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2 Flûtes traversières, Piano
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15
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Trompette, Piano
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2
Trompette
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Cor et Piano
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2
2 Trombones (duo)
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Cor anglais, Piano
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Trombone
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8
Violon
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Alto, Piano
5
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3
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violon (duo)
3
Harpe, Voix
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto et Harpe
2
2 Altos (duo)
2
Harpe, Violoncelle (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Ensemble de Violons
1
2 Violons (duo)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Piano Trio: Violon, Alto, Piano
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Violon, Violoncelle (duo)
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Alto seul
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Violon, Alto (duo)
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PERCUSSIONS & ORCHESTRES
Ensemble de cuivres
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Cloches
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Orchestre
3
Jazz combo
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Orchestre à Cordes
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AUTRES
Vous avez sélectionné:
Prelude on EASTER HYMN
Partitions à imprimer
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Three selections based on "Christ lag in Todesbanden" (Bassoon Quintet)
Woodwind Ensemble Bassoon,Double Reed Quintet - Level 4 - Digital Download SKU: A0.1245…
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Woodwind Ensemble Bassoon,Double Reed Quintet - Level 4 - Digital Download SKU: A0.1245673 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #840529. Published by Regis Bookshar (A0.1245673). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Bassoon Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex thatn the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus. Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Bassoon Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Trb)
Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Compose…
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Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249441 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #842483. Published by Regis Bookshar (A0.1249441). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Trbs) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (alsp spelled Todes banden) (Christ lay in death's bonds is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regsi Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 Trombones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. Ther are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 3 Trp, 2 Hrn)
Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by…
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Brass Quintet Horn,Trumpet - Level 4 - Digital Download SKU: A0.1249440 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #842463. Published by Regis Bookshar (A0.1249440). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (3 Trps, 2 Hrns) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. it was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, this final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has place the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 3 Bb Trumpets and 2 French Horns. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Brass Quintet - 2 Trp, 3 Trb)
Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249437 Compose…
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Brass Quintet Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1249437 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 31 pages. Regis Bookshar #841731. Published by Regis Bookshar (A0.1249437). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Brass Quintet (2 Trps, 3 Trbs) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Banch and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which bothe the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement is more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged, which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Brass Quintet, consisting of 2 Bb Trumpets and 3 Trombones. Included are a score and a complete set of part (31 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased by what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (French Horn Quintet)
Horn Quintet - Level 4 - Digital Download SKU: A0.1253252 Composed by Johann Sebast…
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Horn Quintet - Level 4 - Digital Download SKU: A0.1253252 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 27 pages. Regis Bookshar #847012. Published by Regis Bookshar (A0.1253252). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - French Horn Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this triology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a French Horn Quintet. Included are a score and a complete set of parts (27 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I thisk you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Violoncello Quintet)
String Quintet Cello - Level 4 - Digital Download SKU: A0.1257933 Composed by Johan…
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String Quintet Cello - Level 4 - Digital Download SKU: A0.1257933 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #851169. Published by Regis Bookshar (A0.1257933). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Violoncello Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Violoncello Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (String Quintet - 3 Violin, 2 Cello)
String Quintet Cello,Violin - Level 4 - Digital Download SKU: A0.1257381 Composed b…
(+)
String Quintet Cello,Violin - Level 4 - Digital Download SKU: A0.1257381 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 30 pages. Regis Bookshar #850714. Published by Regis Bookshar (A0.1257381). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - String Quintet (3 Violins, 2 Violoncellos) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a String Quintet, consisting of 3 Violins and 2 Violoncellos. Included are a score and a complete set of parts (30 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
27.55 €
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Christ lag in Todesbanden"
#
Regis Bookshar
#
SheetMusicPlus
Three selections based on "Christ lag in Todesbanden" (Oboe Quintet)
Woodwind Ensemble Double Reed Quintet,Oboe - Level 4 - Digital Download SKU: A0.1253791…
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Woodwind Ensemble Double Reed Quintet,Oboe - Level 4 - Digital Download SKU: A0.1253791 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847417. Published by Regis Bookshar (A0.1253791). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Oboe Quintet - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Chris lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen') (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for an Oboe Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you wil be pleased with what you may find.
$30.00
27.55 €
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Johann Sebastian Bach
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Regis Bookshar
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Three selections based on "Christ lag in Todesbanden"
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Regis Bookshar
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SheetMusicPlus
Easter Hymn of Promise
Organ Piano Duets Organ Piano Duets (Handbells) - Digital Download SKU: H1.8692DP C…
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Organ Piano Duets Organ Piano Duets (Handbells) - Digital Download SKU: H1.8692DP Composed by Natalie Sleeth. Arranged by Joel Raney. Piano & Organ Worship Openers. Easter Sunday, Sacred. Keyboard parts (reproducible choral parts with introit included). 22 pages. Hope Publishing - Digital #8692DP. Published by Hope Publishing - Digital (H1.8692DP). An Easter prelude Built on the popular Natalie Sleeth title, and incorporating the tunes, EASTER HYMN, PASSION CHORALE and DIADEMATA, this festive Easter prelude is the latest addition to Joel Raney's exciting series of piano/organ worship openers with SATB choir entering at the conclusion for an optional choral introit. The optional part 3-5 octave handbells with optional 3-5 octave handchimes is a fully developed Level 2 setting that greatly enhances the overall presentation.
$22.95
21.07 €
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Natalie Sleeth
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Joel Raney
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Easter Hymn of Promise
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Hope Publishing - Digital
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SheetMusicPlus
Chorale Prelude on Lancashire - Brass Quintet
Level 3 - Digital Download SKU: A0.1355088 Composed by Richard E Brown. Chamber,Eas…
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Level 3 - Digital Download SKU: A0.1355088 Composed by Richard E Brown. Chamber,Easter,Sacred. 14 pages. Dacker Music #939803. Published by Dacker Music (A0.1355088). Written by Henry T. Smart in 1835, the hymn tune Lancashire is named for the part of England where it was first heard. This brass quintet is most useful for Easter services using the hymn title The Day of Resurrection. It can also be played during just about any church season using the other title most commonly associated with it, Lead On, O King Eternal. Â Grade 4 - Duration 2:40.
$10.00
9.18 €
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Richard E Brown
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Chorale Prelude on Lancashire - Brass Quintet
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Dacker Music
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SheetMusicPlus
Chorale Prelude on St. Theodulph - Brass Septet
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1191745 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1191745 Composed by Richard E Brown. Chamber,Easter,Praise & Worship,Sacred. 17 pages. Dacker Music #791249. Published by Dacker Music (A0.1191745). This chorale prelude for brass septet is scored for 2 Bb trumpets, F horn, 2 trombones, euphonium (alt. baritone TC part included), and tuba. The source hymn-tune is named for St. Theodulf of Orléans (750 - 821) who wrote the original Latin words for the text that is now most commonly sung to it, the Palm Sunday hymn All Glory, Laud, and Honor. Grade 4 - Duration 2:45.
$10.00
9.18 €
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Richard E Brown
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Chorale Prelude on St. Theodulph - Brass Septet
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Dacker Music
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SheetMusicPlus
Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble, Volume 2
Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Downloa…
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Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1409469 Composed by Various. Arranged by Ran Whitley. Christian,Easter,Praise & Worship,Religious,Spiritual. 157 pages. Gordon Cherry #992098. Published by Gordon Cherry (A0.1409469). Ran Whitley has compiled and beautifully arranged Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble (Just FOUR Brass), Volume 2. These beautiful hymns are playable by most performers of intermediate level and higher. Each hymn is a complete arrangement on its own. The entire collection of twelve hymns contains almost 40 minutes of music of glorious Christian music appropriate for many different occasions.The twelve hymns from Volume 2 are amongst the most famous of the Christian liturgy:1. Come, Thou of Every Blessing2. Only Trust Him3. Morning Has Broken4. Come, Ye Thankful People, Come5. Sweet Hour of Prayer6. Lift Every Voice and Sing7. Come, Christians, Join to Sing8. The Lone, Wild Bird9. Christian Hearts in Love United10. Thine Is the Glory11. Mine Eyes Have Seen the Glory12. My Country, 'Tis of TheeInstrumentation for the quartet is for 2 Trumpets in B-flat and two Trombones. There are 4 substitute parts for parts 2 and 3 in B-flat treble and for F Horn, plus a Tuba part 8ba on the 4th part. You can perform these works with a massed brass ensemble very successfully.Optional repeats are included for congregational singing.
$30.00
27.55 €
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Various
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Ran Whitley
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Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble, Volume 2
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Gordon Cherry
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SheetMusicPlus
On Jordan's Stormy Banks (Trio for Two Trumpets and Piano)
Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano B-Flat Trumpet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1467567 Composed by Samuel Stennett, Traditional American Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1045847. Published by John A. Dempsey (A0.1467567). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat piano trio for two flutes and piano adds a burst of energy and enthusiasm to any worship event. With incidental music by Felix Arndt, this music is recommended for traditional church services as a prelude, postlude, an offertory, interlude and special music. Key: D major. 15 pages of music (that includes separate two-page parts for flute 1 and flute 2)On Jordan's stormy banks I stand And cast a wishful eyeTo Canaan's fair and happy land Where my possessions lie.I am bound for the promised land, I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.
$11.99
11.01 €
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Samuel Stennett, Traditional American Hymn, Felix Arndt
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
On Jordan's Stormy Banks (Trio for Trumpet, Trombone and Piano)
Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1468099 Composed by Sam…
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Piano,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1468099 Composed by Samuel Stennett, American Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1046410. Published by John A. Dempsey (A0.1468099). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat piano trio for Bb trumpet, trombone and piano adds a burst of energy and enthusiasm to any worship event. With incidental music by Felix Arndt, this music is recommended for traditional church services as a prelude, postlude, an offertory, interlude and special music. Concert Key: Bb major. 15 pages of music (that includes separate two-page parts for trumpet and trombone)On Jordan's stormy banks I stand And cast a wishful eyeTo Canaan's fair and happy land Where my possessions lie.I am bound for the promised land, I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.
$11.99
11.01 €
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Samuel Stennett, American Folk Hymn, Felix Arndt
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
On Jordan's Stormy Banks (Trio for Two Clarinets and Piano)
Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downlo…
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Instrumental Duet,Piano B-Flat Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1468081 Composed by Samuel Stennett, American Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1046392. Published by John A. Dempsey (A0.1468081). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat piano trio for two Bb clarinets and piano adds a burst of energy and enthusiasm to any worship event. With incidental music by Felix Arndt, this music is recommended for traditional church services as a prelude, postlude, an offertory, interlude and special music. Concert Key: Bb major. 15 pages of music (that includes separate two-page parts for clarinet 1 and clarinet 2)On Jordan's stormy banks I stand And cast a wishful eyeTo Canaan's fair and happy land Where my possessions lie.I am bound for the promised land, I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.
$11.99
11.01 €
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Samuel Stennett, American Folk Hymn, Felix Arndt
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
On Jordan's Stormy Banks (Trio for Two Trombones and Piano)
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 4 - Digital Download SKU: A0.1468294 Composed by Samuel Stennett, American Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1046607. Published by John A. Dempsey (A0.1468294). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat piano trio for two trombones and piano adds a burst of energy and enthusiasm to any worship event. With incidental music by Felix Arndt, this music is recommended for traditional church services as a prelude, postlude, an offertory, interlude and special music. Key: C major. 15 pages of music (that includes separate two-page parts for trombone 1 and trombone 2)On Jordan's stormy banks I stand And cast a wishful eyeTo Canaan's fair and happy land Where my possessions lie.I am bound for the promised land, I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.
$11.99
11.01 €
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Samuel Stennett, American Folk Hymn, Felix Arndt
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
On Jordan's Stormy Banks (Trio for Trumpet, Cello and Piano)
Cello,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1468283 Composed by Samuel…
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Cello,Piano,Trumpet - Level 4 - Digital Download SKU: A0.1468283 Composed by Samuel Stennett, American Folk Hymn, Felix Arndt. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Traditional. 19 pages. John A. Dempsey #1046596. Published by John A. Dempsey (A0.1468283). A classic Christian hymn complete with a lively tempo and a mood of joyfulness and exaltation, this upbeat piano trio for Bb trumpet, cello and piano adds a burst of energy and enthusiasm to any worship event. With incidental music by Felix Arndt, this music is recommended for traditional church services as a prelude, postlude, an offertory, interlude and special music. Concert Key: Bb major. 15 pages of music (that includes separate two-page parts for trumpet and cello)On Jordan's stormy banks I stand And cast a wishful eyeTo Canaan's fair and happy land Where my possessions lie.I am bound for the promised land, I am bound for the promised land;Oh, who will come and go with me?I am bound for the promised land.
$11.99
11.01 €
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Samuel Stennett, American Folk Hymn, Felix Arndt
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John A
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On Jordan's Stormy Banks
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John A. Dempsey
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SheetMusicPlus
Hail the Day That Sees Him Rise (Festival Prelude on the Hymn Tune Llanfair )
Composed by Robert Williams. Arranged by Craig Garner. Contemporary Christian, Sacred, Pra…
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Composed by Robert Williams. Arranged by Craig Garner. Contemporary Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 18 pages. Published by Dorm 40 Music (S0.193823). - Score,Set of Parts - Contemporary Christian,Sacred,Praise & Worship,General Worship,Easter - Dorm 40 Music
$14.00
12.86 €
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Robert Williams
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Craig Garner
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Hail the Day That Sees Him Rise
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Dorm 40 Music
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SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.91 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.91 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Were You There When They Crucified My Lord? [Guitar Chord Version]
Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stace…
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Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Chords/Lyrics. 2 pages. Anastace #965426. Published by Anastace (A0.1380647). Here is a guitar-friendly version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to make it easy for a beginner guitar player, and can be played capo 5 to match the key of the original recording.This arrangement of the classic Good Friday hymn has simple chords to accompany the solemn, beautiful melody and point towards the deep meaning and solemnity of Holy Week. This arrangement works well as a solo or congregational song for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in E Flat and G Major to match different vocal rangesFull complexity lead sheet version in C MajorSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$2.00
1.84 €
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Stacey Plays Hymns
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Anastace
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Were You There When They Crucified My Lord? [Guitar Chord Version]
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Anastace
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SheetMusicPlus
Nocturne in Bb minor (Vesper Procession)
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966750 Composed by Dillon Ekle. 20th Century,Christian,Easter,Sacred. Score and parts. 9 pages. Dillon Ekle #3068399. Published by Dillon Ekle (A0.966750). This original composition takes its inspiration from Vespers, an evening service of prayer. The piece begins with a brooding bass rhythm, which underlies much of the composition, as melodies depict images of the evening sun's procession toward the horizon. At the moment of the sun's setting, a grand hymn emerges, the emotional high point of the journey as the fires of creation illuminates the world in God's glory, before cooling into a final reprise of the initial melody as the darkness of night settles in.While not an actual setting of the text, the original hymn-like melody in this piece is inspired by the ancient prayer called Phos Hilaron (O Gladsome Light), one of the earliest Christian hymns.This piece, written for piano duet (1-piano, 4-hands), is appropriate for concerts, or as a prelude or other instrumental moment in a church service, especially evening services. While it is not specific to any season, the mood is also appropriate for services in Advent, Lent, Holy Week, or other times of reflection.Melodies move throughout the range of the piano and across both players. Both parts are of similar difficulty, and neither part is more featured than the other; a musical performance will require a strong sense of ensemble.An audio preview accompanied by images and the Phos Hilaron text which inspired part of this piece can be found here: https://www.youtube.com/watch?v=NK0NAl15juUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.58 €
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Dillon Ekle
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Nocturne in Bb minor
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Dillon Ekle
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SheetMusicPlus
Joyful, Joyful, We Adore Thee
None organ/piano with optional SATB voices - Level 3 - Digital Download SKU: H1.8241DP
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None organ/piano with optional SATB voices - Level 3 - Digital Download SKU: H1.8241DP Arranged by Joel Raney. Moderate Advanced. Piano & Organ Worship Openers. Easter Sunday, Sacred. Organ/piano scores with optional choral part. 39 pages. Hope Publishing - Digital #8241DP. Published by Hope Publishing - Digital (H1.8241DP). 1 John 4:16 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - John 8:12 - Job 38:7 - Psalms 103:22 - Psalms 149:10 - Psalms 19:1 - Revelation 4:6 - Revelation 4:7 - Revelation 4:8 - Revelation 4:9 - Revelation 4:10 - Revelation 4.Prelude based a well-known hymn tunes This festive prelude is based on perhaps the best-known hymn tune of all time, HYMN TO JOY, in Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit. An alternate text is provided using Brian Wren's Christ Is Risen! Shout Hosanna! converting this into a thrilling Easter Day celebration. Both keyboard parts and reproducible pages of both texts for the choir are included. The optional 3-5 octave handbell part, arranged by Arnold Sherman, is available separately.
$22.95
21.07 €
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Joel Raney
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Joyful, Joyful, We Adore Thee
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Hope Publishing - Digital
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SheetMusicPlus
Joyful, Joyful, We Adore Thee
Choral, Congregation, Handbells - Level 3 - Digital Download SKU: H1.8241CSDP Arran…
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Choral, Congregation, Handbells - Level 3 - Digital Download SKU: H1.8241CSDP Arranged by Joel Raney. Moderate Advanced. Piano & Organ Worship Openers. Easter Sunday, Sacred. Conductor's Score. 26 pages. Hope Publishing - Digital #8241CSDP. Published by Hope Publishing - Digital (H1.8241CSDP). 1 John 4:16 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - John 8:12 - Job 38:7 - Psalms 103:22 - Psalms 149:10 - Psalms 19:1 - Revelation 4:6 - Revelation 4:7 - Revelation 4:8 - Revelation 4:9 - Revelation 4:10 - Revelation 4.Prelude based a well-known hymn tunes This festive prelude is based on perhaps the best-known hymn tune of all time, HYMN TO JOY, in Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit. An alternate text is provided using Brian Wren's Christ Is Risen! Shout Hosanna! converting this into a thrilling Easter Day celebration. Both keyboard parts and reproducible pages of both texts for the choir are included. The optional 3-5 octave handbell part, arranged by Arnold Sherman, is available separately.
$22.95
21.07 €
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Joel Raney
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Joyful, Joyful, We Adore Thee
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Hope Publishing - Digital
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SheetMusicPlus
Joyful, Joyful, We Adore Thee
Choral, Congregation, Handbells - Level 3 - Digital Download SKU: H1.8241HBDP Arran…
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Choral, Congregation, Handbells - Level 3 - Digital Download SKU: H1.8241HBDP Arranged by Joel Raney. Moderate Advanced. Piano & Organ Worship Openers. Easter Sunday, Sacred. Handbell score. 8 pages. Hope Publishing - Digital #8241HBDP. Published by Hope Publishing - Digital (H1.8241HBDP). 1 John 4:16 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - John 8:12 - Job 38:7 - Psalms 103:22 - Psalms 149:10 - Psalms 19:1 - Revelation 4:6 - Revelation 4:7 - Revelation 4:8 - Revelation 4:9 - Revelation 4:10 - Revelation 4.Prelude based a well-known hymn tunes This festive prelude is based on perhaps the best-known hymn tune of all time, HYMN TO JOY, in Joel Raney's exciting series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit. An alternate text is provided using Brian Wren's Christ Is Risen! Shout Hosanna! converting this into a thrilling Easter Day celebration. Both keyboard parts and reproducible pages of both texts for the choir are included. The optional 3-5 octave handbell part, arranged by Arnold Sherman, is available separately.
$6.25
5.74 €
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Joel Raney
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Joyful, Joyful, We Adore Thee
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Hope Publishing - Digital
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SheetMusicPlus
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