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Push Up

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Back Up And Push for Fiddle Solo #Traditional #Bob Mathews #Back Up And Push for Fiddle So #Bob Mathews #SheetMusicPlus

Fiddle,Instrumental Solo,Piano - Level 3 - SKU: A0.1047488 Composed by Traditional. Arranged by Bob Mathews. Country,Folk,Multicultural,World. Score and...(+)

$3.99

Push Up #Steve Cox and Written and Arra #Push Up #Steve Cox Drums #SheetMusicPlus

Drum Set,Percussion - Level 3 - Interactive Download SKU: A0.1346283 Composed by Steve Cox and Written and Arranged. This edition: Interactive Download. ...(+)

$19.99

Dawn #Austin Whisler #Dawn #AWhislerMusic #SheetMusicPlus

Percussion Quartet Chimes,Crotales,Marimba,Suspended Cymbal,Tam Tam,Timpani,Woodblock - Level 4 - SKU: A0.1424676 Composed by Austin Whisler. 21st Centu...(+)

$14.99

Sequence #Vincenzo Sorrentino #Sequence #Forton Music - Digital #SheetMusicPlus

3 Clarinets and Piano - Advanced - SKU: F2.FM253 Composed by Vincenzo Sorrentino. Score and Parts. 26 pages. Forton Music - Digital #FM253. Published by...(+)

$12.95

Offbeat in Two - Trumpet Quartet #Phil Beaman #Offbeat in Two - Trumpet Quart #Phil Beaman #SheetMusicPlus

Brass Ensemble Trumpet - Level 3 - SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #34120...(+)

$7.99

Offbeat in Two - French Horn Quartet #Phil Beaman #Offbeat in Two - French Horn Q #Phil Beaman #SheetMusicPlus

Brass Ensemble Horn - Level 3 - SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099....(+)

$7.99

Offbeat in Two - Trombone Quartet #Phil Beaman #Offbeat in Two - Trombone Quar #Phil Beaman #SheetMusicPlus

Brass Ensemble Trombone - Level 3 - SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414...(+)

$7.99

Offbeat in Two - Baritone Horn Quartet #Phil Beaman #Offbeat in Two - Baritone Horn #Phil Beaman #SheetMusicPlus

Brass Ensemble Euphonium - Level 3 - SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #341...(+)

$7.99

Poem For Carlita (viola part - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861805 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202197. Published by Mark O'Connor Musik International (A0.861805). Poem For Carlita (viola part â€“ vln, vla, cel) MO142CViola Part (score and parts available)Music by Mark Oâ€™Connor6 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used tocalm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142CCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861803 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202181. Published by Mark O'Connor Musik International (A0.861803). Poem For Carlita (violin part â€“ vln, vla, cel) MO142BViolin Part (score and parts available)Music by Mark Oâ€™Connor7 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142BCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Poem For Carlita (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #therefore there is no return #Poem For Carlita #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861806 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202205. Published by Mark O'Connor Musik International (A0.861806). Poem For Carlita (cello â€“ vln, vla, cel) MO142DCello Part (score and parts available)Music by Mark Oâ€™Connor15 pages - 8:30 minutes in length Poem For Carlita In contemporary vocal music, there is a form called a story song. It is an odd form in that it does not contain any departure from the central idea; therefore there is no return. The story has a beginning and ending but uses subtle variation to push the idea along its way. .. much the way loving relationships evolve. The equivalent of the story song in classical music is a Poem, and this is what I have called this piece. An inspiration I used for my musical poem was the ocean and itâ€™s repetition of waves as they fall in to the shoreline. I grew up near the ocean and remember how the sounds of the relentless waves used to calm me. While it was the repetitive sound of the sea that moved me as a child, today, I observed that each wave was not the same but in fact slightly different. I was amazed that it seemed that no two waves looked or sounded the same to me. This natural occurrence seemed to mirror my love for wife Carla. Each day was just something a tiny bit different. It was very natural to make these kinds of life experience connections. Bridges that joined nature, love and art. The poem begins slowly and inquisitively and builds through in intensity with loud and mightily passionate moments of emotion before the music comes down peacefully and reflectively, until the last statement played by the violin signifies that the sea is calm once again. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1998 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalPoem for Carlita can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridges Catalogue Number MO142DCopyright Â© 1998 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50

Lullaby Of Birdland #Jazz #George Shearing #Serena Rose #Lullaby Of Birdland #Serena Rose Music #SheetMusicPlus

Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by ...(+)

Large Ensemble Alto Saxophone,Double Bass,Drums,Electric Bass Guitar,Piano Accompaniment,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1032048 Composed by George Shearing. Arranged by Serena Rose. Jazz. Score and parts. 25 pages. Serena Rose Music #4313909. Published by Serena Rose Music (A0.1032048). This playful arrangement of Lullaby of Birdland by George Shearing (concert Ab) for voice and 3 horn ( alto sax, trumpet, trombone, piano, bass, and drums ) is unique from many arrangements of this jazz standard by weaving complimentary melodies around the vocal melody, giving this piece a welcome breath of fresh air. The 10-bar intro has a rhythmic push in the piano reminiscent of Jamiroquaiâ€™s Virtual Insanity that intensifies the listenerâ€™s anticipation to hear the first few notes of this familiar tune in a new and unique context. Returning back to the head via a simple D.S. enables instrumentalists to easily focus on solos rather than the form. The 2-bar rhythm-section outro concludes the piece precisely and cleanly and takes the listener back to the time when jazz bands were first cooking up storms on the dance floors. Though cited with tempo at a quarter note = 160 bpm, this arrangement works well at any bpm between 140 and 170.Other than for the introduction and the ending, the piano part includes chords and rhythmic notation throughout for easy improvisation. The bass part includes both an intermediate-advanced written part and chords throughout, thus accommodating bassists at all skill levels and/or those who would prefer to play a combination of written and improvised bass lines. The drum chart is to be improvised throughout; however, it includes suggested rhythmic ideas and indicates key points in the arrangement such as horn hits, repeats, and fills. PLEASE NOTE: For ease of identifying parts, the forthcoming audio clip furnishes a piano playing the vocal melody. The piano chart does not include the melody. About the Arranger: Serena Rose is a professional musician who performs weekly in the greater Los Angeles area. She has a master's in music composition and has composed three large works for the Orange Coast College Wind Ensemble as well as various smaller ensembles based in Los Angeles.

$50.00

Tubilation #Keiron Anderson #Tubilation #Forton Music - Digital #SheetMusicPlus

Brass Band - Intermediate-Advanced - SKU: F2.FM334 Composed by Keiron Anderson. Brass Band. Score and Parts. 83 pages. Forton Music - Digital #FM334. Pu...(+)

Brass Band - Intermediate-Advanced - SKU: F2.FM334 Composed by Keiron Anderson. Brass Band. Score and Parts. 83 pages. Forton Music - Digital #FM334. Published by Forton Music - Digital (F2.FM334). ISBN 9790570482337.A fantastic tuba feature with brass band backing. Driving semiquaver rhythms push this piece forwards whilst remaining away from the centre of attention which is undoubtedly the big old tuba! Full of semiquavers and scales rushing up to the top of the range of the instrument, there can be no doubt that the tuba is the star of the show. The solo part is carefully thought through with enough rests to make it approachable, while the syncopatino in the other parts give the music an energy that is maintained to the very final flourish, instigated by a demisemiquaver scale run on the tuba! Intermediate and above ensemble parts, but the solo tuba part needs a fairly skilled and confident player to get the most out of this piece.

$40.95

RUSALKAS and MEN #Music: Alan Edgar and Trad #RUSALKAS and MEN #Alan Edgar Ted Moon #SheetMusicPlus

Bassoon,Cello,Oboe,Violin,Voice - Level 2 - SKU: A0.1488216 Composed by Music: Alan Edgar and Trad. Lyrics: Alan Edgar, Sue Edgar, Alexander Pushkin. 20...(+)

Bassoon,Cello,Oboe,Violin,Voice - Level 2 - SKU: A0.1488216 Composed by Music: Alan Edgar and Trad. Lyrics: Alan Edgar, Sue Edgar, Alexander Pushkin. 20th Century,Folk,Thriller. 34 pages. Alan Edgar Ted Moon #1065102. Published by Alan Edgar Ted Moon (A0.1488216). RUSALKAS and MEN Soprano (mostly wordless, D up to A), Baritone (G# up to G), Oboe or Violin, and Cello or Bassoon.The instrument parts in the score are easily used for rehearsal on keyboard. Here are three songs about men's encounters with rusalkas (water-nymphs) in Slavic myth. Siren Song: a man describes his narrow escape from death. Lyrics by Sue Edgar. The Man’s melodies based on two Slavic folk tunes. The rusalka sings my own melody. King of the Underwater World: a very lucky man sings of his being favoured, made king and cosseted by a rusalka. He uses the Ukrainian dorian scale, the rusalka aeolian. Rusalka (Pусалка) by Alexander Pushkin: The baritone is the storyteller. For him I use D mixolydian alternating with b minor, but the rusalka mostly sings in half-whole octatonic. 26 minutes for all three songs.

$39.00

Eternal Bridge For Oboe Harp And Strings #Luis Anjos Teixeira #Eternal Bridge For Oboe Harp A #Luis Anjos Teixeira #SheetMusicPlus

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...(+)

Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.â€žThe litle story of the - â€žEternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclÃ³nico medo profundo - Comboio gelado lentidÃ£o d`aÃ§o - Espiral eterna suspensa no espaÃ§o - Maos agarram a vida duas barras d` aÃ§o - Corpo sacudido em espasmos de medo - AlucinaÃ§Ã£o divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream

$25.00

Compositions 1960 #Contemporain #La Monte Young #Divisi Labs # #Compositions 1960 #Divisi Labs #SheetMusicPlus

Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #656...(+)

Large Ensemble - Level 1 - SKU: A0.1010670 Composed by La Monte Young. Arranged by Divisi Labs. 20th Century. Score and parts. 9 pages. Divisi Labs #6562549. Published by Divisi Labs (A0.1010670). The Compositions 1960 are a set of pieces written in 1960 by composer La Monte Young. These pieces are unique in the sense that Young heavily emphasizes performance art, through extra-musical actions such as releasing a butterfly into the room or pushing a piano against a wall. History In 1959, while studying at Berkeley, Young traveled to Darmstadt to study with Karlheinz Stockhausen. During that summer, Stockhausen frequently discussed the music of American Composer John Cage. As a result, rather than gaining interest in Stockhausen's works, Young left Darmstadt having found inspiration in Cage's works. A year later in 1960, Young did indeed have the opportunity to study with Cage and Richard Maxfield in New York. During his studies, Young gave New York's first loft concert in Yoko Ono's loft. Some of the pieces that he performed would later become part of his Compositions 1960 Pieces Each piece has a unique set of instructions to be followed by the performer. These instructions may include the setting up of the piece, and what to do during the piece. Some of the pieces will even specify what the audience should do.

$4.99

Martyrs Of The Arena (arr. for Euphonium Quartet) #Laurent de RillÃ© #Andrew Lamb #Martyrs Of The Arena #Andrew Lamb #SheetMusicPlus

Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1306858 By Laurent de RillÃ©. By Laurent de RillÃ©. Arranged by Andrew Lamb. 19th Century,Chamber. 4...(+)

Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1306858 By Laurent de RillÃ©. By Laurent de RillÃ©. Arranged by Andrew Lamb. 19th Century,Chamber. 41 pages. Andrew Lamb #896192. Published by Andrew Lamb (A0.1306858). Introducing Laurent de RillÃ©'s Martyrs of the Arena for Euphonium Quartet! ðŸŽ¶ðŸŒŸ Elevate your musical repertoire with this extraordinary arrangement by Andrew Lamb of Martyrs of the Arena, a timeless composition by the renowned French composer, Laurent de RillÃ©.ðŸŽµ This arrangement has been meticulously crafted for four euphoniums, providing both bass clef and treble clef parts for versatility and convenience. Whether you're a seasoned euphonium ensemble or a group of skilled musicians up for a challenge, this arrangement is tailored for the advanced level, pushing your musical abilities to new heights.ðŸŽ“ Unlock the potential of this arrangement in various settings â€“ from captivating concert performances that will leave your audience in awe to mesmerizing recitals that showcase your ensemble's expertise. Moreover, it's a valuable resource for educational purposes, making it an excellent addition to your library for music instruction and ensemble training.ðŸ”¥ Immerse your audience in the emotive and powerful world of Martyrs of the Arena. This composition beautifully captures the essence of the OrphÃ©onist movement, led by Laurent de RillÃ©, which sought to democratize music and bring it to the masses. ðŸŽ¼ðŸ’« Dive into the history and passion of the OrphÃ©on movement, where names like Hector Berlioz and Charles Gounod converged to inspire the creation of male choir associations, fostering a deeper appreciation of music among all. Laurent de RillÃ© played a pivotal role, composing and arranging music for these societies and authoring insightful books on choir organization and training.ðŸŒ„ While many of de RillÃ©'s compositions may have faded into obscurity, Martyrs of the Arena remains a cherished gem among male choir societies. Its enduring power and emotional resonance continue to captivate audiences, and now, this arrangement brings its grandeur to the euphonium ensemble world.âœ¨ Don't miss the opportunity to bring this exquisite piece of music into your repertoire. Whether you're a seasoned ensemble or a teacher looking to inspire the next generation, this arrangement is a treasure.Like and subscribe to our channel to stay updated with more exciting musical content, and don't forget to explore our other exceptional arrangements. ðŸŽ‰ðŸŽ¶ðŸ””.

$5.00

Kiss From A Rose #Film/TV #Seal #Adrian Horn #Kiss From A Rose #AJH Brass #SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...(+)

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1192810 By Seal. By Henry Olusegun Adeola Samuel. Arranged by Adrian Horn. Film/TV,Pop. Brass Band. 42 pages. AJH Brass #792262. Published by AJH Brass (A0.1192810). Although released on Sealâ€™s eponymous second album Seal II (1994), â€˜Kiss From A Roseâ€™ was actually written back in 1987. Seal wasnâ€™t overly fond of the song and hadnâ€™t put it forward for his first album, but producer Trevor Horn got hold of it for the second album and turned the song into a track that sold 8 million copies worldwide.It also garnered extra fame in 1995 when it was used as part of the soundtrack to the film Batman Forever, helping it top the Billboard Hot 100 chart in the US and pushing back up to No.4 in the UK charts.Â This arrangement for brass band comes with the following parts: Full ScoreSoprano Cornet Solo Cornets Repiano Cornet 2nd Cornets 3rd CornetsFlugel HornSolo Tenor Horn 1st Tenor Horn 2nd Tenor Horn1st Baritone2nd Baritone1st Trombone2nd Trombone Bass TromboneEuphoniumsEb BassesBBb BassesGlockenspielDrum KitTimpani

$24.99

King Of The Road #Contemporain #Randy Travis #Keith Terrett #English title #King Of The Road #Keith Terrett #SheetMusicPlus

Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terret...(+)

Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.747086 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 27 pages. Keith Terrett #6426723. Published by Keith Terrett (A0.747086). An arrangement of the classic King of the Road for Wind Dectet.King of the Road is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a man of means by no means), revels in his freedom, describing himself humorously and cynically as the king of the road. It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, Trailers for sale or rent. This would become the opening line of the song.The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright & Teddy Thompson, Giant Sand, Peligro, John Williamson (singer) & Adam Harvey, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James The King Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV. Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, If there was any justice in the world, Roger Miller should be able to sue for what we did to this song.King of the Road was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.The song appears in Wim Wenders's 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The Proclaimers' version is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is Roger Miller, King of Plugs.Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.A send-up version by English entertainer Billy Howard was a British chart hit in 1976.A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.

$16.99

Failure #George Williams #Failure #George Henry Williams III #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Alto Flute,Bassoon,Clarinet,Oboe - Level 4 - SKU: A0.1289688 By George Williams. By Blue Apollo Music. 20th Century,2...(+)

Woodwind Ensemble,Woodwind Quintet Alto Flute,Bassoon,Clarinet,Oboe - Level 4 - SKU: A0.1289688 By George Williams. By Blue Apollo Music. 20th Century,21st Century,Chamber,Classical,Contemporary. 31 pages. George Henry Williams III #880397. Published by George Henry Williams III (A0.1289688). An inspiring song about pushing through setbacks and becoming stronger on the other side, Failure is titled after life's Greatest Teacher. With the soaring sounds of the flutes and a driving, simple rhyme in the single and double reeds, it encourages listeners never to give up and to keep fighting to conquer their goals, no matter how many times they may stumble along the way. Whether you're facing personal or professional obstacles, this song is the perfect reminder that failure is simply a stepping stone toward success.

$10.99

Fat Bottomed Girls #Film/TV #Queen #Dr #Fat Bottomed Girls #All Brass Radio Publishing #SheetMusicPlus

Brass Ensemble Trombone - Level 4 - SKU: A0.927021 By Queen. By Alexander Perls Rousmaniere, Brian May, Kelly Barnes, and Roman Pushkin. Arranged by Dr....(+)

Brass Ensemble Trombone - Level 4 - SKU: A0.927021 By Queen. By Alexander Perls Rousmaniere, Brian May, Kelly Barnes, and Roman Pushkin. Arranged by Dr. Jim Fox, ASCAP. Film/TV. Score and parts. 18 pages. All Brass Radio Publishing #4854619. Published by All Brass Radio Publishing (A0.927021). This is a revised edition of this arrangement. Changes made to the dynamics and a key change up was added to the ending.This arrangement is for eight trombones (trombone choir) and is a bit on the difficult side. The top part will play often above high F. The rhythms are challenging and at times, quite intricate. You can listen to it at https://soundcloud.com/user-100948232/fat-bottomed-girls .

$12.99

We Wish You a "Bari" Christmas #Noël #Sean Breen #Sean Breen & Associates #We Wish You a "Bari" #Sean Breen #SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - SKU: A0.941602 Composed by Sean Breen. Arranged by Sean Breen & Associates. Christian,Chr...(+)

Woodwind Ensemble,Woodwind Trio Baritone Saxophone - Level 3 - SKU: A0.941602 Composed by Sean Breen. Arranged by Sean Breen & Associates. Christian,Christmas,Contemporary,Folk,Instructional. 7 pages. Sean Breen #3691611. Published by Sean Breen (A0.941602). Arranged for a Baritone Sax trio, We Wish You a Bari Christmas is a playful re-working of a holiday classic. Straying away from the traditional feel, Bari Christmas was written when I found myself playing in a band with three Baritone Sax players. The arrangement takes advantage of the wide range of the saxophone and pushes the limits of technical ability; starting first in a fairly easy key and later transitioning to a much more challenging one. This was done partly to overcome harmonies ending up too low in the bass clef (when pitched in C) and to add a twist to the arrangement. Arranged By: Sean Breen (SOCAN)Copyright 2011 - Sean BreenAll Rights Reserved.Published By: Sean Breen & AssociatesFor further licensing or performance rights, please send inquiries to: SeanBreen.Music@gmail.com2018 Holiday Contest Entry

$7.99

Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi #Carson Cooman #Carson Cooman : Quartet for Pi #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Quartet,String Ensemble - Level 5 - SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Musi...(+)

Piano Quartet,String Ensemble - Level 5 - SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.

$38.95

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