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Picasso 3 for Double Bass
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Vous avez sélectionné:
Picasso 3 for Double Bass
Partitions à imprimer
7 partitions trouvées
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Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - Rag-Time du Paquebot - wind dectet/bass
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Rag-Time du Pa
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime....
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1296413 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Ragtime. 18 pages. RayThompsonMusic #886629. Published by RayThompsonMusic (A0.1296413). Arranged wind dectet(double wind quintet)/bassParade is a ballet with music by Erik Satie and a one-act scenario by Jean Cocteau.The ballet was composed 1916–1917 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917 at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet. This movement Ragtime also known as Rag-Time du Paquebot (Ragtime of the Packet Steamer/Steampacket) would later be adapted for piano solo, and attained considerable success as a separate piano piece.It fits the wind dectet well, and should be played lightly.Please check out  the rest of my Satie arrangements for varying instrument combinations :3 Gymnopédies and 3 Gnossiennes. (Sold separately and as collections).
$14.95
Nonet (2019) for chamber ensemble
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Thomas Oboe Lee
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I said yes.  
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Nonet
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Cont...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc. I said yes. This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
$9.99
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classic...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869256 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #32565. Published by Thomas Oboe Lee (A0.869256). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
Octet in D, opus 144 (2012) full score
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Thomas Oboe Lee
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Octet in D, opus 144
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classic...
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Viola,Violin - Level 4 - SKU: A0.869203 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Arioso … Allegro con moto 3. 36 pages. Thomas Oboe Lee #3899. Published by Thomas Oboe Lee (A0.869203). Program note: In 1997, I wrote Yo Picasso for clarinetist Nancy Braithwaite and the Arto Ensemble; scored for clarinet, viola, cello and piano. The work is in five movements, each a musical interpretation of a painting by Pablo Picasso. Fifteen years later Nancy told me she has a new group called the Emmelos Ensemble and they are planning to perform the Schubert Octet in F major, D. 803, in the spring of 2012. She asked me if I would be interested in writing a companion work with the same instrumentation as the Schubert. She also mentioned that Schubert’s inspiration was based on Beethoven’s Septet in E-flat major, opus 20. I said, Sure. It sounds like a great idea. My Octet in D, opus 144 (2012) is, like the Beethoven and the Schubert, in six movements. The instrumentation is, like the Schubert, scored for Bb clarinet, bassoon, horn in F, string quartet and contrabass. 1. Prelude … Moderato; Scherzo … Prestissimo! 2. Arioso … Allegro con moto 3. Numinoso … Largo 4. Alla Marcia … Allegretto 5. Recitativo … Adagio; Canzone … Adagio 6. Bacchanale … Prestissimo! Unlike the Schubert, which is an hour long in duration, mine is just a little over 20 minutes. Enjoy!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/octet-in-d-opus-144-2012Video link: https://youtu.be/vcHCqEBoC-Q
$9.99
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