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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
Quavers
Non classifié
51
Piano & claviers
Piano seul
61
Piano Facile
35
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14
1 Piano, 4 mains
4
Orgue
3
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
Instruments en Do
1
+ 3 instrumentations
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Guitare notes et tablatures
3
Basse electrique
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3
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2
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1
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7
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3
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1
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1
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1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Clarinettes (duo)
6
Flûte traversière et Piano
5
Clarinette et Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
3 Clarinettes (trio)
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Saxophone Alto et Piano
3
Saxophone Tenor et Piano
2
2 Flûtes traversières (duo)
2
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Flûte, Hautbois, Basson
1
Flûte à bec Alto, Piano
1
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1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Saxophones: 4 saxophones
1
Ensemble de Clarinettes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Clarinette Basse, Piano
1
+ 14 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Piano
1
2 Trombones (duo)
1
Euphonium, Piano (duo)
1
2 Trompettes (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Harpe
4
Violon
3
Harpe, Violon (duo)
2
Violon et Piano
2
2 Violons (duo)
2
Violon, Alto (duo)
2
2 Violoncelles (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Alto et Harpe
1
Alto, Piano
1
Violoncelle, Piano
1
+ 10 instrumentations
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Orchestre & Percussions
Orchestre à Cordes
13
Ensemble de cuivres
9
Orchestre d'harmonie
6
Batterie
3
Orchestre
2
Ensemble Jazz
1
Ensemble de Percussions
1
Orchestre de chambre
1
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Autres
Instruments
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DOBRO - GUI…
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
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ORCHESTRE
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OUD
PARTITIONS …
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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SOUL - R&B - HIP HOP…
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Quavers
Partitions à imprimer
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51
Variations in Db
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Joe Strachan
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Variations in Db
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Joseph Strachan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
Clapping Rhythms
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Methodes
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Ellen Creighton
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Clapping Rhythms
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Teaching With Ease
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SheetMusicPlus
Instrumental Solo - Level 1 - SKU: A0.1045189 Composed by Ellen Creighton. Instructional. Individual part. 31 pages. Teaching With Ease #649766. Publish...
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Instrumental Solo - Level 1 - SKU: A0.1045189 Composed by Ellen Creighton. Instructional. Individual part. 31 pages. Teaching With Ease #649766. Published by Teaching With Ease (A0.1045189). Improve your students’ sense of rhythm with this bumper pack of Clapping Rhythms. This set contains 120 clapping rhythm solos and 50 clapping rhythm duets with equal parts. It features 12 levels, each with 10 four-bar solos and 5 four-bar duets. Every level introduces a new musical element: 1. Crotchets/quarter notes & rests. 4/4 time 2. 3/4 time 3. Minim/half notes & rests. 2/4 time 4. Semibreve/whole notes, dotted minims/ dotted half notes, paired quavers/eighth notes and rests 5. Single quavers/eighth notes and rests 6. Dotted crotchets/dotted quarter notes 7. Semiquavers/sixteenth notes 8. 6/8, 9/8, 12/8 time (compound time) 9. Compound time with offbeat notes 10. Triplets 11. Ties 12. Recap: Selection of all rhythms.
$10.00
Why D'you Only Call Me When You're High?
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Arctic Monkeys
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Steven Pope
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Why D'you Only Call Me When Yo
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Steven Pope
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1511679 By Arctic Monkeys. By Alex Turner and Arctic Monkeys. Arranged by Steven Pope. 21st Century,Contemporary,Rock. I...
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Solo Guitar - Level 3 - SKU: A0.1511679 By Arctic Monkeys. By Alex Turner and Arctic Monkeys. Arranged by Steven Pope. 21st Century,Contemporary,Rock. Individual part. 3 pages. Steven Pope #1086831. Published by Steven Pope (A0.1511679). Intermediate fingerstyle guitar arrangement of Why'd You Only Call Me When You're High by Arctic Monkeys.One of the most memorable songs from the fantastic 2013 album, AM, this arrangement of Why'd You Only Call Me When You're High provides a fun challenge as you play together the vocal melody and the catchy riff that underlies most of the song. Some fast runs of semiquavers in the meloy will get your fingers moving while later in the arrangement you will find yourself accompanying the melody with chords.This arrangement will help you to practise: quavers and semiquavers(8th/16th notes), hammer-on/pull-offs, playing two different melodic lines simultaneously, staccato and rests, fingerstyle technique.
$5.99
Californication
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The Red Hot Chili Peppers
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Steven Pope
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Californication
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Steven Pope
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1487845 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Steven Pope. 20th...
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Guitar - Level 2 - SKU: A0.1487845 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Steven Pope. 20th Century,21st Century,Contemporary,Rock. Guitar Tab. 4 pages. Steven Pope #1064784. Published by Steven Pope (A0.1487845). Easy fingerstyle guitar arrangement of Californication by Red Hot Chili Peppers.Californication is an essential song to learn on the guitar, and this fingerstyle arrangement should provide a satisfying challenge to play as you blend together elements of the guitar, bass and vocal parts from the original recording. Take your time learning the different sections and watch out for the rhythmic variations in the main melody.This arrangement will help you to practise: quavers and semiquavers(8th/16th notes), ties, hammer-ons/pull-offs, accompanying a melody with chords and bass, fingerstyle technique.
$5.99
Shotgun
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George Ezra
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Steven Pope
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Shotgun
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Steven Pope
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1446394 By George Ezra. By Fred Gibson, George Barnett, and Joel Laslett Pott. Arranged by Steven Pope. 21st Century,Contempo...
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Guitar - Level 1 - SKU: A0.1446394 By George Ezra. By Fred Gibson, George Barnett, and Joel Laslett Pott. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 3 pages. Steven Pope #1026198. Published by Steven Pope (A0.1446394). Easy fingerstyle guitar arrangement of Shotgun by George Ezra.A fingerstyle guitar piece that will help get your right hand fingers moving faster. This arrangement is for those who have got the hang of the basics and are looking for a fun song to help them take the next step in their guitar playing.This arrangement will help you to practise: open chords, quavers(8th notes) and semiquavers(16th notes), palm muting, right hand picking technique.
$4.99
Four for Five
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
2tpt. Hn. Tbn. tba - Intermediate-Advanced - SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #F...
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95
Let's Go! (for saxes and piano)
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Colin Kirkpatrick
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Let's Go!
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,H...
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Small Ensemble Alto Saxophone,Double Bass,Guitar,Piano Accompaniment,Tenor Saxophone - Level 3 - SKU: A0.522196 Composed by Colin Kirkpatrick. Concert,Holiday,Jazz,Latin,Patriotic,Wedding. Score and parts. 35 pages. Colin Kirkpatrick Publications #3397237. Published by Colin Kirkpatrick Publications (A0.522196). Three numbers in popular style for two alto saxes and piano (or alto and tenor) with optional part for guitar and/or bass.These pieces are in jazz and Latin styles and are intended for intermediate students. They’re ideal for an end-of-term concert or recital but would be useful for any festive occasion or celebration. The 13-page piano score also includes the saxophone parts. The highest note in the 1st sax part is (written) C6 and that in the 2nd sax part is A6. Both parts avoid low D and C. Five-page parts for the two E flat alto saxophones are provided as well as an optional part for tenor sax, which is exactly the same part as the 2nd saxophone. In the piano parts the improvisation chords are shown only in the 1st alto part purely for the sake of visual tidiness, but they appear in all the saxophone parts so that any participant can offer an improvised solo. The guitar and bass parts are combined and the bass part is similar to the left hand of the piano part. All five parts are presented in a single PDF file. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679812 1. Hit the Town This is an entertaining swinger in the concert key of E flat and 4/4 time. It uses “jazz†eighth notes (quavers) and would be good introduction to playing in a jazz style. The improvisation section can be repeated as often as required. 2. Cool company A slow number in F major in a Latin-American style, this gives the opportunity to practise a soft singing tone-quality. There is one short section for improvising. 3. Freeway Written in 3/4 time in B flat, this jazzy waltz also uses “jazz†eighth notes (quavers) and the improvisation section can be repeated as often as required.
$6.99
Compound v Simple
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Catherine Quinlan
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Catherine Quinlan
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Compound v Simple
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Catherine Quinlan
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SheetMusicPlus
Instrumental Solo - Level 1 - SKU: A0.1490544 By Catherine Quinlan. By Catherine Quinlan. Arranged by Catherine Quinlan. Instructional. Individual part....
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Instrumental Solo - Level 1 - SKU: A0.1490544 By Catherine Quinlan. By Catherine Quinlan. Arranged by Catherine Quinlan. Instructional. Individual part. 2 pages. Catherine Quinlan #1067344. Published by Catherine Quinlan (A0.1490544). 6/8 and 3/4 both have 6 quavers per bar (measure). Here I explain with a tune how different the two time signatures are and how they sound, A great teaching tool which can be used for all treble clef instruments.
$4.99
A Regal Tea Party (school/training ensemble)
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Christopher Frost
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Christopher Frost
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A Regal Tea Party
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Christopher Frost
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 1 - SKU: A0.1494781 By Christopher Frost. By Christopher Fr...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe - Level 1 - SKU: A0.1494781 By Christopher Frost. By Christopher Frost. Arranged by Christopher Frost. Chamber,Children,Classical,Contemporary,Instructional. 25 pages. Christopher Frost #1071347. Published by Christopher Frost (A0.1494781). A Regal Tea Party is a buoyant and exalted sounding piece for school/training wind ensemble in 6 parts. A catchy flowing scalic melody is supported by chordal off-beat quavers. Wind Band Grade 2.Part 1: Flute 1Part 2: Flute 2 & OboePart 3: Clarinet in Bb 1Part 4: Clarinet in Bb 2 (not crossing the break)Part 5: Alto SaxophonePart 6: Bass Clarinet in Bb, Baritone Saxophone, Bassoon 1Part 6 alternative: Bassoon 2Recordings of Christopher Frost's school/training band pieces can be found on his YouTube channel playlist:School/Training Bandwww.chrisfrostmusic.comchris@chrisfrostmusic.com.
$20.42
So Hot You're Hurting My Feelings
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Caroline Polachek
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Liv Muir
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So Hot You're Hurting My Feeli
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Liv Muir
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SheetMusicPlus
Choral 5-Part Chorus,Choir,Choral - Level 3 - SKU: A0.1458484 By Caroline Polachek. By Caroline Polacheck, Caroline Polachek, Dan Nigro, Daniel Nigro, a...
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Choral 5-Part Chorus,Choir,Choral - Level 3 - SKU: A0.1458484 By Caroline Polachek. By Caroline Polacheck, Caroline Polachek, Dan Nigro, Daniel Nigro, and Teddy Geiger. Arranged by Liv Muir. 21st Century,A Cappella,Contemporary,Pop. 9 pages. Liv Muir #1037429. Published by Liv Muir (A0.1458484). An SSSAA arrangement of Caroline Polachek's 2019 banger So Hot You're Hurting My Feelings. This song is compelling as it has heart, yearning, flirtatiousness and is frankly just kind of badass. In the unison sections, don't be afraid to get your singers to emote and really sing their hearts out. It's not a slow, smooth number but it is full of emotion. Please note this arrangement has been made slightly more PG by the changing of the lyrics in the bridge show me your banana to oooo na na na, but by changing the dotted crotchet of the ooo to three quavers with show me your, you'll be able to easily capture what the original artist intended!Originally arranged for upper voice alternative pop choir Neighbourhood Voices, based in Sheffield UK. Check us out! IG: @neighbourhoodvoices.
$2.00
Blinding Lights
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The Weeknd
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Steven Pope
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Blinding Lights
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Steven Pope
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1467795 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steven Pop...
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Guitar - Level 1 - SKU: A0.1467795 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 4 pages. Steven Pope #1046093. Published by Steven Pope (A0.1467795). Easy fingerstyle guitar arrangement of Blinding Lights by The Weeknd.Use a capo in the 1st fret to play in the original key.Starting wth an incredibly catchy opening hook, this song is great fun to play and should provide a nice challenge for guitarists starting to explore the world of fingerstyle. The bass line played with thumb increases in activity through the different sections and the various legato techniques present in this arrangement give some additional interest and challenge for newer players.This arrangement will help you to practise: quavers(8th notes), fast tempos, ties, hammer-ons/pull-offs, slides, root-5th bass lines, fingerstyle technique.
$4.99
Helen's Meadow -A Modern Jig for Flute Clarinet and Piano.
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Grant Horsley
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Helen's Meadow -A Modern Jig f
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1468526 Composed by Grant Horsley. Celtic,Contest,Festival,Folk,Irish...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.1468526 Composed by Grant Horsley. Celtic,Contest,Festival,Folk,Irish,Multicultural,Wedding,World. 32 pages. Grant Horsley #1046843. Published by Grant Horsley (A0.1468526). THE PIANO ACCOMPANIMENT TRACK IS AVAILABLE AS AN MP3. Helen's Meadow is in ternary form and is a modern jig. 6/8 time and in D minor.There is nothing more complicated than crotchets and quavers throughout-hence I anticipate a competent intermediate player will be fine with it. The influence is Scottish/Irish/Celtic/Folk I've kept the instrumental parts as equal as possible. I have set it to intermediate level but to enable you to judge, the whole score is on the youtube link. It is around 3 mins 30 long. It is a ideal for concerts, recitals, weddings, special occasions etc.Price is for the score and parts.Flute Duet and Violin Duet versions are also available.
$5.99
I Knew You Were Trouble
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Pop musique
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Taylor Swift
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Steven Pope
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I Knew You Were Trouble
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Steven Pope
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1446397 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Steven Pope. 21st Century,Contemporary,Pop. ...
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Guitar - Level 1 - SKU: A0.1446397 By Taylor Swift. By Max Martin, Shellback, and Taylor Swift. Arranged by Steven Pope. 21st Century,Contemporary,Pop. Guitar Tab. 3 pages. Steven Pope #1026211. Published by Steven Pope (A0.1446397). Easy fingerstyle guitar arrangement of I Knew You Were Trouble by Taylor Swift.A fun fingerstyle guitar piece that will get the fingers moving on both your left and right hands. Some big slides and faster runs of notes in this arrangement provide a satisfying challange for those looking to push their guitar playing to the next level.This arrangement will help you to practise: fast tempos, quavers(8th notes), tied notes, slides, right hand picking technique.
$4.99
Corant - trio- flute/clarinet/cello
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Cello,Clarinet,Flute - SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beam...
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Cello,Clarinet,Flute - SKU: A0.1393780 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977252. Published by Phil Beaman (A0.1393780). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - second space Ab to high F above staffClarinet - bottom space F# to high C above staffCello - low C below staff to high E above staffrecording is of Flute-Oboe-Cello version, with Clarinet subbing for the Oboe part.
$7.99
Corant - trio- violin/oboe/cello
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/oboe/cel
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Phil Beaman
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SheetMusicPlus
Cello,Oboe,Violin - Level 4 - SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Ph...
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Cello,Oboe,Violin - Level 4 - SKU: A0.1393758 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977229. Published by Phil Beaman (A0.1393758). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - bottom space F# to high E above staffOboe - middle C to high A above staffCello - low C below staff to high E above staff.
$7.99
Corant - trio- xylophone/acoustic guitar/electric bass guitar
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- xylophone/acous
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Phil Beaman
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SheetMusicPlus
Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instruct...
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Acoustic Guitar,Electric Bass Guitar,Xylophone - Level 5 - SKU: A0.1394296 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977773. Published by Phil Beaman (A0.1394296). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite.  It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps.  Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts.  I wrote a highly ornamented continuo for each part when not playing melody.  In true Baroque style I have created a tight interplay between the parts.  Each part also has a rather wide range of about 2 octaves.  Although in a Minor Key, this piece is very bright and uplifting.  It is very accessible and thus a concert crowd pleaser.  Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation.  Most of all, this piece is just Pure Fun!  And who would expect a 17th century style piece on Xylophone, Acoustic Guitar, and Electric Bass Guitar!6 pages score, 2 pages @ partRanges -Xylophone -  bottom space F# to E above staffAcoustic Guitar - middle C to A above staffElecBass  Guitar - low B below staff to high E above staff.
$7.99
Corant - trio- flute/clarinet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Clarinet,Flute - Level 4 - SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 1...
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Bass Trombone,Clarinet,Flute - Level 4 - SKU: A0.1394137 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977597. Published by Phil Beaman (A0.1394137). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â Ab to high F above staffClarinet - bottom space F# to high C above staffTrombone - low C below staff to high F above staff.
$7.99
Corant - trio- flute/clarinet/bass clarinet
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- flute/clarinet/
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Phil Beaman
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Ins...
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Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute - Level 4 - SKU: A0.1394226 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977700. Published by Phil Beaman (A0.1394226). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Flute - Â second space A to high A above staffClarinet - second line G# to high D above staffBass Clarinet - low E below staff to high E above staff.
$7.99
Corant - trio- violin/clarinet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/clarinet
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Clarinet,Violin - Level 4 - SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. ...
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Bass Trombone,Clarinet,Violin - Level 4 - SKU: A0.1394166 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977651. Published by Phil Beaman (A0.1394166). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffClarinet - bottom line E# to high B above staffTrombone - low C below staff to high E above staffrecording is of Violin/Trumpet/Trombone, clarinet would substitute for the trumpet part.
$7.99
Corant - trio- violin/trumpet/trombone
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Jean-Baptiste Loeillet
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Phil Beaman
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Corant - trio- violin/trumpet/
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Phil Beaman
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SheetMusicPlus
Bass Trombone,Trumpet,Violin - Level 4 - SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 1...
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Bass Trombone,Trumpet,Violin - Level 4 - SKU: A0.1394185 Composed by Jean-Baptiste Loeillet. Arranged by Phil Beaman. Baroque,Instructional,Standards. 12 pages. Phil Beaman #977658. Published by Phil Beaman (A0.1394185). This Baroque piece was originally written by Jean Loeillet as part of a Harpsichord Suite. Â It is written in the Italian Corant style in the characteristic Fast(Allegro) 3/4 with rapid running passages of eighth notes (quavers) which alternate scalar steps with large leaps. Â Traditionally the piece would have been performed very cleanly, not legato.My arrangement takes the melody and passes it between the three instrument parts. Â I wrote a highly ornamented continuo for each part when not playing melody. Â In true Baroque style I have created a tight interplay between the parts. Â Each part also has a rather wide range of about 2 octaves. Â Although in a Minor Key, this piece is very bright and uplifting. Â It is very accessible and thus a concert crowd pleaser. Â Great for the student recitals too to learn and show mastery of Baroque techniques of clean ensemble playing and ornamentation. Â Most of all, this piece is just Pure Fun!6 pages score, 2 pages @ partRanges -Violin - Â bottom space F# to high E above staffTrumpet - bottom line E# to high B above staffTrombone - low C below staff to high E above staff.
$7.99
Skip It Lou
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Traditional
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Andrew Will
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F
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Skip It Lou
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Willscore Publishing
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SheetMusicPlus
Level 1 - SKU: A0.1297740 Composed by Traditional. Arranged by Andrew Will. Children,Instructional,Traditional. 27 pages. Willscore Publishing #887712. ...
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Level 1 - SKU: A0.1297740 Composed by Traditional. Arranged by Andrew Will. Children,Instructional,Traditional. 27 pages. Willscore Publishing #887712. Published by Willscore Publishing (A0.1297740). Skip It Lou is a traditional piece arranged for Easy/Beginner Concert Band. Pitches used in this arrangement are Concert A, Bb, C, D, Eb & F. A great resource for your developing band. Range has be kept at a minimal distance with simple rhythms such as whole, half, quarter notes/rests and quavers/dotted half notes. Your students will love playing this easy arrangement at the beginning stages of their development. Enjoy! The Willscore Publishing Team.
$25.00
Doomsday
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Contemporain
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Murray Gold
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Johann Rosser
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Doomsday
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Johann Rosser
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.906114 By Murray Gold. By Murray Gold. Arranged by Johann Rosser. Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.906114 By Murray Gold. By Murray Gold. Arranged by Johann Rosser. Contemporary. Score and parts. 6 pages. Johann Rosser #6109203. Published by Johann Rosser (A0.906114). This haunting melody from one of Doctor Who's most iconic episodes has been given crafted into a piano duet version, incorporating hints of the Doctor Who main theme throughout... it builds fabulously to the end where it leaves the listening hanging... This arrangement is not intrinsically difficult, but requires certain technical achievements for a convincing performance:- the co-ordination of cross-rhythms between the two players (triplets for Primo against quavers for Secondo)- the ability to play in octaves with one hand. - a small section of hand crossing between players- reading notes with significant ledger lines, and playing with the 8va line.
$4.99
When The Saints
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Traditional
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Robert Rainford
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When The Saints
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Forton Music - Digital
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SheetMusicPlus
Picc. (G tr). 3 Fl. Afl. Bfl. (Cafl). (Cbfl). Cbfl in G). (Dbl Cbfl). - Easy - Intermediate - SKU: F2.FM600 Composed by Traditional. Arranged by Robert ...
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Picc. (G tr). 3 Fl. Afl. Bfl. (Cafl). (Cbfl). Cbfl in G). (Dbl Cbfl). - Easy - Intermediate - SKU: F2.FM600 Composed by Traditional. Arranged by Robert Rainford. A great piece for introducing the full flute choir to audiences. Score and parts. 53 pages. Forton Music - Digital #FM600. Published by Forton Music - Digital (F2.FM600). ISBN 9790570484997.This piece has been created to give the flute choir a chance to introduce the entire flute family to the audience in a lighthearted, fun way. At each 'vamp' section, while the flutes continue to play the ostinato pattern the narrator (this can be the conductor or a dedicated narrator) can talk to the audience about the flute that is about to play the next 'verse' of the tune. The style of the narration can be varied depending on the nature of the situation. It may be possible to hold up the various flutes next to each other to give the audience an idea of the comparative sizes of the various instruments. You could also talk about relative pitches of each member of the flute family, their development, some repertoire (both solo and orchestral), and about the development of the flute choir as an ensemble. This piece is performable with the minimum forces of piccolo, 3 flutes, alto flute and bass flute. The sections featuring the other, rarer member of the flute family can be omitted by cutting from the end of any vamp bar to the letter where the next available solo instrument takes the tune. Following the entry of the last solo instrument (the piccolo) there are two sections for the full flute choir. One also features some hidden flute 'lollipops' that you may or may not want to draw the audiences attention to, and the final section is a jazzy finale with the option of swinging the quavers. Above all, this arrangement was produced to be usable. Please feel free to adapt it in any way you like to help us introduce audiences to the great sound of the flute choir!
$22.95
Ballad for Marine
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Alain Lopez
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Ballad for Marine
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Violon, Piano - Grade 2 - SKU: FX.FX071518 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music ...
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Violon, Piano - Grade 2 - SKU: FX.FX071518 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071518. Published by FLEX Editions - Digital Sheet Music (FX.FX071518). This bluesy ballad proposes an easy approach of doted quaver followed by semiquaver and helps going one step further since this solemn rhythm is always followed by 2 quavers!
$6.95
La Cuenta (Brass Septet w. Percussion)
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Mike Lyons
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La Cuenta
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Bongos,Euphonium,Horn,Maracas,Trombone,Trumpet,Tuba,Woodblock - Level 5 - SKU: A0.767105 Composed by Mike Lyons. 20th Century,Latin. Scor...
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Small Ensemble Bongos,Euphonium,Horn,Maracas,Trombone,Trumpet,Tuba,Woodblock - Level 5 - SKU: A0.767105 Composed by Mike Lyons. 20th Century,Latin. Score and parts. 71 pages. Lyons Music Services #2930475. Published by Lyons Music Services (A0.767105). La Cuenta is a brilliant Latin number for brass septet with percussion. It has complex time signatures and demands a good sense of rhythm from all players. The Counting (hence the title) is always important, and quavers (eighths) need to be counted accurately, but the music is still very enjoyable to play and listen to.Parts are supplied for Part 1 in BbPart 2 in BbPart 3 in Eb/FPart 4 in Bb/C(Bass clef)Part 5 in Bb/C(Bass clef)Part 6 in Bb/C(Bass clef)Part 7 in Eb/C(Bass clef)Percussion required is snare/cymbals, maracas/cabasa, bongos and woodblock. and parts are supplied to allow as flexible as possible a disposition of players.Don't miss out on this jolly number, which will fit in any kind of programme.
$20.00
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