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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude Op. 2, No. 2 in A minor
Non classifié
5
Piano & claviers
Piano seul
47
Piano Facile
7
Orgue
5
Piano, Voix
1
Guitares
2 Guitares (duo)
2
Guitare notes et tablatures
1
Voix
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Flûte traversière et Piano
4
Clarinette et Piano
2
Saxophone Alto et Piano
1
Saxophone Baryton, Piano
1
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Saxophone Soprano et Piano
1
+ 5 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Euphonium, Piano (duo)
2
Trio de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Trompette, Piano
1
Cor et Piano
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Violoncelle, Piano
4
Violon et Piano
3
Alto seul
1
2 Violoncelles (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Piano
1
Violon
1
Contrebasse, Piano (duo)
1
Contre Basse
1
Violon, Guitare (duo)
1
+ 6 instrumentations
Retracter
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Autres
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ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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Vous avez sélectionné:
Prelude Op. 2, No. 2 in A minor
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Prelude Op. 28 No. 2 in A minor (Lento) for 2 guitars (TAB)
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Frederic Chopin
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Juan Carlos Felix Cordova
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Prelude Op. 28 No. 2 in A mino
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Juan Carlos Felix Cordova
#
SheetMusicPlus
Guitar Ensemble Guitar - Level 1 - SKU: A0.1512776 Composed by Frederic Chopin. Arranged by Juan Carlos Felix Cordova. 19th Century,Chamber,Classical,Ro...
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Guitar Ensemble Guitar - Level 1 - SKU: A0.1512776 Composed by Frederic Chopin. Arranged by Juan Carlos Felix Cordova. 19th Century,Chamber,Classical,Romantic Period. Score and Parts. 7 pages. Juan Carlos Felix Cordova #1087733. Published by Juan Carlos Felix Cordova (A0.1512776).
$5.00
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
#
James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Prelude In E Minor, Op. 28, No. 4
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Classique
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Frederic Chopin
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Catherine Quinlan
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Prelude In E Minor, Op. 28, No
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Catherine Quinlan
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.1160744 Composed by Frederic Chopin. Arranged by Catherine Quinlan. Chamber,Classical,Wedding. 7 pages. Catherine ...
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Woodwind Ensemble - Level 2 - SKU: A0.1160744 Composed by Frederic Chopin. Arranged by Catherine Quinlan. Chamber,Classical,Wedding. 7 pages. Catherine Quinlan #761048. Published by Catherine Quinlan (A0.1160744). Arranged for solo flute with accompaniment, this would sound incredibly effective played in a church or other resonant acoustic. (Transposed into G minor).
$12.99
Chopin Piano Prelude in C minor (Funeral March) Op 28 No.20 for cello ensemble or mixed-level cello
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Classique
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Frederic Chopin
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Yellow Cello Music
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Tricky chromatic harmonies
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Chopin Piano Prelude in C mino
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Sheryl Smith
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SheetMusicPlus
String Ensemble Cello - SKU: A0.812916 Composed by Frederic Chopin. Arranged by Yellow Cello Music. Contemporary,Romantic Period. Score and parts. 5 pag...
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String Ensemble Cello - SKU: A0.812916 Composed by Frederic Chopin. Arranged by Yellow Cello Music. Contemporary,Romantic Period. Score and parts. 5 pages. Sheryl Smith #6599803. Published by Sheryl Smith (A0.812916). A very dark, somber, very short piece, arranged for cello ensemble or mixed-level quartet. Cello 1: advanced. All in treble clefCello 2: bass clef, up to fourth position.Cello 3: bass clef, up to second position.Cello 4: bass clef, first position with extensions. Tricky chromatic harmonies. This part is more challenging than most of my ensemble music cello 4 parts.
$1.99
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Prelude Op. 2, No. 2 in A minor
