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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Prelude for piano
Non classifié
887
Piano & claviers
Piano seul
3 703
Piano, Voix et Guitare
293
Piano, Voix
258
Piano Facile
229
Piano Trio: piano, violon, violoncelle
113
Accompagnement Piano
73
Orgue
49
1 Piano, 4 mains
28
2 Pianos, 4 mains
25
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
14
Clavecin
13
Orgue, Piano (duo)
12
Instruments en Do
6
1 Piano, 6 mains
3
2 Pianos, 8 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Fake Book
2
Orgue, Trompette (duo)
2
Ligne De Mélodie, Piano
1
Piano grosses notes
1
Clavier
1
Piano (partie séparée)
1
+ 18 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
31
Guitare
18
Guitare notes et tablatures
5
Banjo
2
2 Guitares (duo)
2
Basse electrique
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
34
Voix Tenor, Piano
17
Chorale 3 parties
12
Voix Soprano, Piano
10
Chorale 2 parties
8
Voix Alto, Piano
6
Voix Tenor
4
Chorale Unison
4
Voix Baryton, Piano
1
Voix Soprano
1
Voix duo, Piano
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
403
Clarinette et Piano
242
Saxophone Alto et Piano
217
Hautbois, Piano (duo)
211
Saxophone Tenor et Piano
189
Saxophone Soprano et Piano
95
2 Flûtes traversières (duo)
68
2 Clarinettes (duo)
58
2 Saxophones (duo)
48
2 Saxophones, Piano
47
Flûte, Clarinette, Piano (trio)
42
2 Flûtes traversières, Piano
37
Flûte, Clarinette (duo)
35
2 Clarinettes, Piano
32
Flûte, trombone et piano
27
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Clarinette, Violoncelle, Piano (trio)
26
Flûte, Violoncelle, Piano (trio)
24
Flûte, Violon, Piano
23
Clarinette
23
Flûte, Hautbois, Piano (trio)
19
Flûte, Alto et Piano
17
Flûte traversière
16
Clarinette, Violon (duo)
16
Quatuor de Saxophones: 4 saxophones
15
Quatuor de Clarinettes: 4 clarinettes
15
Cor anglais, Piano
15
Quatuor de Flûtes : 4 flûtes
12
Clarinette, trompette et piano
11
Saxophone Baryton, Piano
10
Flûte, Violon, Violoncelle et Piano
9
Clarinette Basse, Piano
8
Flûte, Basson et Piano
7
Hautbois (partie séparée)
7
Flûte, Hautbois, Clarinette, Basson
7
Saxophone Alto
6
2 Hautbois (duo)
4
Flûte à bec Soprano
4
Saxophone Tenor
4
3 Saxophones (trio)
4
Hautbois, Clarinette et Piano (Trio)
2
5 Flûtes à bec
2
Quatuor de Flûtes à bec
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
3 Clarinettes (trio)
2
Quintette de Saxophone: 5 saxophones
2
2 Clarinettes, Basson
2
Hautbois, Basson (duo)
2
Flûte traversière, Orgue (duo)
1
Flûte et Guitare
1
Flûte, Trombone (duo)
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Violon (trio)
1
Ensemble de Flûtes
1
Flûte à bec Soprano, Piano
1
Ensemble de saxophones
1
Flûte à Bec
1
Saxophone et Piano
1
Flûte, Hautbois, Basson
1
Hautbois, Harpe
1
Clarinette, Saxophone, Piano
1
Flûte à Bec, Piano
1
Flûte, Clarinette et Basson
1
Clarinette, Basson (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Hautbois, Piano
1
Flûte, Violon
1
Cor Anglais
1
Piccolo, Piano
1
Flûte à bec Alto
1
Flûte, Violon et Violoncelle
1
+ 67 instrumentations
Retracter
Cuivres
Trompette, Piano
220
Trombone et Piano
212
Cor et Piano
66
2 Trombones (duo)
56
Trompette, Trombone (duo)
53
Trompette
50
2 Trompettes (duo)
29
Trompette, Violoncelle et Piano
22
Tuba et Piano
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Euphonium, Piano (duo)
17
Cor anglais, Piano
15
Trompette (partie séparée)
13
2 Cors (duo)
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone
6
Trompette, Trombone, Piano
6
2 Trompettes, Clavier (piano ou orgue)
4
Ensemble de Trombones
2
2 Euphoniums (duo)
2
Trombone basse et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
Quatuor de Cuivres
1
Cor, Violoncelle et Piano
1
Cor Anglais
1
4 Tubas
1
Tuba et Orgue
1
+ 26 instrumentations
Retracter
Cordes
Violon et Piano
499
Violoncelle, Piano
310
Alto, Piano
221
Piano Trio: Violon, Alto, Piano
48
2 Altos (duo)
48
Quatuor à cordes: 2 violons, alto, violoncelle
45
2 Violoncelles (duo)
44
2 Violons (duo)
32
Violon
31
Violoncelle
11
Violon, Clarinette, Piano (trio)
11
Alto seul
9
2 Violons, Piano
8
Trio à Cordes: violon, alto, violoncelle
6
Violon, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
3
Violon, Trompette et Piano
2
Violoncelle, Orgue
2
4 Violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Harpe
2
Alto, Violoncelle (duo)
2
Harpe, Voix
2
Harpe, Violon (duo)
2
4 Contrebasses
2
Trio à Cordes: 3 violoncelles
1
Alto (partie séparée)
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles, Piano
1
Contre Basse
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
294
Orchestre
19
Ensemble Jazz
19
Cloches
17
Ensemble de cuivres
15
Orchestre d'harmonie
13
Orchestre de chambre
12
Orchestre à Cordes
11
Big band
1
Xylophone, Piano
1
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
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difficulté (tous)
débutant
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Vous avez sélectionné:
Prelude for piano
Partitions à imprimer
887 partitions trouvées
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876
Canon in D (Trio for Flute, Guitar and Piano)
Flute, Guitar, Piano
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Classique
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Johann Pachelbel
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John A
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Canon in D
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John A. Dempsey
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SheetMusicPlus
Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classi...
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Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Christmas, Wedding. Score, Set of Parts. 18 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).
$11.99
George Gershwin Prelude No 2 Flute Choir 4 Concert C Flutes 1 Piccolo Andante con moto e poco rubato
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Jean-Pierre Rampal
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Glenn Martin
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George Gershwin Prelude No 2 F
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Cornelius edition
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.809172 By Jean-Pierre Rampal. By George Gershwin. Arranged by Glenn Martin. 20th Century,Blues,Contemporary,...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.809172 By Jean-Pierre Rampal. By George Gershwin. Arranged by Glenn Martin. 20th Century,Blues,Contemporary,Film/TV,Jazz. 10 pages. Cornelius edition #4310487. Published by Cornelius edition (A0.809172). Prelude II from George Gershwin's Three Preludes for piano composed in 1926 and transcribed for a flute choir of one piccolo and four concert flutes. This arrangement is transposed up one semitone from the original key to make it more suitable for intermediate flutists to perform. A perfect piece for classroom study, competitions and church interludes. Duration: 03:10.
$6.75
Gershwin Preludes (I-III) for Mallet Ensemble: 2nd Mallet Percussion
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Classique
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George Gershwin
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Jeremy Clark
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Gershwin Preludes
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0015764_M2 2nd Mallet Percussion. Composed by George Gershwin. Arranged by Jeremy Clark. ...
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Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0015764_M2 2nd Mallet Percussion. Composed by George Gershwin. Arranged by Jeremy Clark. Classical. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015764_M2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015764_M2). UPC: 038081383859.George Gershwin's Three Preludes for piano merge early twentieth century American classical music with jazz elements and exemplify the essence of Gershwin's signature sound. Jeremy Clark's arrangement of the preludes caters to the unique demands of a mallet quartet while staying true to the spirit of Gershwin's original composition. Preludes I and III are exuberant with syncopation while Prelude II is a lyric blues. Clark infuses rhythmic elements that enhance the pieces and makes them more accessible to a mallet quartet. This is an entertaining yet challenging collection that is sure to earn any audience's keen appreciation.
$3.00
Gershwin Preludes (I-III) for Mallet Ensemble: 3rd Mallet Percussion
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Classique
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George Gershwin
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Jeremy Clark
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Gershwin Preludes
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0015764_M3 3rd Mallet Percussion. Composed by George Gershwin. Arranged by Jeremy Clark. ...
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Percussion Ensemble Percussion Ensemble - SKU: AX.00-PC-0015764_M3 3rd Mallet Percussion. Composed by George Gershwin. Arranged by Jeremy Clark. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015764_M3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015764_M3). UPC: 038081383859.George Gershwin's Three Preludes for piano merge early twentieth century American classical music with jazz elements and exemplify the essence of Gershwin's signature sound. Jeremy Clark's arrangement of the preludes caters to the unique demands of a mallet quartet while staying true to the spirit of Gershwin's original composition. Preludes I and III are exuberant with syncopation while Prelude II is a lyric blues. Clark infuses rhythmic elements that enhance the pieces and makes them more accessible to a mallet quartet. This is an entertaining yet challenging collection that is sure to earn any audience's keen appreciation.
$3.00
Three Pieces for Two Violins and Piano
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Rebecca Clarke
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Three Pieces for Two Violins a
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Imagine Music - Digital
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SheetMusicPlus
Two Violins, Piano - SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music -...
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Two Violins, Piano - SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
Second Prelude
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George Gershwin
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Steve Knight
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Second Prelude
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Knight Press
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1201112 Composed by George Gershwin. Arranged by Steve Knight. ...
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Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1201112 Composed by George Gershwin. Arranged by Steve Knight. 20th Century,Contest,Festival,Jazz. 22 pages. Knight Press #799755. Published by Knight Press (A0.1201112). The second of George Gershwin's Three Preludes for piano, this popular piece is now available for clarinet choir (Eb Cl., 3 Bb Cls., Alto Cl., Bs Cl., and Contrabass Cl.).
$30.00
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,S...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
La traviata - Prelude (piano - string orchestra)
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Giuseppe Verdi
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George Dousis
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La traviata - Prelude
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George Dousis
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SheetMusicPlus
String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.1494113 Composed by Giuseppe Verdi. Arranged by George Dousis. 19th Century,Cla...
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String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.1494113 Composed by Giuseppe Verdi. Arranged by George Dousis. 19th Century,Classical,Opera,Romantic Period. 15 pages. George Dousis #1070723. Published by George Dousis (A0.1494113). This is a fantastic arrangement of the famous prelude for piano and string orchestra. No additional lines were added, just the original music transcribed.This version has been professionally performed in concert.Visit my websitewww.georgedousis.com.
$9.99
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Music for Three, Volume 1 Score 50199
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Various
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Daniel Kelley
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Music for Three, Volume 1 Scor
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score...
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Small Ensemble - Level 5 - SKU: A0.720843 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Wedding. Score and parts. 83 pages. Last Resort Music Publishing #329230. Published by Last Resort Music Publishing (A0.720843). Music for Three, Volume 1 - Score (Part 1-3 in Score Form in C) Baroque, Classical & Romantic Favorites Includes works by Bach, Beethoven, Handel, Mouret, Pachelbel, Wagner and more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased for specific instrumentation. The keyboard/guitar part encompasses parts 2 & 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played! Includes 35 arrangements. Table of Contents Air on the G String from Suite #3 in D Major (Bach) Arioso from Cantata #156 (Bach) Ave Maria adapted by Charles Gounod from WTC (Bach) Prelude #1 (Bach) Gigue from Suite #3 in D Major (Bach) Jesu, Joy of Man's Desiring from Cantata #147 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Minuet in G (Beethoven) Trumpet Voluntary (Clarke) Gavotte (Gossec) Allegro from Sonata in F Major, Op. 1 #11 (Handel) Largo from Xerxes (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) Air, Allegro, Andante, Bourree, Finale from Water Music Suite (Handel) Presto from String Quartet in F Major, Op. 74, #2 (Haydn) Waltz from Waves of the Danube, #1 (Ivanovici) Elegie from Incidental Music to Les Erinnyes (Massenet) Rondeau from Sinfonies de Fanfares (Mouret) Allegro, Menuetto, Romanza, Rondo from Eine Kleine Nachtmusik, String Quartet in G Major, K. 525 (Mozart) Canon (Pachelbel) Adagio from Octet in F Major, Op. 166 (Schubert) Andante from String Quartet in A minor, Op. 29 Rosamunde (Schubert) Moment Musical from Op. 94, #3 (Schubert) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Presto from Sonatina in F Major (Telemann) Allegro, Adagio, Finale from Concerto Grosso in D Minor, Op. 3, #11 (Vivaldi) Bridal Chorus from Act III of Lohengrin (Wagner) Available Parts 50111 Part 1 Flute or Oboe or Violin 50113 Part 1 Clarinet in Bb 50121 Part 2 Flute or Oboe or Violin 50122 Part 2 Viola 50123 Part 2 Clarinet in Bb 50131 Part 3 Cello or Bassoon 50140 Keyboard or Guitar 50199 Score Published by lastresortmusic.com.
$39.95
Prelude for piano in E minor
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Contemporain
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Hugo Neves
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Hugo Neves
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Prelude for piano in E minor
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Hugo Neves
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SheetMusicPlus
Small Ensemble Guitar,Harpsichord,Piano - SKU: A0.959258 Composed by Hugo Neves. Arranged by Hugo Neves. Contemporary. Score and parts. 2 pages. Hugo Ne...
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Small Ensemble Guitar,Harpsichord,Piano - SKU: A0.959258 Composed by Hugo Neves. Arranged by Hugo Neves. Contemporary. Score and parts. 2 pages. Hugo Neves #6220977. Published by Hugo Neves (A0.959258). Prelude for piano in E minor, respecting the rules of the 17th and 18th century baroque music.
$19.99
Prelude, Op. 11, No. 15 (1895)
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Alexander Scriabin
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Richard Giszczak
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Prelude, Op. 11, No. 15
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1478795 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicul...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1478795 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicultural,Romantic Period,World. Individual part. 2 pages. Singing Winds Music Company #1056119. Published by Singing Winds Music Company (A0.1478795). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from a Prelude for piano by Alexander Scriabin.
$2.00
Prelude, Op. 11, No. 4 (1888)
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Alexander Scriabin
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Richard Giszczak
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Prelude, Op. 11, No. 4
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1478767 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicul...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1478767 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicultural,Romantic Period,World. Individual part. 2 pages. Singing Winds Music Company #1056112. Published by Singing Winds Music Company (A0.1478767). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from a Prelude for piano by Alexander Scriabin.
$2.00
Prelude, Op. 11, No. 6 (1889)
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Alexander Scriabin
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Richard Giszczak
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Prelude, Op. 11, No. 6
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1478768 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicul...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1478768 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicultural,Romantic Period,World. Individual part. 2 pages. Singing Winds Music Company #1056113. Published by Singing Winds Music Company (A0.1478768). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from a Prelude for piano by Alexander Scriabin.
$2.00
Prelude, Op. 16, No. 3 (1894)
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Alexander Scriabin
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Richard Giszczak
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Prelude, Op. 16, No. 3
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Singing Winds Music Company
#
SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1478797 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicul...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1478797 Composed by Alexander Scriabin (1872–1915). Arranged by Richard Giszczak. 19th Century,Multicultural,Romantic Period,World. Individual part. 2 pages. Singing Winds Music Company #1056121. Published by Singing Winds Music Company (A0.1478797). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from a Prelude for piano by Alexander Scriabin.
$2.00
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Bass Flut
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jmsgu3
#
SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Bach: Wachet auf for Oboe d'Amore & Piano
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Oboe d'Am
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jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Prelude in E Major
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Contemporain
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Marius Herea
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Prelude in E Major
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Marius Herea
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SheetMusicPlus
Small Ensemble - SKU: A0.1003272 Composed by Marius Herea. 20th Century. Score and parts. 5 pages. Marius Herea #238069. Published by Marius Herea (A0.1...
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Small Ensemble - SKU: A0.1003272 Composed by Marius Herea. 20th Century. Score and parts. 5 pages. Marius Herea #238069. Published by Marius Herea (A0.1003272). Prelude for Piano in E Major by Marius Herea.
$9.99
Prelude in F# Major
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Contemporain
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Marius Herea
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Prelude in F# Major
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Marius Herea
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SheetMusicPlus
Small Ensemble - SKU: A0.1003266 Composed by Marius Herea. 20th Century. Score and parts. 6 pages. Marius Herea #238055. Published by Marius Herea (A0.1...
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Small Ensemble - SKU: A0.1003266 Composed by Marius Herea. 20th Century. Score and parts. 6 pages. Marius Herea #238055. Published by Marius Herea (A0.1003266). Prelude for Piano in F# Major by Marius Herea.
$12.99
Charpentier: Te Deum Prelude for Piano Quintet
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Marc-Antoine Charpentier
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James M
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Charpentier: Te Deum Prelude f
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jmsgu3
#
SheetMusicPlus
Piano Quintet Piano - Level 3 - SKU: A0.552114 Composed by Marc-Antoine Charpentier. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standard...
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Piano Quintet Piano - Level 3 - SKU: A0.552114 Composed by Marc-Antoine Charpentier. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120431. Published by jmsgu3 (A0.552114). Wedding processional musicScore: 4 pagesDuration: 1:38.
$24.95
Charpentier: Te Deum Prelude for Piano Trio
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Marc-Antoine Charpentier
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James M
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Charpentier: Te Deum Prelude f
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jmsgu3
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 3 - SKU: A0.552113 Composed by Marc-Antoine Charpentier. Arranged by James M. Guthrie. Baroque,Concert,Instructional,...
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Piano Trio,String Ensemble - Level 3 - SKU: A0.552113 Composed by Marc-Antoine Charpentier. Arranged by James M. Guthrie. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 8 pages. Jmsgu3 #6120475. Published by jmsgu3 (A0.552113). Wedding processional musicScore: 4 pagesDuration: 1:38.
$24.95
Prelude and Fugue
Piano Accompaniment|Classical Guitar
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Dusan Bogdanovic
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Prelude and Fugue
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Dusan Bogdanovic (1955-). For guitar and piano. Level 4. 12 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Dusan Bogdanovic (1955-). For guitar and piano. Level 4. 12 pages. Published by Les Editions Doberman-Yppan (digital)
$7.95
Christ the Lord is Risen Today (in Bb): Trio for Flute, Horn in F and Piano
Flute, Horn and Piano
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Musique Sacrée
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Charles Wesley, Lyra Davidica
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John A
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Christ the Lord is Risen Today
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John A. Dempsey
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SheetMusicPlus
Small Ensemble Flute,Horn,Piano - Level 3 - SKU: A0.523274 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Easter,Praise & Worsh...
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Small Ensemble Flute,Horn,Piano - Level 3 - SKU: A0.523274 Composed by Charles Wesley, Lyra Davidica. Arranged by John A. Dempsey. Easter,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 19 pages. John A. Dempsey #3417161. Published by John A. Dempsey (A0.523274). Ours the cross, the grave, the skies, Alleluia. Â Arranged as a lovely trio for flute, horn in F and piano, this joyful hymn celebrating Christ's victorious Resurrection is recommended as a prelude, postlude, an offertory, interlude and special music for traditional Easter church services, including Good Friday services and Easter sunrise worship. Â 15 pages of music (that includes separate two-page parts for flute and French horn). Â Concert Key (Piano): Bb major. Â French Horn Key: F major. Â Flute Key: Bb major. Â Flute/Horn Level: Intermediate. Â Piano Level: Late IntermediateChrist the Lord is risen today, AlleluiaSons of men and angels say, AlleluiaRaise you joys and triumphs high, AlleluiaSing ye heavens and earth reply, Alleluia Â
$11.99
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Prelude for piano
