.517382 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 15 pages. Santino Cara #4790061. Published by Santino Cara (A0.517382). Complete score and parts of the Trio Sonata No.7 in C minor RV 8 for Violin, Cello and Cembalo. Reconstructed and elaborated by Santino Cara from 12 Sonatas Op.2 of the 1709 by Antonio Vivaldi.
$12.40
11.31 €
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Trio Sonata No.7 in C major RV 8 Op.2 for Violin, Cello and Cembalo
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Santino Cara
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SheetMusicPlus
Largo
Bb Bass & Piano - Grade 3 - Digital Download SKU: R0.41240 From Violin Sonata No…
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Bb Bass & Piano - Grade 3 - Digital Download SKU: R0.41240 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Bb Bass & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41240. Published by Editions Marc Reift - Digital (R0.41240).
$6.95
6.34 €
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
Largo
Eb Bass & Piano - Grade 3 - Digital Download SKU: R0.41239 From Violin Sonata No…
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Eb Bass & Piano - Grade 3 - Digital Download SKU: R0.41239 From Violin Sonata No. 4 in C minor BWV 1017. Composed by Johann Sebastian Bach. Arranged by Jirka Kadlec. Eb Bass & Piano. Score and parts. 8 pages. Duration 4'08. Editions Marc Reift - Digital #41239. Published by Editions Marc Reift - Digital (R0.41239).
$6.95
6.34 €
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Johann Sebastian Bach
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Jirka Kadlec
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Largo
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Editions Marc Reift - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.19 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.19 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
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